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Artykuły w czasopismach na temat „Hindus – Folklore”

Autor: Grafiati

Data publikacji: 26 lipca 2024

Data aktualizacji: 29 lipca 2024

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1

Subaharianto, Andang, Ghanesya Hari Murti, Erna Cahyawati, Dyah Purwita Wardani, and Imam Basuki. "Cerita Beji Antaboga dalam wacana harmonisasi alam dan antaragama." Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya 7, no. 1 (2024): 99–106. http://dx.doi.org/10.30872/diglosia.v7i1.884.

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The Beji Antaboga tourist site provides a religious atmosphere full of tolerance by building various statues of religious symbols located in a forest in Banyuwangi. The harmony between humans and nature is very well maintained at this location. This nuance is supported by a fictional story that is believed by the local community, namely the Antaboga dragon. However, the place is fully taken care of by Hindus who are indeed attached to protecting the surrounding nature, and their commitment to guard several points of springs. This research aims to measure the inter-religious relations in the ar

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Festino, Cielo. "Grinding Songs from Goa." Aletria: Revista de Estudos de Literatura 31, no. 1 (2021): 225–46. http://dx.doi.org/10.35699/2317-2096.2021.25541.

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The aim of this paper is to bring an analysis of oviyos, folkloric songs that Indian women from the Hindu community of Goa, former Portuguese colony in India used to sing while working at the grinding stone. These songs, a sample of Goan folklore, were collected by Heta Pandit in the book Grinding Stories. Songs from Goa (2018), based on her field work with singers Subhadra Arjun Gaus, Saraswati, Dutta Sawant and Sarojini Bhiva Gaonkar. The songs, sung in a dialect of Marathi-Konkani, were transcribed into English. These elaborate songs are of psychological and social significance as they prov

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RAY, SOHINI. "Boundaries Blurred? Folklore, Mythology, History and the Quest for an Alternative Genealogy in North-east India." Journal of the Royal Asiatic Society of Great Britain & Ireland 25, no. 2 (2014): 247–67. http://dx.doi.org/10.1017/s1356186314000510.

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AbstractThis paper analyses the use of religious folklore among the Meitei people of Manipur in northeastern India in the creation of a racial identity. After the Meiteis, who are ethnically Southeast Asian, were forced to convert to Hinduism in the early eighteenth century by the Manipuri king Garibniwaz, they were provided with a number of folklores regarding their origin that combined Hindu and indigenous Meitei deities and myths. Recently, the rise of anti-Hindu sentiment in Manipur—spurred by a movement to revive the indigenous Meitei religion and a strained political relationship with In

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López, Junior, Manuel Cabrera, and Fernando Ocampo. "La importancia de enseñar Ciencias Sociales al estudiante en la actualidad." Revista Cognosis. ISSN 2588-0578 6, EE-I- (2021): 35. http://dx.doi.org/10.33936/cognosis.v6i0.3396.

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Reflexionar nos convence de que la excelencia está dentro de cada ser humano. La historia nos demuestra que un ser humano hambriento es capaz de matar, pero por el deseo de obtener reconocimiento es capaz de morir tal como sucedió con los apóstoles o con los millones de hindúes que supieron imponer la resistencia pacífica. Trasladando esto a la importancia de enseñar las Ciencias Sociales al estudiante en la actualidad es rescatar los hechos de pasado, asumir una conciencia social de nuestro entorno, valorar nuestra cultura y saber que no existen países pobres sino gobiernos improvisados o reg

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Sutarto, Ayu. "Sastra Lisan Tengger Pilar Utama Pemertahanan Tradisi Tengger." ATAVISME 12, no. 1 (2009): 9–21. http://dx.doi.org/10.24257/atavisme.v12i1.153.9-21.

