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Artykuły w czasopismach na temat "Guitar music"
Sutaryo, Haris Natanael, Tri Wahyu Widodo i Mahardika Kusumo Simbolon. "Penerapan Tangga Nada Pentatonis dalam Penciptaan Musik Gavotte untuk Kuartet Gitar". PROMUSIKA 10, nr 2 (3.12.2022): 97–103. http://dx.doi.org/10.24821/promusika.v10i2.7955.
Pełny tekst źródłaBudrianto, Budrianto Budrianto, Wilma Sriwulan i Marta Rosa. "APROPRIASI GITAR DALAM KESENIAN REJUNG PADA MASYARAKAT SUKU BASHEMAH KABUPATEN KAUR PROVINSI BENGKULU". Gorga : Jurnal Seni Rupa 7, nr 2 (8.10.2018): 94. http://dx.doi.org/10.24114/gr.v7i2.10915.
Pełny tekst źródłaCriswick, Mary, i Wolf Moser. "Guitar Music". Musical Times 127, nr 1720 (sierpień 1986): 443. http://dx.doi.org/10.2307/965165.
Pełny tekst źródłaLuchmansyaroni, Aditya Wahyu. "Design a Guitar Effects Controller Using a Wireless System". Jurnal Jartel: Jurnal Jaringan Telekomunikasi 5, nr 2 (1.11.2017): 42–45. http://dx.doi.org/10.33795/jartel.v5i2.203.
Pełny tekst źródłaŻegleń-Włodarczyk, Małgorzata. "The English guitar and the forgotten guitar repertoire of the second half of the 18th century". Edukacja Muzyczna 17 (2022): 139–55. http://dx.doi.org/10.16926/em.2022.17.10.
Pełny tekst źródłaPratama, Muhammad Yoga, i Erfian Junianto. "Simulator Instrumen Gitar Berbasis Android di Duff Music Studio". Jurnal Nasional Komputasi dan Teknologi Informasi (JNKTI) 6, nr 5 (1.11.2023): 612–20. http://dx.doi.org/10.32672/jnkti.v6i5.6790.
Pełny tekst źródłaHerbst, Jan-Peter. "Distortion and Rock Guitar Harmony". Music Perception 36, nr 4 (1.04.2019): 335–52. http://dx.doi.org/10.1525/mp.2019.36.4.335.
Pełny tekst źródłaFikri, Kanzul. "Inovasi Proses Kreatif Rosette Guitar Quartet Di Era New Normal". Virtuoso: Jurnal Pengkajian dan Penciptaan Musik 4, nr 1 (30.06.2021): 53. http://dx.doi.org/10.26740/vt.v4n1.p53-57.
Pełny tekst źródłaFIORE, GIACOMO. "Reminiscence, Reflections, and Resonance: The Just Intonation Resophonic Guitar and Lou Harrison's Scenes from Nek Chand". Journal of the Society for American Music 6, nr 2 (maj 2012): 211–37. http://dx.doi.org/10.1017/s1752196312000041.
Pełny tekst źródłaStimpson, Michael. "Guitar Music Surveyed". British Journal of Music Education 6, nr 3 (listopad 1989): 328–29. http://dx.doi.org/10.1017/s0265051700007373.
Pełny tekst źródłaRozprawy doktorskie na temat "Guitar music"
Aramburu, Roberto Horacio. "Expanding guitar production techniques : building the guitar application toolkit (GATK)". FIU Digital Commons, 2006. http://digitalcommons.fiu.edu/etd/1301.
Pełny tekst źródłaFugazza, Lorenzo. "The Impressionistic Guitar : Is there a mutual influence between the Spanish guitar and the Impressionist masters?" Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2505.
Pełny tekst źródłaPaget, Jonathan. "The guitar music of Peter Sculthorpe /". Digitized version, 2003. http://hdl.handle.net/1802/5358.
Pełny tekst źródłaIncludes vita. Includes bibliographical references. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/5358
Olson, Ted. "A Century of Heritage Guitar Music". Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu_books/134.
Pełny tekst źródłahttps://dc.etsu.edu/etsu_books/1160/thumbnail.jpg
Chapalain, Guy. "La guitare et son répertoire au XIXe siècle : 1850-1920 : novations et permanence /". Villeneuve d'Ascq : Presses universitaires du Septentrion, 2001. http://catalogue.bnf.fr/ark:/12148/cb37224993c.
Pełny tekst źródłaCatalogue des oeuvres pour guitare p. 479-548. Liste alphabétique avec notices biogr. des guitaristes et compositeurs p. 363-448. Bibliogr. p. 581-642. Index.
Swoger-Ruston, John Paul. "The fifteen-cent guitar re-tempering the standard six-string guitar /". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ59201.pdf.
Pełny tekst źródłaBanks, Zane. "The electric guitar in contemporary arts music". Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/11805.
Pełny tekst źródłaLawson, Selena Michelle. "Radiohead: The Guitar Weilding, Dancing, Singing Commodity". Digital Archive @ GSU, 2009. http://digitalarchive.gsu.edu/communication_theses/47.
