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Marquez, Rodrigo Oliveira. "Teoria da história : Hayden White e seus críticos". reponame:Repositório Institucional da UnB, 2008. http://repositorio.unb.br/handle/10482/7679.
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Dissertação (mestrado)—Universidade de Brasília, 2008.Submitted by Allan Wanick Motta (allan_wanick@hotmail.com) on 2011-05-05T19:41:06Z No. of bitstreams: 1 2008_RodrigoOliveiraMarquez.pdf: 1025977 bytes, checksum: 8fcf8f04967bed26d4b82e41ff330f29 (MD5)
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A dissertação apresenta os quatro principais livros de Hayden White: "Meta-História" (1973), "Trópicos do Discurso" (1978), "O Conteúdo da Forma" (1987) e "Realismo Figural" (1999). Os quatro primeiros capítulos levam, respectivamente, o título de cada um dos livros de Hayden White e são apresentados em obediência ao critério cronológico dos anos das suas respectivas publicações. Ao final de cada um dos quatro capítulos são apresentadas críticas de alguns autores as possíveis conclusões que Hayden White chega em cada um dos seus livros. O quinto capítulo, intitulado "Quatro Polêmicas com Hayden White", apresenta quatro debates diretos que ele trava com quatro dos seus muitos críticos, apresentados também em obediência à ordem dos diferentes anos em que essas discussões ocorreram: Roger Chartier (1993), Arthur Marvick (1995), George Iggers (2000) e Dirk Moses (2005). _______________________________________________________________________________ ABSTRACT
The dissertation presents the four main books of Hayden White: "Metahistory" (1973), "Tropics of Discourse" (1978), "The Content of the Form" (1987) and "Figural Realism" (1999). The first four chapters were named, respectively, after the titles of each one of Hayden White's books, and are presented according to the chronological criterion of the years of their respective publication. By the end of each one of the four chapters, some reviews of other authors over Hayden White's conclusions in his books are presented. The fifth chapter, entitled "Four Polemics with Hayden White", presents four direct debates that he wages against four of his many critics, also presented in order respecting the different years in which these discussions took place: Roger Chartier (1993), Arthur Marvick (1995), George Iggers (2000) and Dirk Moses (2005).
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Mello, Ricardo Marques de. "Da utilidade e desvantagem da história para Hayden White". reponame:Repositório Institucional da UnB, 2008. http://repositorio.unb.br/handle/10482/1782.
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Dissertação (mestrado)—Universidade de Brasília, Instituto de Ciências Humanas, 2008.Texto parcialmente liberado pelo autor. Conteúdo liberado: pré-textuais.
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A Dissertação ora apresentada investigou as funções que o conhecimento produzido pelos historiadores pode exercer segundo o historiador e teórico da literatura e historiografia Hayden White. O primeiro capítulo expõe sucintamente sua teoria do discurso historiográfico, enfatizando os aspectos pertinentes para se compreender o objeto deste trabalho. O segundo capítulo analisa as funções que devem ser evitadas pela historiografia. O terceiro apresenta as funções que a historiografia pode exercer, relacionando-as à teoria do discurso historiográfico (cap. 1) e às funções cognitivas da história refutadas por White (cap. 2). Na última seção, buscou-se sintetizar o que foi exposto anteriormente e questionar alguns aspectos da proposta whiteana. A partir disso, observou-se que a idéia norteadora consiste em argumentar a favor da limitação epistêmica do discurso produzido pelos historiadores, o que permitiria, por sua vez, usá-lo de determinadas maneiras a fim de auxiliar os homens do presente na resolução de seus problemas. Desta forma, o que possibilitaria à historiografia valer-se do passado com vistas ao presente e desempenhar tal ou qual função seria sua condição cognitivamente restrita. ________________________________________________________________________________________________ ABSTRACT
The Dissertation presented investigated the roles that knowledge produced by historians can exercise according to the historian and theoretical literature of historiography and Hayden White. The first chapter briefly outlines his theory of historiographic speech, emphasizing aspects relevant to understand the object of this work. The second chapter discusses the functions that should be avoided by historiography. The third presents the functions that historiography can exercise, listing them on the theory of speech historiographic (chap. 1) and the cognitive functions of the story refuted by White (chap. 2). In the last section, sought summed up what has been previously exposed and questioned some aspects of the proposal whiteana. From this, the main idea is to argue in favour of limiting epistemic the discourse produced by historians, which would, in turn, use it, certain ways, to help the men of this in the resolution of their problems. Thus, what would the historiography assert itself in the past with a view to the present and play such a role would be or what their condition cognitively limited.
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Medeiros, Pedro Araujo. "Pós-modernidade e historiografia: Um estudo sobre Hayden White". Universidade Federal de Minas Gerais, 2006. http://hdl.handle.net/1843/VGRO-6XSQ2U.
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Since the end of Second World War, a great acceleration in the scope of science and technique caused significant changes in all the other scopes of society. These changes, which in occidental world begun in 1945, were so important that marked the beginning of a new era, the postmodernity. In that context, scientific knowledge and, in a specific way, the historical knowledge, were modified. And what did 'make history' become in postmodernity? In the dialog between present time and
nowadays historiography, our main study object is Hayden White, the historian that explores in the widest way the possibilities offered by postmodenrnity to the historiography. It is in the narrative of White that the postmodernity expresses itself with most intensity in the historical knowledge.Desde o final da Segunda Guerra, uma aceleração vertiginosa na esfera da ciência e da técnica provocou transformações significativas em todas as outras esferas da sociedade. Essas mudanças ocorridas no mundo ocidental a partir de 1945 foram tão grandes que marcaram o início de uma nova era, a pós-moderna. Nesse contexto, o conhecimento científico e, em particular, o conhecimento histórico, sofreu grandes alterações. Mas o que se tornou fazer história na pósmodernidade? Nesse diálogo entre o tempo presente e a historiografia atual, nosso objeto central é Hayden White, o historiador que explora de forma mais ampla as possibilidades oferecidas pela pós-modernidade para a historiografia. É na narrativa de White que a pós-modernidade se expressa com maior intensidade dentro do conhecimento histórico.
