Gotowe bibliografie tematyczne / Hildegardis

Gotowa bibliografia na temat „Hildegardis”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 19 lutego 2023

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Artykuły w czasopismach na temat "Hildegardis"

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De Gussem, Jeroen. "Larger than Life? A Stylometric Analysis of the Multi-Authored 'Vita' of Hildegard of Bingen". Interfaces: A Journal of Medieval European Literatures, nr 8 (31.12.2021): 125–59. http://dx.doi.org/10.54103/interfaces-08-08.

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This article explores by aid of stylometric methods the collaborative authorship of the Vita Hildegardis, Hildegard of Bingen's (auto-?)biography. Both Hildegard and her biographers gradually contributed to the text in the course of the last years of Hildegard's life, and it was posthumously completed in the mid-1180s by end redactor Theoderic of Echternach. In between these termini a quo and ante quem the work was allegedly taken up but left unfinished by secretaries Godfrey of Disibodenberg and Guibert of Gembloux. In light of the fact that the Vita is an indispensable source in gaining historical knowledge on Hildegard's life, the question has often been raised whether the Life of Hildegard is – by dint of contributions by multiple stakeholders – a larger-than-life depiction of the visionary's life course. Specifically the 'autobiographical' passages included in the Vita, in which Hildegard is allegedly cited directly and is taken to recount biographical information in the first-person singular, have been approached with suspicion. By applying state-of-the-art computional methods for the automatic detection of writing style (stylometry), the delicate questions of authenticity and collaborative authorship of this (auto?)hagiographical text are addressed.
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Neuheuser, Hanns Peter. "IV. Hildegard von Bingen als Lehrerin des Liturgierechts". Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Kanonistische Abteilung 101, nr 1 (1.08.2015): 150–76. http://dx.doi.org/10.7767/zrgka-2015-0107.

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Abstract Hildegardis Bingensis teaching liturgical law - Relations between documented visions and normative texts in the middle ages. Texts in the context of subjective experiences of visions on the one hand and norms looking for the highest levels of objectivity on the other hand seem to stand in insuperable opposition. Therefore it may be surprising that Hildegardis Bingensis in the eucharistic tract of her work Sci vias not only describes single elements of rites but also the duties of the priests concerning a correct execution of the rites including potential misunderstandings and abuses. The present contribution categorizes this phenomenon in the theological context and reports comparable sources (Otloh Ratisbonensis/Emmeramensis, Elisabeth Schoenaugiensis) dealing with defects of the administration of the mass and juridical instructions of the ecclesiastical discipline. The result is a new sight of the relation between the theology of the liturgy and the discipline of liturgy in the perspective of the developed liturgical law in the high middle ages.
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Dürrigl, Marija-Ana. "Od poznatih motiva do nepoznatih riječi – uz dva leksička neologizma svete Hildegarde iz Bingena". Diacovensia 30, nr 3 (2022): 389–406. http://dx.doi.org/10.31823/d.30.3.4.

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Dva se latinska neologizma, prilozi tunicaliter i flammanter, zapisani u Liber vitae meritorum svete Hildegarde iz Bingena, promatraju kao stilogeni elementi, naglašena mjesta u odlomku iz vizije, te kao svojevrstan nadomjestak za definirane teološke pojmove. Hildegarda se izražava slikovito kako bi potaknula osjećaje, maštu, ali i razmišljanje u primatelja. Pritom ti prilozi stvaraju poveznice s poznatim sadržajima (osobito sa Svetim pismom), te se istodobno otvaraju novi vidici za promišljanje izloženoga teksta. Razumijevanje leksičkih inovacija dijelom je otežano jer je riječ o hapax legomena, pa interpretacija treba uključiti simboliku tunike i plamena (imenica od kojih su prilozi izvedeni) u Hildegardinu vizionarskom opusu uopće. Uz njih zanimljiva je i sintagma officiale opus kojom Hildegarda neizravno određuje čovjeka i njegovu ulogu u spasenjskoj povijesti svijeta.
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Hayton, Magda S. J. "Narvaja, José Luis, ed. Hildegard of Bingen, Hildegardis Bingensis “Testamentum propheticum”: Zwei Briefe aus dem Wiesbadener Riesenkodex". Journal of Medieval Latin 26 (styczeń 2016): 380–83. http://dx.doi.org/10.1484/j.jml.4.000031.

