Gotowe bibliografie tematyczne / Hildegard of Bingen

Gotowa bibliografia na temat „Hildegard of Bingen”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 20 lutego 2023

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Artykuły w czasopismach na temat "Hildegard of Bingen"

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John, Helen J. "Hildegard of Bingen: A New Twelfth-century Woman Philosopher?" Hypatia 7, nr 1 (1992): 115–23. http://dx.doi.org/10.1111/j.1527-2001.1992.tb00701.x.

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Three recent publications—Barbara Newman, Sister of Wisdom: St. Hildegard's Theology of the Feminine; Hildegard of Bingen, Scivias, translated by Mother Columba Hart and Jane Bishop; and Sabina Flanagan, Hildegard of Bingen, 1098–1179: A Visionary Life—provide access in English to Hildegard's vast and complex intellectual achievement. Reviewing these works 1 suggest why Hildegard's thought has only begun to be studied by philosophers, why such study is important, and I propose ways to approach Hildegard's work.
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De Gussem, Jeroen. "Larger than Life? A Stylometric Analysis of the Multi-Authored 'Vita' of Hildegard of Bingen". Interfaces: A Journal of Medieval European Literatures, nr 8 (31.12.2021): 125–59. http://dx.doi.org/10.54103/interfaces-08-08.

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This article explores by aid of stylometric methods the collaborative authorship of the Vita Hildegardis, Hildegard of Bingen's (auto-?)biography. Both Hildegard and her biographers gradually contributed to the text in the course of the last years of Hildegard's life, and it was posthumously completed in the mid-1180s by end redactor Theoderic of Echternach. In between these termini a quo and ante quem the work was allegedly taken up but left unfinished by secretaries Godfrey of Disibodenberg and Guibert of Gembloux. In light of the fact that the Vita is an indispensable source in gaining historical knowledge on Hildegard's life, the question has often been raised whether the Life of Hildegard is – by dint of contributions by multiple stakeholders – a larger-than-life depiction of the visionary's life course. Specifically the 'autobiographical' passages included in the Vita, in which Hildegard is allegedly cited directly and is taken to recount biographical information in the first-person singular, have been approached with suspicion. By applying state-of-the-art computional methods for the automatic detection of writing style (stylometry), the delicate questions of authenticity and collaborative authorship of this (auto?)hagiographical text are addressed.
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GÖSMANN, Elisabeth. "Hildegard von Bingen". Journal of the European Society of Women in Theological Research 1 (1.01.1993): 161–68. http://dx.doi.org/10.2143/eswtr.1.0.2017344.

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Kerby-Fulton, Kathryn. "Hildegard of Bingen and Anti-mendicant Propaganda". Traditio 43 (1987): 386–99. http://dx.doi.org/10.1017/s0362152900012629.

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The question of Hildegard's influence and reputation in the centuries following her death is an elusive and vexing one for scholars. We do know that the medieval prophetic tradition is one of the few spheres in which her writings and her reputation sustained anything like their original high profile. To a large extent this popularity was the direct result of two things: first of all, a compilation of extracts from her prophecies made by Gebeno of Eberbach around the year 1220; and secondly, the association of Hildegard's name and a few of her genuine writings with the tradition of anti-mendicant propaganda. These two survivals give us a different but not unrelated view of how Hildegard was known to the later Middle Ages, and in particular what she was best known for: that is, for her prediction of a coming chastisement of the clergy to be brought about partly through the agency of a group of pseudo-prophets. The testimony of Gebeno in his prologue to his compilation of her prophetic works and the testimony of various contemporary chroniclers all agree on one thing: Hildegard had succeeded in scaring the wits out of the local clergy, and even decades after her death they feared the chastisement she had predicted.
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Kreutziger-Herr, Annette. "Hildegard of Bingen conference". Early Music XXVII, nr 1 (luty 1999): 156–57. http://dx.doi.org/10.1093/earlyj/xxvii.1.156.

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Johnson, S. "Interpreting Hildegard von Bingen". Early Music 42, nr 1 (1.02.2014): 139–41. http://dx.doi.org/10.1093/em/cau013.

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Duran, Jane. "Hildegard of Bingen: A Feminist Ontology". European Journal for Philosophy of Religion 6, nr 2 (21.06.2014): 155–67. http://dx.doi.org/10.24204/ejpr.v6i2.183.