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RIZZO, Marcelo Augusto Parrillo. "A HISTÓRIA DE META-HISTÓRIA: Um estudo sobre a teoria de Hayden White". Universidade Federal de Goiás, 2009. http://repositorio.bc.ufg.br/tede/handle/tde/2295.
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Previous issue date: 2009-05-05This work concerns to Hayden White´s conception of history, like was exposed in his book Metahistory and the compilations of his articles. It will be presented and discussed White´s interpretation about the relation of the historical discipline with literature and science, Relation that guides his understanding of historical writing.
Este trabalho trata da concepção de história de Hayden White, tal como exposta em seu livro Meta-História e nas compilações de seus artigos. Será apresentada e discutida a interpretação de White sobre a relação da disciplina histórica com a literatura e a ciência, relação que norteia sua ompreensão sobre a escrita histórica.
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Christianson, Evan Gary. "A hydrogeologic investigation of Ada Hayden Lake in Ames, Iowa". [Ames, Iowa : Iowa State University], 2008.
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Young, Dale J. "BRIDGING THE GAP: DREW HAYDEN TAYLOR, NATIVE CANADIAN PLAYWRIGHT IN HIS TIMES". Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1131125416.
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Micconi, Giovanna. "Circus Aesthetics, Travel, History, and Mourning in the Poetry of Robert Hayden". Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:26718732.
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Circus Aesthetics examines the work of the African American poet Robert Hayden and engages with the problem of identifying different frameworks with which to think about Hayden’s poetry and African American literature more broadly. In 1978, two years before his death, Hayden, the first African American poet to be nominated Poetry Consultant at the Library of Congress, was still struggling and fighting with the idea of being considered a “black poet” and with the socio-political implications and expectations that accompanied that label. During his address to the Library of Congress on May 8, 1978, he reiterated his discomfort at discussions of whether he was or was not a black poet and claimed that “poets too are keepers of a nation’s conscience, the partisans of freedom and justice, even when they eschew political involvement.” Hayden has often been analyzed and read in the context of his racial, religious, or stylistic affiliations (as an African American, a Bahá’í, or a modernist poet). His poetics, however, are inclusive and engage with the exploration of a universal ethos where alterity is examined and celebrated. Circus Aesthetics argues that Hayden’s formal and thematic features are grounded in the African American literary tradition as well as in cosmopolitan and Universalist principles, thus making of him a rooted “transpolitan,” who defies notions of national borders as well as western understandings of cosmopolitanism. Looking at Hayden’s poetry through careful and sustained close readings, this dissertation adds a new dimension to Hayden’s work by thinking of new, hemispheric ways in which to think of literature and the intersection of time, space, and history.African and African American Studies
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Cashman, Jennifer Lynne 1962. "Desert mule deer response to mitigations along the Hayden-Rhodes Aqueduct, Arizona". Thesis, The University of Arizona, 1991. http://hdl.handle.net/10150/277991.
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The Hayden-Rhodes Aqueduct (HRA) extends from Lake Havasu along the California and Arizona border to 40 km northeast of Phoenix, Arizona. The Bureau of Reclamation established water catchments for wildlife, and wildlife bridges to provide access for wildlife across the HRA. I investigated the effectiveness of these mitigations for desert mule deer (Odocoileus hemionus crooki) from July 1989 to July 1990. I examined deer use of wildlife bridges, concrete overchutes, and water catchments; the quality of deer habitat at crossings; and the influence of mountain lions (Felis concolor) on deer at water catchments. All water catchments were used by deer. There was very little use of wildlife crossings by deer. Deer habitat on the north side of the HRA received more use by deer than habitats south of the HRA. I could not determine if mountain lions capture prey more often near water catchments than in other areas.
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Henderson, Jennifer Jacobs. "Hayden Covington, the Jehovah's Witnesses and their plan to expand First Amendment freedoms /". Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/6183.
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ROSSIGNOLI, MARCO. "STORIA E NARRAZIONE: ORIGINE, SVILUPPO E PROSPETTIVE DEL NARRATIVISMO DA ERODOTO A HAYDEN WHITE". Doctoral thesis, Università Cattolica del Sacro Cuore, 2015. http://hdl.handle.net/10280/6221.
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Il presente lavoro vuole indagare le teorie di quegli autori che, negli ultimi ottant’anni, hanno studiato e approfondito il rapporto che lega la storia e la narrazione. Nonostante si possa parlare di narrativismo, inteso come filone di studio, solo a partire dalla seconda metà del ‘900, tutta la storia e tutti gli storici di ogni epoca, più o meno volontariamente, hanno ragionato sul concetto di storia e sul modo di raccontarla.
La mia tesi quindi, se da un lato si concentrerà sugli esponenti del narrativismo novecentesco, dall’altro partirà dai greci, per ripercorrere, seppur brevemente, i contributi degli autori più significativi.This paper aims to investigate the theories of those authors who, in the last eighty years, have studied and explored the relationship between history and its narration. Although we can talk about narrativism, considered as branch of study, only from the second half of XX century, all the history and all the historians of all time, more or less voluntarily, have reasoned about the concept of the story and how to tell it. My thesis, on the one hand, while it will focus on members of narrativism of the last century, on the other hand it will start by the Greeks, to analyse the contributions of the most significant authors of each age.
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Domler, Laurie Ann 1960. "Influence of the Hayden-Rhodes aqueduct on use of habitat by desert mule deer". Thesis, The University of Arizona, 1995. http://hdl.handle.net/10150/291516.
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I studied 1,472 locations of desert mule deer (Odocoileus hemionus crooki) (1M, 6F) before completion of the Hayden-Rhodes Aqueduct (HRA) (pre-HRA, 1981-1984), and 2,300 locations (6M, 10F) after completion of the Hayden-Rhodes Aqueduct (post-HRA, 1989-1991) to examine habitat use. I used a Geographic Information System to measure and analyze deer locations by season, sex, and year. I compared home-range size, distance to water catchments, distance to washes, vegetation use versus availability and deer interactions ≤1 km from the canal between the periods. Home-range sizes did not change significantly (P≤0.05) as a result of completion and operation of the HRA. Deer were closer to water catchments in the warmer seasons before completion of the HRA, but farther from water in the warmer seasons after completion of the HRA. Deer locations ≤1 km from the HRA increased after completion and operation of the HRA. Deer were probably relying on areas ≤1 km from the canal for forage and thermal cover.