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Artikel ini bertujuan membahas sastra lisan Tengger sebagai tiang utama pemertahanan tradisi Tengger dengan pendekatan folklor. Sastra lisan yang dibahas adalah legenda Kasada dan Karo serta mantera. Dalam sejarah, legenda Kasada pernah terpengaruh oleh proses islamisasi, sementara legenda Karo memiliki pesan kultural yang menganjurkan persatuan dan kesatuan dalam perbedaan iman antara Budha-Hindu dan Islam. Meskipun demikian, dalam rekam jejak sejak era kolonial, legenda Kasada dan Karo serta mantra mengalami perubahan. Sastra lisan tersebut dapat bertahan hidup karena pewaris aktifnya telah

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Lidova, N. R. "Muṭiyēṯṯu – Field Research of Kerala Folklore Theatre". Orientalistica 5, № 3 (2022): 644–59. http://dx.doi.org/10.31696/2618-7043-2022-5-3-644-659.

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The paper is dedicated to the results of the field research conducted in Tripunithura (India / March 2013) on Muṭiyēṯṯu theatre, one of the local folklore art forms of Kerala. It is argued that the inclusion of Muṭiyēṯṯu in 2010 in the list of Masterpieces of the Oral and Intangible Cultural Heritage / UNESCO, became a turning point in the recent history of this art form, affecting it both in positive and negative way. The positive aspect concerns primarily a fundamental shift in the level of popularity of Muṭiyēṯṯu, manifested in the appearance of a number of research projects, general public

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Lepekhova, Elena. "The transformation of the wrathful deity Mahākāla into the god of happiness and good luck Daikokuten in Japanese Buddhism." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 3 (2022): 135. http://dx.doi.org/10.31857/s086919080020211-9.

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The transformation of the wrathful deity Mahākāla into the god of happiness and fortune Daikokuten in Japanese Buddhism. This study is devoted to the process of the transformation of the wrathful Hindu deity Mahākāla into the god of happiness and fortune Daikokuten in Japanese Buddhism. While in Hinduism and Vajrayāna Buddhism, Mahākāla was a wrathful deity, performing the functions of the Dharma protector, then as a result of the transference of this deity to the Japanese culture, his functions changed. The earliest examples of this process have been already marked in China, from where they l

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Zain, Shaharir Bin Mohd. "The Malayonesian Cosmological Doctrines in Some Past Scientific Writings in Malay." Andalas International Journal of Socio-Humanities 2, no. 1 (2020): 30–49. http://dx.doi.org/10.25077/aijosh.2.1.30-49.2020.

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The Malayonesian cosmological doctrines highlighted here are based on the study of the five Malay inscriptions dated 5th century to 14th century A.D, a traditional Malay folklore on cosmology compiled by Abdullah (1984), and a well known best seller Malay manuscript entitled Taj al-Muluk edited by Syaikh Ismail al-Asyi (1893). We find that the Malayonesian cosmology changes as the people change their religion successively from Hindu to Buddha and to Islam as such that their cosmology became a syncretism of Hindu-Buddha cosmology and Islamic cosmology (after 13th century A.D). But in the second

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Zain, Shaharir bin Mohd. "The Malayonesian Cosmological Doctrines in Some Past Scientific Writings in Malay." Andalas International Journal of Socio-Humanities 2, no. 1 (2020): 30–49. http://dx.doi.org/10.25077/aijosh.v2i1.13.

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The Malayonesian cosmological doctrines highlighted here are based on the study of the five Malay inscriptions dated 5th century to 14th century A.D, a traditional Malay folklore on cosmology compiled by Abdullah (1984), and a well known best seller Malay manuscript entitled Taj al-Muluk edited by Syaikh Ismail al-Asyi (1893). We find that the Malayonesian cosmology changes as the people change their religion successively from Hindu to Buddha and to Islam as such that their cosmology became a syncretism of Hindu-Buddha cosmology and Islamic cosmology (after 13th century A.D). But in the second

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Zain, Shaharir bin Mohd. "The Malayonesian Cosmological Doctrines in Some Past Scientific Writings in Malay." Andalas International Journal of Socio-Humanities 2, no. 1 (2020): 30–49. http://dx.doi.org/10.25077/aijosh.v2i1.13.

