Gotowe bibliografie tematyczne / Heroes in popular culture

Gotowa bibliografia na temat „Heroes in popular culture”

Autor: Grafiati
Data publikacji: 26 lipca 2024

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Artykuły w czasopismach na temat "Heroes in popular culture"

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Sjö, Sofia. "Postmodern messiahs: the changing saviours of contemporary popular culture". Scripta Instituti Donneriani Aboensis 21 (1.01.2009): 196–212. http://dx.doi.org/10.30674/scripta.67351.

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The messiah myth is alive and well in the modern world. Contemporary science fiction film has taken the myth to heart and given us an endless stream of larger than life heroes. The heroes of the present are, however, not exactly the same as the heroes of the past. A changing world demands new things of its saviours. Using a textual and narrative analysis based on insights gained from feminist film theory and cultural studies, this article looks closely at the messiah theme in science fiction films and TV series from the last three decades. The study explores the changes that have occurred in relation to images of the body, the attitudes and personalities of modern heroes, gender, questions of power and ideas of the transcendent. The article then discusses what these changes both between newer and older heroes and between contemporary heroes and the traditional messiah story might say about religion and spirituality in the modern world. Finally the article explores the question of why the messiah myth still finds an audience today.
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Monsiváis, Carlos, i Lois Parkinson Zamora. "The Neobaroque and Popular Culture". PMLA/Publications of the Modern Language Association of America 124, nr 1 (styczeń 2009): 180–88. http://dx.doi.org/10.1632/pmla.2009.124.1.180.

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Carlos Monsiváis is hard to pin down. He is a chronicler of every aspect of Mexican reality past and present; A cultural critic focusing on poetry, film, art, and music; and an erudite essayist committed to the connections between elite and popular cultures. His style is both acerbic and festive in ways that epitomize the Mexican character, and nothing escapes his incisive curiosity: the cult of national heroes that finds its twin in the society of spectacle, the cultural migrations between television talk and devotional discourse, the mass movements that advance and recede in a welter of democratic projects. As an intellectual, Carlos Monsiváis is unique in (and to) Mexico. You cannot walk in this country without seeing or hearing him on every street corner, nor can you open a book without sensing his influence. His presence is so omnímoda—so omnimodal—that we no longer know which came first: Mexican culture as Monsiváis observes it, or Monsiváis observing Mexican culture.
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Armengol, Josep M. "Book Review: Aging Heroes: Growing Old in Popular Culture". Men and Masculinities 20, nr 5 (7.11.2017): 625–36. http://dx.doi.org/10.1177/1097184x17737591.

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Burns, Maureen. "Review: Girl Heroes: The New Force in Popular Culture". Media International Australia 105, nr 1 (listopad 2002): 174–76. http://dx.doi.org/10.1177/1329878x0210500129.

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Karki, Dhruba. "The Heroic Journey in Popular Culture". Tribhuvan University Journal 29, nr 1 (31.03.2016): 25–40. http://dx.doi.org/10.3126/tuj.v29i1.25668.

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Popular culture integrates people in diverse settings. Individuals share ideas through materials they use, including food, dresses, movies, magazines, and holiday spots. In the past, people set for pilgrimage to holy sites; these days, they go on trekking through hills. Pilgrimages to consecrated sites have been replaced by people's journey to discotheque, fashion center and shopping complex in the modern time corporate world. What binds them together is the transformation of consciousness in line with the journey from the terrestrial to the celestial sphere. Specific human activities, including pilgrimage and business trip become popular culture when people make them significant parts of their lives. Sound and images of disco, jazz, hip-hop, and pop-rock have entered the streets and hotels equally in cities of the industrial world, from Lhasa to London, Karachi to Kathmandu, and Tokyo to New York, irrespective of their cultures and ethnic backgrounds. In today’s world of saturated media presence, images and icons of heroes and legends, motivated by commercial and popular appeal, are circulated with a greater speed, becoming simultaneously a shared mythic currency and continuity, the modern world embodiment of silk road business, and thus, crossing the East-West divide.
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Williams, Bronwyn T. "Action Heroes and Literate Sidekicks: Literacy and Identity in Popular Culture". Journal of Adolescent & Adult Literacy 50, nr 8 (maj 2007): 680–85. http://dx.doi.org/10.1598/jaal.50.8.6.

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Begovich, Ray. "Heroes and Scoundrels: The Image of the Journalist in Popular Culture". American Journalism 33, nr 2 (2.04.2016): 231–32. http://dx.doi.org/10.1080/08821127.2016.1168152.