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Gerber, Casey Lynn. "Ear training and music reading methods used by Philip C. Hayden : music literacy through rhythm forms /". Full text available from ProQuest UM Digital Dissertations, 2008. http://0-proquest.umi.com.umiss.lib.olemiss.edu/pqdweb?index=0&did=1850417161&SrchMode=1&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1279215869&clientId=22256.
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Thesis (Ph.D.)--University of Mississippi, 2008.Typescript. Vita. "May 2008." Major professor: Alan L. Spurgeon Includes bibliographical references (leaves102-113). Also available online via ProQuest to authorized users.
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Joshi, Saumya [Verfasser], Paolo [Akademischer Betreuer] Lugli, Oliver [Gutachter] Hayden i Paolo [Gutachter] Lugli. "Flexible biosensors using solution processable devices / Saumya Joshi ; Gutachter: Oliver Hayden, Paolo Lugli ; Betreuer: Paolo Lugli". München : Universitätsbibliothek der TU München, 2019. http://d-nb.info/1201481619/34.
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Bhatt, Vijay Deep Verfasser], Paolo [Akademischer Betreuer] [Lugli, Oliver Gutachter] Hayden i Paolo [Gutachter] [Lugli. "Solution-Processable Carbon Nanotube Devices for Biosensing Applications / Vijay Deep Bhatt ; Gutachter: Oliver Hayden, Paolo Lugli ; Betreuer: Paolo Lugli". München : Universitätsbibliothek der TU München, 2018. http://d-nb.info/1173898956/34.
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Ziegelmayer, Sebastian [Verfasser], Rickmer [Akademischer Betreuer] Braren, Rickmer [Gutachter] Braren i Oliver [Gutachter] Hayden. "Nicht-invasive Subtypisierung des Pankreaskarzinoms mittels Algorithmen des maschinellen Lernens / Sebastian Ziegelmayer ; Gutachter: Rickmer Braren, Oliver Hayden ; Betreuer: Rickmer Braren". München : Universitätsbibliothek der TU München, 2021. http://d-nb.info/1233428136/34.
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LaRue, Dionna D. "The Movement: An Integrated Approach to the Study of the Origins and Evolution of 1960s Radical Thought". Kent State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=kent1279401215.
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Moreira, Veridiano Koeffender. "A história em disputa : sofística, linguagem e historiografia : uma análise dos discursos escandalizados com o narrativismo de Hayden White na historiografia contemporânea". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/156395.
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Nas últimas décadas, assistimos a uma verdadeira reabilitação da autoconsciência retórica – com Hayden White no papel de arauto – no âmbito da historiografia. Contudo, embora o trabalho de White tenha se mostrado para muitos – entre os quais me incluo – como uma tentativa de ―avanço‖ em nossa autoconsciência, ele foi, paradoxalmente, muitas vezes visto e apresentado em discursos escandalizados como sinônimo de ―retrocesso‖ e ―obscurantismo‖. Persuadido do contrário – de que o ―ceticismo‖ de White não é um mal – prejudicial, contraproducente ou pernicioso ao nosso ofício –, eu analiso críticas desferidas ao dito ―relativismo linguístico‖. Tendo em vista a controvérsia filosófica da linguagem como portadora de referencialidade ocorrida entre a primeira sofística e Platão no Mundo Antigo, demonstro como as censuras de Carlo Ginzburg – o mais virulento de seus críticos – buscaram fundamento na argumentação platônico-aristotélica contra o relativismo da primeira sofística. Reapresento também argumentos de outros historiadores escandalizados com o trabalho de White para evidenciar que um tópos comum na argumentação desses críticos constitui-se como platonismo: a noção de que o ―narrativismo‖ conduz ao dilema teórico da impossibilidade de dizer o falso, tese atribuída por Platão à primeira sofística, para quem os múltiplos discursos arruinariam a própria noção de verdade. Paralelamente, a fim de demonstrar que esse dilema existe apenas no horizonte platônico (que compartimenta verdade e ficção em dois blocos distintos e separados), reavalio a relação entre história, verdade e ficção. Por fim, e considerando a linguagem como um elemento inexpugnável do discurso nas ciências humanas, defendo as perspectivas de White e da primeira sofística contra o voo platônico de superação da nossa inevitável condição humana.In the last decades, we have witnessed a true rehabilitation of rhetorical self-conscience – with Hayden White in the Herald paper – in the context of historiography. However, while White's work has been shown for many – including myself – as an attempt to ―advance‖ in our self-consciousness, he was, paradoxically, often seen and presented in scandalized discourses as a synonym for ―setback‖ and ―obscurantism‖. Persuaded otherwise – that the White‘s ―skepticism‖ is not an evil – harmful, counterproductive or pernicious to our craft – i analyze the criticisms triggered to the so-called ―linguistic relativism.‖ Considering the philosophical controversy of language as ―carrier of referentiality‖ occurred between the first sophistic and Plato in the Ancient World, I demonstrate how the reproaches of Carlo Ginzburg – the most virulent of his critics – sought essentials in the platonic-aristotelian arguments against the relativist of the first sophistry. I evaluate as well arguments of other scandalized historians with White's work to show that a common topos in the argument of these critics constitutes itself as Platonism: the notion that the ―narrativism‖ leads to the theoretical dilemma of the impossibility of say the false, argument given by Plato to first sophistic, and to whom the multiple discourses would undermine the very notion of truth. In parallel, in order to demonstrate that this dilemma exists only in the platonic horizon (which compartmentalize truth and fiction in two distinct and separate blocks), i evaluate again the relation between history, truth and fiction. Finally, and considering the language as an inexpugnable element of discourse in the human sciences, I advocate the prospects of White and the first sophistic against platonic flight overcoming our inevitable human condition.
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Lavelle, Ashley, i n/a. "In the Wilderness: Federal Labor in Opposition". Griffith University. School of Politics and Public Policy, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040226.151930.
