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Artykuły w czasopismach na temat "Goddesses"
Vuong, Nguyen Hung, i Vo Thi Ngoc Giau. "The Role of Mother Goddess Worship in the Spiritual and Cultural Life of People in Lam Dong Province, Vietnam". Journal of Education, Society and Behavioural Science 36, nr 7 (16.05.2023): 70–77. http://dx.doi.org/10.9734/jesbs/2023/v36i71237.
Pełny tekst źródłaPrychepii, Yevhen. "Four- and eight-membered structures with a rhombus in the center in the geometric ornaments of Podillya embroidery". Culturology Ideas, nr 22 (2'2022) (2022): 131–47. http://dx.doi.org/10.37627/2311-9489-22-2022-2.131-147.
Pełny tekst źródłaBudin, Stephanie. "A Reconsideration of the Aphrodite-Ashtart Syncretism". Numen 51, nr 2 (2004): 95–145. http://dx.doi.org/10.1163/156852704323056643.
Pełny tekst źródłaPrychepii, Yevhen. "Eight-membered ornament structures on Trypillia bowls and pots". Interdisciplinary Cultural and Humanities Review 2, nr 2 (2023): 20–31. http://dx.doi.org/10.59214/2786-7110-2023-2-2-20-31.
Pełny tekst źródłaFehlmann, Meret. "Ancient Goddesses for Modern Times or New Goddesses from Ancient Times?" International Journal for the Study of New Religions 8, nr 2 (6.12.2018): 155–81. http://dx.doi.org/10.1558/ijsnr.37402.
Pełny tekst źródłaYadav, Megha. "Disease, Demon, and the Deity: Case of Corona Mātā and Coronāsur in India". Religions 13, nr 11 (26.10.2022): 1011. http://dx.doi.org/10.3390/rel13111011.
Pełny tekst źródłaPrychepii, Yevhen. "The Image of the “Deer Goddess” in Geometric Ornaments of Women’s Podolian Shirts". Culturology Ideas, nr 16 (2'2019) (2019): 110–27. http://dx.doi.org/10.37627/2311-9489-16-2019-2.110-127.
Pełny tekst źródłaBühnemann, Gudrun. "The Goddess Mahā;cīnakrama-Tārā (Ugra-Tārā) In Buddhist And Hindu Tantrism". Bulletin of the School of Oriental and African Studies 59, nr 3 (październik 1996): 472–93. http://dx.doi.org/10.1017/s0041977x00030603.
Pełny tekst źródłaBolshakov, Vladimir A. "About the character of deification of the Egyptian Queens of the New Kingdom". Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, nr 3 (2023): 33. http://dx.doi.org/10.31857/s086919080025052-4.
Pełny tekst źródłaNarto, Amad, Karolus Geleuk Sengadji i Muhammad Farhan Ramadhan. "Design of the Process of Ascending and Descending of Davits on Lifeboats Automatically". RSF Conference Series: Engineering and Technology 3, nr 1 (5.10.2023): 140–44. http://dx.doi.org/10.31098/cset.v3i1.737.
Pełny tekst źródłaRozprawy doktorskie na temat "Goddesses"
Kicak, Elizabeth. "Goddesses and Doormats". Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1680.
Pełny tekst źródłaMiller, Aimee H. "Goddesses of Color: Interfaith Altars". Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/773.
Pełny tekst źródłaStåhle, Göran Viktor. "Det religiösa självet i praktik vid ett hinduiskt gudinnetempel : ett kulturpsykologiskt angreppssätt för religionspsykologi/". Uppsala : Uppsala universitet : Religionspsykologi, Teologiska institutionen, Uppsala universitet [distributör], 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-4695.
Pełny tekst źródłaKwok, Crystal Lee, i 郭錦恩. "Ghosts and goddesses: women, cinema, & the image". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31950978.
Pełny tekst źródłaKwok, Crystal Lee. "Ghosts and goddesses : women, cinema, & the image /". Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B14040220.
Pełny tekst źródłaGowdy, Robert Douglas. "Redemption and the Other: The Supernatural Narrator and the Intertextual (Sub)version of the Miltonic Command". Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2530/.
