Artykuły w czasopismach: „Government cultural policy”

1

Lipman, Samuel. "Cultural Policy: Whither America, Whither Government?" Design For Arts in Education 86, nr 3 (luty 1985): 19–25. http://dx.doi.org/10.1080/07320973.1985.9938109.

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Renko, Vappu. "Making regional cultural policy: regional government bodies’ cultural policy activities in Finland". Nordisk kulturpolitisk tidsskrift 25, nr 1 (20.05.2022): 61–76. http://dx.doi.org/10.18261/nkt.25.1.5.

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Glover, Stuart. "Revisiting the Cultural Policy Moment: Queensland Cultural Policy from Goss to Bligh". Queensland Review 18, nr 2 (2011): 190–206. http://dx.doi.org/10.1375/qr.18.2.190.

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An account of cultural policy-making in Queensland since the election of the Goss Labor government in 1989 requires revisiting the rise and fall of what Stevenson (2000) has called the ‘cultural policy moment’ in Australia.This period, from the early 1990s to the early 2000s, was characterised by political and scholarly interest in the civic and symbolic utility of culture, and in the outcomes achieved through its management. The cultural policy moment was produced simultaneously within government, the cultural sector and the academy. Within government, it was characterised by a new and highly visible interest in managing culture and (through it) the citizenry (O'Regan 2002). Within the academy, the cultural policy project was raised by Tim Rowse in Arguing the Arts (1985) and developed by the Institute for Cultural Policy Studies at Griffith University through the work of Ian Hunter, Tony Bennett, Toby Miller, Colin Mercer, Jenny Craik, Tom O'Regan and Gay Hawkins in the late 1980s and early 1990s. Stuart Cunningham's Framing Culture (1992) focused existing debate within Australian cultural studies over the place of policy-based approaches within the discipline.

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Pearce, Douglas, i C. Michael Hall. "Antipodian Tourism economy government policy ? cultural matters". GeoJournal 29, nr 3 (marzec 1993): 223–24. http://dx.doi.org/10.1007/bf00807040.

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Borchi, Alice. "Oil, gold, stones: cultural value in Italian cultural policy". Arts and the Market 9, nr 1 (7.05.2019): 2–15. http://dx.doi.org/10.1108/aam-01-2019-0005.

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Purpose The purpose of this paper is to understand the concept of cultural value promoted by the Italian government between 2008 and 2018. Furthermore, it aims at setting the scope for further research and debate on the issue of cultural value in Italian cultural policy by questioning market-driven understanding of value. Design/methodology/approach In order to do so, it examines the rhetoric of Italian policymakers, with a particular focus on the people who have covered the role of Ministry for Cultural Assets and Activities over this 10-year span, and the policies they have implemented. The various nuances of the concept of valorizzazione are studied by analysing different pathways employed by the Italian government and the values underpinning them, with a particular focus on the abandonment of heritage sites. Findings What emerges from this research is the centrality of the economic value of culture; however, the economic impact of Italian cultural assets is always presented as a potential that has to be unlocked by implementing policies of valorizzazione, a term that has a double meaning of promotion and exploitation (Belfiore, 2006). Originality/value This paper presents an original approach to understanding the formation and promotion of cultural value at the level of governmental policy in the context of contemporary cultural policy in Italy. In particular, it evidences how the centrality of the economic value of culture has remained unscathed despite the rapid change of governments that has characterised Italian politics in the last 10 years.

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Cargo, Russell A. "Cultural Policy in the Era of Shrinking Government". Review of Policy Research 14, nr 1-2 (marzec 1995): 215–24. http://dx.doi.org/10.1111/j.1541-1338.1995.tb00634.x.

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Davies, Stuart, i Sara Selwood. "English cultural services: Government policy and local strategies". Cultural Trends 8, nr 30 (styczeń 1998): 69–110. http://dx.doi.org/10.1080/09548969809365039.

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Nguyen, Tiep Van. "The Republic Government of Vietnam’s culture policy on the Highland Minority Ethnic Groups (1954-1975)". Science and Technology Development Journal 18, nr 1 (31.03.2015): 5–14. http://dx.doi.org/10.32508/stdj.v18i1.1039.

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Due to the important strategic political and military standing, during the First Republic Government and the Second Republic Government of Vietnam, the ethnicity policy on Highland minority ethnic groups was promulgated by the republic government of Vietnam. In general, the two Republic Governments of Vietnam paid attention to cultural policy, but the First Republic Government’s ethnicity policy was different from the Second Republic Government’s one. The First Republic Government executed policy of assimilation whereas the Second Republic Government carried out policy respecting minority ethnics’ culture with the perspective “homogeneousness and particularity”. This policy exerted remarkable influences on the minority ethnic groups’ cultural life that left a lot of experiences in developing minority ethnic groups’ culture nowadays.

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McGuigan, Jim. "National Government and the Cultural Public Sphere". Media International Australia 87, nr 1 (maj 1998): 68–83. http://dx.doi.org/10.1177/1329878x9808700109.