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This thesis is a study of the federal Australian Labor Party (ALP) in Opposition. It seeks to identify the various factors that shape the political direction of the party when it is out of office by examining three important periods of Labor Opposition. It is argued in the first period (1967-72) that the main factor in the partys move to the left was the radicalisation that occurred in Australian (and global) politics. Labor in Opposition is potentially more subject to influence by extra-parliamentary forces such as trade unions and social movements. This was true for this period in the case of the reinvigorated trade union movement and the Anti-Vietnam War Movement, whose policy impacts on the ALP under Gough Whitlam are examined in detail. While every one of the party's policies cannot be attributed to the tumult of the period, it is argued that Labor's Program embodied the mood for social change. The second period (1975-83) records a much different experience. After Labor's Dismissal from office in November 1975, the enduring conclusion drawn by the party was that it had failed in government as economic managers, and that in future it would need to embrace responsible economic management and to jettison programmatic-style reform. This conclusion was accepted and argued by both federal leaders during this time, Gough Whitlam (1975-77) and Bill Hayden (1977-83). The thesis argues that the key reason for Labor's abandonment of reformist politics was the dramatic shift in the economic context wrought by the collapse of the post-war boom in 1974, which undermined the economic basis of the Program. The degree to which 'economic responsibility' governed Labor's approach to policy-making is highlighted through case studies of uranium mining and the Prices-Incomes Accord. The final period of Opposition (1996-2001) commences with the partys landslide defeat at the 1996 Federal Election. Under the leadership of Kim Beazley, the party continued in the pro-free market policy tradition of Labor Prime Ministers Bob Hawke and Paul Keating. In conjunction with this, it employed a 'small-target' strategy that pitched its electoral success on community anger towards the government, rather than any alternative policies of the Opposition. The free-market policy continuity is set in the context of the ideological effects of the fall of the Berlin Wall in 1989 and the collapse of the Soviet Bloc, in the aftermath of which all political players accepted that there was no real alternative to the market. Furthermore, the overall state of the Australian and world economies was not conducive to a return to 'tax and spend' policies. The partys bipartisanship on globalisation and economic rationalism effectively robbed it of an alternative political approach to that of the Coalition. Thus, in a sense it was hemmed into the 'small-target' strategy. The thesis concludes by comparing and contrasting the three periods, and assigning weight to the various factors that shape Labor in Opposition.
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Ryberg, Erik. "Lgr 11's Postcolonial Burden of History". Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22702.
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AbstractIn 2011, the Swedish government created a new curriculum for the compulsory school. This curriculum included stricter guidelines about what was to be taught in a variety of subjects taught in public and many private schools. This policy, entitled Lgr 11, has potential to influence a generation or more of Swedes regarding their understanding of the postcolonial world and future dealings with that part of the world and its peoples. In this paper, elements of postmodern and postcolonial historiography is employed when analyzing Lgr 11’s history syllabus. How the postcolonial world and its histories are represented in Lgr 11‘s narrative(s) is investigated. The importance of this document to Swedes is that, with a significant proportion of the Swedish population recent immigrants from the postcolonial world, the perspectives of that region are important in the development of identity for recent immigrants, Swedes themselves and in understandings of a large portion of the world for less recent immigrant Swedes. Swedish identity now includes postcolonial histories.
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Lavelle, Ashley. "In the Wilderness: Federal Labor in Opposition". Thesis, Griffith University, 2004. http://hdl.handle.net/10072/366181.
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This thesis is a study of the federal Australian Labor Party (ALP) in Opposition. It seeks to identify the various factors that shape the political direction of the party when it is out of office by examining three important periods of Labor Opposition. It is argued in the first period (1967-72) that the main factor in the party’s move to the left was the radicalisation that occurred in Australian (and global) politics. Labor in Opposition is potentially more subject to influence by extra-parliamentary forces such as trade unions and social movements. This was true for this period in the case of the reinvigorated trade union movement and the Anti-Vietnam War Movement, whose policy impacts on the ALP under Gough Whitlam are examined in detail. While every one of the party's policies cannot be attributed to the tumult of the period, it is argued that Labor's Program embodied the mood for social change. The second period (1975-83) records a much different experience. After Labor's Dismissal from office in November 1975, the enduring conclusion drawn by the party was that it had failed in government as economic managers, and that in future it would need to embrace responsible economic management and to jettison programmatic-style reform. This conclusion was accepted and argued by both federal leaders during this time, Gough Whitlam (1975-77) and Bill Hayden (1977-83). The thesis argues that the key reason for Labor's abandonment of reformist politics was the dramatic shift in the economic context wrought by the collapse of the post-war boom in 1974, which undermined the economic basis of the Program. The degree to which 'economic responsibility' governed Labor's approach to policy-making is highlighted through case studies of uranium mining and the Prices-Incomes Accord. The final period of Opposition (1996-2001) commences with the party’s landslide defeat at the 1996 Federal Election. Under the leadership of Kim Beazley, the party continued in the pro-free market policy tradition of Labor Prime Ministers Bob Hawke and Paul Keating. In conjunction with this, it employed a 'small-target' strategy that pitched its electoral success on community anger towards the government, rather than any alternative policies of the Opposition. The free-market policy continuity is set in the context of the ideological effects of the fall of the Berlin Wall in 1989 and the collapse of the Soviet Bloc, in the aftermath of which all political players accepted that there was no real alternative to the market. Furthermore, the overall state of the Australian and world economies was not conducive to a return to 'tax and spend' policies. The party’s bipartisanship on globalisation and economic rationalism effectively robbed it of an alternative political approach to that of the Coalition. Thus, in a sense it was hemmed into the 'small-target' strategy. The thesis concludes by comparing and contrasting the three periods, and assigning weight to the various factors that shape Labor in Opposition.Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Politics and Public Policy
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Bemetz, Jonas [Verfasser], Michael [Akademischer Betreuer] Seidel, Michael [Gutachter] Seidel i Oliver [Gutachter] Hayden. "Folienbasierter Mikroreaktor für die NMR-relaxometrische online-Charakterisierung magnetischer Nanopartikel und flussbasierte Mikroarrays / Jonas Bemetz ; Gutachter: Michael Seidel, Oliver Hayden ; Betreuer: Michael Seidel". München : Universitätsbibliothek der TU München, 2019. http://d-nb.info/119723246X/34.
