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Artykuły w czasopismach na temat "Gothic revival"
Spieler, Christof, i Moyeen Haque. "Gothic Revival". Civil Engineering Magazine Archive 75, nr 4 (kwiecień 2005): 36–45. http://dx.doi.org/10.1061/ciegag.0000016.
Pełny tekst źródłaDitum, Sarah. "Gothic revival". Lancet 392, nr 10155 (październik 2018): 1300. http://dx.doi.org/10.1016/s0140-6736(18)32398-5.
Pełny tekst źródłaHarkrader, Nina E., i Michael J. Lewis. "The Gothic Revival". APT Bulletin 35, nr 2/3 (2004): 77. http://dx.doi.org/10.2307/4126409.
Pełny tekst źródłaBarringer, T. "The Gothic Revival". Journal of Design History 13, nr 4 (1.01.2000): 351–52. http://dx.doi.org/10.1093/jdh/13.4.351.
Pełny tekst źródłaDegtyarev, Vladislav V. "Gothic Revival and the Possibility of “Gothic Survival”". Observatory of Culture 15, nr 5 (14.12.2018): 576–83. http://dx.doi.org/10.25281/2072-3156-2018-15-5-576-583.
Pełny tekst źródłaBullen, J. B. "The Romanesque Revival in Britain, 1800–1840: William Gunn, William Whewell, and Edmund Sharpe". Architectural History 47 (2004): 139–58. http://dx.doi.org/10.1017/s0066622x00001738.
Pełny tekst źródłaDegtyarev, Vladislav V. "THE GOTHIC REVIVAL AND GOTHIC AS A DEVICE". Articult, nr 2 (2018): 136–43. http://dx.doi.org/10.28995/2227-6165-2018-2-136-143.
Pełny tekst źródłaHart, Adam Charles. "Transitional Gothic: Hammer's Gothic Revival and New Horror". Studies in the Fantastic 6, nr 1 (2018): 1–21. http://dx.doi.org/10.1353/sif.2018.0000.
Pełny tekst źródłaAspin, Philip. "‘Our Ancient Architecture’: Contesting Cathedrals in Late Georgian England". Architectural History 54 (2011): 213–32. http://dx.doi.org/10.1017/s0066622x00004056.
Pełny tekst źródłaHunt, John Dixon, i Michael McCarthy. "The Origins of the Gothic Revival." Eighteenth-Century Studies 22, nr 4 (1989): 635. http://dx.doi.org/10.2307/2739100.
Pełny tekst źródłaRozprawy doktorskie na temat "Gothic revival"
Albo, Frank. "Freemasonry and the nineteenth-century British Gothic Revival". Thesis, University of Cambridge, 2013. https://www.repository.cam.ac.uk/handle/1810/283920.
Pełny tekst źródłaTennant, Colette. "Margaret Atwood's transformed and transforming Gothic /". The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487757723997751.
Pełny tekst źródłaShlyak, Tatyana. "Secret as a key to narration : evolution from English Gothic to the Gothic in Dostoyevsky /". Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/6667.
Pełny tekst źródłaDavison, Carol Margaret. "Gothic Cabala : the anti-semitic spectropoetics of British Gothic literature". Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=34941.
Pełny tekst źródłaPowell, Christabel Jane. "The liturgical vision of Augustus Welby Northmore Pugin". Thesis, Durham University, 2002. http://etheses.dur.ac.uk/3761/.
Pełny tekst źródłaFrost, Amy. "The search for a national style : Sir William Chambers and the 'Gothicness' of Milton Abbey, Dorset". Thesis, University of Bath, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.275412.
Pełny tekst źródłaAspin, Philip. "Architecture and identity in the English Gothic revival 1800-1850". Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669903.
Pełny tekst źródłaBradley, Simon. "The Gothic Revival and the Church of England 1790-1840". Thesis, Courtauld Institute of Art (University of London), 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363044.
Pełny tekst źródłaAndrews, Elizabeth. "Devouring the Gothic : food and the Gothic body". Thesis, University of Stirling, 2008. http://hdl.handle.net/1893/375.
Pełny tekst źródłaGoss, Theodora Esther. "The monster in the mirror: late Victorian Gothic and anthropology". Thesis, Boston University, 2012. https://hdl.handle.net/2144/31561.
Pełny tekst źródłaThe end of the nineteenth century witnessed a Gothic literary revival, which included the publication of Sheridan Le Fanu's Carmilla ( 1872), Robert Louis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde ( 1886), Oscar Wilde's The Picture of Dorian Gray (1891), H.G. Wells' The Island of Doctor Moreau (1896), and Bram Stoker's Dracula (1897) within a twenty-five year period. The dissertation interprets such late nineteenth-century Gothic texts in light of the rise of Victorian anthropology and an anthropological paradigm based on Darwinian evolutionary theory. Before the 1860s, the study of human beings had been dominated by the discipline of ethnology; however, the ethnological paradigm, based on a Biblical understanding of human history, began to fracture with the discovery of prehistoric human remains at Brixham Cave (1858) and the publication of Darwin's On the Origin of Species (1859). Those events brought the Biblical framework into question and created a sense of cultural trauma reflected in both scientific and popular debates on the origins of humanity. The anthropological paradigm, articulated in the writings of anthropologists such as Sir John Lubbock, Edward Burnett Tylor, and James Ferguson McLennan, managed the traumatic implications of Darwinian evolutionary theory by creating a hierarchical ladder of biological and cultural evolution that affirmed the primacy of human over animal, and civilized over savage. It also, by implication, supported the colonial enterprise by placing the European at the top of that ladder. Late nineteenth-century Gothic fiction posed a fundamental challenge to the optimistic progressionism of the anthropological paradigm and the hierarchical oppositions on which it was based by implying that Englishmen and women were not as different from the animal or savage as they believed, and that evolution itself was not always upward. By doing so, it re-traumatized what the anthropological paradigm attempted to contain, and pointed toward a more diverse and egalitarian definition of the human. The Gothic has often been seen as a conservative genre: the dissertation argues that understanding the ways in which late nineteenth-century Gothic fiction challenged the anthropological paradigm can reveal its disruptive, iconoclastic potential.