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Herges, Katja. "The Education of Desire: Unsettling Sexuality, Gender, and Racial Politics in Contemporary Medical Romance". Seminar: A Journal of Germanic Studies 59, nr 3 (1.09.2023): 282–300. http://dx.doi.org/10.3138/seminar.59.3.4.

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Medical romance features health care heroes and heroines in a central love story. This article analyzes two contemporary literary examples of the popular but neglected genre of German medical romance, Julya Rabinowich’s Herznovelle (2011) and Irena Brežná’s Schuppenhaut: Ein Liebesroman (2010). This article argues that medical romance performs agile cultural work that ambivalently locates discourses of desire, race, and gender within popular, literary, and medical cultures. Through a range of literary and autofictional strategies, both works reveal how medical romance can reflect and produce bourgeois sexuality and whiteness in contemporary culture. Foregrounding their narrators’ appropriation of colonial imagery, I show that Herznovelle and Schuppenhaut open up critical questions about approaches to decolonization in German studies and medical culture.
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Woloschuk, Caitlin. "Masculinity in Folklore: The Enduring Symbolism of the Canadian Lumberjack". Pathways 3, nr 1 (7.11.2022): 5–13. http://dx.doi.org/10.29173/pathways36.

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The nineteenth-century logging industry in North America produced working conditions that gave birth to many folk tales and folk heroes that have held firm, keeping the lumberjack a topic of popular culture that has endured for over a century. Through examining a historical painting and sketch inspired by the popular French-Canadian folktale La Chasse Galerie, present-day people can better understand the different historical influences, such as religion and ethnicity, that helped create folklore and ideas of masculinity within the timber trade in the Ottawa Valley. In addition, the masculinity that logging folk heroes and folk tales embody can help illustrate trends in modern resource extraction industries.
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Karki, Dhruba. "Blending Myth and Modernity in the Global Chinese Cinema: The Hong Kong Action Hero in Zhang Yimou-Directed Hero". Tribhuvan University Journal 32, nr 2 (31.12.2018): 37–56. http://dx.doi.org/10.3126/tuj.v32i2.24702.

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Zhang Yimou’s Hero presents an action hero, yet in a slightly different cinematic mode than that of Stephen Chow-directed Shaolin Soccer to blend myth and modernity. In Yimou’s martial arts cinema, Jet Li-starred Nameless hero uses martial arts to combat the king’s adversaries, including Donnie Yen-starred Long Sky, Maggie Cheung-starred Flying Snow and Tony Leung Chiu-Wai-starred Broken Sword in the service to the Qin Dynasty (221 BC – 207 BC). The warrior hero’s indigenous body art helps the Qin Dynasty transform the smaller warring kingdoms into a powerful Chinese Empire, a strong foundation of modern China with economic and military superpower. Like their western counterparts, including T1000 and Neo, the Hong Kong action heroes, such as the warrior hero and the Qin King have been refashioned in the Hollywood controlled twentieth-century popular culture. Different from their Hollywood counterparts in actions, the Hong Kong action heroes in Hero primarily use their trained bodies and martial skills to promote the Chinese civilization, an adaptation of the Hollywood tradition of technologized machine body. Reworking of myth and archetype in Nameless’s service to the Qin Dynasty and the emperor’s mission to incept the Chinese Empire, the Hong Kong action heroes appear on screen, a blend of tradition and modernity. The film industry’s projection of the Chinese history with the legendary action heroes, including Nameless soldier and the Qin King globalizes the indigenous Chinese culture by using modern electronic digital technology, a resonance of the western technological advancement.
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Rozprawy doktorskie na temat "Heroes in popular culture"

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Murphree, Hyon Joo Yoo. "Cowboys, Postmodern Heroes, and Anti-heroes: The Many Faces of the Alterized White Man". Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2620/.

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This thesis investigates how hegemonic white masculinity adopts a new mode of material accumulation by entering into an ambivalent existence as a historical agent and metahistory at the same time and continues to function as a performative identity that offers a point of identification for the working class white man suggesting that bourgeois identity is obtainable through the performance of bourgeois ethics. The thesis postulates that the phenomenal transitions brought on by industrialization and deindustrialization of 50's through 90's coincide with the representational changes of white masculinity from paradigmatic cowboy incarnations to the postmodern action heroes, specifically as embodied by Bruce Willis. The thesis also examines how postmodern heroes' "intero-alterity" is further problematized by antiheroes in Tim Burton's films.
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Thomas, Suzanne Lynne. "Heroes, assassins, mobsters and murderers : martial arts TV and the popular Chinese imagination in the PRC /". Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2003. http://wwwlib.umi.com/cr/ucsd/fullcit?p3112189.

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Hopkins, Susan. "Pop heroines and female icons : youthful femininity and popular culture". Thesis, Queensland University of Technology, 1999.