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This article introduces the concept of the cultural public sphere to examine public debate around national government policy in the cultural field when the nation-state is said to be of diminishing significance. The election of New Labour in Britain and the cultural politics of its first six months in office are taken as a case study. A distinction is made between cultural policy proper and cultural policy as display. New Labour is especially notable for its symbolic politics and manipulation of cultural policy as display, much more so than its program for cultural policy proper, which remained little developed during the first year of office. The New Labour project is nothing less than a redefinition of Britishness — largely reduced, however, to the ‘rebranding’ of Britain as a ‘Young Nation’ or ‘Cool Britannia’, in the wake of Thatcherism's lengthy period of ‘regressive modernisation’. The May 1997 general election itself, the death and funeral of Diana, Princess of Wales and intense controversy over the New Millennium Experience all occurred within the first six months of Labour government. The article analyses the relations between these events and concludes that the New Labour project, symbolised by the Millennium Dome, articulates a national hubris that reproduces Britain's historical problem of coming to terms with its declining significance in the world. New Labour's virtual politics and its adherence to an accentuated public relations and marketing model of politics are at odds with the democratic principles of the public sphere in general, illustrated in the article by the particular operations and limitations of the cultural public sphere.

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Flew, Terry. "Government, citizenship and cultural policy: Expertise and participation in Australian media policy". International Journal of Cultural Policy 4, nr 2 (kwiecień 1998): 311–27. http://dx.doi.org/10.1080/10286639809358078.

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Shuker, Roy. "New Zealand popular music, government policy, and cultural identity". Popular Music 27, nr 2 (maj 2008): 271–87. http://dx.doi.org/10.1017/s0261143008004066.

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AbstractThe New Zealand popular music industry has recently undergone impressive growth, and is poised to make a significant international impact. Two aspects of this newly privileged position are examined. First, broadly sketching twenty years of developments, I argue that Government willingness to get behind the local industry, especially the role of the post-2000 Labour Government, is a crucial determinant of the present success story. Secondly, I consider the debated relationship between local music and New Zealand cultural identity, with particular reference to two prominent musical styles: Kiwi ‘garage’ rock, and Polynesian-dominated local rap, reggae and hip-hop-inflected music. I argue that the local must not be overly valorised, and that it is necessary to distinguish between ‘local music’ as a cultural signifier and locally made music, with both worthy of support.

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Robinson, Helena. "Cultural policy, local government and museums: an Australian perspective". Local Government Studies 44, nr 5 (28.06.2018): 719–38. http://dx.doi.org/10.1080/03003930.2018.1488688.

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Thompson, Cheryl A. "Government answers need for cultural competency resource". American Journal of Health-System Pharmacy 62, nr 7 (1.04.2005): 676–79. http://dx.doi.org/10.1093/ajhp/62.7.676.

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Ben-Iheanacho, Elizabeth O. "Nigeria’s cultural policy implementation: sustaining cultural diversity through cultural resource management". EJOTMAS: Ekpoma Journal of Theatre and Media Arts 7, nr 1-2 (15.04.2020): 205–15. http://dx.doi.org/10.4314/ejotmas.v7i1-2.13.

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Nigeria is one of the few African countries with a written cultural policy as well as government established and funded institutions charged with the implementations of this policy. This article interrogates the implementation of the tenets of the policy, given Nigeria’s cultural diversity and the growing demand for tangible, verifiable economic indices of the contributions of the culture sector to both internally generated revenue (IGR) and the gross domestic product (GDP) of the nation. It suggests the need to expand the traditional understanding of cultural resource as land, labour and capital to embrace diverse forms of ‘soft’ cultural capital as assets whose management is critical to individual, community and national economic empowerment. The paper concludes with suggestions on strategies and best practices to enhance Nigeria’s creative economy as integral evidence of continuing implementation of the cultural policy. Keywords: Cultural policy, Cultural resource management, Cultural diversity, Creative economy

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Gordon, Christopher, David Powell i Peter Stark. "The coalition government 2010–2015: Lessons for future cultural policy". Cultural Trends 24, nr 1 (2.01.2015): 51–55. http://dx.doi.org/10.1080/09548963.2014.1000585.

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Koroleva, Alina. "Cultural policy of regional Government of Andalusia (Junta de Andalucía)". Latin-American Historical Almanac 36, nr 1 (19.11.2022): 59–75. http://dx.doi.org/10.32608/2305-8773-2022-36-1-59-75.

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The Andalusian Culture and public cultural policy in the last 40 years was hold as a construction of the autonomous community in the context of the transition to democracy and the construction a new cultural administration. Under the cul-tural policy of the Junta of Andalusia, the infrastructural ac-tivities of the autonomous community in the field of culture and art, expressed in the form of protection and stimulation of the development of the cultural sector in the region by providing guarantees and creating favorable framework socio-political conditions for them, are considered. The cultural policy in Andalusia over the past forty years is not difficult to describe. As in all of Spain, culture was included in the con-struction of the Andalusian autonomy. At the same time, this was due to the urgent need to create a cultural administration that would contribute to the creation of the Andalusian cultur-al system. All this, moreover, had to be done quickly. Two directions of cultural policy were formed, as it were: trans-versal and sectoral. The transversal direction began to take shape from the very beginning, as it was necessary to form a new generation of civil servants, managers in the field of cul-ture, focused on the political aspects of cultural policy, the task was to attract different social groups to the field of culture, access to which was previously limited. The second direction was a response to the external challenges of subsequent years, associated with the growth of cultural activity provoked by the Junta and the building of public-private partnerships in the industry.

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Kim, Soochul. "‘Now it's indie’: The creative turn of the cultural policy in the Korean indie music scene". International Communication Gazette 81, nr 2 (4.11.2018): 193–208. http://dx.doi.org/10.1177/1748048518802965.

