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Artykuły w czasopismach na temat "Giovanni Battista (Lecce, Italy)"
Andjelkovic, Sladjana, Cedo Vuckovic, Suzana Milutinovic, Tomislav Palibrk, Marko Kadija i Marko Bumbasirevic. "Giovanni Battista Monteggia (1762-1815)". Srpski arhiv za celokupno lekarstvo 143, nr 1-2 (2015): 105–7. http://dx.doi.org/10.2298/sarh1502105a.
Pełny tekst źródłaFavero, Giancarlo, i Sandro Baroni. "Giovanni Battista Lacchini: An Amateur Astronomer from Italy". International Astronomical Union Colloquium 98 (1988): 44–45. http://dx.doi.org/10.1017/s0252921100092149.
Pełny tekst źródłaClerici, Carlo Alfredo, Laura Veneroni i Marco Poli. "Giuseppe Pasta (1742–1823): protophysician and pioneer of psychological studies in the medical field". Journal of Medical Biography 17, nr 4 (listopad 2009): 189–94. http://dx.doi.org/10.1258/jmb.2009.009011.
Pełny tekst źródłaTUBBS, R. S., R. G. LOUIS, M. LOUKAS, A. A. GUPTA, M. M. SHOJA i J. OAKES. "The First Description of the Palmaris Brevis Muscle". Journal of Hand Surgery (European Volume) 32, nr 4 (sierpień 2007): 382–83. http://dx.doi.org/10.1016/j.jhse.2007.04.020.
Pełny tekst źródłaPinheiro, Maciel. "Relation among Theology, Natural Philosophy and New Science in Giovanni Battista Riccioli (1598-1671)". Circumscribere International Journal for the History of Science 30 (12.07.2023): 38. http://dx.doi.org/10.23925/1980-7651.2022v30;p38.
Pełny tekst źródłaMajori, Giancarlo. "SHORT HISTORY OF MALARIA AND ITS ERADICATION IN ITALY". Mediterranean Journal of Hematology and Infectious Diseases 4, nr 1 (10.03.2012): e2012016. http://dx.doi.org/10.4084/mjhid.2012.016.
Pełny tekst źródłaBoffano, Paolo, Fabio Roccia, Cesare Gallesio, K. Karagozoglu i Tymour Forouzanfar. "Inferior Alveolar Nerve Injuries Associated with Mandibular Fractures at Risk: A Two-Center Retrospective Study". Craniomaxillofacial Trauma & Reconstruction 7, nr 4 (grudzień 2014): 280–83. http://dx.doi.org/10.1055/s-0034-1375169.
Pełny tekst źródłaBACCIAGALUPPI, CLAUDIO. "CLASSIFYING MISATTRIBUTIONS IN PERGOLESI’S SACRED MUSIC". Eighteenth Century Music 12, nr 2 (24.08.2015): 223–29. http://dx.doi.org/10.1017/s1478570615000329.
Pełny tekst źródłaMerlo, Elisabetta, i Valeria Pinchera. "Configuring Cultural Emerging Industries: A Comparison of the French and Italian Fashion Industries". Business History Review 97, nr 4 (2023): 779–807. http://dx.doi.org/10.1017/s0007680523000880.
Pełny tekst źródłaCecalupo, Chiara. "The Rome Pavilion at the Italian General Exhibition in Turin in 1884: the exposition of Maps and Plans of Rome by Giovanni Battista de Rossi and the City Museum". ACME 75, nr 2 (5.10.2023): 129–45. http://dx.doi.org/10.54103/2282-0035/21302.
Pełny tekst źródłaRozprawy doktorskie na temat "Giovanni Battista (Lecce, Italy)"
Haskell, Diane. "Preparing the Way: Confraternal Art in the Oratory of San Giovanni Battista in Urbino, 1390-1440". Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/17648.
Pełny tekst źródłaTsoumis, Karine. "Giovanni Battista Cavalieri's Ecclesiae militantis triumphi : Jesuits, martyrs, print, and the counter-reformation". Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83842.
Pełny tekst źródłaAlburquerque, Kira d'. "Giovanni Battista Foggini et la sculpture à Florence à l'époque des derniers Médicis (1670-1737) : la condition sociale de l'artiste et la pratique du dessin". Thesis, Paris, EPHE, 2015. http://www.theses.fr/2015EPHE4054.
Pełny tekst źródłaThis thesis, presenting sculptors active in Florence at the time of the last two grand dukes of the Medici dynasty, Cosimo III (1670-1723) and Gian Gastone (1723-1737), is a synthetic study which situates these sculptors in their historical and societal contexts. The work takes into account all the aspects of the profession: the training, in Rome and in Florence, the living and working conditions, the social status, the organisation of the workshops, the creative process, the division of work among the specialists, as well as the important role of drawing in designing and executing the works. When Cosimo III came into power, he decided to bring about a revival in Florentine sculpture and rapidly took many initiatives in this direction: he reformed artistic education, developed the production of luxury artefacts within the Galleria dei Lavori and facilitated the work of sculptors in many ways, offering many of them monthly pensions, official functions and locations for workshops. Even though the period saw a significant number of sculptors working in Florence, artistic life actually centred around a limited number of major figures. Giovanni Battista Foggini, the most important, was settled in the famous sculpture workshop located in Borgo Pinti. At the height of his long career, Foggini was First sculptor as well as Architect of the Galleria dei Lavori, hence managing a vast team of collaborators, assistants and craftsmen. The research is based on a thorough analysis of the archives related to the period as well as an extensive study of the preparatory drawings. A volume of appendices contains a repertory of the sculptors and also the transcription of many unpublished documents
Russell, Lucy. "Domesticating Winckelmann : his critical legacy in Italian art scholarship, 1755-1834". Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:8e2d3058-1ae8-46ab-8fab-8f2c9b473860.