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The thesis suggests much feminist theorising on girls' and young women's relationship to popular culture is limited by a 'moral-political' approach which searches for moral and political problems and solutions in the consumption of popular images of femininity. The thesis offers a critique of such 'moral-political' interpretations of the relationship between youthful femininity and popular culture. Following thinkers such as Friedrich Nietzsche and Jean Baudrillard, the thesis opposes the political preoccupation with 'reality' and 'truth'. The study follows Nietzsche's and Baudrillard's notion of the 'Eternal-Feminine' which accepts the necessity of illusion, deception and appearances. Through a close textual analysis of magazines, films, television and music video, this study offers an aesthetic appreciation of popular culture representations of femininity. The thesis comprises six essays, the first of which explains my Nietzschean inspired aesthetic approach in more detail. The second essay looks at images and discourses of supermodels and model femininity in women's magazines. The third looks at image-based forms of 'girl power' from Madonna to the Spice Girls. The fourth essay examines the 'Cool Chics' of the pay TV channel TVJ,from Wonder Woman to Xena: Warrior Princess. The fifth essay, 'Gangster Girls: From Goodfellas to Pulp Fiction' considers the 1990s model of the femme fatale, the bad girl who thrives on moral chaos. The final essay 'Celebrity Skin: From Courtney Love to Kylie Minogue' suggests some of the most powerful feminine role models of our time have built their careers not on notions of authenticity and truth but rather on the successful management of illusion and fantasy. The essay argues that our social world has outgrown the traditional moral-political approach which aims to lead girls and young women from 'deceptive''immoral' appearances to moral, 'authentic' 'reality'. The pleasures of popular culture, Isuggest, cannot always be linked to deep meanings but may be drawn from superficial appearances and beautiful surfaces.
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Maulden, Hannah Leah. "Heroes and Villains: Political Rhetoric in Post-9/11 Popular Media". Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1431964700.

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Capuano, Mariângela Monsores Furtado. "Ressonâncias de heróis e reis medievais na (re)construção dos personagens da Pedra do Reino por Ariano Suassuna". Universidade do Estado do Rio de Janeiro, 2014. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=7591.

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A presente tese está calcada na análise da obra de Ariano Suassuna, o Romance dA Pedra do Reino e o príncipe do sangue do vai-e-volta, considerado pelo autor como a sua obra maior e, a princípio, o primeiro volume da trilogia A maravilhosa desaventura de Quaderna, o decifrador, e no primeiro volume da segunda parte da trilogia, O rei degolado ao Sol da Onça Caetana. O trabalho consiste, fundamentalmente, em examinar o diálogo estabelecido entre a obra de Suassuna com textos representativos da tradição literária ocidental, mais propriamente com os que remontam ao medievo. Para isso, fez-se um recorte nas relações que o romance trava com a matéria cavaleiresca, principalmente com a Demanda do Santo Graal, na sua estrutura e no desenho psicológico e moral dos personagens, notadamente de Sinésio, que encarna o mito do herói prometido, cujos paradigmas se assentam na figura lendária do Rei Artur, além de Galaaz, e na histórica de D. Sebastião, o rei desaparecido de Portugal. Sabe-se que esses reis e heróis míticos, considerados salvadores, uma vez que retornariam para restituir ao povo a dignidade e a liberdade perdidas, povoaram o imaginário ibérico e chegaram ao Brasil trazidos pelos colonizadores europeus. Dessa forma, a cultura popular do Nordeste brasileiro é povoada de histórias e lendas eternizadas e recriadas no folclore da região e na literatura de Cordel. Mas, ao lado do messianismo, outro aspecto faz-se notório nos personagens de Suassuna: a crueldade. E este tema, bem como o nome do personagem D. Pedro Dinis Quaderna, remete-nos para a história de alguns reis ibéricos da Idade Média: Pedro de Portugal e Pedro de Castela, que serão revisitados à luz da Crônica de D. Pedro de Fernão Lopes, no intuito de observar-se o diálogo com esta estabelecido por Suassuna, direta ou indiretamente
This doctoral thesis (Brazilian format for Dissertation) dwells on an analysis of the novel A Pedra do Reino e o Príncipe do Sangue do Vai-e-Volta by Ariano Suassuna, considered his greatest work and the first installment of the trilogy A maravilhosa desaventura de Quaderna, o decifrador, being the second part of that trilogy O Rei Degolado ao Sol da Onça Caetana. This research consists essentially in examining the dialogue established among Suassunas work and texts representing western literary tradition more properly concerning the medieval period. A selection of relations found in that novel concerning chivalry was then chosen, more specifically concerning the Quest for the Holy Grail (Demanda do Santo Graal) in its structure and in the psychological and moral design of the characters, especially Sinésio, who embodies the myth of the promised hero, whose paradigms regard the legendary figure of King Arthur, in addition to Galahad, and in King Sebastians historical figure, the King of Portugal who went missing. It is well-known that these mythical kings and heroes, considered saviors, wound once return to restitute people with their lost dignity and freedom, being part of the imaginary world in Iberia. They were brought to Brazil by European colonizers. Thus, the popular culture in Northeastern Brazil is filled with stories and legends rendered eternal and recreated in their regional folklore, as well as in the Cordel Literature (a popular form of literature in the region). Yet, aside from its messianic trait, another aspect is notable in Suassunas characters: cruelty. This theme, as well as the name of the character D. Pedro Dinis Quaderna, leads us to the story of certain Iberian Kings from the Middle Ages: Pedro of Portugal and Pedro of Castile, later revisited in the Crônica de D. Pedro by Fernão Lopes, aiming to observe the dialogue, directly or indirectly, with Suassunas writing
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Espinoza, Jorge Mauricio. "Inventing the Latino/a Hero: `Legality’ and the Representation of Latino/a Heroic Figures in U.S. Film, Television, and Comics". The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1436541436.