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As creative industry policy discourse has travelled quickly across the South Korean cultural industry, including the Korean Wave and beyond, the indie music artists in South Korea have found opportunities to perform and promote their music overseas. The recent cultural policy along with the direct support programs are unexpected, because of the conservative nature of the government and the nature of the South Korean indie music as independent from political and economic powers. With the example of the overseas advance of South Korean indie artists, with government support, this article presents an examination of the complex relationship between the government's creative cultural policy and the resulting effects of the policies on the South Korean indie music scene. It is argued that it is yet to be determined whether the cultural policy is having a negative or positive effect on the cultural industry. This article suggests that the cultural policy, whatever the goals of the policy-makers, is interacting with other elements—such as the political economy of the technologies of distribution and consumption, subculture, and the methods through which the cultural policy discourse is articulated among the policy community—beyond the objectives of the policy itself.

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Lobato, Ramon. "Gentrification, Cultural Policy and Live Music in Melbourne". Media International Australia 120, nr 1 (sierpień 2006): 63–75. http://dx.doi.org/10.1177/1329878x0612000110.

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This paper examines the regulation of nightlife in Melbourne, with a special focus on live music venues. Widespread gentrification of the city centre and inner suburbs has recently created considerable tension between residents and venues. Under pressure from both sides, the state government established the Live Music Taskforce in 2003, and its findings resulted in a semi-formal — albeit largely symbolic — policy reorientation towards the protection of existing music venues. Through a case study of the Live Music Taskforce policy development process, the author argues that the Bracks government's creative cities development strategy and its overriding economic motivations have, in this instance, intersected with the broader cultural needs of Melbourne. However, such productive intersections can in no way be assured by creative industries planning models, whose interest in cultural activity is conditional upon its economic value.

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Shchukina, Tatiana. "Cultural Diplomacy in Canadian Foreign Policy". Russia and America in the 21st Century, nr 2 (2021): 0. http://dx.doi.org/10.18254/s207054760015924-3.

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In furthering its foreign policy, Canada, as other countries, uses its reputation, advantage and assets to enhance its national interest, and to strengthen its state-to-state, regional and international relations. Comprising a range of instruments, a country's culture and arts stand out as having the unique potential to enrich its foreign policy. Culture and arts have long played a role in Canada's international relations. Government of Canada should develop and implement a comprehensive cultural diplomacy strategy that establish its objectives within the context of Canada's foreign policy, articulate roles and responsibilities, and identify the budgetary resources necessary for the strategy's realization.

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Mačiulis, Dangiras. "Lithuania’s Cultural Policy: 1927–1940". Lithuanian Historical Studies 8, nr 1 (30.11.2003): 123–44. http://dx.doi.org/10.30965/25386565-00801005.

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This article deals with the cultural policy of the authoritarian regime of Antanas Smetona between 1927 and 1940. Treating policy not only as a theoretical and ideological construction but also illustrating its practical implementation (regulation and control, including concrete management, the search for methods and means, the functioning of government institutions), the author investigates the government’s attempts to influence the creative sphere and to reinforce trends acceptable to the authoritarian regime; the government’s contribution to searches for national distinctiveness in Lithuanian culture and freedom of creation in an authoritarian state. It is maintained that the authoritarian regime endeavoured to control the entire life of the state, including culture. However, cultural policy as defined by specific directives was not developed. The authoritarian regime did not force artists to adhere to compulsory norms of creative activity, but internal censorship haunting artists testified to the authoritarian nature of the political regime. On the other hand, the moderate character of the authoritarian regime itself was attested by the absence of obvious imperative guidelines which could subordinate culture at any cost to the propaganda needs of the regime and fix the norms of creation compulsory for all artists.

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Askew, Mark. "Military Government by Induction: American Strategic Ambiguity in the Military Government of Cuba, 1899". War in History 27, nr 1 (5.07.2018): 33–56. http://dx.doi.org/10.1177/0968344518757562.

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In the wake of the Spanish American War, the United States became a world power. How consciously the USA pursued global ambitions is the subject of intense scholarly debate. This article examines US strategic policy toward Cuba in 1899 and argues that the USA prioritized stability and left US commanders to infer via a process of experimentation the true strategic direction of US policy in Cuba.

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London, Louise. "British government policy and Jewish refugees 1933–45". Patterns of Prejudice 23, nr 4 (grudzień 1989): 26–43. http://dx.doi.org/10.1080/0031322x.1989.9970027.

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Wyszomirski, Margaret Jane. "Policy Communities and Policy Influence: Securing a Government Role in Cultural Policy for the Twenty-First Century". Journal of Arts Management, Law, and Society 25, nr 3 (wrzesień 1995): 192–205. http://dx.doi.org/10.1080/10632921.1995.9941799.

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Croci, Osvaldo. "The second Prodi government and Italian foreign policy: New and improved or the same wrapped up differently?" Modern Italy 13, nr 3 (sierpień 2008): 291–303. http://dx.doi.org/10.1080/13532940802185014.

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This article examines whether Italian foreign policy has undergone significant and substantial changes under the second Prodi government. The first part identifies the variables affecting continuity and change in a country's foreign policy and addresses the question of the conditions under which one can expect changes as a result of a change in government, and the conditions under which continuity is instead more likely. The second part looks at the second Prodi government's foreign policy on a number of topical issues, most of which were also faced by the Berlusconi government, to see to what extent the Prodi government's approach to foreign policy indeed changed from that of its predecessor. The article concludes that the Prodi government did not change Italian foreign policy in any substantial manner; differences existed only in the way the new government occasionally chose to present and justify its policies publicly.

