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Artykuły w czasopismach na temat "Histoires de vie – Photographie"
Grossman, Wendy A., i Étienne Gomez. "Entre l’appareil et la toile". Photographica, nr 2 (3.05.2021): 11–33. http://dx.doi.org/10.54390/photographica.363.
Pełny tekst źródłaBuettner, Elizabeth. "Migrations et tournant global de l’histoire européenne". Annales. Histoire, Sciences Sociales 76, nr 4 (grudzień 2021): 729–50. http://dx.doi.org/10.1017/ahss.2022.4.
Pełny tekst źródłaYessler, Reagan, i Derek Hilton Alderman. "Art as “Talking Back”: Louise Jefferson’s Life and Legacy of Counter-Mapping". Cartographica: The International Journal for Geographic Information and Geovisualization 56, nr 2 (czerwiec 2021): 137–50. http://dx.doi.org/10.3138/cart-2020-0011.
Pełny tekst źródłaDíaz González, Gualberto, i Susana Córdova Santamaría. "Fotografía y actores del campo cafetalero de la región centro de Veracruz, México: mujeres, niños y jóvenes (2011-2012)". Clivajes. Revista de Ciencias Sociales, nr 12 (10.02.2020): 88–107. http://dx.doi.org/10.25009/clivajes-rcs.v0i12.2581.
Pełny tekst źródłaChalline, Éléonore, i Paul-Louis Roubert. "Introduction. Histoires-monde de la photographie". Histoires-monde de la photographie, nr 3 (7.10.2021): 11–15. http://dx.doi.org/10.54390/photographica.564.
Pełny tekst źródłaPinçon, Michel, i Monique Pinçon-Charlot. "Histoires de vie, espaces de vie". Espace géographique 17, nr 2 (1988): 122–30. http://dx.doi.org/10.3406/spgeo.1988.2759.
Pełny tekst źródłaFerry, Gilles. "Aventureuses histoires de vie". Spirale. Revue de recherches en éducation 24, nr 1 (1999): 7–13. http://dx.doi.org/10.3406/spira.1999.1522.
Pełny tekst źródłaPerin Vicentini, Paula, Rita de Cassia Gallego i Vivian Batista da Silva. "Histoires de vie d’enseignantes". Penser l'éducation, nr 49 (1.12.2021): 105–24. http://dx.doi.org/10.4000/pensereduc.449.
Pełny tekst źródłaLamy, Anne. "Des histoires de vie". L'école des parents N° 651, nr 2 (2.05.2024): 56–57. http://dx.doi.org/10.3917/epar.651.0056.
Pełny tekst źródłaBeaudoin, Chantal, Pierre J. Hamel i Céline Le Bourdais. "Les femmes et la pauvreté : histoires de familles, histoires d’emplois ?" IV. La famille : une affaire de femmes ?, nr 18 (15.12.2015): 161–71. http://dx.doi.org/10.7202/1034276ar.
Pełny tekst źródłaRozprawy doktorskie na temat "Histoires de vie – Photographie"
Erbetta, Alejandro. "Mémoire et (re)construction d'histoires individuelles, familiales et collectives (approches photographiques)". Electronic Thesis or Diss., Paris 8, 2018. http://www.theses.fr/2018PA080033.
Pełny tekst źródłaIn a time of exacerbation of the self-representation (through the socialnetworks, among other things), our subject of study proposes a reflection onmemory and the reconstruction of histories in the artistic practices. Using as astarting point a personal photographical work (Reprises), we propose a linkbetween theory and creation, in a dialectic that starts from the analysis ofpersonal works, to establish a dialogue with theorists and contemporaryartworks dealing with these issues. In this kind of retrospective approaches thatreinterpret the past, the artists work from the material and memory traces, suchas the images of family albums, archives, documents, or testimonies. Mixingdifferent esthetical universes in a new unity, they make coexist their ownimages with existing sources, disappeared lives with their own existences. Theirworks thus become a artistic re-creation and postulate a special narrative spacewhich evokes a poetics of the memory. Partial and fragmentary, they show anarrative reconfigured by the imaginary and the editing. They exceed thestrictly photographical field and open their language to the dialogue with otherarts, taking the form of hybrid artworks. What relation can be set betweenmemory, reconstruction and identity, between individual and collectivehistory ? If the past is being transformed, how to rebuild it ?