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The Malayonesian cosmological doctrines highlighted here are based on the study of the five Malay inscriptions dated 5th century to 14th century A.D, a traditional Malay folklore on cosmology compiled by Abdullah (1984), and a well known best seller Malay manuscript entitled Taj al-Muluk edited by Syaikh Ismail al-Asyi (1893). We find that the Malayonesian cosmology changes as the people change their religion successively from Hindu to Buddha and to Islam as such that their cosmology became a syncretism of Hindu-Buddha cosmology and Islamic cosmology (after 13th century A.D). But in the second

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Indrayani, A. A. Diah, and I. Kadek Widiantana. "Pendidikan Karakter Dalam Satua Anak Agung Di Mesir." Cetta: Jurnal Ilmu Pendidikan 3, no. 2 (2020): 256–69. http://dx.doi.org/10.37329/cetta.v3i2.453.

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Over the past few years, the government has given a spesific attention to the character education due to its main purpose to develop good and right behaviour for the students since their early age. To achieve this, one of them is through education. In Bali, according to the concept of its society, education is translated by local values in a simple way, such as learning while travelling, learning while singing, learning while playing a game and so on. The Balinese folklore (Satua) is an implementation of Hindu values which give an understanding on conscience and behaviour to the children since

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Jha, Gautam Kumar. "Indic Elements in Indonesian Arts and Literature: Shared Heritage Between India and Indonesia." Heritage of Nusantara: International Journal of Religious Literature and Heritage 11, no. 1 (2022): 40–61. http://dx.doi.org/10.31291/hn.v11i1.632.

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Indic-Belt or the Greater India is the geographical region where Bharat’s knowledge tradition spread and influenced the local community in terms of language, culture, religions, practices and social values. Southeast Asia, especially Indonesia has been the region that received more Indic knowledge than any other parts of the world due to the easy accessibility to the land and sea routes. This Indic influence is visible in many art forms and folklore due to a long period of rules of Hindu-Buddhist kingdoms. This study aims at exploring the presence of Indic elements in Indonesian artworks, old

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Blackburn, Stuart H. "Domesticating the Cosmos: History and Structure in a Folktale from India." Journal of Asian Studies 45, no. 3 (1986): 527–43. http://dx.doi.org/10.2307/2056529.

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A folktale about two sisters who make a wager on the color of a white horse has been told in India for at least three thousand years; it is recorded in the oldest Vedic texts, and it is still sung today in a Tamil oral tradition. A survey of this historical depth shows that the major variants of the tale reflect developments in Hindu religious thought. But more interesting is the relation between the embedded folktale and its frame text in classical mythology. In each case, the tale echoes the themes of the frame text but reorients them, bringing the cosmic concerns of gods and demons within t

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Julianto, Toni, Risky Setiawan, and Rufer Firma Harianja. "Local-Social Wisdom in the Nyadran Tradition as a Means of Gathering." Budapest International Research and Critics in Linguistics and Education (BirLE) Journal 4, no. 2 (2021): 830–36. http://dx.doi.org/10.33258/birle.v4i2.1862.

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Since ancient times the Javanese people have been familiar with the belief system. Before Islam came the beliefs of Animism and dynamism as well as Hindu and Buddhist religions had already developed in Javanese society. Islam is accepted in Javanese society with youth and peace, because preachers have a high tolerance for Javanese culture. One of the forms of cultural acculturation or inherent in the soul of Javanese society is the Nyadran tradition. The Nyadran tradition is a symbolic ritual that is full of meaning Nyadran traditional ceremony includes partially oral folklore because in it th

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Shaw, Julia. "Ayodhya's sacred landscape: ritual memory, politics and archaeological ‘fact’." Antiquity 74, no. 285 (2000): 693–700. http://dx.doi.org/10.1017/s0003598x00060087.

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Great astonishment has been expressed at the recent vitality of the Hindu religion at Ajudhia [sic], and it was to test the extent of this chiefly that … this statement has been prepared. As the information it contains may be permanently useful, I have considered it well to give it a place here. This information is as correct as it can now be made and that is all that I can say CARNEGY(1870: appendix A)After the destruction of Ayodhya's Babri mosque in 1992 by supporters of the Vishva Hindu Parishad (VHP), the statement above seems laden with premonition of the events to come (Rao 1994). More

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Jahangir, Amar. "Historical Analysis of Afghan Folk Culture in Kashmir During 1752-1819." Academy of Education and Social Sciences Review 3, no. 4 (2023): 464–71. http://dx.doi.org/10.48112/aessr.v3i4.377.