Pełny tekst źródłaRandsalu, Donna. "Who were the daughters of Allah?" Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28267.
Pełny tekst źródłaArts, Faculty of
Classical, Near Eastern and Religious Studies, Department of
Graduate
Johnson, Lauren Marie. "Fashioning the Goddesses: Idealizing and Celebrating the Female Form". Miami University Honors Theses / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1178301027.
Pełny tekst źródłaMatos, Gwenael. "Re-fashioning goddesses| Exploring women's archetypal fashion in the classroom". Thesis, Pacifica Graduate Institute, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3599362.
Pełny tekst źródłaMythological studies deepens and layers the significance of fashion and dress through an archetypal exploration of Greek goddess fashion archetypes--Aphrodite, Athena, Artemis, and Hestia. The research reveals how these archetypes and their shadows influence the fashion industry from the creation of a garment to when it is worn on the body. The production component of the dissertation entails archetypal fashion design curriculum that contains an instructor's guide for an archetypal women's fashion design course at the collegiate level. The study is tailored to expand fashion design students' understanding of fashion silhouettes and design elements that fit certain fashion archetypes and how the fashion archetypes manifest within target markets, consumers' styles, and consumption choices. The theoretical portion of the research examines fashion theory as a multidisciplinary approach through which to investigate why the body is covered. Within fashion theory, mythological studies offers a new perspective through which to study fashion archetypally by canvassing Greek and Roman myths tied to the four goddesses and by exploring depth psychological and Jungian concepts, such as archetypes, shadow, psyche, and the collective unconscious as they relate to fashion.
The research concludes: a woman's fashion identity and personal style convey one or more goddess fashion archetypes; to express identity and style, garments on the body communicate a visual story about oneself to others that relates to one or more of the goddesses' stories (or myths) archetypally; goddess fashion archetypes categorize fashion silhouettes, such as dresses, pants, and gowns, as well as archetypal goddess fashion silhouette themes, such as masculine/structured, feminine/sensual, functional/comfortable, or conservative/playful; and clothing the body is due to an instinctual drive that is informed by Greek goddess archetypes in Western fashion. Further implications for this research include creating a guide for consumers to understand their preferred archetypal style, employing fashion archetypes to retail when merchandising clothing stores and purchasing inventory for consumers, and developing god fashion archetypes, such as Zeus, Hermes, Ares, Dionysus, and Hephaistos for men's fashion.
Dedes, Eleni. "Oracular priestesses and goddesses of ancient Krete, Delphi, and Dodona". Thesis, California Institute of Integral Studies, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3712244.
Pełny tekst źródłaThis dissertation discusses the roles of oracular priestesses and Goddesses in Krete and Greece. The appointment of oracular priestesses to the service of a particular Goddess such as Gaia or Athena is reviewed. In addition, this study demonstrates the extent to which the worship of Goddesses, led by oracular priestesses, was a pre-eminent aspect of religion in ancient Krete and Greece. Various types of conduits and methods used to receive oracular messages are also considered, including trees, baetyls, the inhalation of gaseous vapors, the chewing of laurel leaves, and the possible use of bees and snakes.
This dissertation also considers the implications that feminist archaeology brings to the interpretation of evidence regarding oracular priestess and Goddess traditions in Krete at the Temple-Palace of Knossos, and in mainland Greece at the oracular sites of Delphi and Dodona. An interdisciplinary methodology is employed, drawing on archaeology, mythology, archaeomythology, and feminist spiritual hermeneutics in the academic field of women’s spirituality.
To facilitate this study, a set of characteristics is specified for determining which figurines can plausibly be considered oracular priestesses and/or Goddesses. The set of characteristics which distinguish a Goddess from an ordinary woman or girl include (1) ritual or sacred “find contexts”; (2) the presence of worshippers or adorants; (3) symbolic attributes of divinity, especially those which are representative of the female in local cultural context and perhaps also in cross-cultural contexts; (4) gestures of divinity, in local and/or cross-cultural contexts; and (5) larger relative size. Priestesses are distinguished by (1) typical gestures of adoration or offering of votives; (2) typical attributes in cultural context and/or cross-cultural contexts; (3) the study of epigraphy (where possible); and/or (4) prosopography. The characteristics which distinguish oracular priestesses from other kinds of priestesses include the priestess’ interactions with trees, baetyls, bees, birds, and snakes, or inhaling gaseous vapors.