Dornier-Agbodjan, Sarah. "Histoire de liens, histoire de biens : la photographie de famille : mémoire et transmission". Besançon, 2003. http://www.theses.fr/2003BESA1001.
Pełny tekst źródłaErbetta, Alejandro. "Mémoire et (re)construction d'histoires individuelles, familiales et collectives (approches photographiques)". Thesis, Paris 8, 2018. http://www.theses.fr/2018PA080033.
Pełny tekst źródłaIn a time of exacerbation of the self-representation (through the socialnetworks, among other things), our subject of study proposes a reflection onmemory and the reconstruction of histories in the artistic practices. Using as astarting point a personal photographical work (Reprises), we propose a linkbetween theory and creation, in a dialectic that starts from the analysis ofpersonal works, to establish a dialogue with theorists and contemporaryartworks dealing with these issues. In this kind of retrospective approaches thatreinterpret the past, the artists work from the material and memory traces, suchas the images of family albums, archives, documents, or testimonies. Mixingdifferent esthetical universes in a new unity, they make coexist their ownimages with existing sources, disappeared lives with their own existences. Theirworks thus become a artistic re-creation and postulate a special narrative spacewhich evokes a poetics of the memory. Partial and fragmentary, they show anarrative reconfigured by the imaginary and the editing. They exceed thestrictly photographical field and open their language to the dialogue with otherarts, taking the form of hybrid artworks. What relation can be set betweenmemory, reconstruction and identity, between individual and collectivehistory ? If the past is being transformed, how to rebuild it ?
Arribert-Narce, Fabien. "Photobiographies : pour une écriture de notation de la vie (Roland Barthes, Denis Roche, Annie Ernaux)". Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030104.
Pełny tekst źródłaThis thesis examines the literary genre of photobiography, which encompasses autobiographical works in which photographs play an essential role, be they reproduced or merely described within the text. It focuses more specifically on the works of three contemporary photobiographers, Roland Barthes, Denis Roche and Annie Ernaux. These authors share a desire to capture material traces of their own existence and to grasp the concrete reality of their lives. In doing so, they follow the model of photographic recording and produce a notational form of life writing that significantly challenges traditional autobiography. In Barthes’s photobiographical project, the photograph is not only viewed as an exemplary form of the notation of the present, but also provides a number of studium and punctum ‘biographemes’ that eventually construct a fragmented autobiographical subject. Roche’s photobiographical activity is that of a practitioner (he is both a photographer and a writer) and consists in ceaselessly accumulating graphic ‘deposits’ of life and in incorporating them within intermedial devices that exploit the principal characteristics of photography (instantaneity, mechanicity, exposability, seriality). Finally, Ernaux’s ‘auto-socio-biographical’ work provides a sociological and historical testimony that makes use of the photograph to reveal the collective dimension and alterity of the ‘self’. This body of work belongs to the paradigm of analogue photography, which is anchored in the twentieth century and is on the verge of disappearing at the dawn of the twenty-first
Couvidat, David. "La collection "terre humaine" de Jean Malaurie (1955-2015) : littérature, anthropologie et photographie". Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCC030/document.
Pełny tekst źródła“Terre Humaine” Publishers’ Series (1955-2015), which is supervised by a French explorer and geographer, Jean Malaurie, may be examined as a heuristic space of diffusion of ideas, objects and practices to explore, in the 2nd half of the twentieth century, the tightness of the literary field in contact with anthropology and photography. The diversity of the authors’ backgrounds, writing genres, spaces and periods of time, masks the underground unity of an editorial and self-claimed universal enterprise which aims at understanding the most diverse populations, both in time and space, to uncover the mysteries of the human existence. Networking testimonials on societies scattered around the globe discloses a parallel worldview. In connection with the Annales review and the 19th century realism and naturalism, early reflections on writing in social sciences end up spawning an ethnographic literature grounded in exploring ways of living and thinking among marginalized groups worldwide. Ethnography is not anymore only considered as a scientific method to collect data but more broadly as a textual, visual and audiovisual writing genre relating the tragic metamorphosis of a society in contact with a civilization
Carra, Cécile. "Délinquance juvénile et quartiers sensibles : histoires de vie /". Paris ; Montréal (Québec) ; Budapest [etc.] : l'Harmattan, 2001. http://catalogue.bnf.fr/ark:/12148/cb37660397n.
