Gotowa bibliografia na temat „Historical films”
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Artykuły w czasopismach na temat "Historical films"
Nadel, Alan. "What Makes Films Historical??" Film Quarterly 62, nr 3 (2009): 76–80. http://dx.doi.org/10.1525/fq.2009.62.3.76.
Pełny tekst źródłaSchultz, Jaime. "The Truth about Historical Sport Films". Journal of Sport History 41, nr 1 (1.04.2014): 29–45. http://dx.doi.org/10.5406/jsporthistory.41.1.29.
Pełny tekst źródłaYoungmee Hwang. "Typology of the Genre of Korean Historical Films: Focusing on Lee Joon-ik’s Historical films". Film Studies ll, nr 68 (czerwiec 2016): 287–312. http://dx.doi.org/10.17947/kfa..68.201606.010.
Pełny tekst źródłaHakim, Luqman Abdul. "MENERAWANG MASA LALU DI ERA DIGITAL: FILM SEJARAH VIS A VIS HISTORIOGRAFI". SASDAYA: Gadjah Mada Journal of Humanities 3, nr 1 (28.02.2019): 33. http://dx.doi.org/10.22146/sasdayajournal.43885.
Pełny tekst źródłaGolovnev, Ivan A. "Archival Ethnographic Films as a Historical Source". Herald of an archivist, nr 3 (2018): 692–703. http://dx.doi.org/10.28995/2073-0101-2018-3-692-703.
Pełny tekst źródłaDaniellou, Simon. "Historical films about the Korean Empire". 1895, nr 69 (1.04.2013): 209–13. http://dx.doi.org/10.4000/1895.4651.
Pełny tekst źródłaKurbangalieva, Alina Olegovna, i Lilia Valievna Nasyrova. "LENI RIEFENSTAHL'S FILMS AS HISTORICAL SOURCES". Young Scholars Journal, nr 4-5 (2021): 28–31. http://dx.doi.org/10.29013/ysj-21-4.5-28-31.
Pełny tekst źródłaQodirov, Behzod Bahodirovich. "HISTORICAL STAGES OF UZBEK ART FILMS". Theoretical & Applied Science 73, nr 05 (30.05.2019): 453–56. http://dx.doi.org/10.15863/tas.2019.05.73.68.
Pełny tekst źródłaSorlin, Pierre. "Historical Films as Tools for Historians". Film & History: An Interdisciplinary Journal of Film and Television Studies 18, nr 1 (luty 1988): 2–15. http://dx.doi.org/10.1353/flm.1988.a402699.
Pełny tekst źródłakim, joohyun. "Reflection on the Fourth Stage of Historical Consciousness in Korean Independent Documentary Films: Dynamics of Societal Conflict and Integration". Korean Society of Human and Nature 5, nr 1 (30.06.2024): 109–43. http://dx.doi.org/10.54913/hn.2024.5.1.109.
Pełny tekst źródłaRozprawy doktorskie na temat "Historical films"
Ludvigsson, David. "The historian-filmmaker's dilemma : historical documentaries in Sweden in the era of Häger and Villius /". Uppsala : Acta Universitatis Upsaliensis : Univ.-bibl. [distributör], 2003. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-3865.
Pełny tekst źródłaLudvigsson, David. "The historian-filmmaker's dilemna : historical documentaries in Sweden in the era of Häger and Villius /". Uppsala : Uppsala universitet, 2003. http://catalogue.bnf.fr/ark:/12148/cb399193638.
Pełny tekst źródłaPaleker, Gairoonisa. "Creating a 'black film industry' : state intervention and films for African audiences in South Africa, 1956-1990". Doctoral thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/8259.
Pełny tekst źródłaIncludes bibliographical references (leaves 217-239).