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Two major lines of argument support the notion that Hildegard of Bingen’s metaphysics is peculiarly gynocentric. Contra the standard commentary on her work, the focus is not on the notion of viriditas; rather, the first line of argument presents a specific delineation of her ontology, demonstrating that it is a graded hierarchy of beings, many of which present feminine aspects of the divine, and all of which establish the metaphysical notion of interpenetrability. The second line of argument specifically contrasts her thought to that of Aquinas and Meister Eckhart, noting areas of similarity and difference. It is concluded that the visionary origins of Hildegard’s work may have to some extent precluded our understanding of it, and that her work merits consideration not only philosophically and theologically but from the standpoint of its early presentation of a gynocentric worldview.
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Cirlot, Victoria. "La ciudad celeste de Hildegard von Bingen". Anuario de Estudios Medievales 44, nr 1 (30.06.2014): 475–513. http://dx.doi.org/10.3989/aem.2014.44.1.15.

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Tarnawska, Joanna. "Obraz św. Hildegardy z Bingen w polskiej kulturze współczesnej". Załącznik Kulturoznawczy, nr 1 (2014): 60–86. http://dx.doi.org/10.21697/zk.2014.1.03.

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The article St. Hildegard of Bingen in Contemporary Culture was based on fragments of Licence Work.: St.Hildegard of Bingen – medival “feminist” and contemporary doctor of Church. The author concentrates on great interest of Saint Hildegard – the most interesting and best known monk of medieval ages. Saint Hildegard is a authority and inspiration for many different societes generating discussions. This work tries to answer questions on manipulation and use of Hildegard by contemporary culture. It also underlines stereotypes of thinking about medival ages and position of women in Church
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Zátonyi, Maura. "Rebell oder Mitarbeiter Gottes? Hildegard von Bingen zu einem bekehrten Umgang mit der Schöpfung". Studia Universitatis Babeș-Bolyai Theologia Catholica 66, nr 1-2 (15.12.2021): 221–31. http://dx.doi.org/10.24193/theol.cath.2021.10.

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Rebel or collaborator of God? Hildegard of Bingen about a converted creation approach. Hildegard of Bingen (1098-1179) describes the consequences of the destruction of nature with surprising modern illustrations. At the same time, she shows ways to change for the better. Instead of rebelling against God and the order of creation, man is invited to take his position in the heart of creation. Obedience frees man to deal with creation in a compliant manner. This way he can respond to God’s love and act with responsibility in the world. Keywords: Hildegard von Bingen, Schöpfung, Gottes Liebe, Freiheit, Vernunft, Verantwortung, Gottesvergessenheit, Umkehr, geschöpfliches Dasein, Gehorsam.
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Rozprawy doktorskie na temat "Hildegard of Bingen"

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Sperber, Christian. "Hildegard von Bingen - eine widerständige Frau". Aichach Schwarten, 2003. http://edocs.ub.uni-frankfurt.de/volltexte/2006/3583/.

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Gheza, Pontarelli Roxanna. "Hildegard de Bingen: Camino hacia la salvación". Tesis, Universidad de Chile, 2006. http://www.repositorio.uchile.cl/handle/2250/108878.

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Esta tesis está dedicada al estudio de la escritura visionaria de Hildegard de Bingen (1098-1179), entendida en esta lectura como una guía en el conocimiento del “camino de Salvación”, un tema de preocupación fundamental en la Europa cristiana medieval.
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Rode, Susan Lill. "The sexual theology of Hildegard of Bingen /". Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=64007.

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Embach, Michael. "Die Schriften Hildegards von Bingen : Studien zu ihrer Überlieferung und Rezeption im Mittelalter und in der Frühen Neuzeit /". Berlin : Akademie Verl, 2003. http://catalogue.bnf.fr/ark:/12148/cb39123714j.

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Poll, Maria Carmen Gomes Martiniano de Oliveira van de. "A espiritualidade de Hildegard Von Bingen: profecia e ortodoxia". Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-08032010-113221/.