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Kashmir, the kingdom of fairies and Paradise on World, has a history of being ruled by several dynasties. Hindu, Buddhist, and Muslim empires have all held power over it. Every dynasty has unique folk customs that reflect the character of that dynasty. A community's residents' way of life is referred to as its culture. Afghan and Kashmiri folklore is based on traditional drama, music, and other activities. The current study makes an effort to investigate the traditional view of Afghan authority in Kashmir from 1752 to 1819. Kashmir history demonstrates that several folk beliefs entered Kashmir

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Vanina, E. Yu. "Modernization of the sacred: two Ramayana novels (a historian’s view)." Orientalistica 5, no. 2 (2022): 243–64. http://dx.doi.org/10.31696/2618-7043-2022-5-2-243-264.

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Ramayana, the ancient Indian epic, has been for many centuries a source of religious, social, ethical and aesthetical values for many Indians, primarily Hindus. Apart from the classical Sanskrit version attributed to Valmiki, there have been hundreds of literary, folkloric, visual, dramatic (later on film, animation and TV) variants. Their creators reworked and reconstructed the story, sometimes changing it beyond recognition, up to the emergence of ‘anti-Ramayanas’, thus answering the questions from and catering for the needs of various regional, religious, socio-cultural and political groups

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Gunada, I. Wayan Agus. "AJARAN AGAMA HINDU SEBAGAI INSPIRASI PENCIPTAAN KARYA SENI LUKIS TRADISIONAL BALI." Gorga : Jurnal Seni Rupa 9, no. 1 (2020): 158. http://dx.doi.org/10.24114/gr.v9i1.18492.

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AbstrakPenelitian ini merupakan bentuk analisis serta kajian mengenai peran ajaran agama Hindu dalam proses penciptaan karya seni lukis umumnya seni lukis tradisional Bali. Seni lukis sebagai bagian dari seni rupa di Bali berkembang cukup pesat, dimana terdapat dua dikotomi seni lukis di Bali yaitu seni lukis tradisional di Bali dan Seni lukis modern. Seni lukis tradisional Bali merupakan bentuk seni lukis yang proses pembuatannya masih menggunakan tradisi-tradisi baik proses pembuatan dan bahan-bahan yang tradisional walaupun kini sudah umum ditemukan menggunakan alat serta bahan yang sudah t

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Roy, Parama. "The Strange Ecologies of Empire." Victorian Literature and Culture 49, no. 1 (2021): 73–105. http://dx.doi.org/10.1017/s1060150319000640.

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This essay reads nineteenth-century imperial India as the mise en scène for certain critical concatenations of human sovereignty, divinity, and animality. It does so by focusing on the imperial state's war upon human and extrahuman forms of predation, showcasing in the process a cluster of texts on collective criminal activity, hunting, and popular religion and folklore that share certain grids of intelligibility and vocabularies of rule. Collocating these texts on human and nonhuman predation brings into visibility the degree to which imperial sovereignty in the Victorian period entails traff

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Havanje, Janardhan Rao, and Caroline D’Souza. "Kaavi Kalé: The indigenous architectural ornamentation technique of the Konkan Coast, India." Journal of Traditional Building, Architecture and Urbanism, no. 1 (November 20, 2020): 383–94. http://dx.doi.org/10.51303/jtbau.vi1.365.

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At the foothills of the formidable Western Ghats of India lies a coastal strip of land, the Konkan Coast, which forms part of the extended coastline along the west coast of the country. The unique culture found in the Konkan coastal landscape has produced a magnificent ornamental style named Kaavi Kalé. Kaavi, or kavé, means in this context “red oxide”, while kalé means “art form”. It is fundamentally an incised work performed on an architectural surface that has been previously finished with lime plaster and then a red oxide layer over it. This forms elaborate murals and motifs inspired by th

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Karmini, Ni Nyoman. "The Spirit of Hindu Religious Values in Balinese Folktale Men Sugih Teken Men Tiwas." Mudra Jurnal Seni Budaya 38, no. 1 (2023): 93–99. http://dx.doi.org/10.31091/mudra.v38i1.2101.