Pełny tekst źródłaMangueira, Bruno Rosas. "Concepções estilísticas de Hélio Delmiro : violão e guitarra na música instrumental brasileira". [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284634.
Pełny tekst źródłaDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-06T11:45:47Z (GMT). No. of bitstreams: 1 Mangueira_BrunoRosas_M.pdf: 1094068 bytes, checksum: bd77c8129c048a3adc829705f40d9b87 (MD5) Previous issue date: 2006
Resumo: No período compreendido entre o final da década de 1960 e estes primeiros anos do século XXI, configurou-se, na produção fonográfica brasileira, um gênero de música instrumental com características próprias, em que a cultura do país é permeada pela estética do jazz norte-americano, sendo esperado do músico executante um elevado nível de proficiência e domínio das técnicas de improvisação. O presente trabalho concentra-se na obra de um dos protagonistas desse cenário, o guitarrista e violonista Hélio Delmiro, buscando examinar alguns dos elementos de inventividade musical constituintes de seu estilo, o que, acredita-se, poderá vir a contribuir para uma sistematização da aplicabilidade de tais recursos nesse tipo de arte, com ênfase nos instrumentos de sua especialidade. Para tanto, partindo-se do material resultante da pesquisa de iniciação científica O estilo de improvisação de Hélio Delmiro, foi feita uma comparação contextualizada de aspectos formais e estruturais presentes em sua obra gravada, seja por meio de composições, improvisos ou (re)harmonizações, com procedimentos já sistematizados por estudiosos da música popular. Essa observação demonstrou que Delmiro sintetiza suas influências estilísticas de maneira peculiar e consistente, sendo um importante personagem no processo de consolidação da linguagem da ¿música instrumental brasileira¿, e assumindo uma posição referencial com relação ao papel do violão e da guitarra nesse contexto
Abstract: During the period of time between the late sixties and the first years of the 21st century, the Brazilian phonographic production witnessed the configuration of a genre of instrumental music that proved to have its own characteristics; while containing the Brazilian culture, it is nevertheless permeated by the aesthetics of American Jazz, creating an expectation towards the performing artists of an elevated level of proficiency and the mastering of Jazz improvisational techniques. The genre is called here the ¿Brazilian Contemporary Instrumental Music¿. This paper concentrates on the work of one of the most important protagonists of this genre, the guitarist Hélio Delmiro. We seek to examine some of the elements of Delmiro¿s musical creativity and style, hoping this work will contribute to create a systematization and develop means to its applicability, with an emphasis on Delmiro¿s specialty. In order to realize this research, we departed from the findings of a previous one, developed during our undergraduate years, called ¿Hélio Delmiro¿s Improvisational Style¿. This paper presents a contextualized comparison of structural and formal aspects of Delmiro¿s recorded work, which includes compositions, improvisations, and reharmonizations. Those aspects have been previously systematized by scholars interested in ¿popular music¿, we applied some of those to the study of Delmiro¿s music. The realization that Delmiro makes use of different sources of material to develop his music demonstrated that he synthesizes his stylistic influences in a personal and consistent way, thereby becoming a very important protagonist regarding the process of consolidation of the ¿language¿ of the Brazilian Contemporary Instrumental Music, taking a very important position as a reference on the role and importance of the guitar in that context
Mestrado
Mestre em Música
Nilsson, Jokela Rickard. "SlowBass : exploring, adapting and evolving the possibilities of the bass guitar". Thesis, Kungl. Musikhögskolan, Institutionen för folkmusik, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1440.
Pełny tekst źródłaKsiążki na temat "Guitar music"
musikkinformasjon, Norsk, red. Guitar: Contemporary Norwegian guitar music. Oslo, Norway: Norwegian Music Information Centre, 1996.
Znajdź pełny tekst źródłaRenato, Velasco. La guitare brésilienne =: Brazilian guitar method. Paris: Editions H. Lemoine, 2006.
Znajdź pełny tekst źródłaSharman, Rodney. In a room: [guitare seule = solo guitar]. Saint-Nicolas, Qué: Éditions Doberman-Yppan, 2003.
Znajdź pełny tekst źródłaRodrigo, Joaquín. Music for guitar: 19 pieces for guitar. Mainz: Schott, 1995.
Znajdź pełny tekst źródłaAurélien, Budynek, red. Guitar collection. Milwaukee, WI: Hal Leonard, 2011.
Znajdź pełny tekst źródłaGuitar Music. Michael Raven, 1991.
Znajdź pełny tekst źródłaPublishers, Johan, i Will Humble. Guitar Music Book Tablature: Guitar Music Sheets. Independently Published, 2019.
Znajdź pełny tekst źródłaHumble, Will. Guitar Music Book Tablature: Guitar Music Paper. Independently Published, 2019.
Znajdź pełny tekst źródłaSparks, Paul, i James Tyler. The Guitar and Its Music. Oxford University Press, 2007.