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Herrmann, Andrew F. "Never Mind the Scholar, Here’s the Old Punk: Identity, Community, and the Aging Music Fan". Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/461.

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Book Summary: Part I, 'Theoretical Openings,' of Volume 39 of Studies in Symbolic Interaction contains outstanding contributions by leading interactionists on welfare reform, history, biography and memory. The three chapters in Part II, 'Studies in Social Construction,' interrogate the complexities of social interaction, interpersonal and professional identity, and the cinematic representation of alcoholism. Part III takes up important interpretive interventions on the topics of imagination and intimate deception in everyday life.
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Corbett, Joseph. "Captain John Smith and American Identity: Evolutions of Constructed Narratives and Myths in the 20th and 21st Centuries". Master's thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5618.

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Historical narratives and anecdotes concerning Captain John Smith have been told and retold throughout the entire history the United States of America, and they have proved to be sacred, influential, and contested elements in the construction of the individual, sectional, regional, and national identity of many. In this thesis, I first outline some of the history of how narratives and discourses surrounding Captain John Smith were directly connected with the identity of many Americans during the 18th and 19th century, especially Virginians and Southerners. Then I outline how these narratives and discourses from the 18th and 19th centuries have continued and evolved in the 20th and 21st centuries in American scholarship and popular culture. I demonstrate how Captain John Smith went from being used as a symbol for regional and sectional identity to a symbol for broader national American identity, and how he has anachronistically come to be considered an American. I then show how Captain John Smith has continued to be constructed, to a seemingly larger degree than previous centuries, as a hero of almost mythic proportions. Finally I demonstrate how this constructed American hero is used as a posterchild for various interest groups and ideologies in order to legitimize the places of certain discourses and behavior within constructed and contested American identities.
M.A.
Masters
History
Arts and Humanities
History; Public History
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Bacon, Edwin Bruce. "Confronting eternity : strange (im)mortalities, and states of undying in popular fiction". Thesis, University of Canterbury. English, 2014. http://hdl.handle.net/10092/9680.

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When the meritless scrabble for the bauble of deity, they ironically set their human lives at the “pin’s fee” to which Shakespeare’s Hamlet refers. This thesis focuses on these undeserving individuals in premillennial and postmillennial fiction, who seek immortality at the expense of both their humanities, and their natural mortalities. I will analyse an array of popular modern characters, paying particular attention to the precursors of immortal personages. I will inaugurate these analyses with an examination of fan favourite series
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Darowski, Joseph J. "The American Way: What Superman, Batman, Spider-Man, and the X-Men Reveal About America". Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1515.pdf.

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Książki na temat "Heroes in popular culture"

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James, Roxie J., i Kathryn E. Lane, red. Criminals as Heroes in Popular Culture. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39585-8.

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Buruma, Ian. A Japanese mirror: Heroes and villains of Japanese culture. London: Vintage, 1995.

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Burchill, Julie. Damaged gods: Cults and heroes reappraised. London: Arrow Books, 1987.

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Burchill, Julie. Damaged Gods: Cults and heroes reappraised. London: Century, 1986.

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Duda, Heather L. The monster hunter in modern popular culture. Jefferson, N.C: McFarland, 2008.

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Seaber, Luke. Villains and heroes, or villains as heroes?: Essays on the relationship between villainy and evil. Oxford, United Kingdom: Inter-Disciplinary Press, 2012.