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Balinese folktale is rich in moral and religious values. Thus,promoting it to the youngergeneration is crucial to cultivate character education. This paper discusses the Balinese folktale, Men Sugih Teken Men Tiwas. It was a famous folktale in Bali. However, nowadays, only a few Balinese parents still tell this folktale to their children. Specifically, this paper discusses the moral and religious values in the folktale of Men Sugih and Men Tiwas. These values were seen from the concept of Hinduism, which is universal and can be applied by anyone. In other words, this study aims to investigate

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Singh, Kanak Lata. "A Study on Cultural Sustainable Tourism in Context of Painted Scrolls." Academic Research Community publication 2, no. 2 (2018): 7. http://dx.doi.org/10.21625/archive.v2i2.248.

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India is known for its reach in Art and Culture. Cultural tourism provides a major contribution to the development of the country from different aspects. Apart from supporting the Indian economy, cultural tourism also helps in preserving and developing unique art traditions which are slowly dying out due to negligence. patachitra, the painted scroll of Bengal is one of them. The patachitra tradition is an essential part of intangible heritage based on tour practices. Patuas, as they are known as a community, chiefly represent a group of artists wandering with their painted scrolls and narratin

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Spanò, Igor. "A Witchcraft-related cases in India during the Outbreak of Covid 19 Pandemic." Journal of the British Association for the Study of Religion (JBASR) 25 (September 13, 2023): 106. http://dx.doi.org/10.18792/jbasr.v25i0.76.

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 Abstract In India the belief in witches is a phenomenon that is linked to specific elements both of Hindu cults, whose devotional expressions and folkloric elements are rooted in the Vedic texts, and the belief systems of some indigenous communities. Indeed, although influenced by the expressions of the Hindu faith, these groups have retained specific characteristics, in which magical elements like the relationship with evil powers, from which the belief in witchcraft practices derives, are paramount. However, a study of witch-hunting episodes must also consider the social dimensi

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Sunarya, I. Ketut. "MAKNA SIMBOLIK DAN NILAI ESTETIKA SENI HIAS DAN TATA LETAK PURA JAGATNATHA DI JEMBRANA BALI: DALAM KONTEKS KEHIDUPAN KERAGAMAN MASYARAKAT HINDU BALI." Jurnal Dimensi Seni Rupa dan Desain 9, no. 1 (2012): 121–36. http://dx.doi.org/10.25105/dim.v9i1.959.

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Abstract The art of decoration of Pura Jagatnatha that was found in Jembrana bali was an aesthetical symbol that made the pura which the meaning was a mount interpreted as source of prosperity. Its display created some questions of philosophical concepts of art decoration, glory, unique, and characteristic, and relation between the setting of pura and the real life of Balinese Hindu people. Pura describes three peaks of the big time of Balinese art of decoration; ancient Bali with the Balinese Character, the big time of Gelgel kingdom with its calsical things, and the currentcharacter with its

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Hariwarman, Made Satya, I. Gusti Ngurah Sura Ardana, and Luh Suartini. "ANALISIS FORMAL KARYA LUKISAN IDA BAGUS KETUT SUTA." Jurnal Pendidikan Seni Rupa Undiksha 12, no. 3 (2022): 161–73. http://dx.doi.org/10.23887/jjpsp.v12i3.52685.

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This study aims to describe (1) Identify the characteristics of Ida Bagus Ketut Suta painting (2) Describe the theme of Ida Bagus Ketut Suta's painting (3) Describe the visual form of Ida Bagus Ketut Suta's painting using formal analysis methods. The subject and object of this research is the profile of Ida Bagus Ketut Suta with traditional paintings that have been made by Ida Bagus Ketut Suta. This research is a qualitative descriptive study, data collection in this study used the techniques of (1) observation, (2) interviews, (3) documentation, and (4) literature. The results of this study i

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Handique, Patrika, and Anurag Bhattacharyya. "Re-understanding Deification and Hunger: An Ecocritical Venture into Shiva Purana." Journal of Humanities and Social Sciences Studies 3, no. 1 (2021): 116–21. http://dx.doi.org/10.32996/jhsss.2021.3.1.12.