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Abdul Nasir, Muhamad Nadhir, i Alfa Nur Aini Erman Efendi. "LEGAL AND POLICY BASIS FOR BAHASA ISYARAT MALAYSIA INTERPRETATION SERVICES". International Journal of Law, Government and Communication 5, nr 21 (6.12.2020): 45–57. http://dx.doi.org/10.35631/ijlgc.521005.

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There is an increasing need for Malaysian Sign Language interpreters or known as Jurubahasa Isyarat Malaysia (JBIM) to meet the economic, social, and cultural needs of persons who are deaf. To resolve the continuing lack of JBIM, the present paper addresses the legal and policy basis for the establishment of a government-owned and operated service system. We review several legal and government strategic documents, namely the Persons with Disabilities Act 2008, the Local Government Act 1976, the Policy for Persons with Disabilities 2007, the Action Plan for Persons with Disabilities 2016-2022, and the National Community Policy 2018. Although Bahasa Isyarat Malaysia (BIM) is recognized by the law beyond its status as an official language of deaf Malaysians and as part of their cultural identity, our analysis of these legal and policy documents do not suggest a tangible and proper mechanism for BIM interpretation service system. We assert the BIM interpretation services to be established and provided by local governments through collaboration with other federal government agencies and deaf people’s organizations. We also discuss structural measures regarding recruitment and certification, job-related equipment, retirement fund as well as competitive wage. These four aspects are vital in ensuring the effectiveness and sustainability of the BIM interpretation services.

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Savchenko, Nataliia, i Mykola Dubinka. "Youths’ cultural leisure activity as a component of the leading foreign countries’ public policy". Scientific Visnyk V.O. Sukhomlynskyi Mykolaiv National University. Pedagogical Sciences 65, nr 2 (2019): 258–63. http://dx.doi.org/10.33310/2518-7813-2019-65-2-258-263.

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The article shows the modern scientific approaches towards the grounds of cultural sector mechanism of its development in leading foreign countries. The main government principles and mechanisms of government part in participating to regulate the youths’ cultural policy are defined. The main tendencies and new instruments of the government policy development in youths’ cultural-leisure activity in highly developed countries are depicted. The necessity of applying the complex approach in realizing various forms of innovations in leisure sphere is grounded. Leisure is appreciated as a component of the youths’ cultural policy. The main topics of the leisure sphere are developed in the context of cultural politics of every country. The main tasks of the youths’ policy are the following: 1) to work out and adopt the statute, state and regional programmes, which are the preconditions of youths’ free growth; 2) to finance the programmes and events aimed at realization of these conditions; 3) to coordinate the government and public institutions and associations, private funds in solving the youths’ cultural leisure-time problems; 4) to encourage (including the grants) government and non-government organisations intended to give equal start-up chances for all categories of youths to achieve the recreational and spiritual potential of free time. In addition to that, separate aspects of leisure sphere (educational potential, pedagogical principles, sociology of leisure-time) are the object of different spheres of vital functions of the state. Every state determines its own cultural policy according to the values, tasks and its own cultural advances. The principles of the state policy in leisure-time sphere develop into the institutional mechanisms of the interaction between the state and society and then realize in the concrete cultural, social and leisure-time initiatives. The common principles and standpoints adopted and approved by the international community in the cultural sphere are: to work out the possibilities for a citizen to take part in cultural life of the society, cultural growth when the cultural policy becomes a component of general state policy; to preserve and popularize the cultural identity; to develop international cultural communications.

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Staniševski, Dragan M., i Hugh T. Miller. "The Role of Government in Managing Intercultural Relations". Administration & Society 41, nr 5 (wrzesień 2009): 551–75. http://dx.doi.org/10.1177/0095399709339012.

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When intercultural tensions flare up, governments typically must engage the conflict one way or another. This article questions the possible role of government in transforming these difficult social–cultural–political conflicts into democratic moments. Three theoretical approaches to democracy compete for status in the realm of multicultural politics: majoritarian, consociational, and deliberative democracy. The multicultural features of these three theoretical models are compared in the context of one divided society, Macedonia, a place where the government has been assigned a new role: to implement a policy regarding multicultural inclusion. Since the so‐called Framework Agreement of 2001 has been in effect, interethnic conflict in Macedonia has not been the overheated political problem it was at the inception of the Agreement, even though cultural groups remain divided, anxieties continue, and policy processes are mostly top–down.

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Cord, Caleb, Amy Javernick-Will, Elizabeth Buhungiro, Adam Harvey i Karl Linden. "Institutional influences on local government support for professionalized maintenance of water supply infrastructure in rural Uganda: A qualitative analysis". PLOS Water 1, nr 2 (15.02.2022): e0000003. http://dx.doi.org/10.1371/journal.pwat.0000003.

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Professionalized maintenance arrangements are emerging and growing to improve rural water service sustainability across sub-Saharan Africa, where local governments often act as rural service authorities. Uganda’s Ministry of Water and Environment released a novel policy in 2019 to promote professionalization, outlining requirements of local governments to support professionalized maintenance under a new framework for rural water service delivery. We identify how responsibilities of local government actors shifted under this policy and then use Organizational Institutional Theory to explore how the institutional environment—composed of regulative, normative, and cultural-cognitive pillars—influences these actors’ fulfillment of assigned functions under the new policy and support of professionalized maintenance arrangements. To do this, we collected, transcribed, and qualitatively coded data from semi-structured interviews with 93 Ugandan local government actors at all hierarchical levels across 22 sub-counties in three Ugandan districts. Due to infrequent references by interviewees to regulative influences on action such as formal rules and policies, we propose that the new policy alone is unlikely to motivate essential local government support. Allocated responsibilities must align with widely-cited normative and cultural-cognitive influences, including relationship expectations, typical processes and routines, political dynamics, notions of identity, perceived self-efficacy, and cultural beliefs. We recommend leveraging existing institutional influences where possible to motivate actions aligned with the policy. For example, local government actors can fulfill community expectations of them to solve prolonged nonfunctionality by connecting communities to professionalized maintenance service providers instead of performing individual out-of-pocket repairs. Improving understanding of local service authority perspectives is essential as professionalized maintenance arrangements emerge and grow and as new policies expand and shift essential support functions.