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Burchill, Julie. Damaged gods: Cults and heroes reappraised. London: Century, 1986.

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J, Drucker Susan, i Cathcart Robert S, red. American heroes in a media age. Cresskill, N.J: Hampton Press, 1994.

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Dudley, Jones, i Watkins Tony, red. A necessary fantasy?: The heroic figure in children's popular culture. New York: Garland Pub., 2000.

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Bertaccini, Tiziana. Ficción y realidad del héroe popular. México: Universidad Iberoamericana, 2001.

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Części książek na temat "Heroes in popular culture"

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James, Roxie J., i Kathryn E. Lane. "“I Need a Hero:” Representation and Reinvention of the Criminal Hero in Mass Media". W Criminals as Heroes in Popular Culture, 1–15. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39585-8_1.

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Lillie, Lisa M. "Women, Crime, and Piracy in the Early Modern English Popular Imagination". W Criminals as Heroes in Popular Culture, 17–43. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39585-8_2.

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Bhattacharyya, Sanchari. "Criminality in Perspective and Politics of Legitimization: A Study in Paradox". W Criminals as Heroes in Popular Culture, 45–64. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39585-8_3.

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Drouin, Renee Ann. "“Said Some Things I Definitely (Don’t) Regret:” The Rhetorical Silence of American Vandal’s Criminal Heroine". W Criminals as Heroes in Popular Culture, 65–81. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39585-8_4.

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Sedzielarz, Aleksander. "Exiles of Empire: Criminals as Heroes at the End of History in Jiang Wen’s Let the Bullets Fly". W Criminals as Heroes in Popular Culture, 83–106. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39585-8_5.

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Tembo, Kwasu D. "Stand and Deliver: The Cinematic Representation of the Gentleman Highwayman in Plunkett & Macleane (1999)". W Criminals as Heroes in Popular Culture, 107–28. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39585-8_6.

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Frost, Rebecca. "“Something Feels Weird:” Managing the Identity of “Ex-Con” in American Gods". W Criminals as Heroes in Popular Culture, 129–46. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39585-8_7.

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Pribram, E. Deidre. "Victims, Heroes, and Villains: Imaginary Beings in Contemporary Television Serials". W Criminals as Heroes in Popular Culture, 147–65. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39585-8_8.

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James, Roxie J., i Kathryn E. Lane. "“Blurred Lines:” Reflections of the Criminal Hero Figure". W Criminals as Heroes in Popular Culture, 167–74. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39585-8_9.

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Chireau, Yvonne. "From Horror to Heroes: Mythologies of Graphic Voodoo in Comics". W Contemporary Religion and Popular Culture, 25–57. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-20127-1_3.

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Streszczenia konferencji na temat "Heroes in popular culture"

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Ершова, Н. А. "“TEMPLE OF THE RUSSIA’S HEROES FAME”. HEROES IN HISTORIOGRAPHY AND ARTISTIC CULTURE OF THE EARLY 19TH CENTURY". W Образ героя. От прошлого к настоящему. Crossref, 2023. http://dx.doi.org/10.54874/9785605054252.2023.1.10.

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Представление о героическом в российской истории в начале XIX в. происходило благодаря совместным устремлениям историков, писателей, художников. Эпически-возвышенные характеристики исторических персонажей соответствовали определенным каноническим представлениям о герое истории, не предполагавшем противоречивости. Пример сочинения П. Ю. Львова раскрывает особенности беллетризации деятельности героев российской истории, создания словесных монументов, готовых для воплощения скульптором или художником. Творчество Н. М. Карамзина, всецело разделявшего такой подход, свидетельствовало о продвижении по пути объективности и критики в истории. Idea of a heroic personage in Russian history of the early 19th century had been forming in common aspiration of the historians, writers, artists. Epic and sublime images of the historic figures appeared in accordance with certain canonic rules of the heroes’ representation. P. Lvov’s book is an example of historic popular fiction with the heroes presented like verbal monuments ready to be depicted by a sculptor or painter. Great Russian historian N. Karamzin who contributed to this way of commemoration, in his historical writings moved forward in direction of the historical objectivity and critics.
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Songlin, Wu, i Pei Yu. "A Study of Depiction of Clothing on Utagawa Kuniyoshi’s One Hundred and Eight Heroes of the Popular Suikoden All Told". W 2021 International Conference on Culture, Design and Social Development (CDSD 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220109.060.

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Ileš, Tatjana, i Tomislav Marijanović. "THE POWER OF TELEVISION SPECTACLE: FEMINISM AND POPULAR TELEVISION". W European realities - Power : 5th International Scientific Conference. Academy of Arts and Culture in Osijek, J. J. Strossmayer University of Osijek, 2023. http://dx.doi.org/10.59014/xuza6596.