Znajdź pełny tekst źródłaHal Leonard Publishing Corporation (COR). Spanish Guitar Music: Guitar Solo. G. Schirmer, Inc., 1986.
Znajdź pełny tekst źródłaCzęści książek na temat "Guitar music"
Clauhs, Matthew, Bryan Powell i Ann C. Clements. "Guitar". W Popular Music Pedagogies, 27–41. New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9780429294440-4.
Pełny tekst źródłaWeekhout, Hans. "Mixing | Guitar". W Music Production, 225–30. Third edition. | New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429459504-22.
Pełny tekst źródłaWeekhout, Hans. "Advanced Mixing Techniques | Guitar". W Music Production, 309–11. Third edition. | New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429459504-31.
Pełny tekst źródłaWilliams, Tom. "Distorting Jazz Guitar". W Distortion in Music Production, 228–44. London: Focal Press, 2023. http://dx.doi.org/10.4324/9780429356841-19.
Pełny tekst źródłaAbeßer, Jakob. "Automatic String Detection for Bass Guitar and Electric Guitar". W From Sounds to Music and Emotions, 333–52. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-41248-6_18.
Pełny tekst źródłaLydon, Michael. "Reading Music". W How To Play Classic Jazz Guitar, 35–40. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003419549-4.
Pełny tekst źródłaÖzaslan, Tan Hakan, Enric Guaus, Eric Palacios i Josep Lluis Arcos. "Identifying Attack Articulations in Classical Guitar". W Exploring Music Contents, 219–41. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-23126-1_15.
Pełny tekst źródłaWerner, Duncan, Bruce Wiggins i Emma Fitzmaurice. "Development of an Ambisonic Guitar System". W Innovation in Music, 125–45. New York: Routledge, 2021. | Series: Perspectives on music production: Focal Press, 2020. http://dx.doi.org/10.4324/9780429345388-10.
Pełny tekst źródłaClauhs, Matthew, Bryan Powell i Ann C. Clements. "Introduction to Guitar, Bass, and Ukulele". W Popular Music Pedagogies, 15–26. New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9780429294440-3.
Pełny tekst źródłaColwell, Richard J., Michael P. Hewitt i Mark Fonder. "The Guitar and Classroom Teaching". W The Teaching of Instrumental Music, 182–94. Fifth edition. | New York ; London : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315619033-14.
Pełny tekst źródłaStreszczenia konferencji na temat "Guitar music"
Alcabasa, Lance, i Nelson Marcos. "Automatic Guitar Music Transcription". W 2012 International Conference on Advanced Computer Science Applications and Technologies (ACSAT). IEEE, 2012. http://dx.doi.org/10.1109/acsat.2012.78.
Pełny tekst źródłaVitiuc, Alexandr. "The contribution of the bass guitar video cources to modern music education". W Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.14.
Pełny tekst źródłaDittmar, Christian, Andreas Mannchen i Jakob Abeber. "Real-time guitar string detection for music education software". W 2013 14th International Workshop on Image Analysis for Multimedia Interactive Services (WIAMIS). IEEE, 2013. http://dx.doi.org/10.1109/wiamis.2013.6616120.
Pełny tekst źródłaRamelli, Marco. "The Influence of the Spanish Civil War in Gerhard’s Guitar Music". W Roberto Gerhard (1896-1970): Re-appraising a Musical Visionary. University of Huddersfield, 2021. http://dx.doi.org/10.5920/gerhardwarguitar.
Pełny tekst źródłaHumphrey, Eric J., i Juan P. Bello. "From music audio to chord tablature: Teaching deep convolutional networks toplay guitar". W ICASSP 2014 - 2014 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2014. http://dx.doi.org/10.1109/icassp.2014.6854952.
Pełny tekst źródłaPereira, Renato Santos, i Rodrigo Varejão Andreão. "Electric guitar distortion effects unit using a Raspberry Pi". W Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19436.
Pełny tekst źródłaHuang, Tung-Sheng, Ping-Chung Yu i Li Su. "Note and Playing Technique Transcription of Electric Guitar Solos in Real-World Music Performance". W ICASSP 2023 - 2023 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2023. http://dx.doi.org/10.1109/icassp49357.2023.10095225.
Pełny tekst źródłaSilva, Eduardo Santos, Giordano Ribeiro Eulalio Cabral i Rodrigo Mendes de Carvalho Pereira. "A preliminary study of Augmented Musical Instruments for Study (AMIS) using research through design". W Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19438.
Pełny tekst źródłaPetrova, Elizaveta Vladimirovna. "Teacher's educational work at the children's art school and children's music school in classical guitar class". W II International Scientific and Practical Conference, Chair Svetlana Alekseevna Podkorytova. TSNS Interaktiv Plus, 2017. http://dx.doi.org/10.21661/r-462779.
Pełny tekst źródłaAgafita, Mihail. "Concierto de Aranjuez for modern classical guitar and symphony orchestra by Joaquín Rodrigo Vidre: stylistic and genre features". W Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.02.
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