This thesis examines one aspect of cinema in South Africa, namely, the historical construction of a 'black film industry' and the development of a 'black' cinema viewing audience. It does so by focusing on films produced specifically for an African audience using a state subsidy. This subsidy was introduced in 1972 and was separate from the general or A-Scheme subsidy that was introduced in 1956 for the production of English- and Afrikaans-language or 'white' films. This thesis is a critical assessment of the actual film products that the B-Scheme produced. The films are analysed within the broader political, economic and social context of their production and exhibition. The films are used as historical sources for the way in which African identities were constructed. Through critical analyses of the selected films, the thesis examines the manner in which African people, culture, gender and family relations, as well as class and/or political aspirations were represented in film. Africans had very little opportunity or power to represent themselves and where this had been possible, it was within the ideological and political boundaries set by the apartheid government.
Bisson, Vincent J. 1984. "Historical Film Reception: An Ethnographic Focus beyond Entertainment". Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10816.
Pełny tekst źródłaDrawing upon theories from folkloristics, history, and audience studies, this thesis analyzes historical films, their reception, and the importance of history and film in everyday life. Using an interdisciplinary approach, I demonstrate how a folkloric perspective may contribute to and strengthen the study ofhistorical films by emphasizing the attributes of narrative and belief at the vernacular level of reception. With an ethnographic and qualitative focus on the informal, common, and everyday film viewing habits of specific individuals in relation to historical belief, this project provides empirical evidence that is necessary for a more accurate understanding of the function and reception of historical films. This study also re-examines the formal aspects of historical films in relation to historical re-construction, the definition and categorization of such films, their reception, their function beyond entertainment, and the need for an integration of new research in both audience studies and folklore studies.
Committee in Charge: Dr. Daniel Wojcik, Chair; Dr. Jeffrey Hanes; Dr. Bish Sen
Sutandio, Anton. "Historical Trauma and the Discourse of Indonesian-ness in Contemporary Indonesian Horror Films". Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1395861044.
Pełny tekst źródłaMitchell, Louisa Jo. "Disrupting heritage cinema : the historical films of South Korea". Thesis, University of Leeds, 2018. http://etheses.whiterose.ac.uk/22590/.
Pełny tekst źródłaLindberg, Victor. "Film som läromedel : En undersökning om elevers attityder till film i historieunder-visningen". Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-67352.
Pełny tekst źródłaBaker, William Andrew. "Melancholy and the Photo-Historical Approach in the Films of Wim Wenders". The Ohio State University, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu161913209076124.
Pełny tekst źródłaRiley, Eustacia. "From Matieland to motherland : landscape, identity and place in feature films set in the Cape Province, 1947-1989". Doctoral thesis, University of Cape Town, 2012. http://hdl.handle.net/11427/11641.
Pełny tekst źródłaIncludes bibliographical references.
This thesis analyses the representation of landscape, place and identity in films set in the Cape between 1947 and 1989. These films are products of a "white", largely state-subsidised film industry, although they include a small number of independent, "alternative" films. A critical reading of these cinematic "apartheid landscapes" provides evidence of the historical context, discourses and values informing their production, as well as the construction and transformation of place and identity in apartheid South Africa.
Pierce, Kelley J. "Dance-10 : a historical investigation of musical theatre dance styles in film". Virtual Press, 1986. http://liblink.bsu.edu/uhtbin/catkey/491454.
Pełny tekst źródłaKsiążki na temat "Historical films"
Hwang, Kyung Moon. Fate and Freedom in Korean Historical Films. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-27268-4.
Pełny tekst źródłaBurgoyne, Robert. The Hollywood historical film. Malden, MA: Blackwell Pub., 2008.
Znajdź pełny tekst źródłaGert, Sauer. Sternstunden des deutschen Films. München: DSZ, Druckschriften- und Zeitungs-Verlag, 2001.
Znajdź pełny tekst źródłaRosenstone, Robert A. History on film/film on history. Harlow, England: Longman/Pearson, 2006.
Znajdź pełny tekst źródłaBarak-Erez, Daphne. The law of historical films: In the aftermath of Jenin, Jenin. [Toronto]: Faculty of Law, University of Toronto, 2005.
Znajdź pełny tekst źródłaDavis, Natalie Zemon. Slaves on screen: Film and historical vision. Cambridge, Mass: Harvard University Press, 2000.