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Popular television is perhaps the most important tool for the production and promotion of popular culture content. It is a strong place of resistance and a space for various cultural struggles, including the feminist struggle that we observe through a number of genres and characters that resist established definitions of femininity and typical female characters. Products of popular culture, such as television soap operas, and lately a number of other genres, especially those that put female characters in the role of heroines, have enabled the development of a diverse spectre of female characters and given their audience a place where they can find authentic representations of their identities and life experiences. Through the analysis of such series, this paper will show how popular television, empowered by the ideals of feminism, and above all, popular feminism, introduced many female characters to a wider audience, and has undeniably become one of the primary places for female consumption of popular culture.
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Hu, Xinhang Hermione. "The Magical Leadership Journey of Two Heroes Harry Potter and Neville Longbottom: A Comparative Analysis of Leadership Theories in Popular Culture". W –The Asian Conference on Education & International Development 2024. The International Academic Forum(IAFOR), 2024. http://dx.doi.org/10.22492/issn.2189-101x.2024.63.

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Bîzgu, Tatiana. "The enigma of Holiday in Moldova transmitted through the mask and the folk costume". W Simpozionul Național de Studii Culturale, Ediția a 2-a. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/9789975352147.20.

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Our ancestors passed on a huge spiritual heritage to modern generations. The ritual folklore of Moldova includes the most interesting and significant traditions that have survived over the centuries, associated with family and calendar holidays. The most important Moldovan folk traditions can be admired during the winter holidays. The mask is one of the most important elements of these actions and a work of folk art. It contains the characteristics of popular heroes, constituting two main types: zoomorphic and anthropomorphic, as well as a division into costumed masks and face masks. Folk craftsmen gave expressiveness to masks with the help of materials, colors, sizes and plastic shapes. The art of masks and costumes in Moldovan folklore is a valuable part of the ethnographic heritage of the Republic of Moldova and deserves careful study in close connection with the literary and musical part of folk art.
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Fonseca, Erisson Jordan Ferreira, i HELENICE FRAGOSO DOS SANTOS. "A CULTURA POPULAR NA OBRA ALEXANDRE E OUTROS HERÓIS DE GRACILIANO RAMOS". W Anais do Seminário Internacional de Linguagens, Culturas, Tecnologias e Inclusão. Recife, Brasil: Even3, 2022. http://dx.doi.org/10.29327/163666.2-18.

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Fonseca, Erisson Jordan Ferreira, i HELENICE FRAGOSO DOS SANTOS. "A CULTURA POPULAR NA OBRA ALEXANDRE E OUTROS HERÓIS DE GRACILIANO RAMOS". W Anais do Seminário Internacional de Linguagens, Culturas, Tecnologias e Inclusão. Recife, Brasil: Even3, 2022. http://dx.doi.org/10.29327/163666.2-18.

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Cvetkovich, Thomas J. "Holography and popular culture". W Display Holography: Fifth International Symposium, redaktor Tung H. Jeong. SPIE, 1995. http://dx.doi.org/10.1117/12.201888.

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Marfella, Giorgio. "Seeds of Concrete Progress: Grain Elevators and Technology Transfer between America and Australia". W The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4000pi5hk.

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Modern concrete silos and grain elevators are a persistent source of interest and fascination for architects, industrial archaeologists, painters, photographers, and artists. The legacy of the Australian examples of the early 1900s is appreciated primarily by a popular culture that allocates value to these structures on aesthetic grounds. Several aspects of construction history associated with this early modern form of civil engineering have been less explored. In the 1920s and 1930s, concrete grain elevator stations blossomed along the railway networks of the Australian Wheat Belts, marking with their vertical presence the landscapes of many rural towns in New South Wales, Queensland, Victoria, and Western Australia. The Australian reception of this industrial building type of American origin reflects the modern nation-building aspirations of State Governments of the early 1900s. The development of fast-tracked, self-climbing methods for constructing concrete silos, a technology also imported from America, illustrates the critical role of concrete in that effort of nation-building. The rural and urban proliferation of concrete silos in Australia also helped establish a confident local concrete industry that began thriving with automatic systems of movable formwork, mastering and ultimately transferring these construction methods to multi-storey buildings after WWII. Although there is an evident link between grain elevators and the historiographical propaganda of heroic modernism, that nexus should not induce to interpret old concrete silos as a vestige of modern aesthetics. As catalysts of technical and economic development in Australia, Australian wheat silos also bear important significance due to the international technology transfer and local repercussions of their fast-tracked concrete construction methods.
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Vehrer, Adel. "Teaching popular culture 3D/VR technology". W 2017 8th IEEE International Conference on Cognitive Infocommunications (CogInfoCom). IEEE, 2017. http://dx.doi.org/10.1109/coginfocom.2017.8268297.

