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Artykuły w czasopismach na temat "Hawaiians in London"

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Troutman, John W. "The Steel Heard ‘Round the World: Exposing the Global Reach of Indigenous Musical Journeys with the Hawaiian Steel Guitar". Itinerario 41, nr 2 (31.07.2017): 253–74. http://dx.doi.org/10.1017/s0165115317000365.

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In the late nineteenth century, Kānaka Maoli (Native Hawaiians) physically modified guitars and created a new technique for playing them. In the years that followed, hundreds of Hawaiian troupes, engaging new entertainment circuits that crisscrossed the globe, introduced the world to their “Hawaiian steel guitar,” from Shanghai to London, Kolkata to New Orleans. While performing Hawaiianmele, or songs, with their instrument, they demonstrated new virtues for the guitar’s potential in vernacular and commercial music making in these international markets. Based upon archival research, this essay considers the careers of several Hawaiian guitarists who travelled the world in the early twentieth century, connecting local soundscapes through the proliferation of an indigenous technology.
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Ahuja, Neel. "The Contradictions of Colonial Dependency: Jack London, Leprosy, and Hawaiian Annexation". Journal of Literary & Cultural Disability Studies 1, nr 2 (październik 2007): 15–28. http://dx.doi.org/10.3828/jlcds.1.2.4.

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Corson, Samuel M. "Torsion-free word hyperbolic groups are noncommutatively slender". International Journal of Algebra and Computation 26, nr 07 (listopad 2016): 1467–82. http://dx.doi.org/10.1142/s0218196716500636.

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In this paper, we prove the claim given in the title. A group [Formula: see text] is noncommutatively slender if each map from the fundamental group of the Hawaiian Earring to [Formula: see text] factors through projection to a canonical free subgroup. Higman, in his seminal 1952 paper [Unrestricted free products and varieties of topological groups, J. London Math. Soc. 27 (1952) 73–81], proved that free groups are noncommutatively slender. Such groups were first defined by Eda in [Free [Formula: see text]-products and noncommutatively slender groups, J. Algebra 148 (1992) 243–263]. Eda has asked which finitely presented groups are noncommutatively slender. This result demonstrates that random finitely presented groups in the few-relator sense are noncommutatively slender.
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Shulman, Stanford T., Deborah L. Shulman i Ronald H. Sims. "The Tragic 1824 Journey of the Hawaiian King and Queen to London". Pediatric Infectious Disease Journal 28, nr 8 (sierpień 2009): 728–33. http://dx.doi.org/10.1097/inf.0b013e31819c9720.

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Burdekin, Richard C. K., i Leroy O. Laney. "Financial market reactions to the overthrow and annexation of the Hawaiian Kingdom: evidence from London, Honolulu and New York". Cliometrica 2, nr 2 (26.06.2007): 119–41. http://dx.doi.org/10.1007/s11698-007-0015-3.

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Green, Joyce. "Hawaiian Blood: Colonialism and the Politics of Sovereignty and Indigeneity, J. Kehaulani Kauanui, Durham and London: Duke University Press, 2008, pp. 227, index." Canadian Journal of Political Science 43, nr 2 (28.05.2010): 499–500. http://dx.doi.org/10.1017/s0008423910000260.

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HAWKINS, RICHARD A. "Noenoe K. Silva, Aloha Betrayed: Native Hawaiian Resistance to American Colonialism (Durham, NC and London: Duke University Press, 2004, £15.95). Pp. x+261. ISBN 0 8223 3349 X." Journal of American Studies 39, nr 3 (grudzień 2005): 570–71. http://dx.doi.org/10.1017/s0021875805480688.

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Case, Emalani. "One of ‘Ray’s Babies’: Hula, history and Hawaiian rooms. Imada, Adria L. (2012) Aloha America: Hula Circuits Through the U.S. Empire. Durham and London: Duke University Press, 392 pp., $24.95, pbk, ISBN: 978-0-8223-5207-5." Asia Pacific Viewpoint 55, nr 3 (grudzień 2014): 401–2. http://dx.doi.org/10.1111/apv.12075.