Znajdź pełny tekst źródłaDavis, Natalie Zemon. Slaves on screen: Film and historical vision. [Toronto]: Vintage Canada, 2000.
Znajdź pełny tekst źródłaSchiemann, Swenja. Gegenwart historisch gesehen: Kultur und Politik 1789-1848 filmisch reflektiert. München: Edition Text + Kritik, 2018.
Znajdź pełny tekst źródłaTaves, Brian. The romance of adventure: The genre of historical adventure movies. Jackson: University Press of Mississippi, 1993.
Znajdź pełny tekst źródłaFritsche, Maria. Fiery Hungarians, subversive Czechs, snappy Germans: The recycling of history in postwar Austrian cinema (1945-1955). Trondheim: Department. of History, NTNU, 2010.
Znajdź pełny tekst źródłaCzęści książek na temat "Historical films"
Giles, C. H., S. D. Forrester i G. G. Roberts. "Historical Introduction". W Langmuir-Blodgett Films, 1–15. Boston, MA: Springer US, 1990. http://dx.doi.org/10.1007/978-1-4899-3716-2_1.
Pełny tekst źródłaGreiner, Rasmus. "Refiguring Historical Consciousness". W Cinematic Histospheres, 205–10. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70590-9_9.
Pełny tekst źródłaXu, Fangyi. "Historical Films: Beyond National Imagination". W Transformation of Contemporary Film Genre, 147–79. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-6860-0_5.
Pełny tekst źródłaNanetti, Andrea. "History, Films, and Online Video Streaming". W Computational Engineering of Historical Memories, 61–96. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003310860-3.
Pełny tekst źródłaBerkhofer, Robert F. "Films as Historical Representations and Resources". W Fashioning History, 175–213. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230617209_5.
Pełny tekst źródłaBailey, Scott C. M. "Historical Biographical Films and World History". W Approaching Recent World History through Film, 24–48. First edition. | New York : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9780429299599-3.
Pełny tekst źródłaGreiner, Rasmus. "Modeling and Perceiving". W Cinematic Histospheres, 75–114. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70590-9_5.
Pełny tekst źródłaAmato, Giuseppe, Donatella Castelli i Serena Pisani. "A Metadata Model for Historical Documentary Films". W Research and Advanced Technology for Digital Libraries, 328–31. Berlin, Heidelberg: Springer Berlin Heidelberg, 2000. http://dx.doi.org/10.1007/3-540-45268-0_32.
Pełny tekst źródłaWang, Yiman. "Crows and Sparrows: Allegory on a Historical Threshold". W Chinese Films in Focus II, 82–89. London: British Film Institute, 2008. http://dx.doi.org/10.1007/978-1-349-92280-2_11.
Pełny tekst źródłaElm, Michael. "Man, Demon, Icon: Hitler’s Image between Cinematic Representation and Historical Reality". W Hitler — Films from Germany, 151–67. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137032386_7.
Pełny tekst źródłaStreszczenia konferencji na temat "Historical films"
Olarescu, Dumitru. "The historical-biographical film: destinies and personalities". W Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.10.
Pełny tekst źródłaJoshi, Priyanka. "What “She” Was…’: Representations of Women in Films – A Historical Perspective". W The Asian Conference on Arts & Humanities 2022. The International Academic Forum(IAFOR), 2022. http://dx.doi.org/10.22492/issn.2186-229x.2022.5.
Pełny tekst źródłaWangjingwen i luwei. "Imagination, Metaphor and Adpe: The Historical Reconstruction of Domestic Plague-Themed Films". W proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.487.
Pełny tekst źródłaDong, Hanzhang. "Analyzing the symbolic significance of Angelopoulos’ films from the perspective of semiotics". W Intelligent Human Systems Integration (IHSI 2024) Integrating People and Intelligent Systems. AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004522.