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John, Helen J. "Hildegard of Bingen: A New Twelfth-century Woman Philosopher?" Hypatia 7, nr 1 (1992): 115–23. http://dx.doi.org/10.1111/j.1527-2001.1992.tb00701.x.

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Three recent publications—Barbara Newman, Sister of Wisdom: St. Hildegard's Theology of the Feminine; Hildegard of Bingen, Scivias, translated by Mother Columba Hart and Jane Bishop; and Sabina Flanagan, Hildegard of Bingen, 1098–1179: A Visionary Life—provide access in English to Hildegard's vast and complex intellectual achievement. Reviewing these works 1 suggest why Hildegard's thought has only begun to be studied by philosophers, why such study is important, and I propose ways to approach Hildegard's work.
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Campbell, Nathaniel M. ""Imago expandit splendorem suum". Hildegard of Bingen’s Visio-Theological Designs in the Rupertsberg Scivias Manuscript". Eikon / Imago 2, nr 2 (20.09.2013): 1–68. http://dx.doi.org/10.5209/eiko.73380.

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A significant point of contention within studies of the twelfth-century visionary saint and Doctor of the Church, Hildegard of Bingen, is the question of her role in the production of the illuminated Scivias manuscript known as the Rupertsberg Codex. While current German scholarship has tended to preclude Hildegard’s hand, pre-war German scholars, who had access to the original manuscript before it was lost, and most modern Anglophone scholars have argued more or less strongly for Hildegard’s influence on the design. This paper argues for Hildegard’s direction of the images based on their function as a theological discourse refracting the text. The images are not ancillary to or derivative of the work; they are integral to it. A key area of the manuscript design that reveals these authorial interventions is the color scheme. The use of certain colors, such as green and red, that have particular meanings in Hildegard’s symbolic vocabulary—even when at odds with the colors described in the recorded vision text—reveals the theological place of each image within Hildegard’s perception of salvation history. Furthermore, the extensive use of silver, gold, and blue in the manuscript can be understood both through Hildegard’s likely use of actual jewelry that contained enamel work and those metals, and through the theological meanings with which Hildegard imbues the metallic pigments. Such visual markers invested with theological significance thus argue for Hildegard’s design of the manuscript and aid the viewer- reader in interpreting the complex visual allegories at work in Hildegard’s often enigmatic visions. Finally, they reveal the dynamic ways in which Hildegard used the images to emphasize her theological insights into the feminine divine and its connection especially to her and her community as virgin members of a virgin Church.
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Frischeisen, Konrad. "Healing Noble Brains and Nobel Laureates as Peacemakers". Neuroscience and Neurological Surgery 5, nr 2 (17.12.2019): 01–03. http://dx.doi.org/10.31579/2578-8868/110.

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Fassler, Margot E. "Allegorical Architecture in Scivias:". Journal of the American Musicological Society 67, nr 2 (2014): 317–78. http://dx.doi.org/10.1525/jams.2014.67.2.317.

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Hildegard of Bingen's Ordo Virtutum has come to occupy a major role among Western European dramatic musical works, with scenes widely anthologized, multiple studies in print, and several recordings. I argue that the “setting” of Hildegard's Ordo Virtutum is the allegorical architecture created in her first major treatise, Scivias, written in the 1140s and early 1150s. In this period, while Hildegard was composing the play and writing her first major theological work, she was also designing a complex of new monastic buildings, which helps explain her concentration on architectural themes and images. Hildegard has situated the main “acts” of the play within allegorical towers, and the musical dimensions of the play are driven by its unfolding within this architectural understanding, including the “climbing” through the modes and the development of longer processional chants that link the action in one tower or pillar to that of another. We can see that the particular characters chosen for the play from a broad array of possibilities, underscore themes that relate to the lives and governance of Benedictine nuns. Hildegard's work provided parallels for her community between the allegorical architecture of Scivias, the play and its music, and the new church whose building was overseen by Hildegard.
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Sakalauskaitė-Juodeikienė, E. "Melancholijos samprata ir gydymas Hildegardos Bingenietės (c. 1098-1179) raštuose". Neurologijos seminarai 25, nr 89 (1.09.2021): 121–29. http://dx.doi.org/10.29014/ns.2021.17.