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Hunter, Mary Ann. "Redefining ‘Industry’: Young People and Cultural Policy in Australia". Media International Australia 90, nr 1 (luty 1999): 123–38. http://dx.doi.org/10.1177/1329878x9909000113.

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This article considers the place of youth arts and cultures in the cultural industries approach to cultural policy. It argues that the ‘covert economic overlay’ (Brokensha, 1996: 101) of the Australian National Culture–Leisure Industry Statistical Framework privileges certain processes in a ‘government convenient’ model of industry inputs and outcomes, and that the assumptions of this model are challenged by youth-specific and community-based modes of production. Furthermore, it argues that the philosophies and practices of contemporary youth-specific arts organisations have the potential to redefine ‘culture industry’ and contribute to a ‘coherent new paradigm’ of cultural policy (UNESCO, 1995: 232). This paper makes these arguments by examining the place of youth arts and cultures in the existing environment of cultural industrialisation, by considering recent government policy responses to young people's cultural activity and by addressing long-term policy issues for the support of young people and cultural development.

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Skovgaard-Petersen, Jakob. "Media controversies and the cultural policies of the Morsi government". Communication and the Public 2, nr 2 (czerwiec 2017): 154–63. http://dx.doi.org/10.1177/2057047317717498.

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When in June 2013 the cultural production environment mobilized against President Morsi and his minister of culture, this turned out to be a prelude to massive popular demonstrations and the removal of Morsi by the army. But what were the cultural policies of the Morsi government all about? The article traces the cultural policy agenda of the Muslim Brotherhood and its Freedom and Justice Party, and the major controversies they engendered when in power. It argues that Islamization of cultural life may have been a long-term goal, but not a priority in the Morsi government which, on the other hand, at the end of its reign clumsily pursued a policy of “ikhwanization.” Focusing on two controversial films about Egypt’s Jews and Copts, respectively, it discusses revisionist accounts of the minority issue that has emerged after the revolution, and the Morsi government’s position on it.

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O'Regan, Tom, i Mark David Ryan. "From Multimedia to Digital Content and Applications: Remaking Policy for the Digital Content Industries". Media International Australia 112, nr 1 (sierpień 2004): 28–49. http://dx.doi.org/10.1177/1329878x0411200105.

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This article analyses the two policy moments of digital content industries policy development of the Keating (1992–96) and Howard (2001–04) governments. In bringing these two moments into dialogue, our aim is to illuminate and evaluate the broader policy frameworks, and the political and policy contexts, which gave rise to and subsequently shaped these different digital content strategies. The Keating government connected culture and services to harness multimedia as a vehicle for cultural expression and as a new economically viable growth industry suited to a convergent information age. The Howard government's innovation agenda has reconstructed industry development priorities for the digital content industries, influencing their conception as inputs and enablers for both the ICT and broader industries in an information economy framework. The article concludes with an evaluation of the assumptions and priorities, shortcomings and advantages of these two quite different approaches to developing digital content industries.

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Ogorek, Markus, i Tian Pu. "The Allocation of Cultural Policy Powers in the Federal Republic of Germany". German Law Journal 6, nr 10 (1.10.2005): 1335–54. http://dx.doi.org/10.1017/s2071832200014358.

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The Federal Republic of Germany is a state that shows a strong support for culture of any kind. While it is not explicitly stated anywhere in theGrundgesetz(Basic Law), it can be argued that very few nations regard the promotion of the arts, sciences and education as a public undertaking to the extent that Germany does. The federal structure of the German constitution is reflected in the allocation of governmental tasks between the federal government and the individual federal states, orLänder. Under this structure, theLänderbear the primary responsibility for cultural matters. However, contrary to widely-held belief, the Basic Law also grants the federal government a range of legislative, administrative and financial powers with respect to cultural matters. Although when taken together these do not add up to a comprehensive promotional authority of the federal government in the cultural sector, due to numerous individual empowerments, the federal government is without doubt in a position to take an active role in cultural affairs to a significant extent.

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Ergasheva, Yulduz. ""CULTURAL REVOLUTION" POLICY IN UZBEKISTAN AND ITS IMPLEMENTATION METHODS". JOURNAL OF LOOK TO THE PAST 1, nr 3 (30.01.2020): 22–29. http://dx.doi.org/10.26739/2181-9599-2020-1-2.

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The article analyzes the implementation of the policy of the "cultural revolution" in Uzbekistan, its essence and ideological foundations, as well as the activities of the Soviet government on the Sovietization of national culture. The positive and negative consequences of the introduction of Soviet cultural policy on the spiritual and cultural life of the people are highlighted

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Cheng, Hsing Kenneth, Juan Feng, Gary J. Koehler i Sean Marston. "Entertainment Without Borders: The Impact of Digital Technologies on Government Cultural Policy". Journal of Management Information Systems 27, nr 3 (grudzień 2010): 269–302. http://dx.doi.org/10.2753/mis0742-1222270310.