Pełny tekst źródłaVeselá, Markéta. "Transfer záalpských krajinných motivů v grafice do vybraných děl italských rytců na začátku 16. století". Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-352511.
Pełny tekst źródłaKsiążki na temat "Giovanni Battista (Lecce, Italy)"
Mantua (Italy). Archivio storico comunale. Fondo Giovanni Battista Intra: Inventario. Mantova: G. Arcari, 2003.
Znajdź pełny tekst źródłaKuoma, Chryso. San Giovanni Battista dei Genovesi. [Roma]: Istituto nazionale di studi romani, 1986.
Znajdź pełny tekst źródłaKouma, Chryso. San Giovanni Battista dei Genovesi. [Roma]: Istituto nazionale di studi romani, 1986.
Znajdź pełny tekst źródłaLister, Warwick. Amico: The life of Giovanni Battista Viotti. New York: Oxford University Press, 2009.
Znajdź pełny tekst źródłaClaudia, Conforti. Giovanni Michelucci: La Chiesa di San Giovanni Battista ad Arzignano. Arzignano: Cora, 1992.
Znajdź pełny tekst źródłaCallia, Raffaele. Giovanni Battista Montixi: Un vescovo liberale nell'Ottocento. Cagliari: AM&D, 1998.
Znajdź pełny tekst źródłaVilla, Massimo. La chiesa parrocchiale di S. Giovanni Battista a Garbagna. Alessandria: Edizioni dell'Orso, 1986.
Znajdź pełny tekst źródłaGalazzo, Alberto. L' organo "Giovanni Bruna 1794" della Chiesa di S. Giovanni Battista Magnano. [Magnano, Italy]: Festival musica antica a Magnano, 1994.
Znajdź pełny tekst źródłaMancini, Renzo. San Giovanni Battista di Lucoli: Storia, cronologia, restauro. L'Aquila: L.U. Japadre, 2001.
Znajdź pełny tekst źródłaSchaal-Gotthardt, Susanne. Musica scenica: Die Operntheorie des Giovanni Battista Doni. Frankfurt am Main: P. Lang, 1993.
Znajdź pełny tekst źródłaCzęści książek na temat "Giovanni Battista (Lecce, Italy)"
Birocchi, Italo. "Giovanni Battista De Luca (1613–1683)". W Law and the Christian Tradition in Italy, 297–310. Abingdon, Oxon ; New York, NY : Routledge, 2020. | Series: Law and religion | “Produced by the Center for the Study of Law and Religion, Emory University”: Routledge, 2020. http://dx.doi.org/10.4324/9781003014539-18.
Pełny tekst źródłaFavero, Giancarlo, i Sandro Baroni. "Giovanni Battista Lacchini: An Amateur Astronomer from Italy". W Stargazers, 44–45. Berlin, Heidelberg: Springer Berlin Heidelberg, 1988. http://dx.doi.org/10.1007/978-3-642-74020-6_12.
Pełny tekst źródłaSchouppe, Jean-Pierre. "Giovanni Battista Montini (Pope Paul VI) (1897–1978)". W Law and the Christian Tradition in Italy, 432–45. Abingdon, Oxon ; New York, NY : Routledge, 2020. | Series: Law and religion | “Produced by the Center for the Study of Law and Religion, Emory University”: Routledge, 2020. http://dx.doi.org/10.4324/9781003014539-27.
Pełny tekst źródłaVillani, Stefano. "Learning Italian". W Making Italy Anglican, 83–100. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197587737.003.0007.
Pełny tekst źródłaViroli, Maurizio. "After the Revolution". W As If God Existed, tłumacz Alberto Nones. Princeton University Press, 2012. http://dx.doi.org/10.23943/princeton/9780691142357.003.0012.
Pełny tekst źródłaCarter, Tim. "Resemblance and Representation: Towards a New Aesthetic in the Music of Monteverdi". W Con che soavità Studies in Italian Opera, Song, and Dance, 1580-1740, 118–34. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198163701.003.0006.
Pełny tekst źródła"9. Of Oak and Elder, Cloud-like Angels, and a Bird’s Nest: The Graphic Interpretations of Titian’s The Death of St. Peter Martyr by Martino Rota, Giovanni Battista Fontana, Valentin Lefebre, John Baptist Jackson, and their Successors". W Green Worlds in Early Modern Italy, 197–216. Amsterdam University Press, 2019. http://dx.doi.org/10.1515/9789048535866-011.
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