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The advent of the Eighteenth Century witnessed emergence of a scientific temperament and shook the foundation of faith or religion in an unbelievable manner. Industrial Revolution, World Wars aggravated the situation and a conflict between science and religion has been prevalent since then. People began to neglect the mores and preaching of theological philosophy and even the tradition and customs handed down by religion or otherwise also culture. In the era of over-all degradation, it has become the need of the hour to restore theology, spiritual and mythical works for re-learning the meaning

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Putra, I. Dewa Gede Rat Dwiyana. "The Implementation of Local Culture-based Project In a Balinese Project Classroom." Journal of Psychology and Instructions 1, no. 1 (2017): 45. http://dx.doi.org/10.23887/jpai.v1i1.9637.

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This article was made based on an observation on the application of a Local Culture-Based Project in Balinese Language and Religious Literature Study Program of Denpasar State Hindu Dharma Institute. The basic reason for the application of this Project-Based Learning method is that, students were less motivated in following the EFL course. Students found that English would give a very minimum support for Balinese language and culture. English as a foreign language seems to be a threat for Balinese language sustainability. Therefore, the writer would show the students their actual connection in

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Subba, Nawa Raj. "Tungdunge Mundhum Establishes a Link Between the Sen and the Samba Dynasties." IAR Journal of Humanities and Social Science 3, no. 01 (2022): 1–10. http://dx.doi.org/10.47310/iarjhss.2022.v03i01.001.

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Mundhum is knowledge. Kirat's Mundhum is comparable to the Hindu Vedas. Some even consider it folklore. The culture of Kirat was formed by combining Mundhum's wisdom and philosophy with faith. Tungdunge Mundhum is the story of Kirat Samba's ancestral relationship, empowerment, and travel details. Tungdunge used to be their ancestral deity to be worshipped every three years. Kirat Limbu is an indigenous group living in Eastern Nepal, India, Bhutan, and abroad. Different surnames identify them, and one of them is Samba Phyang. The study attempted to examine facts to connect the epic and genealog

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Choudhary, Shailja, Gitika Chaudhary, and Hemlata Kaurav. "AEGLE MARMELOS (BAEL PATRA): AN AYURVEDIC PLANT WITH ETHNOMEDICINAL VALUE." International Journal of Research in Ayurveda and Pharmacy 12, no. 3 (2021): 147–56. http://dx.doi.org/10.7897/2277-4343.120392.

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Aegle marmelos is considered as the most sacred or holy plant which is grown by the sides of Hindu temples. This plant is dedicated to Lord Shiva and is also believed that Lord Shiva resides under the Bael tree. Besides this, the plant is associated with a great medicinal value whose medicinal description is also mentioned in the ancient treatise like Vedas, Puranas, Charaka Samhita and Brihat Samhita and has also been portrayed in the paintings of Ajanta caves. Every part of the Bael plant is used to treat various diseases. In Ayurveda, the plant is used in Panchang form to treat diarrhea, dy

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Kohdrata, Naniek, and Cokorda Gede Alit Semarajaya. "Memotret Bentuk-bentuk Toleransi di Desa Kampung Kusamba, Karangasem, Bali." Jurnal Lanskap Indonesia 13, no. 1 (2021): 1–6. http://dx.doi.org/10.29244/jli.v13i1.32696.

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Kampung Kusamba Village is a relatively small size village in the Bali Island with a majority Muslim population. The village area is surrounded by villages that are predominantly Hindu. The Kampung Kusamba is an example that tolerance in social life is actualized. This research emphasizes on documenting tolerance between Kampung Kusamba dwellers with the Balinese through architectural forms and folklores, myths, or any other oral histories. The research method used is qualitative. Data were collected using a purposive approach, utilizing an in-depth interview technique to resource persons and

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Marajaya, Made, and Dru Hendro. "Makna Ruwatan Wayang Cupak Dalang I Wayan Suaji." Mudra Jurnal Seni Budaya 36, no. 1 (2021): 63–74. http://dx.doi.org/10.31091/mudra.v36i1.1329.