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Bozhko, Dmitry [Verfasser], Vasilis [Akademischer Betreuer] Ntziachristos, Alexander W. [Gutachter] Koch, Vasilis [Gutachter] Ntziachristos i Oliver [Gutachter] Hayden. "Development of a Hybrid System for Intravascular Fluorescence-Ultrasound Imaging / Dmitry Bozhko ; Gutachter: Alexander W. Koch, Vasilis Ntziachristos, Oliver Hayden ; Betreuer: Vasilis Ntziachristos". München : Universitätsbibliothek der TU München, 2019. http://d-nb.info/1201819679/34.
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Dang, Truong Ka My [Verfasser], Bernhard [Akademischer Betreuer] Wolfrum, Oliver [Gutachter] Hayden i Bernhard [Gutachter] Wolfrum. "Microwire arrays for studying the influence of temperature gradients on the cellular behavior / Truong Ka My Dang ; Gutachter: Oliver Hayden, Bernhard Wolfrum ; Betreuer: Bernhard Wolfrum". München : Universitätsbibliothek der TU München, 2018. http://d-nb.info/117867228X/34.
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Pereira, Ana Carolina Barbosa. "Que objetividade para a Ciência da História? : o índio brasileiro e a revolução francesa à luz da teoria da história, de Rüsen a Hayden White". reponame:Repositório Institucional da UnB, 2007. http://repositorio.unb.br/handle/10482/1076.
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Dissertação (mestrado)—Universidade de Brasília, Departamento de História, 2007.Submitted by Luis Felipe Souza (luis_felas@globo.com) on 2008-11-11T19:13:45Z No. of bitstreams: 1 Dissertacao_2007_AnaCarolinaBarbosa.pdf: 894732 bytes, checksum: 370f3a1d5319acfe127212e89f91a95a (MD5)
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Este trabalho discute a viabilidade de um novo conceito de “objetividade” para a ciência da história, a partir da teoria da história de Jörn Rüsen. Para apresentar o conteúdo deste conceito partiu-se de uma contraposição de Rüsen a H. White, entendidos como dois dos maiores representantes do paradigma narrativista e, ao mesmo tempo, como detentores de duas teses mutuamente excludentes. Primeiramente (cap. 1) é apresentada a “origem” do debate narrativista na história. Em seguida (caps. 2 e 3) são, respectivamente, apresentadas e contrapostas uma à outra as teorias de Jörn Rüsen e Hayden White. Por fim (cap. 4), ilustra-se a viabilidade da matriz disciplinar da ciência histórica proposta por Jörn Rüsen, mobilizando-a para a interpretação de um texto historiográfico, O Índio Brasileiro e a Revolução Francesa, escrito por Afonso Arinos de Melo Franco. __________________________________________________________________________________________ ABSTRACT
This work discusses the viability of a new “objectivity” concept for the science of the history, starting from the theory of Jörn Rüsen’s history. To introduce the content of this concept it arises from an opposition of Rüsen to H. White, understanding them as two of the largest representatives of the narrative's paradigm and, at the same time, as detainers of two theses mutually excluding. In the first chapter the “origin” of the narrative’s debate is presented in the history. Soon after, in the chapters 2 and 3 they are, respectively, presented and opposed each other Jörn Rüsen’s and Hayden White’s theories. Finally, in the last chapter, the viability of the mold’s discipline of the historical science proposed by Jörn Rüsen is analyzed, applying her for the interpretation of a historical text, The Brazilian Indian and the French Revolution, written by Afonso Arinos de Melo Franco.
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Lutzweiler, Christian [Verfasser], Vasilis [Akademischer Betreuer] [Gutachter] Ntziachristos, Hans-Joachim [Gutachter] Bungartz i Oliver [Gutachter] Hayden. "Towards Real-Time Clinical Imaging with Multi-Spectral Optoacoustic Tomography: Reconstruction Approaches and Initial Experimental Studies / Christian Lutzweiler ; Gutachter: Hans-Joachim Bungartz, Vasilis Ntziachristos, Oliver Hayden ; Betreuer: Vasilis Ntziachristos". München : Universitätsbibliothek der TU München, 2017. http://d-nb.info/1140165836/34.
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Vice, President Research Office of the. "The Hunted/r". Office of the Vice President Research, The University of British Columbia, 2008. http://hdl.handle.net/2429/2672.
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Tremblay, Alexandre. "Giles Lytton Strachey et la "nouvelle biographie" dans un contexte historiographique postmoderne". Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0485.
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Cette thèse a pour objectif d’établir certains principes d’une potentielle théorisation de l’écriture biographiques. En liant des exemples prosaïques du XIXe siècle à certaines bases théoriques du XXIe siècle, il est question d’explorer les récurrences qui ont contribué à faire de certaines biographies des succès ou des échecs. En tant que biographe, essayiste et critique, Giles Lytton Strachey (1880-1932) est un sujet d’étude idéal qui permet d’analyser la relation entre le biographe, le biographié et le lecteur. Puis, selon le schéma structurel de la métahistoire proposé par Hayden White, il est possible d’émettre l’hypothèse que la biographie peut être un genre à part entière autant du point de vue de la forme que du fondThe objective of this thesis attempts to illustrate a series of principles which could potentially lead to a theorisation of biographical writing. By exposing prosaic literary examples of the XIX century and certain theoretical bases of the XXI century, it is possible to depict recurrences that have contributed to the success or failure of various biographical works. Giles Lytton Strachey (1880-1932) as a biographer, essayist and critic appears to be the ideal subject that enables one to analyse the relationship between biographers, biographees and readers. Furthermore, the structural scheme of metahistory, as suggested by Hayden White, brings us one step closer to the assumption that biography can stand as a full-fledged genre both in terms of form and substance
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McKeown, Luke Daniel. "(Re)presenting the Past: Historiographical and Theoretical Implications of the Historical Docudrama". The University of Waikato, 2008. http://hdl.handle.net/10289/2230.