Pełny tekst źródłaBibliogr. p. 171-182.
Tartarini, Monaco Gina María. "Histoires de vie de femmes mexicaines : analyse discursive". Paris 5, 1995. http://www.theses.fr/1995PA05H021.
Pełny tekst źródłaLafrenière, Hélène. "Histoire et histoires de vie des écoles de rang". Thèse, Université du Québec à Trois-Rivières, 1997. http://depot-e.uqtr.ca/4784/1/000637391.pdf.
Pełny tekst źródłaLeroy, Delphine. "Ecritures de femmes migrantes hispanophones en France : Histoires de vie histoires d’écrits, quels enjeux d’ " auteurisation " ?" Thesis, Paris 8, 2014. http://www.theses.fr/2014PA080007/document.
Pełny tekst źródłaIt is through the gathering of biographical narratives that this thesis questions migrating writings. Whether literate or only slightly literate, these women put forward the story of their relationships to writing through the prism of their personal trajectories. An ethnography of some of their usual practices is used in counterpoint to feed or contradict their narration.This thesis sets the relationships to writing of women acquiring literacy skills in Paris against those of Spanish-speaking female authors. In this respect, the investigation process aimed at questioning the relationships to writing of migrant women relating differently to the code breaks with the traditional partition between literate and non-literate women. The suggested line of research aims at reaching beyond the compartmentalisation that they usually undergo.Do the relationships to writing of migrant women following literacy lessons and those of migrant authors share common characteristics?Mentioning author-isation” means referring both to the visible ability to write (be an author) and to the power to act (authorise oneself), in a context of omnipresent doubt as to the ability to write.As a dynamic and experiential process, migration demands that the individual proceed to a reconfiguring of his identity along with new practices, representing a multiple source of learning. Writing in a new language is one of them and bears remarkable creative potentiality. Relationships of domination –whether gender-based, institutional or cultural- impact the relationship to writing and its acquisition.The ethnographic relationship impacts the data obtained and its critical story offers new potentiality for analysis to the reader. Bringing to light the anomalies of the investigation is a way to put the dynamic of research into the scope of an ever-uncompleted process whose results have a duty to be debated
Zayas, Hélène. "Le récit de vie en Amérique hispanique : histoires et sociétés". Paris 3, 1994. http://www.theses.fr/1994PA030195.
Pełny tekst źródłaThe research presents the methodology to study latinamerican societies (eight countries) and their history, through the analyse of a corpus of life stories from narrators - slums people, indians, women - who all belong to the world of dominated people. The first part deals with the methodological problems so as to present the use of personal documents in various scientific branches. The conclusions of a field journey carried out in argentina complete this study. The second part is dedicated to historicity of life stories and outstands the different ways people phocus history: the speech of dominated people not only can question the official history, but it can also be a valuable contribution to the knowledge of some historical process (nicaragua 1974-1979). In the third part, the analysis of indian's life stories points out some pecularities of their culture, mainly the ethno-resistance process (guatemala). In a sociological point of view, the word of women reveals their evolution and the growing importance of their social and politic roles. The life story is an instrument to acquire knowledge about the "people of silence" and the societies they belong to
Książki na temat "Histoires de vie – Photographie"
Jones, Julie. Histoires de la photographie. [Paris]: Jeu de Paume, 2014.
Znajdź pełny tekst źródłaTerkel, Studs. Hard times: Histoires orales de la Grande Dépression. Paris: Ed. Amsterdam, 2009.
Znajdź pełny tekst źródłaLehman, Boris. Histoire de ma vie racontée par mes photographies. Paris: Centre Pompidou, 2003.
Znajdź pełny tekst źródłaStanton, Brandon. Ren zai Niuyue. Wyd. 8. Chongqing Shi: Chongqing chu ban she, 2015.
Znajdź pełny tekst źródłaYehoun, Roland. Histoires de vie: Roman. Ouagadougou: Éditions Descendues du Ciel, 2013.
Znajdź pełny tekst źródłaMarcotte, Gilles. La vie réelle: Histoires. [Montréal]: Boréal, 1989.
Znajdź pełny tekst źródłaPineau, Gaston. Les histoires de vie. Paris: Presses universitaires de France, 1993.
