Gotowe bibliografie tematyczne / Gothic revivial

Gotowa bibliografia na temat „Gothic revivial”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 20 lutego 2023

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Artykuły w czasopismach na temat "Gothic revivial"

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Donnar, Glen. "“It’s not just a dream. There is a storm coming!”: Financial Crisis, Masculine Anxieties and Vulnerable Homes in American Film". Text Matters, nr 6 (23.11.2016): 159–76. http://dx.doi.org/10.1515/texmat-2016-0010.

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Despite the Gothic’s much-discussed resurgence in mainstream American culture, the role the late 2000s financial crisis played in sustaining this renaissance has garnered insufficient critical attention. This article finds the Gothic tradition deployed in contemporary American narrative film to explore the impact of economic crisis and threat, and especially masculine anxieties about a perceived incapacity of men and fathers to protect vulnerable families and homes. Variously invoking the American and Southern Gothics, Take Shelter (2011) and Winter’s Bone (2010) represent how the domestic-everyday was made unfamiliar, unsettling and threatening in the face of metaphorical and real (socio-)economic crisis and disorder. The films’ explicit engagement with contemporary American economic malaise and instability thus illustrates the Gothic’s continued capacity to lay bare historical and cultural moments of national crisis. Illuminating culturally persistent anxieties about the American male condition, Take Shelter and Winter’s Bone materially evoke the Gothic tradition’s ability to scrutinize otherwise unspeakable national anxieties about male capacity to protect home and family, including through a focus on economic-cultural “white Otherness.” The article further asserts the significance of prominent female assumption of the protective role, yet finds that, rather than individuating the experience of financial crisis on failed men, both films deftly declare its systemic, whole-of-society basis. In so doing, the Gothic sensibility of pervasive anxiety and dread in Take Shelter and Winter’s Bone disrupts dominant national discursive tendencies to revivify American institutions of traditional masculinity, family and home in the wakes of 9/11 and the recession.
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Spieler, Christof, i Moyeen Haque. "Gothic Revival". Civil Engineering Magazine Archive 75, nr 4 (kwiecień 2005): 36–45. http://dx.doi.org/10.1061/ciegag.0000016.

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Ditum, Sarah. "Gothic revival". Lancet 392, nr 10155 (październik 2018): 1300. http://dx.doi.org/10.1016/s0140-6736(18)32398-5.

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Harkrader, Nina E., i Michael J. Lewis. "The Gothic Revival". APT Bulletin 35, nr 2/3 (2004): 77. http://dx.doi.org/10.2307/4126409.

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Barringer, T. "The Gothic Revival". Journal of Design History 13, nr 4 (1.01.2000): 351–52. http://dx.doi.org/10.1093/jdh/13.4.351.

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Lindfield, Peter. "Serious Gothic and ‘doing the Ancient Buildings’: Batty Langley's Ancient Architecture and ‘Principal Geometric Elevations’". Architectural History 57 (2014): 141–73. http://dx.doi.org/10.1017/s0066622x00001404.

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Batty Langley (1696-1751) is one of the most familiar and generally infamous figures of Britain's eighteenth-century Gothic Revival (Fig. 1). Following his father, he trained as a gardener and was one of the early promoters of the irregular style that prefigured William Hogarth's ‘line of beauty’. Langley's interest, however, turned to architecture and he produced numerous architectural treatises and pattern books, the majority of which were concerned with Classical architecture. This was a sensible decision since, as Eileen Harris and Nicholas Savage observe, ‘Langley had much to gain by concentrating his publishing activities on architecture, for which there was a considerably larger, more diversified, and less discriminating market.’ His most well-known publication, however, is concerned with the Gothic: Ancient Architecture: Restored, and Improved by a Great Variety of Grand and Useful Designs, Entirely New in the Gothick Mode (1741-42).
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Degtyarev, Vladislav V. "Gothic Revival and the Possibility of “Gothic Survival”". Observatory of Culture 15, nr 5 (14.12.2018): 576–83. http://dx.doi.org/10.25281/2072-3156-2018-15-5-576-583.