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Viduramžių vienuolė ir abatė, mistike, kompozitorė, poetė ir medicinos knygų autorė Hildegarda Bingenietė (c. 1098-1179) buvo viena iš nedaugelio viduramžių epochos moterų, rašiusių ne vien teologinius, bet ir mokslinius, medicininius tekstus. Šiame straipsnyje nagrinėjau Hildegardos sudarytą Liber subtilitatum diversarum naturarum creaturarum („Įvairių prigimčių būtybių subtilybių knygą“), parengtą maždaug 1151-1158 m. ir susidedančią iš dviejų knygų – Physica ir Causae et curae. Siekiau sužinoti, kaip melancholijos fenomeną trimis jo prasmėmis (kaip organizmo skystį, charakterio tipą ir ligą) suvokė viena ryškiausių ir svarbiausių viduramžių mąstytojų. Melancholijos aiškinimui ir gydymo metodams pagrįsti Hildegarda pasitelkė ne tik Biblijos Pradžios knygą, bet ir iš antikos laikų atėjusią humoralinę doktriną bei viduramžių liaudies medicinos žinias. Melancholija Hildegardos moksliniuose tekstuose suvokta ir kaip širdies bei galvos smegenų liga, ir kaip vidaus organų patologija, kurią sukelia blužnyje gaminamos juodosios tulžies perteklius bei žalingas poveikis. Juodosios tulžies pertekliui mažinti ir melancholijai gydyti Hildegarda rekomendavo įvairias augalinės (pankolis, dedešva, raktažolė, našlaitė ir kt.), gyvūninės (stručio, garnio vidaus organai, skruzdėlės) ir mineralinės (oniksas) kilmės medžiagas. Autorė gydymo efektą aiškino, remdamasi tiek humoraline teorija, contraria contrariis principu, tiek viduramžių liaudies medicinos, žolininkystės bei religinio ir maginio gydymo žiniomis.
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Kerby-Fulton, Kathryn. "Hildegard of Bingen and Anti-mendicant Propaganda". Traditio 43 (1987): 386–99. http://dx.doi.org/10.1017/s0362152900012629.

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The question of Hildegard's influence and reputation in the centuries following her death is an elusive and vexing one for scholars. We do know that the medieval prophetic tradition is one of the few spheres in which her writings and her reputation sustained anything like their original high profile. To a large extent this popularity was the direct result of two things: first of all, a compilation of extracts from her prophecies made by Gebeno of Eberbach around the year 1220; and secondly, the association of Hildegard's name and a few of her genuine writings with the tradition of anti-mendicant propaganda. These two survivals give us a different but not unrelated view of how Hildegard was known to the later Middle Ages, and in particular what she was best known for: that is, for her prediction of a coming chastisement of the clergy to be brought about partly through the agency of a group of pseudo-prophets. The testimony of Gebeno in his prologue to his compilation of her prophetic works and the testimony of various contemporary chroniclers all agree on one thing: Hildegard had succeeded in scaring the wits out of the local clergy, and even decades after her death they feared the chastisement she had predicted.
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Rozprawy doktorskie na temat "Hildegardis"

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Collingridge, Lorna Marie, i n/a. "Music as Evocative Power: The Intersection of Music with Images of the Divine in the Songs of Hildegard of Bingen". Griffith University. School of Theology, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040624.110229.