Pełny tekst źródłaГубанова, Т. С. "EUROPEAN CINEMA AS A SOURCE OF HISTORICAL MEMORY FORMATION (ON THE EXAMPLE OF FILMS ABOUT THE FIRST WORLD WAR)". W Конференция памяти профессора С.Б. Семёнова ИССЛЕДОВАНИЯ ЗАРУБЕЖНОЙ ИСТОРИИ. Crossref, 2021. http://dx.doi.org/10.55000/mcu.2021.86.92.020.
Pełny tekst źródłaTipa, Violeta. "Identity visions in the creation of the filmmaker Constantin Balan". W Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.18.
Pełny tekst źródłaRodriguez, Brandon Esquvias, Brendan Hickey, Vincent McDonell, Soichiro Tabata i Shigeki Senoo. "Investigation of Water Films Shed From an Airfoil in a High-Speed Flow". W ASME Turbo Expo 2022: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2022. http://dx.doi.org/10.1115/gt2022-80350.
Pełny tekst źródłaHelm, Daniel, Fabian Jogl i Martin Kampel. "Historian: A Large-Scale Historical Film Dataset with Cinematographic Annotation". W 2022 IEEE International Conference on Image Processing (ICIP). IEEE, 2022. http://dx.doi.org/10.1109/icip46576.2022.9897300.
Pełny tekst źródłaHayitov, Shuhrat. "REGARDING NEW TRANSLATIONS OF “BABURNAMA”". W The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/iqcp4009.
Pełny tekst źródłaDong, Hanzhang. "A cross-cultural contextual study of Wong Kar-wai’s films driven by online reviews". W Human Interaction and Emerging Technologies (IHIET-AI 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004562.
Pełny tekst źródłaRaporty organizacyjne na temat "Historical films"
Kim, Sukkoo. Markets and Multiunit Firms from an American Historical Perspective. Cambridge, MA: National Bureau of Economic Research, kwiecień 2001. http://dx.doi.org/10.3386/w8232.
Pełny tekst źródłaAlabarda, Yusuf, i Rafal Lisowiec. The Private Military Firms: Historical Evolution and Industry Analysis. Fort Belvoir, VA: Defense Technical Information Center, czerwiec 2007. http://dx.doi.org/10.21236/ada473255.
Pełny tekst źródłaLILLY, J. T. Anticipated Dose Estimate and Historical Documentation and Excel Files for Project W-460. Office of Scientific and Technical Information (OSTI), grudzień 1999. http://dx.doi.org/10.2172/798824.
Pełny tekst źródłaSchofer, Ralph E. Cost comparison of selected alternatives for preserving historic pension files. Gaithersburg, MD: National Bureau of Standards, 1986. http://dx.doi.org/10.6028/nbs.ir.86-3335.
Pełny tekst źródłaBright, Megan Elizabeth, i Jinhee Nam. A Case of Interdisciplinary Course Project: Costuming in Historically based Film. Ames: Iowa State University, Digital Repository, listopad 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1484.
Pełny tekst źródłaKerr GD, Frome EL, Watkins JP, Tankersley WG. Historical Evaluation of Film Badge Dosimetry Y-12 Plant: Part 2?Neutron Radiation ORAUT-OTIB-0045. Office of Scientific and Technical Information (OSTI), grudzień 2009. http://dx.doi.org/10.2172/979065.
Pełny tekst źródłaMoriguchi, Chiaki. The Evolution of Employment Relations in U.S. and Japanese Manufacturing Firms, 1900-1960: A Comparative Historical and Institutional Analysis. Cambridge, MA: National Bureau of Economic Research, październik 2000. http://dx.doi.org/10.3386/w7939.
Pełny tekst źródłaKerrigan, Susan, Phillip McIntyre i Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Ballarat. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206963.
Pełny tekst źródłaCanto, Patricia. Firm Productivity, Organizational Choice and Global Value Chain. Universidad de Deusto, 2011. http://dx.doi.org/10.18543/lcsv5237.
Pełny tekst źródłaMartínez Parra, Marc. El vulcanismo en el cine. Ilustre Colegio Oficial de Geólogos, październik 2021. http://dx.doi.org/10.21028/mmp.2021.10.06.
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