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The notion of “Gothic survival” is still prevalent in literature on Gothic revival architecture in England. This concept implies the possibility of the unreflexive survival of Gothic architectural tradition in some distant provincial regions, where architects, searching connections with the past or folk traditions, could find it. This notion, dating back to the literature of the beginning of the 20th century, can be convincingly refuted by analyzing the meanings and purposes of different stages of Gothic revival. The article aims to demonstrate that the use of Gothic architectural forms in the second half of the 17th — beginning of the 18th century was initiated by intellectuals and had no connection to the preservation of artisan traditions.The courtiers of Elizabeth I, re-enacting mediaeval romances and Arthurian legends, conducted the earliest known Gothic revival. The relation between Eli­zabethan architecture and Gothic tradition has been discussed many times. And in later decades — du­ring the Stuart era, the Commonwealth and after the Restoration — Gothic colleges and churches were extensively built.Basing on the sources available, it can be assumed that, though there was not any chronological break in Gothic architectural tradition, Gothic revival had been ideologically biased from its very beginning. We can also say that the spread of classical architecture in England not only was unable to destroy the Gothic tradition, but also gave it new meanings and almost immediately made any appeal to Gothic forms an ideological statement.
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Bullen, J. B. "The Romanesque Revival in Britain, 1800–1840: William Gunn, William Whewell, and Edmund Sharpe". Architectural History 47 (2004): 139–58. http://dx.doi.org/10.1017/s0066622x00001738.

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The Romanesque revival, like the Gothic revival, was an international movement. It passed easily across national boundaries and its effects were felt throughout Europe and across America. In Britain it was overshadowed by the Gothic revival out of whose historiography it grew, and is easily confused with the Norman revival that enjoyed considerable popularity in the 1830s and 1840s. Both the Norman revival and the study of the Romanesque were the fruit of British antiquarianism, because in the eighteenth and early nineteenth centuries there was in this country a well developed scholarly interest in pre-Gothic, round-arched buildings.
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Degtyarev, Vladislav V. "THE GOTHIC REVIVAL AND GOTHIC AS A DEVICE". Articult, nr 2 (2018): 136–43. http://dx.doi.org/10.28995/2227-6165-2018-2-136-143.

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Hart, Adam Charles. "Transitional Gothic: Hammer's Gothic Revival and New Horror". Studies in the Fantastic 6, nr 1 (2018): 1–21. http://dx.doi.org/10.1353/sif.2018.0000.

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Rozprawy doktorskie na temat "Gothic revivial"

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Spear, Peta. "Libertine : a novel and A writer's reflection : the Libertine dynamic: existential erotic and apocalyptic Gothic". Thesis, View thesis, 1998. http://handle.uws.edu.au:8081/1959.7/26115.

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This thesis comprises two works: a novel ‘Libertine’ and a monograph ‘A writer’s reflection’. ‘Libertine’contemplates the eroticising and brutalising of being, and sex as currency, as need and as sacrament. It is set in a city where war is the norm, nightmare the standard, and ancient deities are called upon to witness the new order of killing technologies. The story is narrated by a woman chosen to be the consort of the General, a despostic war leader who believes that he has been chosen by the goddess Kali. She journeys deep into a horror which exists not only around her, but also within her. ‘Libertine’, by melding the erotic and the Gothic, tells the story of a woman enacting the role cast for her in the complex theatres of war. ‘A writer’s reflection’ discusses the themes of the novel, introducing the notion of existential erotica. The existential experience particular to the expression of the erotic being is discussed, and the dilemma which arises from a self yearning to merge ecstatically with an/other in order to obtain a heightened or differently valued self. This theme is elaborated in ‘Libertine’ with regard to subjectivity and the broader issues of nausea, horror and choice, drawing on the conventions of Gothic literature and apocalyptic visioning. This visioning, as eroticised death worship, is found in a Sadian credo of cruelty, the tantric rituals of Kali devotion, and the annihilating erotic excess propounded by Bataille. The monograph illustrated that ‘Libertine’ is not a re-representation of these elements, but an original contribution to the literature of erotica.
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Tennant, Colette. "Margaret Atwood's transformed and transforming Gothic /". The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487757723997751.

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Shlyak, Tatyana. "Secret as a key to narration : evolution from English Gothic to the Gothic in Dostoyevsky /". Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/6667.