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Woods, Karli. "Public Policy Brief Through the Federal Government: The Social, Civic, and Cultural Integration of Resettled Refugees in Canada and Germany". Federalism-E 23, nr 1 (2.05.2022): 16–30. http://dx.doi.org/10.24908/fede.v23i1.15445.

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This scholarly policy brief explores the Canadian refugee issues through the federal government lens in ways which the federal government should address better affordable housing for refugees, better cultural exchanges for refugees in Canada, and better access to learning English and removing those language barriers through the Citizenship test all through the federal government's recommendation to implement these policies.

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Utama, Wildan Sena. "The History of Cultural Policy in Indonesia 1900s-2000s". Jurnal Humaniora 28, nr 1 (4.06.2016): 62. http://dx.doi.org/10.22146/jh.v28i1.11510.

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This book investigates how culture, particularly national culture, in Indonesia has been shaped by the government policies from the Dutch colonial period in 1900s to the Reformation era in 2000s. It is an attempt to show the relationship between the state and culture around the process of production, circulation, regulation and reception of cultural policy through different regimes. Although this book discusses government policy, the author has realized that the book needs to overcome contradictions and confusions of cultural discourse by incorporating people as explanatory element. Many aspect of culturality may be influenced by the state, but according to Jones, “it is a field that is not stable and easy to shift that facilitates resistance, and is able to turn against the state, market and other institutions” (p. 31). Jones employs two postcolonial cultural policy tools to review the history of cultural policy in Indonesia: authoritarian cultural policy and command culture. The first means that the state has assumption if majority of citizen do not have capability to inspirit a responsible citizenship and need a state’s direction in the choice of their culture. On the contrary, command culture shows that the cultural idea that is planned in fact always been placing the state as center in planning, creating policy and revising cultural practice.

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Kissi, Edward. "Beneath International Famine Relief in Ethiopia: The United States, Ethiopia, and the Debate over Relief Aid, Development Assistance, and Human Rights". African Studies Review 48, nr 2 (wrzesień 2005): 111–32. http://dx.doi.org/10.1353/arw.2005.0067.

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Abstract:This article analyzes the conflicting interpretations of famine, relief aid, development assistance, and human rights by the Ethiopian and American governments, and the complexity of each government's policy and motives. It argues that in the 1970s and 1980s, the Carter and Reagan administrations faced the moral and political dilemma of assisting people in Ethiopia who were in desperate need with-out strengthening the hostile Ethiopian government in the process. And the government of Ethiopia had to make the difficult choice of accepting American aid on American terms at a period in Ethiopian history when doing so was politically suicidal. That America provided the aid and Ethiopia accepted it exemplifies the conduct of international relations in which human dignity compels nations to accommodate one another even within the boundaries of their mutual antagonism.

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MILLER, NICOLA. "A Revolutionary Modernity: The Cultural Policy of the Cuban Revolution". Journal of Latin American Studies 40, nr 4 (listopad 2008): 675–96. http://dx.doi.org/10.1017/s0022216x08004719.

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AbstractThis article seeks to explain why such a wide range of Cuban cultural producers have opted to remain on the island and work ‘within the revolution’, despite all the notorious problems caused by state censorship, political persecution and material shortages. It accounts for the importance of culture to the legitimacy of the revolutionary government; suggests that the regime has drawn effectively on the long-established significance of culture in Cuba's radical tradition; and illustrates the extent to which the government has backed up its rhetoric of commitment to culture for all with a sustained policy of support for institutions, organisations and events across the island. The main argument is that culture has been a key element – perhaps the only successful element – in the revolution's attempt to implement an alternative model of modernity that was distinctive not only from the Western capitalist version but also from that promoted by the Soviet Union.

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Thomas, Julian. "Towards Information Policy?" Media International Australia 87, nr 1 (maj 1998): 9–14. http://dx.doi.org/10.1177/1329878x9808700104.

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Julian Thomas considers developments in national information policy since the change of government. He considers some long-standing problems such as the fragmentation of information policy across numerous agencies, paying particular attention to the objectives of the new National Office of the Information Economy. The article argues that information policy lacks focus, and has not yet moved beyond the boosterism of the mid-1990s.

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Powęska, Halina. "SELF-GOVERNMENT BUDGETS AS A SOURCE OF FUNDING OF CULTURE AND CULTURAL HERITAGE IN POLAND: A REGIONAL PERSPECTIVE". Acta Scientiarum Polonorum. Oeconomia 18, nr 4 (30.12.2019): 85–94. http://dx.doi.org/10.22630/aspe.2019.18.4.48.

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Territorial self-governments as structures operating on a regional and local basis are the main source for financing cultural expenditures in Poland. A total of around 70% of all cultural heritage expenses came from commune, county (powiat) and voivodship budgets. Consequently, a research question was asked whether and to what extent the financing of culture from the budgets of territorial self-governments is spatially diverse. The main purpose of this study is to determine the regional differentiation of spending on culture and cultural heritage from local government budgets. An attempt was also made to indicate the reasons for these differences. For statistical analyses the data of the Local Data Bank of the Statistics Poland (Główny Urząd Statystyczny) were used. Regional differentiation was demonstrated regarding the share of culture in the expenditure from local government budgets. The spatial distribution of the phenomenon is the result of the interaction of three factors: the level of socio-economic development, cultural potential, and cultural policy of the voivodship self-governments.