Książki na temat "Gothic revival"
Gothic revival. London: Booth-Clibborn Editions, 1994.
Znajdź pełny tekst źródłaAldrich, Megan Brewster. Gothic revival. London: Phaidon Press, 1994.
Znajdź pełny tekst źródłaMassey, James C. Gothic revival. New York: Abbeville Press, 1994.
Znajdź pełny tekst źródłaBrooks, Chris. The Gothic revival. London [England]: Phaidon Press, 1999.
Znajdź pełny tekst źródłaTownshend, Dale, red. The Gothic World. New York, USA: Routledge, 2013.
Znajdź pełny tekst źródła1939-, McCarthy Michael J., i O'Neill Karina, red. Studies in the gothic revival. Dublin, Ireland: Four Courts, 2008.
Znajdź pełny tekst źródła1939-, McCarthy Michael J., i O'Neill Karina, red. Studies in the Gothic Revival. Dublin, Ireland: Four Courts, 2008.
Znajdź pełny tekst źródłaFisher, M. Staffordshire and the Gothic Revival. Ashbourne: Landmark, 2006.
Znajdź pełny tekst źródła1939-, McCarthy Michael J., i O'Neill Karina, red. Studies in the gothic revival. Dublin, Ireland: Four Courts, 2008.
Znajdź pełny tekst źródła1717-1797, Walpole Horace, red. Four gothic novels. Oxford: Oxford University Press, 1994.
Znajdź pełny tekst źródłaCzęści książek na temat "Gothic revival"
Worland, Rick. "The Gothic Revival (1957-1974)". W A Companion to the Horror Film, 273–91. Hoboken, NJ, USA: John Wiley & Sons, Inc, 2014. http://dx.doi.org/10.1002/9781118883648.ch16.
Pełny tekst źródłaCottle, Basil. "The Eighteenth Century: Gothic Revival English". W The Language of Literature, 69–77. London: Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-17989-3_10.
Pełny tekst źródłaAldana Reyes, Xavier. "The Post-Millennial Horror Revival: Auteurs, Gothic (Dis)Continuities and National History". W Spanish Gothic, 209–29. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-30601-2_9.
Pełny tekst źródłaPiehler, J., M. Hansen i G. Kapphahn. "Experimental investigation of Gothic revival vault structures". W Insights and Innovations in Structural Engineering, Mechanics and Computation, 1948–53. Taylor & Francis Group, 6000 Broken Sound Parkway NW, Suite 300, Boca Raton, FL 33487-2742: CRC Press, 2016. http://dx.doi.org/10.1201/9781315641645-322.
Pełny tekst źródłaTyack, Geoffrey. "C. L. Eastlake, History of the Gothic Revival". W British Architecture 1760–1914, 125–28. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003111177-18.
Pełny tekst źródłaMead, Jenna. "Medievalism and Memory Work: Archer’s Folly and the Gothic Revival Pile". W Medievalism and the Gothic in Australian Culture, 99–118. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.mmages-eb.4.000027.
Pełny tekst źródłaSiddall, Ruth. "Medieval Mortars and the Gothic Revival: The Cosmati Pavement at Westminster Abbey". W Historic Mortars, 79–89. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91606-4_6.
Pełny tekst źródłaJanes, Dominic. "Early Victorian Moral Anxiety and the Queer Legacy of the Eighteenth-Century Gothic Revival". W Material Religion in Modern Britain, 125–43. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137540638_7.
Pełny tekst źródłaGroom, Nick. "Gothic and Celtic Revivals". W A Companion to British Literature, 361–79. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118827338.ch74.
Pełny tekst źródłaCochran, Julie Lawrence. "The Gothic Revival in France, 1830–1845: Victor Hugo’s Notre-Dame de Paris, Popular Imagery, and a National Patrimony Discovered". W Memory & Oblivion, 393–99. Dordrecht: Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-011-4006-5_45.
Pełny tekst źródłaStreszczenia konferencji na temat "Gothic revival"
Bieg, Kory. "Caret 6 and the Digital Revival of Gothic Vaults". W ACADIA 2014: Design Agency. ACADIA, 2014. http://dx.doi.org/10.52842/conf.acadia.2014.199.
Pełny tekst źródłaBieg, Kory. "Caret 6 and the Digital Revival of Gothic Vaults". W ACADIA 2014: Design Agency. ACADIA, 2014. http://dx.doi.org/10.52842/conf.acadia.2014.199.
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