Znajdź pełny tekst źródłaBourseiller, Antoine. Sans relâche: Histoires d'une vie. Arles: Actes sud, 2008.
Znajdź pełny tekst źródłaNeuchâtel, Institut d'ethnologie de, red. Histoires de vie: Approche pluridisciplinaire. Neuchâtel: Editions de l'Institut d'ethnologie, 1987.
Znajdź pełny tekst źródłaHepburn, Katharine. Moi: Histoires de ma vie. Paris: Presses de la Renaissance, 1991.
Znajdź pełny tekst źródłaCzęści książek na temat "Histoires de vie – Photographie"
Pineau, Gaston. "Histoires de vie et Formation de Nouveaux Savoirs Vitaux". W Lifelong Education, 299–311. Dordrecht: Springer Netherlands, 1995. http://dx.doi.org/10.1007/978-94-011-0087-8_10.
Pełny tekst źródłaLemesle, Bruno. "La cause du peuple dans la Vie de Geoffroy de Jean de Marmoutier". W Histoires de famille. La parenté au Moyen Age, 447–59. Turnhout: Brepols Publishers, 2006. http://dx.doi.org/10.1484/m.hifa-eb.3.620.
Pełny tekst źródłaLe Grand, Jean-Louis. "Histoires de vie". W Vocabulaire de psychosociologie, 360. ERES, 2002. http://dx.doi.org/10.3917/eres.barus.2002.01.0360.
Pełny tekst źródłaLe Grand, Jean-Louis. "Histoires de vie". W Vocabulaire de psychosociologie, 377. ERES, 2016. http://dx.doi.org/10.3917/eres.barus.2016.01.0377.
Pełny tekst źródłaRHÉAUME, JACQUES. "Raconter sa vie:". W Les histoires de vie, 15–38. Presses de l'Université du Québec, 2011. http://dx.doi.org/10.2307/j.ctv18ph1zk.4.
Pełny tekst źródła"Les histoires de vie". W La persistance au doctorat, 41–48. Presses de l'Université du Québec, 2011. http://dx.doi.org/10.2307/j.ctv18pgk2d.7.
Pełny tekst źródła"Front Matter". W Les histoires de vie, I—VI. Presses de l'Université du Québec, 2011. http://dx.doi.org/10.2307/j.ctv18ph1zk.1.
Pełny tekst źródłaNADEAU, GILLES. "Repères pour l’accompagnement spirituel des hommes de la génération lyrique en phase palliative de cancer". W Les histoires de vie, 121–48. Presses de l'Université du Québec, 2011. http://dx.doi.org/10.2307/j.ctv18ph1zk.10.
Pełny tekst źródłaVAN SCHENDEL, NICOLAS. "Prise de parole et histoires de vie:". W Les histoires de vie, 149–60. Presses de l'Université du Québec, 2011. http://dx.doi.org/10.2307/j.ctv18ph1zk.11.
Pełny tekst źródłaFORTIER, ISABELLE. "L’ethos public et le travail sur soi des gestionnaires:". W Les histoires de vie, 161–92. Presses de l'Université du Québec, 2011. http://dx.doi.org/10.2307/j.ctv18ph1zk.12.
Pełny tekst źródłaStreszczenia konferencji na temat "Histoires de vie – Photographie"
Fontvieille-Cordani, Agnès. "Perspectives d’instant : « Un instant de la vie de Léonard de Vinci et autres histoires » de Marianne Jaeglé". W Lectures sur le fil. Fabula, 2022. http://dx.doi.org/10.58282/colloques.8136.
Pełny tekst źródłaBen Amor, Syrine. "Pour une lecture croisée des représentations de l'onde dans Bruges-la-Morte de Georges Rodenbach". W XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3068.
Pełny tekst źródłaRaporty organizacyjne na temat "Histoires de vie – Photographie"
Hunter, Janine, Lorraine van Blerk, Thomas d'Aquin Rubambura, Cold Musiwa Mubigalo, Luc Mufano, Wayne Shand, Anabelle i in. Vie de rue dans la ville à la frontière: Des jeunes de la rue racontent leurs vies quotidiennes à Bukavu, RDC. StreetInvest, sierpień 2022. http://dx.doi.org/10.20933/100001259.
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