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Hildegard von Bingen, religiosa beneditina que viveu no século XII, alegava ter escrito sua primeira obra, o Scivias, obedecendo a um comando divino, que ela teria recebido em uma visão. Segundo Hildegard, suas visões a acompanhavam desde sua infância, e nelas ela via uma Luz Viva e recebia mensagens divinas. O Scivias que, segundo Hildegard, consistia na transcrição dessas mensagens divinas, era uma obra com ensinamentos em ortodoxia doutrinária. O caráter profético da obra aliado à sua ortodoxia garantiu-lhe pronta aceitação no meio eclesiástico e deu a Hildegard a reputação de profetisa. Devido à sua fama de profetisa, Hildegard passou a ser buscada como a um oráculo espiritual, como conselheira espiritual em diversos assuntos. Monges, abades, abadessas, bispos e imperadores consultavam Hildegard em busca de conselho, consolo e mesmo solução para os seus problemas. A vasta correspondência da religiosa atesta este fato. Neste estudo, procuramos entender, através da análise de um relato mítico incluído no Scivias e de parte de sua correspondência, de que maneira profecia e ortodoxia, como expressões da espiritualidade de Hildegard, manifestaram-se em sua obra.
Hildegard von Bingen, religious Benedictine woman who lived in the twelfth century, claimed to have written her first book, the Scivias, under a prophetic call, that came to her in a vision. According to Hildegard, her visions had been with her since her childhood, and in them she saw a Living Light and received divine messages. The Scivias which, according to Hildegard, consisted of the transcription of these messages, was a work with teachings in doctrinal orthodoxy. The prophetic character of the book, allied to its orthodoxy, guaranteed it with acceptation in the ecclesiastical environment and gave to Hildegard the reputation of a prophetess. Due to her fame as prophetess, people began to search Hildegard as a spiritual oracle, as a spiritual counsellor in different subjects. Monks, abbots, abbesses, bishops and emperors consulted Hildegard in search of admonition, advice, consolation and even solution for their problems. The vast correspondence of Hildegard bears witness to this fact. In this study, we try to understand, through the analysis of a mythical account included in the Scivias and of part of her correspondence, in what ways prophecy and orthodoxy, as expressions of Hildegards spirituality, were manifested in her work.
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Bain, Jennifer 1967. "Selected antiphons of Hildegard von Bingen : notation and structural design". Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23206.

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The musical structure of Hildegard von Bingen's "O quam mirabilis est" is directly linked to its notational system. After placing Hildegards's antiphons within an historical context in chapter one, chapter two reviews three previous analyses of "O quam mirabilis est" by Bronarski (1922), Cogan (1990) and Pfau (1990). The first two analyses ignore the syntax and expression of the text by focusing on the motivic level. The third analysis, though it embraces the text, lacks a formalization in its theoretical model. None of the analyses respond to the original notation. In response, chapter three examines the notation found in the sources containing Hildegard's music (the Riesenkodex and the Dendermonde codex) and discusses the structural importance of pitches within the neumatic groupings. The resulting graphic analysis adapt Schenkerian analytic notation to represent a hierarchy of pitch relationships. Chapter four applies this methodology to four other antiphons by Hildegard: "Hodie aperuit," "Nunc gaudeant," "O virtus sapientie," and "O virgo ecclesia."
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Picón, Bruno Daniela. "Escenas de escritura visionaria: Hildegard de Bingen y William Blake". Tesis, Universidad de Chile, 2009. http://repositorio.uchile.cl/handle/2250/108581.

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La siguiente investigación se centra en el estudio de las escenas de escritura de dos autores cuyas obras podemos denominar visionarias, ellos son Hildegard von Bingen (1098-1179) y William Blake (1757-1827). El estudio del momento en que estos dos autores pusieron por escrito lo que ellos experimentaron como revelación divina, utilizando diferentes soportes escriturarios, nos lleva a comprender, por una parte, cómo es que concibieron la escritura de revelación, a partir de dos contextos distantes en el tiempo, pero también nos permite realizar un análisis que espera establecer las similitudes existentes entre ambos autores, como depositarios de la tradición visionaria. El estudio de la escena de escritura como tal, que tiene lugar luego de la visión (a la cual ambos se refirieron en varias instancias) pero también de las escenas de escritura presentes en su obra misma -tanto en el texto como en la imagen visual- nos lleva a comprender cómo es que la elaboración escrita (y visual) de las visiones se hace parte fundamental del proceso creativo de la experiencia visionaria y el modo en que la elección de una forma particular de transmisión escrita de las visiones condiciona también una forma de comunicación y recepción por parte de los lectores, la que está íntimamente relacionada con el mensaje que se espera transmitir a través de los textos visionarios.
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Doran, Geraldine. "Hildegard of Bingen as an educator : the body as conduit to knowledge". Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22581.