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Raporty organizacyjne na temat "Heroes in popular culture"

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Haynes-Clark, Jennifer. American Belly Dance and the Invention of the New Exotic: Orientalism, Feminism, and Popular Culture. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.20.

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Signes Codoñer, Juan. Rewriting Rome’s past glories? The heroes of the Reconquest in the Middle Byzantine period and their forerunners according to historical sources and popular narratives. Edicions de la Universitat de Lleida, 2024. http://dx.doi.org/10.21001/itma.2024.18.08.

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Da Matta, Roberto. Understanding Messianism in Brazil: Notes from a Social Anthropologist. Inter-American Development Bank, wrzesień 1996. http://dx.doi.org/10.18235/0007921.

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Berrian, Brenda F. Chestnut Women: French Caribbean Women Writers and Singers. Inter-American Development Bank, lipiec 2001. http://dx.doi.org/10.18235/0007945.

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Reeves-DeArmond, Genna. Infusing popular culture into the museum experience via historic dress: Visitor perceptions of Titanic’s Rose as a living history interpreter/character. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-779.

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Nezhyva, Liudmyla L., Svitlana P. Palamar i Oksana S. Lytvyn. Perspectives on the use of augmented reality within the linguistic and literary field of primary education. [б. в.], listopad 2020. http://dx.doi.org/10.31812/123456789/4415.

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The article analyzes the scientific sources on the problem of augmented reality in the educational field. There is a fragmentary rationale for new technology in primary school, to a greater extent the experience of scientists and practitioners relate to the integrated course “I am exploring the world”. The peculiarities of Ukrainian and foreign writers’ works with AR applications, which are appropriate to use during the classes of literary reading, are analyzed. The authors substantiated the prospect of augmented reality technology for mastering the artistic image of the world of literary work, the relevance of use of AR to modern educational challenges, and also demonstrated the possibility of immersion into the space of artistic creation and activation of students’ imagination with the help of AR applications. The article demonstrates the possibilities of use AR-technology for the development of emotional intelligence and creative thinking, solving educational tasks by setting up an active dialogue with literary heroes. The basic stages of the application of AR technologies in the literary reading lessons in accordance with the opportunities of the electronic resource are described: involvement; interaction; listening, reading and audition; research; creative work; evaluation. It is confirmed that in the process of using augmented reality technology during the reading lessons, the qualitative changes in the process of formation of the reader’s culture of the students of experimental classes appears, as well as the increase of motivation, development of emotional intelligence and creative thinking.
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Humpage, Sarah D. Benefits and Costs of Electronic Medical Records: The Experience of Mexico's Social Security Institute. Inter-American Development Bank, czerwiec 2010. http://dx.doi.org/10.18235/0008829.

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Electronic medical record (EMR) systems are increasingly used in developing countries to improve quality of care while increasing efficiency. There is little systematic evidence, however, regarding EMRs' benefits and costs. This case study documents the implementation and use of an EMR system at the Mexican Social Security Institute (IMSS). Three EMR systems are now in operation for primary care, outpatient and inpatient hospital care. The evidence suggests that the primary care system has improved efficiency of care delivery and human resources management, and may have decreased incidence of fraud. The hospital systems, however, have lower coverage and are less popular among staff. The greater success of the primary care system may be due to greater investment, a participatory development process, an open workplace culture, and software appropriately tailored to the workflow. Moving forward, efforts should be made to exploit data housed in EMRs for medical and policy research.
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Kapoor Malhotra, Suchi, Marcella Vigneri, Nina Dela Cruz, Liangying Hou i Howard White. Economic development interventions in humanitarian settings: a promising approach but more evidence is needed. Centre for Excellence and Development Impact and Learning (CEDIL), kwiecień 2023. http://dx.doi.org/10.51744/ceb9.

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Humanitarian crises caused by political events and environmental catastrophes forcibly displaced 82.4 million people around the world at the end of 2020. Many conflicts continue for several years, reconstruction can take a long time, and people may anyway be unwilling to return to hazardous environments. Displaced people may remain in their new locations for months or even years, not days or weeks. In response, economic development interventions for displaced populations have become more popular. This includes interventions that invest in the economic development of the host community, and so provide opportunities for those living in nearby camps. Economic development interventions provide a livelihood for displaced people and so reduce reliance on their external support, build or utilise their skills, and so reduce the chances of a culture of dependency and preserve the dignity of the displaced population. Investments in the host population can provide economic opportunities for displaced people and reduce the resentment which may arise if local people see substantial relief aid going into the camp and they get nothing. This brief summarises findings from a systematic review of economic development interventions in humanitarian settings.
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White, Lauren. Managed Retreat: An Introduction and Exploration of Policy Options. American Meteorological Society, październik 2022. http://dx.doi.org/10.1175/managed-retreat-2022.