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This thesis contributes to the growing body of scholarship surrounding historical and filmic representations of the past. Moreover, it seeks to further the understanding and practical use of this sub-field in history by examining two films: Amistad (1997); and, The Wind That Shakes the Barley (2006). Building on the insistence of scholars such as Robert Rosenstone and Hayden White, this thesis seeks to evaluate historical films on their own terms as representations of the past that must be judged according to their own conventions. Cinema's attraction to historical subjects is not a recent phenomenon. However, the past two decades, have seen a marked increase in the academic critique of 'historical films' - most notably Hollywood features and television documentaries. Moreover, the appetite of the general public for filmic treatment of historical topics continues unabated. While it is agreed that historical film cannot be judged according to the criteria used in accessing traditional modes of historical representation, there is little agreement about what criteria, precisely, should be used in evaluating historical films' historical attributes and implications. This thesis commences with a general theoretical and methodological survey of the literature in this relatively new sub-field. It then analyses the film Amistad and its reception and criticism amongst historical professionals. This analysis, coupled with the findings of the first chapter, forms the basis for an original and independent review of The Wind That Shakes the Barley, a film that has not yet been widely critiqued by historians. The thesis suggests how historical films may be fruitfully evaluated in ways that are sympathetic both to the peculiar exigencies of the medium and the traditional concerns of historical scholarship.
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Ersson, Elin. "Janus ala Cuba : Filmiska gestaltningar av den kubanska revolutionen". Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-21119.
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Denna uppsats undersöker hur samma historiska händelse kan ha olika betydelser i film. Idag är människor mer benägna att se en film om en historisk händelse än att läsa en historiebok, och detta innebär att vi måste lära oss att förstå de konventioner som används för att placera historia på film. Historiefilmen kan sägas besitta en palimpsestisk historiskt medvetenhet där lager av fakta och myt smälter samman, hellre än att skiljas åt. Men för att en historisk händelse ska passa in i filmens tidsram måste den bearbetas och detta resulterar i att vissa människor, händelser och rörelser prioriteras, medan andra utesluts. Därför undersöker denna uppsats vad som lagts till / uteslutits och effekterna på sammanhanget och trovärdighet, hur filmen hävdar sin autenticitet, och hur upphovsmannen påverkar trovärdigheten. Analysresultaten av två filmer om den kubanska revolutionen, visar att beroende på vilken del av den historisk händelsen som skildras, skapar filmerna helt olika berättelser med olika budskap. Medan filmen Che-Argentinaren (2008) fungerar som en hyllning av gerillanledaren Che Guevara som Kubas frälsare, visar en vänsterideologi och uttrycker USA förakt, skildrar däremot den andra filmen The Lost City (2005) revolutionens baksida. Den visar en högerideologi, familjevärderingar och USA som frihetens och drömmarnas land. Båda filmerna använder sig av liknande stilistiska strategier för att uppnå illusionen av autenticitet, och filmernas upphovsmän påverkar filmernas trovärdighet i olika grad. Vad jag i uppsatsen till sist menar är att historiefilmen inte bör tas som sanning, utan har en viktig roll som intresseväckare, som förhoppningsvis leder till att åskådaren blir intresserad av att söka sig mer kunskap.This paper examines how the same historical event can have different meanings in films. Today people are more likely to watch a film about a historical event than to read a history book, and this means that we must learn and understand the conventions used to place history on film. The history film can be said to possess a palimpsetic historical consciousness in which layers of fact and myth come together rather than be separated. But for a historical event to fit within the film's time frame, it must be processed and this results in that certain people, events and movements are given priority, while others are excluded. Therefore, this paper studies what has been added/excluded and the effects on the context and credibility,how the film claims its authenticity, and how the author/filmmakers affects the credibility. The results of the analysis of two films about the Cuban revolution, shows that depending on which part of the historical event depicted, the films create entirely different stories with very different message. While the film Che-Part One (2008) serves as a celebration of the guerrilla fighter Che Guevara as Cuba's savior, according to a leftist ideology and the film is expressing U.S. disdain, the other film The Lost City (2005) however, portrays the revolutions backside, it shows a right-wing ideology, family values and the U.S. as the land of freedom and dreams. Both films use similar stylistic strategies to achieve illusion of authenticity, and the films' creators affect the films credibility in different amounts. What I finally conclude, is that the history film should not be considered as truth, but serve to arouse interest, which will hopefully lead the spectator to seek more knowledge about the historical event.
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Enselein, Thomas. "Der Kontrapunkt im Instrumentalwerk von Joseph Haydn". Köln Dohr, 2008. http://d-nb.info/992910285/04.
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Sutcliffe, William Dean. "The Piano Trios of Haydn". Thesis, University of Cambridge, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.303133.
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Stenberg, Katarina. "Hornkonsert nr 1 av Joseph Haydn". Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1998.
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Gerlach, Sonja. "Werkvarianten, Fremdbearbeitungen und Vermarktung bei Haydn". Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A36838.
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Cournoyer, Eve-Marie. "Haydn et l'opera buffa, analyse dramaturgique et stylistique de "La fedelta premiata" (French text, Joseph Haydn, Austria)". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ55747.pdf.
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Anderson, Ellis T. II. "The Reception of Franz Joseph Haydn in Austria and Germany 1798-1830: Biography and Criticism". University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1115997037.
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Enselein, Thomas. "Der Kontrapunkt im Intrumentalwerk von Joseph Haydn". Köln : Dohr, 2008. http://catalog.hathitrust.org/api/volumes/oclc/298777409.html.
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Sohet, Dominique. "Les operas de haydn : contraintes et liberte". Paris 4, 1987. http://www.theses.fr/1987PA040388.
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Esterhaza, ou furent composes la majorite des operas de haydn, impliquait par sa geographie, sa situation politique et culturelle, et les gouts des princes regnants, une serie de contraintes qui eurent des consequences directes aussi bien sur les types de livrets selectionnes (themes, adaptations) que sur les choix musicaux lies a la constitution de la troupe (orchestre, choeur, solistes). Il s'avere que le compositeur, toujours respectueux envers son prince et envers ses interpretes, a puise dans ces imperatifs l'originalite meme de son style d'opera: de la contrainte a la liberteEsterhaza, where most of haydn's operas were composed, implied, because of its geographical, political and cultural position and of its reigning princes tastes, a set of constraints. These had direct consequences both of selected libretti (themes, adaptations) and on musical choices concessing the makeup of the troupe (orchestra, choir, soloists). It appears that the composer, ever respectful of his prince and his artists, found in these constraints the true originality of his opera style: from constraint to liberty
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Sohet, Dominique. "Les Opéras de Haydn : contraintes et liberté /". Paris : [D. Sohet], 1987. http://catalogue.bnf.fr/ark:/12148/cb353447667.