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This study investigates how Hildegard of Bingen (1098-1179), a medieval abbess used visions received during the prodromal stages of migraines to reconstruct herself symbolically. In her visions she believed that God, the "Living Light" instructed her "to write and say the Secrete Dei". By obeying, she obtained extensive influence and power, appropriating functions reserved for the medieval male elite only.
Hildegard is contextualized within the politico-socio-intellectual parameters of the twelfth century in general and within convent life in particular. Events are chronicled to examine how she reconstructed her weaknesses--gender and infirmity--using them to construct knowledge, and to demonstrate how she used that knowledge to educate by writing, teaching and preaching. The source of Hildegard's knowledge is analysed in an attempt to determine whether it is divinely inspired, neurologically based, or derived from secondary religious and secular writings. Whatever the source, Hildegard herself refused to grant the name of "Knowledge" to any insight unless it came to her in the heavenly voice via the "Living Light." The study culminates with a brief discussion on the questions asked in the introduction regarding research in the history of education.
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Jeffreys, Catherine Mary. "Melodia et rhetorica : the devotional-song repertory of Hildegard of Bingen /". Connect to thesis, 2000. http://eprints.unimelb.edu.au/archive/00000422.

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Paquette, Megan. "Migraine auras and hypergraphia and their connection to Hildegard Von Bingen". Honors in the Major Thesis, University of Central Florida, 2001. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/244.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.
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Książki na temat "Hildegard of Bingen"

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Hildegard von Bingen. Müunchen: C.H.Beck, 1995.

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Simmer, Peter Alexander. Hildegard von Bingen. Neuwied: Peter Alexander Simmer, 2002.

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Hildegard von Bingen. Reinbek: Rowohlt, 1997.

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Gosebrink, Hildegard. Hildegard von Bingen begegnen. Augsburg: Sankt Ulrich, 2002.

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Termolen, Rosel. Hildegard von Bingen Biographie. Augsburg: Pattloch, 1990.

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1098-1179, Hildegard Saint, red. Illuminations of Hildegard of Bingen. Santa Fe, N.M: Bear & Co., 1985.

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Durka, Gloria. Praying with Hildegard of Bingen. Winona, Minnesota: Saint Mary's Press, 1991.

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Gössmann, Elisabeth. Hildegard of Bingen : four papers. Toronto: Peregrina, 1995.

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Hildegardis, Saint. Schriften der Hildegard von Bingen. Hildesheim: Olms, 1991.

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Praying with Hildegard of Bingen. Winona, Minn: Saint Mary's Press, 1991.

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Części książek na temat "Hildegard of Bingen"

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Büchner, Robert, i Werner Lauter. "Hildegard von Bingen". W Kindler Kompakt: Philosophie des Mittelalters, 99. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04327-6_27.

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Gössmann, Elisabeth. "Hildegard of Bingen". W A History of Women Philosophers, 27–65. Dordrecht: Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-009-2551-9_2.

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Mews, Constant J. "Hildegard of Bingen". W Encyclopedia of Medieval Philosophy, 1–3. Dordrecht: Springer Netherlands, 2020. http://dx.doi.org/10.1007/978-94-024-1151-5_214-2.

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Milem, Bruce. "Hildegard of Bingen". W A Companion to Philosophy in the Middle Ages, 318–19. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996669.ch54.

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Kerby-Fulton, Kathryn. "Hildegard of Bingen". W Medieval Holy Women in the Christian Tradition c.1100-c.1500, 343–69. Turnhout: Brepols Publishers, 2010. http://dx.doi.org/10.1484/m.bceec-eb.3.2630.

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Celano, Anthony, Tamar Rudavsky, Constant J. Mews, John T. Slotemaker, Pasquale Porro, Rupert John Kilcullen, Charles Burnett i in. "Hildegard of Bingen". W Encyclopedia of Medieval Philosophy, 476–78. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-1-4020-9729-4_214.

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Wenzel, Edith. "Hildegard von Bingen". W Metzler Autorinnen Lexikon, 227–29. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_161.

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Gronover, Annemarie. "Hildegard von Bingen". W Metzler Lexikon Religion, 44–46. Stuttgart: J.B. Metzler, 1999. http://dx.doi.org/10.1007/978-3-476-03703-9_18.

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Mews, Constant J. "Hildegard of Bingen". W Encyclopedia of Medieval Philosophy, 725–27. Dordrecht: Springer Netherlands, 2020. http://dx.doi.org/10.1007/978-94-024-1665-7_214.

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Victoria, Hannah. "Hildegard of Bingen". W The Palgrave Encyclopedia of Medieval Women's Writing in the Global Middle Ages, 1–5. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-76219-3_22-1.

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Raporty organizacyjne na temat "Hildegard of Bingen"

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Walker, Rebecca. Unadorned by Silence: Rereading Obedience in the Writing of Perpetua, Dhuoda, and Hildegard of Bingen. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.6526.

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Maurer, Marie. The Feminine as Salvific in Hildegard von Bingen's Letters. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.6736.

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