Książki na temat "Goddesses"
1920-, Subramaniam Venkateswarier, Social Sciences and Humanities Research Council of Canada., Carleton University. Dept. of Religion. i Conference on the Mother Goddess (1987 : Carleton University), red. Mother goddess and other goddesses. Delhi: Ajanta Publications, 1993.
Znajdź pełny tekst źródła1952-, Matthews Caitlin, red. Voices of the goddess: A chorus of sibyls. Wellingborough, Northamptonshire: Aquarian, 1990.
Znajdź pełny tekst źródłaOda, Mayumi. Goddesses. Volcano, Calif: Volcano Press/Kazan Books, 1988.
Znajdź pełny tekst źródłaBurleigh, Mutén, red. Return of the great goddess. Dublin: Gill & Macmillan, 1994.
Znajdź pełny tekst źródłaBedi, Anjula. Gods & goddesses. Mumbai: Eeshwar, 1998.
Znajdź pełny tekst źródłaMoellering, Michael. Hollywood goddesses. London: Brompton, 1989.
Znajdź pełny tekst źródłaChing, Linda. Hawaiian goddesses. Honolulu, Hawaii (P.O. Box 25824, Honolulu 96825): Hawaiian Goddesses Pub. Co., 1987.
Znajdź pełny tekst źródłaMoruo, Guo. The goddesses. Shanghai: Foreign Languages Press, 2000.
Znajdź pełny tekst źródłaBlair, Nancy. Goddesses for every season. Rockport, Mass: Element, 1995.
Znajdź pełny tekst źródłaNikolova, Neška. Kultot na golemata majka: (aspekti na ženskiot kreativen princip). Skopje: Makedonika litera, 2011.
Znajdź pełny tekst źródłaCzęści książek na temat "Goddesses"
Wind, Tonia Leigh. "Goddesses". W Black Women's Literature of the Americas, 117–44. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003203537-6.
Pełny tekst źródłaMahanta, Namrata Rathore. "Goddesses: Overview". W Hinduism and Tribal Religions, 1–7. Dordrecht: Springer Netherlands, 2018. http://dx.doi.org/10.1007/978-94-024-1036-5_656-1.
Pełny tekst źródłaFeldhaus, Anne. "Traveling Goddesses". W Connected Places, 89–126. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1057/9781403981349_4.
Pełny tekst źródłaCarens, Timothy L. "New Goddesses". W Strange Gods, 150–80. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003058236-6.
Pełny tekst źródłaMahanta, Namrata Rathore. "Goddesses: Overview". W Hinduism and Tribal Religions, 527–33. Dordrecht: Springer Netherlands, 2022. http://dx.doi.org/10.1007/978-94-024-1188-1_656.
Pełny tekst źródłaGoodison, Lucy, i Christine Morris. "Goddesses in Prehistory". W A Companion to Gender Prehistory, 265–87. Hoboken, NJ, USA: John Wiley & Sons, Inc, 2014. http://dx.doi.org/10.1002/9781118294291.ch13.
Pełny tekst źródłaCardullo, R. J. "Stars and Goddesses". W André Bazin, the Critic as Thinker, 59–77. Rotterdam: SensePublishers, 2017. http://dx.doi.org/10.1007/978-94-6300-878-5_3.
Pełny tekst źródłaAckerman, Susan. "Goddesses". W Near Eastern Archaeology, 391–97. Penn State University Press, 2003. http://dx.doi.org/10.5325/j.ctv1bxh52q.57.
Pełny tekst źródłaAckerman, Susan. "Goddesses". W Near Eastern Archaeology, 391–97. Penn State University Press, 2003. http://dx.doi.org/10.1515/9781575065472-055.