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Albo, Frank. "Freemasonry and the nineteenth-century British Gothic Revival". Thesis, University of Cambridge, 2013. https://www.repository.cam.ac.uk/handle/1810/283920.

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Davison, Carol Margaret. "Gothic Cabala : the anti-semitic spectropoetics of British Gothic literature". Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=34941.

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The figure of the Wandering Jew in British Gothic literature has been generally regarded as a static and romantic Everyman who signifies religious punishment, remorse, and alienation. In that it fails to consider the fact that the legend of the Wandering Jew signalled a noteworthy historical shift from theological to racial anti-Semitism, this reading has overlooked the significance of this figure's specific ethno-religious aspect and its relation to the figure of the vampire. It has hindered, consequently, the recognition of the Wandering Jew's relevance to the "Jewish Question," a vital issue in the construction of British national identity. In this dissertation, I chronicle the "spectropoetics" of Gothic literature---how the spectres, of Jewish difference and Jewish assimilation haunt the British Gothic novel. I trace this "spectropoetics" through medieval anti-Semitism, and consider its significance in addressing anxieties about the Crypto-Jew and the Cabala's role in secret societies during two major historic events concurrent with the period of classic Gothic literature---the Spanish Inquisition, a narrative element featured in many Gothic works, and the French Revolution, a cataclysmic event to which many Gothic works responded. In the light of this complex of concerns, I examine the role of the Wandering Jew in five Gothic works---Matthew G. Lewis's The Monk (1795), William Godwin's St. Leon (1799), Charles Robert Maturin's Melmoth the Wanderer (1820), Joseph Sheridan Le Fanu's "Carmilla" (1872), and Brain Stoker's Dracula (1897). In my conclusion, I delineate the vampiric Wandering Jew's "eternal" role in addressing nationalist concerns by examining his symbolic preeminence in Nazi Germany.
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Powell, Christabel Jane. "The liturgical vision of Augustus Welby Northmore Pugin". Thesis, Durham University, 2002. http://etheses.dur.ac.uk/3761/.

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The aim of this thesis is to argue that Augustus Welby Northmore Pugin (1812-1852) was a liturgist who had a liturgical vision. He is commonly regarded as an architect and designer per se, but many believe he had eccentric ideas, was a fanatic for the Gothic style of architecture and that while he was religious, he had little impact on the religious controversy and events of his time. The thesis will bring forward a different picture of him. The reasons put forward to support the claim that he was a liturgist are that he had a particularly definition of liturgy; he studied liturgy for three years; he employed a particular method of writing, which was commonly used by past liturgists; many of his authorities were liturgists and historians, as well as architects and designers, and his sources related to liturgy. Pugin went from attacking Protestants, to defending his views against Roman Catholics. To argue for his views, Pugin employed a particular methodology, which included a vast number of authorities and sources. He offered to England an alternative setting of the Roman rite. The new converts who had seceded from the Church of England to the Church of Rome, including John Henry Newman and his circle, did not support him and this led to a major conflict. Their different views of liturgy became a matter of judgement for the Roman Catholic Church. Pugin was influenced by Continental, particularly French, Roman Catholic scholars and liturgists. The influence of the leader of the liberal Catholics in France, Charles-Forbes-Rene, Count de Montalembert, is also brought to light. The thesis will argue that Pugin sought to implement his views on liturgy in England and had a vision of a future England that could act as an example to the rest of Catholic Christendom, including the Church of Rome. He initially had a measure of success, but finally failed and bowed to the judgement of the Roman Catholic Church.
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Frost, Amy. "The search for a national style : Sir William Chambers and the 'Gothicness' of Milton Abbey, Dorset". Thesis, University of Bath, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.275412.

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Andrews, Elizabeth. "Devouring the Gothic : food and the Gothic body". Thesis, University of Stirling, 2008. http://hdl.handle.net/1893/375.

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At the beginnings of the Gothic, in the eighteenth century, there was an anxiety or taboo surrounding consumption and appetite for the Gothic text itself and for the excessive and sensational themes that the Gothic discussed. The female body, becoming a commodity in society, was objectified within the texts and consumed by the villain (both metaphorically and literally) who represented the perils of gluttony and indulgence and the horrors of cannibalistic desire. The female was the object of consumption and thus was denied appetite and was depicted as starved and starving. This also communicated the taboo of female appetite, a taboo that persists and changes within the Gothic as the female assumes the status of subject and the power to devour; she moves from being ethereal to bestial in the nineteenth century. With her renewed hunger, she becomes the consumer, devouring the villain who would eat her alive. The two sections of this study discuss the extremes of appetite and the extremes of bodily representations: starvation and cannibalism.
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Aspin, Philip. "Architecture and identity in the English Gothic revival 1800-1850". Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669903.

