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Artykuły w czasopismach na temat "Guitar picking"
KATO, Tomoaki, i Yoshihiro SHIMOMURA. "Muscle activity during guitar picking". Japanese Journal of Ergonomics 58, Supplement (30.07.2022): 2E2–04–2E2–04. http://dx.doi.org/10.5100/jje.58.2e2-04.
Pełny tekst źródłaZebua, Candra Gunawan. "PENERAPAN TEKNIK PERMAINAN GITAR ELEKTRIK GLASSGOW KISS KARYA JOHN PETRUCCI PADA LAGU LEBIH DARI PEMENANG". Areopagus : Jurnal Pendidikan Dan Teologi Kristen 17, nr 2 (1.09.2019): 34–54. http://dx.doi.org/10.46965/ja.v17i2.250.
Pełny tekst źródłaMachfudz, Shoiful, Supriando Supriando i Yon Hendri. "Interpretasi Repertoar Sonata No.1, Dondang Sayang, dan Pagan Part II pada Pertunjukan Gitar (Interpretation of the Repertoire of Sonata No.1, Dondang Sayang, and Pagan Part II on Guitar Performance)". Musica: Journal of Music 3, nr 1 (3.07.2023): 19. http://dx.doi.org/10.26887/musica.v3i1.3471.
Pełny tekst źródłaTANIDA, Ryo, Keita UCHINO i Yuichi MATSUMURA. "740 Generation mechanism of transient response by picking the strings of the guitar with a pick". Proceedings of the Dynamics & Design Conference 2010 (2010): _740–1_—_740–6_. http://dx.doi.org/10.1299/jsmedmc.2010._740-1_.
Pełny tekst źródłaRigg, John L., Randy Marrinan i Mark A. Thomas. "Playing-related Injury in Guitarists Playing Popular Music". Medical Problems of Performing Artists 18, nr 4 (1.12.2003): 150–52. http://dx.doi.org/10.21091/mppa.2003.4026.
Pełny tekst źródłaNadeak, Salam Irianto, Yusmar Ali i Djaka Suryadi. "An Interactive Medium to Introduce Sasando Traditional Music Using Multimedia Development Life Cycle Method". Jurnal Riset Informatika 5, nr 2 (14.03.2023): 229–36. http://dx.doi.org/10.34288/jri.v5i2.518.
Pełny tekst źródłaNadeak, Salam Irianto, Yusmar Ali i Djaka Suryadi. "An Interactive Medium to Introduce Sasando Traditional Music Using Multimedia Development Life Cycle Method". Jurnal Riset Informatika 5, nr 2 (25.03.2023): 229–36. http://dx.doi.org/10.34288/jri.v5i2.214.
Pełny tekst źródłaMurphy, Jim, James McVay, Paul Mathews, Dale A. Carnegie i Ajay Kapur. "Expressive Robotic Guitars: Developments in Musical Robotics for Chordophones". Computer Music Journal 39, nr 1 (marzec 2015): 59–73. http://dx.doi.org/10.1162/comj_a_00285.
Pełny tekst źródłaRahmanadia, Hyunisa. "PRAGMATIC MARKERS AS CONTEXT BOUNDARIES IN INDONESIAN HUMOROUS TALK SHOWS DISCOURSE". Italiano LinguaDue 15, nr 2 (15.12.2023): 179–92. http://dx.doi.org/10.54103/2037-3597/22026.
Pełny tekst źródłaNazuri, Nur Shuhamin, Mohd Roslan Rosnon, Sara Shakilla Mohd Salim, Mohamad Firdaus Ahmad, Siti Shazwani Ahmad Suhaimi i Nur Syazwani Zulaikha Safwan. "Promoting Economic Empowerment Through Effective Implementation and Linking Social Capital in Urban Agriculture Programs". Journal of Law and Sustainable Development 11, nr 11 (28.11.2023): e726. http://dx.doi.org/10.55908/sdgs.v11i11.726.
Pełny tekst źródłaRozprawy doktorskie na temat "Guitar picking"
Maia, Marcos da Silva. "Tecnica hibrida aplicada ao violão". [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285051.