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Wayang Cupak termasuk pertunjukan langka di Bali, keberadaannya menambah genre pertunjukan Wayang Kulit Bali yang terus berkembang. Pertunjukan wayang kulit berfungsi sebagai wali, bebali, dan balih-balihan. Sebagai seni wali, pertunjukan wayang kulit hadir dalam berbagai jenis upacara termasuk upacara ruwatan. Upacara ruwatan yang paling populer di Bali disebut dengan Sapuh Leger. Selain Wayang Sapuh Leger, Wayang Cupak pun juga difungsikan untuk ruwatan seperti di Kabupaten Badung. Banyak ditemukan dalang wayang kulit di Kabupaten Badung, namun tidak banyak yang khusus mementaskan Wayang Cup

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Alam, Parvez. "TEMPLE DESTRUCTION AND THE GREAT MUGHALS’ RELIGIOUS POLICY IN NORTH INDIA: A CASE STUDY OF BANARAS REGION, 1526-1707." Analisa: Journal of Social Science and Religion 3, no. 1 (2018): 1–18. http://dx.doi.org/10.18784/analisa.v3i1.595.

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Banaras also known as Varanasi (at present a district of Uttar Pradesh state, India) was a sarkar (district) under Allahabad Subah (province) during the great Mughals period (1526-1707). The great Mughals have immortal position for their contributions to Indian economic, society and culture, most important in the development of Ganga-Jamuni Tehzeeb (Hindustani culture). With the establishment of their state in Northern India, Mughal emperors had effected changes by their policies. One of them was their religious policy which is a very controversial topic though is very important to the history

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GAUTAM, Hitesh. "Culinary Processes as Body of Knowledge and Cultural Phenomenon." Eurasia Proceedings of Health, Environment and Life Sciences 2 (January 9, 2022): 12–18. http://dx.doi.org/10.55549/ephels.15.

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The central broadest interest besides nutritional values and culinary procedures evaluated there is also commitment to the reflections on the presence of food in ceremonial and communal festivals across the world. For that reason and as focused discourse this paper would give specific cultural examples from Hindu traditions. Discreetly never losing sight of the intercultural interests that give sense of daily nourishments being also as sharable metaphors and part of communal bonding in many cultures. Four examples of culinary techniques will be the approach to the researched tested and transmi

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Dashieva, N. B. "Historical and Cultural Origins of Cosmological Representations of the Balagan Buryats of the Bulagat Tribe (Late 19th – Early 20th Century)." Bulletin of the Irkutsk State University. Geoarchaeology, Ethnology, and Anthropology Series 40 (2022): 57–66. http://dx.doi.org/10.26516/2227-2380.2022.40.57.

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Cosmological representations associated with cosmogonic plots belong to the little-studied problems of the traditional culture of the Buryats. The purpose of this article is to identify the historical and cultural origins of cosmological representations of the Balagan Buryats of the Bulagat tribe, personified in the images of celestial deities with the common name “Kings of Waters” (Bur. Ukhan-khat). The relevance of the study is because the images of these deities in the plots of cosmogonic myths and shamanic iconography of the Balagan Bulagats differ from the traditions of all other Buryats

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Harper, Catherine. "A LETTER FROM SPECIAL EDITION EDITOR IN CHIEF - DR. CATHERINE HARPER." ShodhKosh: Journal of Visual and Performing Arts 4, no. 2CDSDAD (2023): 1. http://dx.doi.org/10.29121/shodhkosh.v4.i2cdsdad.2023.715.