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Bradley, Simon. "The Gothic Revival and the Church of England 1790-1840". Thesis, Courtauld Institute of Art (University of London), 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363044.

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Książki na temat "Gothic revivial"

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Gothic revival. London: Booth-Clibborn Editions, 1994.

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Massey, James C. Gothic revival. New York: Abbeville Press, 1994.

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Aldrich, Megan Brewster. Gothic revival. London: Phaidon Press, 1994.

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Brooks, Chris. The Gothic revival. London [England]: Phaidon Press, 1999.

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Townshend, Dale, red. The Gothic World. New York, USA: Routledge, 2013.

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Fisher, M. Staffordshire and the Gothic Revival. Ashbourne: Landmark, 2006.

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The gothic's gothic: Study aids to the tradition of the tale of terror. New York: Garland Pub., 1988.

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Fairclough, Peter. Three Gothic novels. London: Penguin Books, 1986.

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Fairclough, Peter. Three Gothic novels. London: Penguin Books, 1986.

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The Gothic text. Stanford, Calif: Stanford University Press, 2005.

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Części książek na temat "Gothic revivial"

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Groom, Nick. "Gothic and Celtic Revivals". W A Companion to British Literature, 361–79. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118827338.ch74.

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Worland, Rick. "The Gothic Revival (1957-1974)". W A Companion to the Horror Film, 273–91. Hoboken, NJ, USA: John Wiley & Sons, Inc, 2014. http://dx.doi.org/10.1002/9781118883648.ch16.

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Aldana Reyes, Xavier. "The Post-Millennial Horror Revival: Auteurs, Gothic (Dis)Continuities and National History". W Spanish Gothic, 209–29. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-30601-2_9.

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Cottle, Basil. "The Eighteenth Century: Gothic Revival English". W The Language of Literature, 69–77. London: Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-17989-3_10.

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Piehler, J., M. Hansen i G. Kapphahn. "Experimental investigation of Gothic revival vault structures". W Insights and Innovations in Structural Engineering, Mechanics and Computation, 1948–53. Taylor & Francis Group, 6000 Broken Sound Parkway NW, Suite 300, Boca Raton, FL 33487-2742: CRC Press, 2016. http://dx.doi.org/10.1201/9781315641645-322.

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Mead, Jenna. "Medievalism and Memory Work: Archer’s Folly and the Gothic Revival Pile". W Medievalism and the Gothic in Australian Culture, 99–118. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.mmages-eb.4.000027.

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Siddall, Ruth. "Medieval Mortars and the Gothic Revival: The Cosmati Pavement at Westminster Abbey". W Historic Mortars, 79–89. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91606-4_6.

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Janes, Dominic. "Early Victorian Moral Anxiety and the Queer Legacy of the Eighteenth-Century Gothic Revival". W Material Religion in Modern Britain, 125–43. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137540638_7.

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Cochran, Julie Lawrence. "The Gothic Revival in France, 1830–1845: Victor Hugo’s Notre-Dame de Paris, Popular Imagery, and a National Patrimony Discovered". W Memory & Oblivion, 393–99. Dordrecht: Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-011-4006-5_45.

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"Gothic Revival". W The Fairchild Books Dictionary of Interior Design. Fairchild Books, 2021. http://dx.doi.org/10.5040/9781501365171.1824.

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Streszczenia konferencji na temat "Gothic revivial"

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Bieg, Kory. "Caret 6 and the Digital Revival of Gothic Vaults". W ACADIA 2014: Design Agency. ACADIA, 2014. http://dx.doi.org/10.52842/conf.acadia.2014.199.

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Bieg, Kory. "Caret 6 and the Digital Revival of Gothic Vaults". W ACADIA 2014: Design Agency. ACADIA, 2014. http://dx.doi.org/10.52842/conf.acadia.2014.199.

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