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Marcinkowski, Michal. "Contextualization of Autonomous Spaceflight Operations for deep space planetary encounters". Thesis, Linköpings universitet, Medie- och Informationsteknik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-146273.
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This work concerns the research and application of data visualization techniques to depict ongoing activities in mankinds investigation of space as part of a larger open-source visualization- and science-outreach software known as OpenSpace. It involves the construction of a physically accurate virtual environment of our local star group and solar system so as to facilitate development of a robust and generalized solution capable of articulating mission-science to its viewers. The research part is focused on deploying data visualization methods suitable for contextualizing scientific findings towards the general public in a pedagogical manner, with the end goal to provide a fully operational New Horizons visualization on the day of encounter with Pluto for the first public broadcast of OpenSpace across the globe.
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Haydon, Katharine Risdon. "George Henry Haydon (1822-1891) : an Anglo-Australian life". Thesis, King's College London (University of London), 2008. https://kclpure.kcl.ac.uk/portal/en/theses/george-henry-haydon-18221891--an-angloaustralian-life(53376304-82e0-49ba-881f-1338f001987c).html.
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This biographical study of George Henry Haydon (1822-1891) seeks to show how and why five years spent in early Port Phillip (Australia) informed his whole life. Haydon left a variety of (previously unexamined) journals, sketches and letters which are here analysed for what they show of the process of emigration, and the ways in which the colonist attempted to record and comprehend his new environment. For Haydon this included his engagement with the land (he undertook some exploration) and the Aboriginal population. The study assesses Haydon's contribution to the records of life in and around Melbourne in the early 1840s. Haydon went back to England in 1845 and he is examined as a returned emigrant. Through his lectures on emigration and his two published works, Haydon represented and promoted Australia to an English audience. The study examines how, in the context of the contemporary literary and artistic genres, perceptions of Australia were constructed in the European imagination. Haydon's later career was spent in London as Steward of the lunatic asylum, Bethlem Royal Hospital (Bedlam). In keeping with his middle-class, high-Victorian sensibilities he took an interest in natural history, Freemasonry, and the Volunteer Movement. Haydon moved in circles which included some of the best known writers and caricaturists of the day, including Charles Dickens. A continued and evolving engagement with Australia is traced through Haydon's activities both within the hospital and outside, and in his later writings and drawings. Underpinning the argument is an acknowledgement of the shifting trends in Australian historiography which have in recent years moved away from i~olationist approaches towards a reintegration of Australian and European history. Haydon is presented as a figure who saw his place within the wider sphere that was the British Empire. In this context, his life can be seen to have been a truly 'Anglo-Australian' one.
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Haydys, Andriy. "Generalized Seiberg-Witten equations and hyperKähler geometry". [S.l.] : [s.n.], 2006. http://webdoc.sub.gwdg.de/diss/2006/haydys.
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Cho, So Young. "Béla Bartók’s Editorial Input As Seen in His Edition of Piano Sonata Hobxvi:49 in E Flat Major by Joseph Haydn". Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc699908/.
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Béla Bartók (1881-1945), one of the twentieth century’s most significant composers, is also well known as an ethnomusicologist and concert pianist. However, Bartók’s work as a pedagogue and as an editor has received relatively little scholarly attention, despite famous pupils and despite his preparation of numerous critical and educational editions of his own and others’ works. While the critical editions are few, a significant number of Bartók’s editions of piano works have an educational purpose; these editions contain highly detailed performing indications and hold substantial potential for investigating Bartók’s ideas on the performance of works by other composers. Bartók edited nineteen piano sonatas by Haydn for educational purposes between 1911 and 1920. Bartók’s edition of Haydn’s Piano Sonata Hob.XVI:49 in E-flat Major is compared with both the first edition and the facsimile of the manuscript, with a focus on articulation, pedaling, dynamics, fingering, and other significant markings such as indications of expression and ornamentations. This document examines Bartók’s editorial input in this edition as an exemplar of his stylistic principles, and explores the value of Bartók’s Haydn editions as performing editions by critically examining both his editorial contributions and possible execution issues. This study thus provides an understanding of Bartók’s stylistic ideas regarding classical style, and promotes consideration of these editions for contemporary performers.
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Ickstadt, Peter. "Die Messen Joseph Haydns Studien zu Form und Verhältnis von Text und Musik". Hildesheim Zürich New York, NY Olms, 2008. http://d-nb.info/995403791/04.
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Odenkirchen, Andreas. "Die Konzerte Joseph Haydns : Untersuchungen zur Gattungstransformation in der zweiten Hälfte des 18. Jahrhunderts /". Frankfurt am Main ; Bern ; Paris : P. Lang, 1993. http://catalogue.bnf.fr/ark:/12148/cb35680110b.
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Bakulina, Olga. "Polyphony as a loosening technique in Mozart's «Haydn» quartets". Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=92332.
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This study explores the relationship between texture and form in Mozart's six string quartets dedicated to Haydn and claims that texture can act as a form-defining factor. Building on William Caplin's theory of formal functions and on his distinction between tight-knit and loose formal organization, I argue that polyphonic texture serves as a loosening device through grouping-structure conflicts and thus acts as one of the determinants of medial and sometimes concluding formal functionality. Polyphony is also used as a means of contrast, distinguishing two formal sections that use the same motivic material but that differ from each other with regard to textural and formal organization. I define and give examples of contrast pair, a concept that embraces questions of formal functionality, formal structure textural types, and motivic material. Therefore this concept allows one to combine two different, but compatible approaches: the theory of formal functions and motivic analysis.Cette étude explore la relation entre texture et forme dans les six quatuors à cordes de Mozart dédiés à Haydn, et soutient que la texture peut être un facteur déterminant de la forme. En m'inspirant des concepts de fonctions formelles de William Caplin et de la distinction qu'il apporte entre certaines organisations formelles très rigoureuses et d'autres moins structurées, je soutient que la texture polyphonique est utilisée comme élément relâchant lors de conflits groupes-structure, et ainsi agit comme un des éléments détérminants de fonctions formelles médianes, et parfois conclusive. La polyphonie est également employée comme moyen de contraste, en distinguant deux sections formelles utilisant le même matériau motivique mais qui diffèrent entre elles au niveau de la texture et de l'organisation formelle. Je définis et donne des exemples de paires de contrastes, un concept englobant les questions de fonctionnalité formelle, structure formelle, types de texture et matériau motivique. Ce concept permet donc de combiner deux approches différentes, mais compatibles: le théorie de la fonction formelle at l'analyse motivique.
