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Artykuły w czasopismach na temat "Hispano-American theory"
Putney, Dani. "Sino-Filipino Artistic Collaboration". Athanor 39 (22.11.2022): 35–52. http://dx.doi.org/10.33009/fsu_athanor130974.
Pełny tekst źródłaCaballero Wangüemert, María. "Al hilo de la literatura latinoamericana: estudios literarios/estudios culturales / To the thread of Latin American literature: literary studies / cultural studies". Kamchatka. Revista de análisis cultural., nr 9 (31.08.2017): 121. http://dx.doi.org/10.7203/kam.9.9932.
Pełny tekst źródłaGiraldo, Efrén. "Apuntes para una estética del ensayo colombiano del siglo XX". Estudios de Literatura Colombiana, nr 25 (9.08.2011): 107–22. http://dx.doi.org/10.17533/udea.elc.9799.
Pełny tekst źródłaBretón, Alejandra. "De voz emprendedora. Entrevista a Simone Fojgiel". Dixit, nr 17 (18.09.2012): 44–48. http://dx.doi.org/10.22235/d.v0i17.356.
Pełny tekst źródłaSigaut, Nelly. "[SPA] "ÉSTE QUE VES, ENGAÑO COLORIDO…"" // “THIS THAT YOU SEE, COLORFUL DECEPTION…”". Librosdelacorte.es, nr 5 (29.05.2017): 27–46. http://dx.doi.org/10.15366/ldc2017.9.m5.002.
Pełny tekst źródłaLámbarry, Alejandro. "“Los nuevos retos del viejo género de la crítica biográfica: el caso de Augusto Monterroso”". Revista Valenciana, estudios de filosofía y letras, nr 22 (11.07.2018): 81. http://dx.doi.org/10.15174/rv.v0i22.375.
Pełny tekst źródłaBatllori, Montserrat, i Assumpció Rost. "ORDEN DE PALABRAS Y POSICIÓN DE LOS CLÍTICOS PRONOMINALES EN LAS CONSTRUCCIONES IMPERATIVAS DE LAS LENGUAS ROMÁNICAS MEDIEVALES | WORD ORDER AND PRONOMINAL CLITIC POSITION IN THE IMPERATIVE CONSTRUCTIONS OF OLD ROMANCE LANGUAGES". Estudos Linguísticos e Literários, nr 58 (11.06.2017): 155. http://dx.doi.org/10.9771/ell.v0i58.26810.
Pełny tekst źródłaBolaños, Álvaro Félix. "Hispanismo y violencia: reflexión sobre lecturas de textos coloniales en nuestra época (Segunda parte)". Estudios de Literatura Colombiana, nr 15 (23.08.2013): 25–49. http://dx.doi.org/10.17533/udea.elc.16432.
Pełny tekst źródłaBernd, Zilá. "Revisitando a história literária hispano-americana". Alea: Estudos Neolatinos 25, nr 1 (styczeń 2023): 357–62. http://dx.doi.org/10.1590/1517-106x/202325120.
Pełny tekst źródłaLunardi, Silvia. "Twice American: Hispanic Writers in the United States". 44 | 116 | 2021, nr 116 (7.12.2021). http://dx.doi.org/10.30687/ri/2037-6588/2021/17/009.
Pełny tekst źródłaRozprawy doktorskie na temat "Hispano-American theory"
Uribe, Flores Eduardo. "Le discours théorique sur la poésie en Amérique hispanique entre 1819 et 1919 : Andrés Bello, José María Heredia, Manuel González Prada et Ricardo Jaimes Freyre". Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030034.
Pełny tekst źródłaThe general objective of this study is to analyse the theoretical discourse on poetry between 1819 and 1919, based on four fundamental authors of this period. Once neoclassical poetics was called into question and lacking an overall theory of literature, these authors proposed theoretical approaches to poetics in texts of various kinds : treatises, manuals, but also articles, reviews or auctorial paratexts. We propose to read this heterogeneous corpus as realizations of a theoretical discourse on poetry, in which theory has a variable status, epistemology, scope and formalization. At the same time, the conception of their theories reactivates knowledge and insights inherited from classical culture. We present an archaeology of this dialectic between what has been learned and the need for new knowledge. The research also proposes a rereading of the poetic theories of the 19th century in Hispanic America, based on the works of Bello, Heredia, González Prada and Jaimes Freyre
Baixeras, Borrell Ricardo. "Análisis pluridisciplinar de Tres Tristes Tigres para el estudio de la poética de Guillermo Cabrera Infante". Doctoral thesis, Universitat Pompeu Fabra, 2007. http://hdl.handle.net/10803/7434.
Pełny tekst źródłaSe propone una lectura gráfica y escenográfica de Tres tristes tigres, que es leída aquí como si de un espectáculo se tratara. Se explica a qué se refiere cuando se habla de Tres tristes tigres como escena, es decir, como espacio textual y como espacio hablado. La oralidad y la escritura a la que se hace referencia en este estudio son comprendidas en términos de una articulación de registros. Se trata de un entrecruzamiento de distintas formas de representación, donde el discurso, asociado a un locus de enunciación específico, se diluye en el proceso de articulación de lenguajes. Decir que la oralidad es una forma de representación supone aceptar que las diferentes tramas, personajes y temas se constituyen gracias a distintas (per)versiones, es decir, a un constante e ilimitado proceso de redefinición, de reescritura y de repetición que es otro de los hallazgos que esta tesis pretende mostrar.