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Meredith, Ashley. "Political action as pedagogy: ‘Forgotten knowledge is useless’ Noelani Goodyear-Ka'ōpua. 2013. The seeds we planted: Portraits of a native Hawaiian charter school. Minneapolis and London: University of Minnesota Press, 321 pp., USD$25.00, pbk, ISBN: 97808". Asia Pacific Viewpoint 58, nr 1 (kwiecień 2017): 124–25. http://dx.doi.org/10.1111/apv.12137.

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Case, Emalani. "Ola ke kalo i ka ‘ohā, The taro lives in its offspring. NoelaniGoodyear-Ka‘ōpua, IkaikaHussey and Erin Kahunawaika‘alaWright (eds.) (2014) A Nation Rising: Hawaiian Movements for Life, Land, and Sovereignty. Durham and London: Duke University Press, 416 p". Asia Pacific Viewpoint 56, nr 2 (26.07.2015): 315–16. http://dx.doi.org/10.1111/apv.12095.

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Książki na temat "Hawaiians in London"

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Loebel-Fried, Caren. Lono and the Magical Land Beneath the Sea. Honolulu, HI, USA: Bishop Museum Pr, 2006.

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Phillips, Lawrence. Cherry, Unfinished Business. Redaktor Jay Williams. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199315178.013.25.

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This essay explores Jack London’s last unfinished novel Cherry. It is read in the context of increasing tensions between the Japanese empire and the United States and Hawaii’s progression toward statehood reflecting local concerns over the large island minority of Japanese ethnicity and regressive local plantation labor laws. Cherry skillfully captures the tensions in prestatehood Hawaiian society and its dilemmas, while simultaneously exploring the nature of European-style colonialism and looking at the geopolitical rivalry between the United States and the Japanese empire in the Pacific. This essay also examines various themes of race, class, and US social discourses relevant to the period and the novel while warning against the problems with biographical readings and speculations over an author’s intent.
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Stoddard, Charles Warren, Mark Twain, Stevenson Robert Louis i Jack London. Hawaiian Reflections: Writings of Mark Twain, Jack London, Robert Louis Stevenson & Charles W. Stoddard. Mauna Loa Publishing, 1989.

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Twain, Mark, Stevenson Robert Louis i Jack London. Hawaiian Reflections: Writings of Mark Twain, Jack London, Robert Louis Stevenson and Charles W. Stoddard. Mauna Loa Publishing, 1988.

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Części książek na temat "Hawaiians in London"

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Shakespeare, Critics Theatre. "8 November 1880, anonymous review from The Times on Edwin Booth (1833-93) as Hamlet at the Princess’s Theatre, London, reprinted in Shakespearean Criticism, vol. 21, ed. Joseph C. Tardiff (Detroit, Gale Research, 1993), pp. 69-70." W Shakespeare in the Theatre, 126–28. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198711773.003.0033.

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Abstract Booth, member of a famous American acting family, was the finest American tragedian of his time. He toured extensively, and was to alternate the roles of Othello and Iago with Irving at the Lyceum in 1881. I omit the opening para¬ graphs of the review, which include the information that Booth ‘first essayed Hamlet in 1853 in San Francisco’, that he had played the role ‘in Australia, after the gold-rushes, and in the Sandwich Islands, where for two .months Mr Booth “ran” the Hawaiian Theatre Royal, under the patronage of His Majesty King Kameeyah IV’, and that ‘In New York Mr Booth played Hamlet for mo nights at the Winter Garden.’
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"“And Who Are These White Men?”: Jack London’s The House of Pride and American Colonization of the Hawaiian Islands". W The Colonizer Abroad, 109–30. Routledge, 2004. http://dx.doi.org/10.4324/9780203494400-13.

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