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The contributors to this special issue consider how urban, rural, local, and global communications, experimental and innovative media used alongside indigenous knowledge and folkloric craft practices, respect for the disparity of human identity, heritage, tradition, and culture, and the importance of documenting, preserving, and protecting, and enhancing creativity and cultural diversity is essential for our collective future. They presented their research at the Woxsen and Banaras Hindu Universities’ international conference ‘Cultural Diversity for Sustainable Development in Art and Design’ i

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kashyap, Kishor Kunal, and Prof(Dr ). Saloni Prasad. "Cosmology In Ramayana." Educational Administration: Theory and Practice, 2023. http://dx.doi.org/10.53555/kuey.v29i4.5432.

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This analysis delves into the profound cosmological elements embedded within the revered Hindu marvel, the Ramayana, from the vantage point of Hindu studies. In it, the astronomical bodies mentioned in the Ramayana—Surya, the Sun, Chandra, the Moon, Mangala, Mars, and Brihaspati, Jupiter—are examined in great detail, and their symbolic significance within the story's expansive framework is explained. The Hindu universe views these celestial bodies as more than simply physical entities; they are representations of the highest ideals, answering universal prayers and enacting eternal dharma. Insi

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Beggiora, Stefano. "Aquatic Mythologies: Divine, liminal and fantastic creatures in the Indian tradition." Shima: The International Journal of Research into Island Cultures 16, no. 2 (2022). http://dx.doi.org/10.21463/shima.181.

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This article offers an overview of some of the most peculiar mythological creatures of the Hindu pantheon related to the watery element. Starting from the analysis of the concept of liminality, which is fundamental to Monster Theory, the symbolism and functions of water in ritualism, folklore and the traditions of South Asia will be explored. Indeed, destruction, metamorphosis, transition, purification and rebirth are all concepts that in Indian traditions are frequently sublimated into the dynamics of the circulation of waters. The monsoon phenomenon, the rushing rivers flowing down from the

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-, Bishakh Choudhury, and Dr Ashok K. Choudhury -. "Environmental Consciousness as Reflected in Indian Literature since Vedic Era." International Journal For Multidisciplinary Research 5, no. 5 (2023). http://dx.doi.org/10.36948/ijfmr.2023.v05i05.7004.

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Since the dawn of ancient era, the scriptures and Vedas have portrayed the inter-relation between man and environment. It preaches us its importance and how to protect the environment and use its resources judiciously. A hymn from the ‘Atharva Veda’, ‘Prithvi Sukta’ describes that ‘Earth is my mother and I am her son’. The Hindu scriptures also present a message that God is present in every element of the world and spreads a message of Vasudhaiva Kutumbakam’ (The whole world is one family). Hence, every organism should be treated equally. These evidences prove that people back then whole heart

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Chatterjee, Arup. "Lord Ram’s Own Sethu: Adam’s Bridge envisaged as an aquapelago." Shima: The International Journal of Research into Island Cultures, September 4, 2021. http://dx.doi.org/10.21463/shima.136.

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Taking the current geological, environmental and religious controversy around the iconic Adam’s Bridge or Ram Sethu (as it is referred to in Hindu sacred mythography) and the proposed Sethusamudram canal project—which has been delayed since the late-20th century over several administrative terms, due to litigious procedures and protests by religious groups—this paper examines the Ram Sethu as an aquapelago. The Ram Sethu is an aquapelagic zone, not merely in geo-historical terms but also in psychological ways, that is largely experienced in the Indian consciousness through the evolution of anc

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B. R., Shyam, and P. S. Aithal. "The Six Tudes for Today’s Dudes: Attitude, Aptitude, Altitude, Magnitude, Solitude, and Gratitude (A3MSG) from Character Sketch of Mahabharata & Ramayana." International Journal of Management, Technology, and Social Sciences, July 22, 2023, 1–16. http://dx.doi.org/10.47992/ijmts.2581.6012.0286.

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Purpose: Indian mythology is a rich and alluring tapestry of ancient tales, gods, and goddesses, as well as epic conflicts that have influenced the nation's cultural and spiritual environment for millennia. Investigating these fictitious worlds provides a window into the rich symbolism and wisdom ingrained in Indian culture. The researcher explores Indian Mythology in this study and offers a collection of the six greatest Indian Mythology tales for modern males. The publication provides a portal for young people to a cosmos teeming with Gods, heroes, demons, and Divine sages, ranging from the

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