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Chen, Lu. "Differentiating good from bad". Social Transformations in Chinese Societies 12, nr 2 (3.10.2016): 166–80. http://dx.doi.org/10.1108/stics-08-2016-0011.

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Purpose The paper aims to reveal how the Chinese government has tried to regulate transnational cultural flows by applying cultural policies. Design/methodology/approach The paper compares the dissemination of different foreign television programmes in China since the 1980s. The documents of cultural policy released since 1990s, news reports and the statistics of imported dramas since 2000s will be analyzed. Findings The research finds that the Chinese government has treated cultural products from different countries in unequal ways. Political-diplomatic relationships and the need for ideological control, influence the making of cultural policy. Restricting the quota of imported dramas, censorship and propaganda are measures taken by the Chinese government to regulate transnational cultural flows. Research limitations/implications The paper mainly focuses on platforms such as state-owned television stations and internet. The role of pay-cable channel in disseminating imported dramas should be taken into consideration in the future research. Practical implications The paper provides a systematic understanding on the development of Chinese cultural policy. Originality/value The paper offers an alternative approach to explore the policy-oriented dissemination of transnational cultural flows other than market-oriented dissemination.

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Schniewind, Aline, Markus Freitag i Adrian Vatter. "Big Cabinets, Big Governments? Grand Coalitions and Public Policy in the German Laender". Journal of Public Policy 29, nr 3 (22.10.2009): 327–45. http://dx.doi.org/10.1017/s0143814x09990092.

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AbstractThe inauguration of Germany's grand coalition of Christian Democrats (CDU/CSU) and the Social Democrats (SPD) raises questions about the public policy performance of a coalition of ideological opposite. This paper turns attention to influence of coalition governments on the size of government in the German Laender from 1992 to 2005. We investigate whether grand coalitions at the sub-national level in Germany systematically affect government spending for education (including cultural affairs) and internal security. The article argues that the effects of grand coalitions on the size of the public sector are moderated by partisan politics but sometimes in unexpected ways. For example, government spending in the field of education is reduced when leftist parties are powerful in the Laender.

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Peykani, Mehraban Hadi, i Hadiyeh Tanhaie Rad. "Literacy Globalization and the Demand for Cultural Change Policy". International Education Studies 9, nr 11 (27.10.2016): 82. http://dx.doi.org/10.5539/ies.v9n11p82.

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Rapid change has faced, information technology and communications world in the last two decades of the new type of illiteracy, failure to comply with the growth of the doctrine of technology on the one hand and lack of attention to retraining and learning. Traditional methods, educational structures, policies and governing policies and implementations objectives governing this issue as a cultural phenomenon, no longer massive volume of demand for education is not responsive and necessary than of the government is faced with this problem, how can the different sectors of society with the transformation of the educational need.It is important that policies that literacy is part of the culture of each country have formulated policies, which uses different parts of culture and cultural diversity of the lands is written and the synergies necessary for the growth of literacy in society and move towards balanced development to occur and cultural of diseases caused by the global growth of literacy and lack of coordination with different cultures prevent these teachings.This paper, based on the policy objectives of literacy, the dynamics of education, culture and politics and its effects, globalization, education and cultural policies of governments, review modeling literacy policy based on cultural diversity and change and increased participation of all society.

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Bau, Natalie. "Can Policy Change Culture? Government Pension Plans and Traditional Kinship Practices". American Economic Review 111, nr 6 (1.06.2021): 1880–917. http://dx.doi.org/10.1257/aer.20190098.

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Policies may change the incentives that allow cultural practices to persist. To test this, I study matrilocality and patrilocality, kinship traditions that determine daughters’ and sons’ post-marriage residences, and thus, which gender lives with and supports parents in their old age. Two separate policy experiments in Ghana and Indonesia show that pension policies reduce the practice of these traditions. I also show that these traditions incentivize parents to invest in the education of children who traditionally coreside with them. Consequently, when pension plans change cultural practices, they also reduce educational investment. This finding further demonstrates that policy can change culture. (JEL G51, I20, J15, J16, J32, Z13)

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Chung, Hongik. "Cultural Globalization: Challenges and Responses". Korean Journal of Policy Studies 21, nr 1 (31.08.2006): 1–12. http://dx.doi.org/10.52372/kjps121101.

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In an attempt to lay the groundwork for future analyses of the subject in Korea, the paper explores, drawing on the literature review, key issues in the controversy surrounding cultural globalization, namely, conceptualization of cultural globalizxation, cultural homogenization vs. diversification theses, the ascendancy of the cultural industry and commercial culture, issues in measuring cultural globalization, and government policy toward cultural globalization. Cultural globalization is a complex and multidimensional concept, and its definition should be approached as such. Cultural imperialism and Media imperialism represent cultural homogenization theories while such newer approaches as reception theory and hybridization advocate diversification thesis. There have been few attempts to measure cultural globalization. The existing scale is less than adequate, but improvements can be made with existing data. Cultural globalization is bringing about sweeping changes in the basic fabric of contemporary society. In government, cultural policy takes on new and expansive roles in order to cope with the pressures of cultural globalization. These range from developing cultural industries, building information infrastructure, to upgrading educational institutions to international standards.

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Davidson, Jason W. "In and out of Iraq: A vote-seeking explanation of Berlusconi's Iraq policy". Modern Italy 13, nr 1 (luty 2008): 37–50. http://dx.doi.org/10.1080/13532940701765924.