Pełny tekst źródłaSengupta, Saswati. "Invoking the Goddesses". W Mutating Goddesses, 1–25. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190124106.003.0001.
Pełny tekst źródłaStreszczenia konferencji na temat "Goddesses"
Савостина, Е. А., i Т. С. Тихонова. "Koroplast workshop in the context of urban life and craft production in Gorgippia". W Древности Боспора. Crossref, 2023. http://dx.doi.org/10.25681/iaras.2020.978-5-94375-339-8.309-331.
Pełny tekst źródłaCarlos Dikker C, Adelantar, Biagtan Seth Floreven E, Del Mundo Carl Andre Y, Ualat Owen N, Alix Abigail, Besa Melba S, Ortega John Heland Jasper i Yu Wilson L. "Mitolohiya: An Interactive Hybrid Animation & Promotional Website Inspired by Tagalog Gods & Goddesses". W 2022 IEEE 14th International Conference on Humanoid, Nanotechnology, Information Technology, Communication and Control, Environment, and Management (HNICEM). IEEE, 2022. http://dx.doi.org/10.1109/hnicem57413.2022.10109431.
Pełny tekst źródłaAsqarova, Shahnoza. "THE PROBLEM OF ANALYSIS OF ONOMASTIC UNITS IN "ALPOMISH" AND "BOBURNOMA"". W The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/bdes5345.
Pełny tekst źródłaFurlan Štante, Nadja. "The revival of Goddess religions". W International conference Religious Conversions and Atheization in 20th Century Central and Eastern Europe. Znanstveno-raziskovalno središče Koper, Annales ZRS, 2024. http://dx.doi.org/10.35469/978-961-7195-39-2_06.
Pełny tekst źródłaKRINSKAYA, Z. A. "THE SHRINE OF YANZHIMA IN THE BARGUZIN VALLEY: DEVELOPMENT OF THE GODDESS’S CULT". W Scientific conference, devoted to the 95th anniversary of the Republic of Buryatia. Publishing House of the Buryat Scientific Center of the Siberian Branch of the Russian Academy of Science, 2018. http://dx.doi.org/10.30792/978-5-7925-0521-6-2018-323-324.
Pełny tekst źródłaGunarathne, M. K. S. S. "Bitch-Goddess: The Revolutionary Power against Tyrannical Patriarchy". W World Conference on Women s Studies. The International Institute of Knowledge Management - TIIKM, 2020. http://dx.doi.org/10.17501/24246743.2020.5102.
Pełny tekst źródłaDmitrieva, Oksana. "RITUALS AND SPELLS DEDICATED TO THE GODDESS AIYYSYT". W 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s28.089.
Pełny tekst źródłaChelariu, Ana R. "The Romanian Goddess Ileana Simziana the Sun’s sister". W the 39th American Romanian Academy of Arts and Sciences Congress. ARA Publisher, 2015. http://dx.doi.org/10.14510/39ara2015.3933.
Pełny tekst źródłaWalstrom, Bob. "Chasing the Green Goddess: Dioptase in New Mexico". W 27th Annual New Mexico Mineral Symposium. Socorro, NM: New Mexico Bureau of Geology and Mineral Resources, 2006. http://dx.doi.org/10.58799/nmms-2006.299.
Pełny tekst źródłaBarber-Kersovan, Alenka. "Songs for the Goddess. Das popmusikalische Neo-Matriarchat zwischen Ethno-Beat, erfundenen Traditionen und kommerzieller Vermarktung". W Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.47.
Pełny tekst źródłaRaporty organizacyjne na temat "Goddesses"
O'Brien, K. Xena and Hercules and all those gods and goddesses. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2000. http://dx.doi.org/10.4095/298644.
Pełny tekst źródłaOlsen, Elisa, Josefa Gonzales i Chelsea Wilkinson. Applications and testing of a modified cross-cultural product design model: The case of the Althea Goddess Headdress. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-907.
Pełny tekst źródłaБережна, Маргарита Василівна. Maleficent: from the Matriarch to the Scorned Woman (Psycholinguistic Image). Baltija Publishing, 2021. http://dx.doi.org/10.31812/123456789/5766.
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