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As sea levels rise, 100-year floods occur more frequently than ever, and permafrost melts at unprecedented rates, these phenomena (and others) inflict change in our environment that may necessitate action. Proactive measures against environmental threats include protection, accommodation, and relocation. Protective and accommodating actions such as building sea walls and elevating structures can often be sufficient, but some communities may be at greater risk for hazards. Managed retreat is a tool for community adaptation to repeated environmental threats that involves the physical relocation of people, structures, and infrastructures away from areas exposed to repeat hazards. Though conversations surrounding managed retreat are becoming more commonplace in academic literature and public policy vernacular, the practice has been around for decades, as explained in the case studies at the end of this document. Managed retreat is not particularly a popular choice: much of our human experience is tied to the place where we live, our neighbors, shared location-based history and culture, and a sense of belonging. There are four main goals for this document: 1) to provide relevant, useful, introductory information to demystify retreat for decision-makers; 2) to encourage and enable conversations around this adaptive strategy; 3) to promote a framework of continual education and emphasize that progress on managed retreat is grounded in iterative processes instead of a one-time activity; and 4) to provide a range of potential actionable next steps tailored to community and local audiences.
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Yatsymirska, Mariya. MODERN MEDIA TEXT: POLITICAL NARRATIVES, MEANINGS AND SENSES, EMOTIONAL MARKERS. Ivan Franko National University of Lviv, luty 2022. http://dx.doi.org/10.30970/vjo.2022.51.11411.

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The article examines modern media texts in the field of political journalism; the role of information narratives and emotional markers in media doctrine is clarified; verbal expression of rational meanings in the articles of famous Ukrainian analysts is shown. Popular theories of emotions in the process of cognition are considered, their relationship with the author’s personality, reader psychology and gonzo journalism is shown. Since the media text, in contrast to the text, is a product of social communication, the main narrative is information with the intention of influencing public opinion. Media text implies the presence of the author as a creator of meanings. In addition, media texts have universal features: word, sound, visuality (stills, photos, videos). They are traditionally divided into radio, TV, newspaper and Internet texts. The concepts of multimedia and hypertext are related to online texts. Web combinations, especially in political journalism, have intensified the interactive branching of nonlinear texts that cannot be published in traditional media. The Internet as a medium has created the conditions for the exchange of ideas in the most emotional way. Hence Gonzo’s interest in journalism, which expresses impressions of certain events in words and epithets, regardless of their stylistic affiliation. There are many such examples on social media in connection with the events surrounding the Wagnerians, the Poroshenko case, Russia’s new aggression against Ukraine, and others. Thus, the study of new features of media text in the context of modern political narratives and emotional markers is important in media research. The article focuses review of etymology, origin and features of using lexemes “cмисл (meaning)” and “сенс (sense)” in linguistic practice of Ukrainians results in the development of meanings and functional stylistic coloring in the usage of these units. Lexemes “cмисл (meaning)” and “сенс (sense)” are used as synonyms, but there are specific fields of meanings where they cannot be interchanged: lexeme “сенс (sense)” should be used when it comes to reasonable grounds for something, lexeme “cмисл (meaning)” should be used when it comes to notion, concept, understanding. Modern political texts are most prominent in genres such as interviews with politicians, political commentaries, analytical articles by media experts and journalists, political reviews, political portraits, political talk shows, and conversations about recent events, accompanied by effective emotional narratives. Etymologically, the concept of “narrative” is associated with the Latin adjective “gnarus” – expert. Speakers, philosophers, and literary critics considered narrative an “example of the human mind.” In modern media texts it is not only “story”, “explanation”, “message techniques”, “chronological reproduction of events”, but first of all the semantic load and what subjective meanings the author voices; it is a process of logical presentation of arguments (narration). The highly professional narrator uses narration as a “method of organizing discourse” around facts and impressions, impresses with his political erudition, extraordinary intelligence and creativity. Some of the above theses are reflected in the following illustrations from the Ukrainian media: “Culture outside politics” – a pro-Russian narrative…” (MP Gabibullayeva); “The next will be Russia – in the post-Soviet space is the Arab Spring…” (journalist Vitaly Portnikov); “In Russia, only the collapse of Ukraine will be perceived as success” (Pavel Klimkin); “Our army is fighting, hiding from the leadership” (Yuri Butusov).
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