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Hildegard's songs evoke an erotic and embodied devotion to a Divinity imagined as sensuous, relational, immanent and often female. These songs, written for use in her predominantly female community, are part of Hildegard's educational program to guide the spiritual development of the women in her Benedictine monastery. Hildegard's theology of music proposes that the physical act of singing enables humans to experience connection to the Living Light (Hildegard's most common address for the voice of the Holy Presence in her visions, lux vivens), and to embody this Divinity in their midst. Her songs express, in dense poetic texts set to widely-ranging chant-like melodies, her rich imaging of the fecund presence of the Divine. The singers are thus encouraged to imagine themselves in relationship with the Holy One, the Living Light, through the physical act of singing these evocative songs. This dissertation analyses four of Hildegard's songs, representing a small cross section of her musical oeuvre. The analysis elucidates the way in which the music affectively conveys the meaning and significance of the texts. Carefully incising the "flesh" from the structural "bones" of the melodies reveals underlying organising configurations which pervade the songs and deliver the texts in a distinctive manner. Hildegard professed herself to be musically uneducated because she lacked a knowledge of music notation, although she admitted to extensive experience in singing Divine Office. However, she clearly claims to be the oral composer of her songs, arranging late in her life for music scribes to notate her melodies. My analysis unravels the influence of the oral composer as it intersects with the influence of the musically trained scribes who neumed her texts. Hildegard wrote that the "words symbolize the body, and the jubilant music indicates the spirit" (Scivias 3:12:13). She claims that the music conveys the meaning of the texts with affective power, and my analysis shows ways in which the oral composer endeavors to achieve this goal. Her texts, conveyed by her melodies and thus intimately entwined with the words they deliver, are powerfully persuasive forces in the spiritual education of the women in her monastery. This dissertation uncovers significant insights which can inform the communal practice of worship of the Divine, especially where song forms part of that worship, and particularly in regard to the imagining of Divinity in ways which can nourish the diversity of all humans, all creatures, and all creation. The work of feminist theologians is brought into dialogue with Hildegard's imagery and educational purpose, thus making available ways of imagining the Divine which are especially important for contemporary women, who have suffered from being excluded from the imago Dei. Thus the dissertation unearths a rich lode of female, and creatural embodied images, which threads its way though the millennia, but now needs to be mined to uncover images that might work for contemporary Christians seeking multiple imaging of the Divine to touch the deep feminist, ecological and liberative yearnings of many hearts and spirits.
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Embach, Michael. "Die Schriften Hildegards von Bingen : Studien zu ihrer Überlieferung und Rezeption im Mittelalter und in der Frühen Neuzeit /". Berlin : Akademie Verl, 2003. http://catalogue.bnf.fr/ark:/12148/cb39123714j.

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Mullins, Michael Bryan. "Hildegard On Rubble Mountain". Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3328/.

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Hildegard On Rubble Mountain is a cinema verité documentary about Hildegard Modinger's childhood. She grew up in Stuttgart, Germany during World War II and immigrated to the United States at the age of nineteen. This video follows her back to her childhood neighborhood as she recalls memories of that time in her life. The accompanying production book explains the production process: preproduction, production, postproduction, theoretical approaches, style used and a self-evaluation.
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Starks, Gwendolyn. "The living light Hildegard von Bingen's visionary life : a one act play /". Theological Research Exchange Network (TREN), 1997. http://www.tren.com.

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Sperber, Christian. "Hildegard von Bingen - eine widerständige Frau". Aichach Schwarten, 2003. http://edocs.ub.uni-frankfurt.de/volltexte/2006/3583/.

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Moulinier, Laurence. "L'oeuvre scientifique de Hildegarde de Bingen". Paris 8, 1994. http://www.theses.fr/1994PA080843.