The thesis " Multidisciplinary Analysis of Three Trapped Tigers to study the poetry of Guillermo Cabrera Infante " offers an initial overview from which to pinpoint the complexity of the creative writing of Cabrera Infante, including the entire existing bibliography on this novel.
A graphic and descriptic reading of Three Trapped Tigers is set out, read here as if it where a play. It is explained what is meant when Three Trapped Tigers is referred to like a scene, or to say, like textual space and spoken space. The orality and literacy referred to in this section becomes understood in terms of a articulation of registers. One is a crossing between different forms of representation, where the speech, associated to a locus of specific enunciation, is diluted in the process of articulation of languages. To say that the orality in Three Trapped Tigers is a form of representation supposes to accept that the different plots, characters and subjects constitute themselves because of different (per)versions, or to say, to a constant and limitless process of redefinition, of rewriting and repetition that is another one of the findings that this thesis tries to show.
Torres, Perdigón Andrea. "La littérature obstinée : l’idée et la forme du roman chez Juan José Saer, Ricardo Piglia et Roberto Bolaño". Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040066.
Pełny tekst źródłaA particular idea of literature was born during the 18th and 19th centuries, a period that corresponds with the rise of the modern novel genre. The idea of the modern novel, which came about during this time period, constitutes a virtual field of characteristics that has left its mark on both 20th century literary theory and on textual production. This research questions the vitality of this particular idea of the modern novel and, therefore, of the notion of literature it withholds. Our aim then, is to study the idea of the novel as it is expressed in the poetics of three contemporary Latin American writers: Juan José Saer, Ricardo Piglia and Roberto Bolaño. This study considers theoretical aspects as well as formal ones, focusing on essays and interviews of the three authors, as well as on three novels: La grande, La ciudad ausente and 2666.It presents a comparative reading of these poetics according to three main concepts: indetermination, relation to experience and reflexivity, which we think to be central to the idea of the modern novel. In addition, this study analyzes the three novels in terms of their narrative, reflexive and hybrid forms
Dufault, Mylène. "La traduction de la littérature hispano-américaine au Québec : de l'intégration immigrante à la mondialisation éditoriale". Thèse, 2013. http://hdl.handle.net/1866/9830.
Pełny tekst źródłaIn 2012, the translation of Hispanic American literary works in Québec is still marginal. However, the translation of such works has been increasing over the last twenty years and two Québec publishers have shown a keen interest in them: Les Écrits des Forges and Les Allusifs. The first has published in Spanish/French versions many canons of Mexican poetry while the latter has a good number of Hispanic American writers in French translation in its catalogue (now part of Leméac). This wave of interest was preceded by an initial movement of integration of Hispanic American literature in Québec, a movement mainly caused by the arrival in Canada of Hispanic American authors fleeing from a war or a dictatorial regime in their country of origin or having other reasons. Based on Pierre Bourdieu’s field theory and its subsequent application to the international literary space by Pascale Casanova, this thesis seeks to explain the conditions and processes that underlie the translation and publishing of Hispanic American literature in Québec. To this end, it analyzes the trajectory of three authors, each of whom has had at least one of his or her books published in French in Québec. These authors are the Salvadoran Horacio Castellanos Moya, whose novel titled Le Dégoût was published by Les Allusifs in 2003, the Mexican Jaime Sabines, whose Poemas del peatón/Poèmes du piéton was published by Les Écrits des Forges in 1997, and the Colombian Quebecer Yvonne América Truque, whose Proyección de los silencios/Projection des silences was published by the CÉDAH in 1986. Each of these trajectories illustrates a particular model of production and distribution of Hispanic American literature in translation which appeared during the last twenty years. Together, these case studies highlight the progressive move towards an increased globalization in Québec publishing structures as well as in the distribution and reception of symbolic goods.
Książki na temat "Hispano-American theory"
García, Nasario. Pláticas: Conversations with Hispano writers of New Mexico. Lubbock, TX: Texas Tech University Press, 2000.
Znajdź pełny tekst źródłaEl conflicto entre la letra y la escritura: Legalidades/contralegalidades de la comunidad de la lengua en hispano-América y América-Latina. Santiago, Chile: Fondo de Cultura Económica, 2013.
Znajdź pełny tekst źródłaThe Routes of Modernity: Spanish American Poetry from the Early Eighteenth to the Mid-Nineteenth Century (The Bucknell Studies in Latin American Literature and Theory). Bucknell University Press, 2002.
Znajdź pełny tekst źródła(Editor), Santa Arias, i Mariselle Melendez (Editor), red. Mapping Colonial Spanish America: Places and Commonplaces of Identity, Culture, and Experience (Bucknell Studies in Latin American Literature and Theory.). Bucknell University Press, 2002.
Znajdź pełny tekst źródłaCivantos, Christina E. Argentina and Hispano-America. Redaktor Waïl S. Hassan. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199349791.013.33.
Pełny tekst źródłaMurgia, Mario. Either in Prose or Rhyme. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198754824.003.0016.
Pełny tekst źródłaFerrer, Guillermo, Niklas Schmich i Sergio Pérez Gatica, red. Phänomenologie in Spanien und Hispanoamerika. Verlag Karl Alber, 2022. http://dx.doi.org/10.5771/9783495999059.
Pełny tekst źródłaCzęści książek na temat "Hispano-American theory"
Cortez, Enrique E. "Marcelino Menéndez Pelayo: The Colonial Matrix and the Latin American Literatures". W Transatlantic Studies, 432–42. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620252.003.0036.
Pełny tekst źródłaLamas, Carmen E. "Introduction". W The Latino Continuum and the Nineteenth-Century Americas, 1–22. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198871484.003.0001.
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