Pełny tekst źródłaDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-10T11:50:06Z (GMT). No. of bitstreams: 1 Maia_MarcosdaSilva_M.pdf: 1288060 bytes, checksum: 0d432b91de9c8e88dcfd6fb1d21df8d0 (MD5) Previous issue date: 2007
Resumo: Cordofones beliscados são instrumentos musicais que apresentam características variadas de timbres, advindas de suas formas, tamanhos, qualidade das cordas e diferentes maneiras de fazê-las vibrar. Desde a Antigüidade, as preferências oscilam entre o som obtido pelo pulsar das cordas com os dedos ou aquele produzido pela utilização de um plectro ou palheta. A técnica híbrida (do inglês, hybrid picking) refere-se à utilização simultânea da palheta e dos dedos. No violão, os bordões são tocados com palheta, presa entre o indicador e o polegar da mão direita, e as primas tangidas com qualquer combinação dos dedos médio, anular e mínimo. Dessa forma, a técnica funciona bem tanto para bases rítmico-harmônicas, como para músicas polifônicas e linhas melódicas. No presente trabalho, a tradicional simbologia do violão p-i-m-a (polegar, indicador, médio e anular) foi alterada. As letras p e i foram substituídas pelos símbolos usuais dos movimentos alternados da palheta: ou, mantendo-se as letras m-a e incluindo-se a letra c (chico, dedo mínimo em espanhol). Assim, a pesquisa objetivou contextualizar a técnica híbrida e sua aplicação ao violão, discorrendo sobre aspectos históricos referenciais ao uso da palheta e dedos; indicando exemplos musicais para a aplicação da técnica; enfatizando a importância da adequada seleção de palhetas para a mesma, bem como investigando sua aplicação por diversos músicos na atualidade e sua eficácia na realização de variados repertórios
Abstract: Plucked chordophones are musical instruments that offer a great variety of tones from their forms, sizes, quality of the strings and different ways of making them vibrate. Since ancient times, the preferences sway between the sound obtained by the vibration of the strings with the fingers or that produced by the use of a pick. Hybrid Picking refers to the simultaneous use of the pick and the fingers. In nylon strings guitar, the bass-strings are played with the pick, held between the right forefinger and the thumb, and the first strings are played with any combination of the middle, the ring and little fingers. Therefore, the technique works well for rhythm-harmonic bases, polyphonic music and melodic lines. In the present work, the traditional guitar terminology of p-i-m-a (from the Portuguese, polegar [thumb], indicador [forefinger], médio [middle finger] and anular [ring finger) was altered. The letters p and i were changed for the usual symbols of the picks¿ up and down movementsor, maintaining the m-a (middle and ring fingers) and including the c letter (chico, Spanish for little finger). So, this study aimed at contextualizing the hybrid picking applied for nylon strings guitar by discussing referential historical aspects of the use of the pick and the fingers; indicating musical examples for applying the technique; emphasizing the importance of adequate selection of picks for that, as well as by examining its application by diverse musicians from actuality and its efficacy for different repertoire
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Książki na temat "Guitar picking"
Stump, Joe. Guitar sweep picking & arpeggios. Boston, MA: Berklee Press, 2017.
Znajdź pełny tekst źródłaKaufman, Steve. My first bluegrass guitar picking songs. Pacific, Mo: Mel Bay, 2010.
Znajdź pełny tekst źródłaSokolow, Fred. The dictionary of strum & picking patterns. Milwaukee, WI: H. Leonard Corp., 1995.
Znajdź pełny tekst źródłaJohnson, Chad. Guitarist's guide to economy picking: Learn to play fast, lean and clean with the picking techniques of the masters. Milwaukee, WI: Hal Leonard, 2017.
Znajdź pełny tekst źródłaHanson, Mark. The art of contemporary Travis picking: How to play alternating-bass fingerpicking style. Palo Alto, CA: Accent on Music, 1986.
Znajdź pełny tekst źródłaGuitar Picking Tunes - Spirituals. Mel Bay Publications, Incorporated, 2022.
Znajdź pełny tekst źródłaBrasil, Gustavo Assis. Hybrid Picking for Guitar. Gustavo Assis Brasil Music, 2005.
Znajdź pełny tekst źródłaEconomy Picking Guitar Technique. www.fundamental-changes.com, 2021.
Znajdź pełny tekst źródłaGambale, Frank. Speed Picking - Frank Gambale. Hal Leonard Corporation, 1994.
Znajdź pełny tekst źródłaCarlson, Ed. Guitar Etudes: 25 Picking Studies. Independently Published, 2019.
Znajdź pełny tekst źródłaCzęści książek na temat "Guitar picking"
Keebler, Joseph R., Travis J. Wiltshire, Dustin C. Smith i Stephen M. Fiore. "Picking Up STEAM: Educational Implications for Teaching with an Augmented Reality Guitar Learning System". W Virtual, Augmented and Mixed Reality. Systems and Applications, 170–78. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-39420-1_19.
Pełny tekst źródła"Basic Picking and Plucking Patterns". W Acoustic Guitar Styles, 19–23. Routledge, 2013. http://dx.doi.org/10.4324/9780203827901-11.
Pełny tekst źródła"More Flat-picking and Fingerpicking Patterns". W Acoustic Guitar Styles, 58–65. Routledge, 2013. http://dx.doi.org/10.4324/9780203827901-14.
Pełny tekst źródła"Using Alternating Bass Notes to Vary Picking and Strumming Patterns". W Acoustic Guitar Styles, 24–35. Routledge, 2013. http://dx.doi.org/10.4324/9780203827901-12.
Pełny tekst źródłaCoelho, Victor Anand. "Picking through cultures: a guitarist's music history". W The Cambridge Companion to the Guitar, 1–12. Cambridge University Press, 2003. http://dx.doi.org/10.1017/ccol9780521801928.002.
Pełny tekst źródłaStarr, Larry. "Accompanying Bob Dylan". W Listening to Bob Dylan, 81–88. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043956.003.0006.
Pełny tekst źródłaStreszczenia konferencji na temat "Guitar picking"
Yoshida, Nozomu, i Katsutsugu Matsuyama. "A picking interface seamlessly connecting passive and active performance on guitar". W International Workshop on Advanced Imaging Technologies 2020 (IWAIT 2020), redaktorzy Phooi Yee Lau i Mohammad Shobri. SPIE, 2020. http://dx.doi.org/10.1117/12.2566285.
Pełny tekst źródłaMatsushita, Soichiro. "A wrist-worn motion evaluation system for fast and powerful down picking of heavy metal guitar". W UbiComp '19: The 2019 ACM International Joint Conference on Pervasive and Ubiquitous Computing. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3341163.3347726.
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