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Cette these releve de l'histoire des sciences, en particulier de l'histoire de la medecine. Elle porte sur l'oeuvre scientifique de hildegarde de bingen (1098-1179), une abbesse benedictine allemande passee a la posterite comme sainte visionnaire, a qui sont attribues deux ecrits medicaux intitules physica et causae et curae. Il a ete demontre que la sainte avait effectivement compose une oeuvre de science ; restait a savoir de quels textes elle etait au juste l'auteur. Cette these essaie par consequent de reconstituer l'histoire de l'oeuvre medicale de hildegarde, en se fondant sur l'etude et la comparaison des differents manuscrits subsistants : plusieurs passages d'un manuscrit capital encore inedit, conserve a florence, sont notamment reproduits. Une fois cernes les contours de l'oeuvre, il fallait en apprecier l'originalite: il est tout d'abord remarquable qu'une femme ait ecrit, au moyen age, des textes scientifiques, et un chapitre porte sur la condition feminine de l'auteur. Hildegarde se trouve ensuite resituee non plus seulement par rapport aux autres femmes de son epoque, mais par rapport a l'ensemble de ses predecesseurs en la matiere : le chapitre vi est consacre a la recherche des sources de hildegarde, qui taisait soigneusement l'origine de ses connaissances. Bien qu'elle ait puise chez differents devanciers, elle a egalement beaucoup innove, et ce travail conclut sur la singularite de sa vision de la nature. Le troisieme et dernier volume de cette these contient des annexes. On y trouve la transcription de quatre fragments inedits de la physica, puis deux tables de concordances : la premiere confronte l'edition princeps de la physica, fondee sur un manuscrit
This thesis deals with the history of science, particularly with the history of medecine. It's about the scientific work of hildegard of bingen (1098-1179), a benedictine german abbess known as a visionary holy woman, to whom two medical writings, called physica and causae et curae, are attributed. It has been proved that the saint had actually composed a scientific work; the question was, which texts she had really written. Consequently this thesis tries to trace back the history of hildegard's medical work, based upon the study and comparison of different extant manuscripts : several passages from an important manuscript still unpublished, kept in florence, are notably edited. After outlining the work, its originality had to be assessed : first of all, it's highly remarkable that a woman living in the middle ages could have written scientific texts, and a whole chapter deals with the female condition of the author. Hildegard is then related not only to the other women of her time, but also to the rest of her predecessors in the subject: chapter vi is dedicated to the research of hildegard's founts, which didn't say a word about the origin of her knowledge. Though she found inspiration from lots of forerunners, we owe her a great deal of innovations and this thesis ends in the peculiarity of her vision of nature. The third and last volume of this thesis contains appendixes : 4 unpublished fragments of the physica can be found there, followed by two concordances tables : the first one compares the editio princeps of the physica, based
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Gheza, Pontarelli Roxanna. "Hildegard de Bingen: Camino hacia la salvación". Tesis, Universidad de Chile, 2006. http://www.repositorio.uchile.cl/handle/2250/108878.

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Esta tesis está dedicada al estudio de la escritura visionaria de Hildegard de Bingen (1098-1179), entendida en esta lectura como una guía en el conocimiento del “camino de Salvación”, un tema de preocupación fundamental en la Europa cristiana medieval.
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Rode, Susan Lill. "The sexual theology of Hildegard of Bingen /". Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=64007.

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Müller, Denise [Verfasser], Hildegard [Akademischer Betreuer] Westphal i Justus [Akademischer Betreuer] Notholt. "Water-atmosphere greenhouse gas exchange measurements using FTIR spectrometry / Denise Müller. Betreuer: Hildegard Westphal. Gutachter: Hildegard Westphal ; Justus Notholt". Bremen : Staats- und Universitätsbibliothek Bremen, 2015. http://d-nb.info/1078720320/34.

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Falter, Hildegard [Verfasser]. "Die enteignungsrechtliche Vorwirkung - insbesondere von Planfeststellungsbeschlüssen / Hildegard Falter". Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2016. http://d-nb.info/1106280792/34.

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Książki na temat "Hildegardis"

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cent, Theodricus 12th, Klaes-Hachmöller M i Gerbodus 13th cent, red. Vita Sanctae Hildegardis =: Leben der heiligen Hildegard von Bingen. Canonizatio Sanctae Hildegardis = Kanonisation der heiligen Hildegard. Freiburg: Herder, 1998.