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Jayasuriya, David. "Fonte and Monte in the symphonies of Joseph Haydn". Thesis, University of Southampton, 2016. https://eprints.soton.ac.uk/413462/.
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Fonte and Monte were prominent harmonic-contrapuntal schemata frequently encountered in galant and classical compositions. This thesis examines the application and manipulation of these schemata in the symphonies of Joseph Haydn. It considers the historical roots of Fonte and Monte in the partimenti and solfeggi from the Italian pedagogical tradition of the eighteenth century, before proceeding to discuss how these schemata were interpreted and presented in the treatises of the German theorists, Joseph Riepel and Heinrich Christoph Koch. A close examination of schema theory in artificial intelligence and cognitive psychology leads to the construction of an analytical framework for the classification and description of the two galant schemata. This framework is then applied to an empirical study of Haydn’s symphonies, revealing many interesting and significant results. Formal statistical testing is employed to identify salient trends in stylistic change across selected sub-groups of the symphonies. The thesis includes concise musical analyses of several musical passages from these works, and concludes with two extended case studies of Symphonies No.56 and No.104. These analyses reveal schematic manipulation of remarkable skill and sophistication, while also confirming the qualities of wit, humour and irony for which the composer is renowned. The study establishes that Haydn’s employment of Fonte and Monte is far more extensive than previously realised, and moreover his inventive manipulations of them offer important insights into his strategies and methods of communication with his contemporary listeners.
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Figueiredo, Fernanda Ronssani de. "Medidas que maximizam a entropia no Deslocamento de Haydn". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/127974.
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Neste trabalho é abordado o exemplo proposto por Nicolai Haydn, no qual é dado um exemplo de um deslocamento onde é possível construir in nitas medidas de máxima entropia, além de in nitos estados de equilíbrio.In this work, we present the example shown by Nicolai Haydn, which is given by subshift where is possible to show in nity measures of maximal entropy, besides in nitely many distinct equilibrium states.
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Irvine, Thomas. "Mozart’s ›Haydn‹ Quartets, ›Ausführung‹, and the Aesthetics of Nuance". Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71939.
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Schuman, Samuel A. "Representation, Narrative, and “Truth”: Literary and Historical Epistemology in 19th-Century France". Oberlin College Honors Theses / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1621948796558803.
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Angulo, Mariselli Rafael Leonardo, Cueva Gliseth Lidia Mallma, Plaza Jorge Eduardo Malqui i Olivera Saulo Italo Vargas. "Diagnóstico operacional empresarial – Pesquera Hayduk". Master's thesis, Pontificia Universidad Católica del Perú, 2017. http://tesis.pucp.edu.pe/repositorio/handle/123456789/8781.
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xx, 364 p. : il. ; 30 cm.El presente diagnóstico representa un análisis profundo de las operaciones de Pesquera Hayduk, organización dedicada a la producción y comercialización de productos hidrobiológicos en el Perú. El diagnóstico se basó en el análisis de la cadena de suministro de la organización, al igual que en el análisis de cada una de las partes que la componen. A lo largo de este análisis, se ha realizado una descripción del modelo operativo de la organización, detallando los procesos productivos, las interacciones de dichos procesos y las estrategias definidas para alcanzar las metas. Es importante señalar, que las operaciones productivas analizadas corresponden a las diversas líneas de productos que la organización comercializa, teniendo en consideración los estándares que hoy son materia de implementación en cada una de las sedes operativas. En términos generales, la organización desarrolla sus actividades operativas y comerciales de acuerdo a la realidad del sector, y de acuerdo a la coyuntura, ya sea económica, política o social, esto debido a que es un sector fuertemente influenciado directamente por estos factores. En cuanto a los resultados obtenidos, se han presentado recomendaciones que deben ser ampliadas. Por otra parte, las propuestas de mejora que integran una valorización económica, presentan un diversidad de oportunidades como las mejoras en los procesos logísticos, que con una acción inicial se puede generar ahorros de más de 15,000 dólares al año, el modelamiento del sistema de gestión hacia la estrategia de la organización, donde se presentan oportunidades de retorno de inversión alrededor de los 90,000 dólares al año, la implementación de una nueva planta en el Callao con un TIR positivo y un VAN de más de 980,000 dólares, además de una mejora en la gestión de productos actuales, que puede llevar a un ahorro de más de 700,000 dólares. Finalmente, este diagnóstico es un documento de mucho valor para la organización, debido a que sustenta y describe claramente cómo se están desarrollando las diversas actividades de la organización
The present study represents a depth analysis of the productive operations of Pesquera Hayduk, an organization dedicated to the production and commercialization of hydro biological products in Peru. This study is related to the analysis of the supply chain of the organization, and also the analysis of each of the parts that compose it. Throughout this analysis, a description of the operational model of the organization has been made, detailing the productive processes, the interactions of these processes and the defined strategies to reach the goals. It is important to note that the analyzed productive operations correspond to the various product lines that the organization promotes, taking into consideration the standards that are currently the subject of implementation in each of the operating headquarters. In general terms, the organization develops the operative and commercial activities according to the reality of the sector, and according to the economic, political or social situation, this is because the sector is strongly influenced by these factors. With the results several recommendations have been presented that should be expanded. By the other hand, the proposals of improvements that integrate an economic valorization, display a diversity of opportunities like the improvements in the logistic processes, that with an initial action can generate savings of more than 15,000 dollars to the year, the modeling of the management system to the organization strategy, which presents an investment return opportunity of around 90,000 dollars per year, the implementation of a new plant in Callao with a positive TIR and a VAN of over 980,000 dollars, in addition to an improvement in the current product management, which can lead to savings of more than $ 700,000. Finally, this diagnosis is a document of great value for the organization, because it sustains and clearly describes how the various activities of the organization are being developed
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