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This article seeks to explain the Iraq policy of Silvio Berlusconi's second government. Why did Berlusconi's Government declare ‘non-belligerency’ when the American-led war with Iraq began in March 2003? Why did the Government send a mission of 3,000 Italian troops to Iraq in April 2003? Why did Berlusconi announce the progressive withdrawal of that contingent in March 2005? This article recognises the Berlusconi Government's ideologically-rooted pro-American tendencies, but draws on liberal international relations theory to stress the importance of the electoral motive to explain the timing and nature of the Government's decisions. As the Italian public was highly critical of the Iraq war, the Berlusconi Government could not actively participate in the war; it had to frame the deployment as a peace mission and had to begin withdrawing Italian troops before Iraq was stable and secure.

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Hoesein, Zaenal Arifin, Arifudin Arifudin i Susi Dian Rahayu. "The Effectiveness of Decentralization Policy in Local Government Administration". Jurnal Akta 9, nr 2 (30.06.2022): 242. http://dx.doi.org/10.30659/akta.v9i2.23544.

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Article 18 paragraph (2) and paragraph (5) of the 1945 Constitution stipulates that the Regional Government is authorized to regulate and manage its own government affairs according to the principles of autonomy and co-administration and is granted the widest possible autonomy. The granting of the widest possible autonomy to regions is directed at accelerating the realization of community welfare through service improvement, empowerment, and community participation. Regional formation is basically intended to improve public services in order to accelerate the realization of community welfare as well as as a means of political education at the local level. For this reason, the formation of a region must take into account various factors such as economic capacity, regional potential, area, population, and considerations from socio-political, socio-cultural, defense and security aspects, as well as other considerations and conditions that enable the region to organize and realize the objectives of the establishment. By using descriptive analytical research method the results of this research are decentralization is the delegation of government power from the central government to regions to manage their own households, or regions are given autonomy to become autonomous regions. Decentralization is intended to give authority from the state government to local governments to regulate and manage certain affairs as their own household affairs. Therefore, the birth of Act No. 23 of 2014 concerning Regional Government, especially the essence of decentralization, is basically in the framework of accelerating the distribution of community welfare, especially in the regions.

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Thompson, Peter. "Wired-up or Wind-up? The Political Economy of Broadband Policy in New Zealand/Aotearoa". Media International Australia 151, nr 1 (maj 2014): 146–56. http://dx.doi.org/10.1177/1329878x1415100119.

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Government policy has played a crucial role in driving the development of broadband technology in New Zealand, but this has evidently been shaped by the interplay of different ministerial imperatives and rationales under different administrations. The Labour-led government's 2005 Digital Strategy primarily aimed at increasing consumer uptake of basic broadband to overcome the ‘digital divide’. This evolved into the more ambitious 2008 Digital Strategy 2.0 which, consistent with Labour's ‘third way’ philosophy, focused both on grassroots community engagement and economic goals (involving both the Ministry for Culture and Heritage and the Ministry of Economic Development). However, the election of the National-led government later in 2008 brought a shift in the principles and outcomes driving broadband policy. National's Ultra-Fast Broadband initiative has seen NZ$1.35 billion allocated to telecommunications companies that won contracts to develop a nationwide fibre-optic infrastructure. The political rationale more strongly reflects macro-economic imperatives informed primarily by the revamped Ministry for Business, Innovation and Employment. This more commercial policy orientation has nevertheless led the government into some complex and contradictory positions, particularly with respect to its reluctance to insulate the UFB initiative from demands to re-regulate the media sector in response to convergence and competition issues. Taking a critical institutionalist approach and drawing on evidence from key policy documents and interview data with policy actors, this analysis outlines several policy tensions underpinning the shifts in New Zealand's telecommunications and broadband policy between 2005 and 2013.

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Abbassi, Ebrahim, Seyed Javad Salehi i Mohammad Salehi. "The Oil Policy and Independence of the Kurdistan Regional Government". Iran and the Caucasus 26, nr 2 (17.06.2022): 183–97. http://dx.doi.org/10.1163/1573384x-20220206.

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The oil policy of the Kurdistan Regional Government (KRG) is mainly focused on achieving full political independence besides pursuing other interests. The Kurdistan region of Iraq contains approximately one third of the total proven energy resources of the country. This raises the question of why Kurdistan’s oil policy could not be used as a leverage for its independence in the Middle East? The main hypothesis of this research is that the complex system of the Middle East is not in line with the ultimate goal of the KRG, which is separation from Iraq and the establishment of an independent Kurdish state. The research findings show that the independence of the KRG faces severe challenges in the complex sphere of the Middle East. These challenges are mainly rooted in the weakness of the KRG in regional networking and also in the activities of terrorist groups in the region.

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Kotkina, Irina. "We Will roc You!" Transcultural Studies 12, nr 1 (22.11.2016): 66–91. http://dx.doi.org/10.1163/23751606-01201004.

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This paper analyses developments of the new cultural policy of the Russian government and the role of the Russian Orthodox Church (roc) in the implementation of this cultural policy. This question is embedded into a broader research problem of the status of the roc in today’s Russian society, and its relation to the phenomena of secularization and post-secularization. This paper argues that although the roc has no clear-cut cultural policy and is under the influence of the government, it recently made significant steps towards embracing a hegemonic vision of Orthodox cultural policy with the help of a series of legal litigations about secular cultural products. Wagner’s Tannhäuser opera production in Novosibirsk and the scandal initiated by the roc is under scrutiny as a case study in this paper.

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