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Hildegard. Hildegardis Bingensis Epistolarium. Turnholti: Brepols, 1991.

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Peter, Dronke, Hildegard Saint 1098-1179, Hildegard Saint 1098-1179, Hildegard Saint 1098-1179, Hildegard Saint 1098-1179 i Hildegard Saint 1098-1179, red. Hildegardis Bingensis Opera minora. Turnhout: Brepols, 2007.

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Angela, Carlevaris, red. Hildegardis liber vite meritorum. Turnhout: Brepols, 1995.

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Hildegard. Hildegardis Bingensis Liber divinorum operum. Turnholti: Brepols, 1996.

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Albert, Derolez, i Dronke Peter 1934-, red. Hildegardis Bingensis Liber divinorum operum. Turnholti: Brepols, 1996.

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Hildegard. Sanctae Hildegardis Circulus sapientiae: Hildegard von Bingen 1098-1179, Circle of wisdom. Newark, Vermont: Printed at the Janus Press, 2001.

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Hildegard. Hildegardis Bingensis Epistolarivm: Pars prima I-XC. Turnholti: Brepols, 1991.

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Hildegard. Hildegardis Bingensis Epistolarium: Pars secunda, XCI-CCLR. Turnholti: Brepols, 1993.

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Frischlin, Nicodemus. Hildegardis Magna ; Dido ; Venus ; Helvetiogermani: Historisch-kritische Edition, Übersetzung, Kommentar. Bern: P. Lang, 1995.

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Części książek na temat "Hildegardis"

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Higley, Sarah L. "Hildegard’s Lingua Alphabetized". W Hildegard of Bingen’s Unknown Language, 205–30. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230610057_10.

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Higley, Sarah L. "Greening Language: Hildegard’s Monastery Garden". W Hildegard of Bingen’s Unknown Language, 101–12. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230610057_7.

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Büchner, Robert, i Werner Lauter. "Hildegard von Bingen". W Kindler Kompakt: Philosophie des Mittelalters, 99. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04327-6_27.

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Gössmann, Elisabeth. "Hildegard of Bingen". W A History of Women Philosophers, 27–65. Dordrecht: Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-009-2551-9_2.

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Mews, Constant J. "Hildegard of Bingen". W Encyclopedia of Medieval Philosophy, 1–3. Dordrecht: Springer Netherlands, 2020. http://dx.doi.org/10.1007/978-94-024-1151-5_214-2.

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Milem, Bruce. "Hildegard of Bingen". W A Companion to Philosophy in the Middle Ages, 318–19. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996669.ch54.

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Kerby-Fulton, Kathryn. "Hildegard of Bingen". W Medieval Holy Women in the Christian Tradition c.1100-c.1500, 343–69. Turnhout: Brepols Publishers, 2010. http://dx.doi.org/10.1484/m.bceec-eb.3.2630.

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Celano, Anthony, Tamar Rudavsky, Constant J. Mews, John T. Slotemaker, Pasquale Porro, Rupert John Kilcullen, Charles Burnett i in. "Hildegard of Bingen". W Encyclopedia of Medieval Philosophy, 476–78. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-1-4020-9729-4_214.

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Wenzel, Edith. "Hildegard von Bingen". W Metzler Autorinnen Lexikon, 227–29. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_161.

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Gronover, Annemarie. "Hildegard von Bingen". W Metzler Lexikon Religion, 44–46. Stuttgart: J.B. Metzler, 1999. http://dx.doi.org/10.1007/978-3-476-03703-9_18.

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Streszczenia konferencji na temat "Hildegardis"

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Verostko, Roman. "Twenty-Six Visions of Hildegarde". W ACM SIGGRAPH 2004 Art gallery. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1185884.1185967.

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Raporty organizacyjne na temat "Hildegardis"

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Maurer, Marie. The Feminine as Salvific in Hildegard von Bingen's Letters. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.6736.

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Walker, Rebecca. Unadorned by Silence: Rereading Obedience in the Writing of Perpetua, Dhuoda, and Hildegard of Bingen. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.6526.

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