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Artykuły w czasopismach na temat "Gilles Deleuze"
Brians, Ella. "Gilles Deleuze". Graduate Faculty Philosophy Journal 27, nr 1 (2006): 214–17. http://dx.doi.org/10.5840/gfpj200627127.
Pełny tekst źródłaJustaert, Kristien. "Gilles Deleuze". Articles spéciaux 65, nr 3 (24.03.2010): 531–44. http://dx.doi.org/10.7202/039049ar.
Pełny tekst źródłaBoundas, Constantin V. "Gilles Deleuze". Symposium 5, nr 1 (2001): 126–32. http://dx.doi.org/10.5840/symposium20015110.
Pełny tekst źródłaOlkowski, Dorothea. "Gilles Deleuze". International Studies in Philosophy 29, nr 1 (1997): 137–38. http://dx.doi.org/10.5840/intstudphil199729118.
Pełny tekst źródłaDonkel, Douglas L. "Gilles Deleuze". International Studies in Philosophy 33, nr 4 (2001): 123–25. http://dx.doi.org/10.5840/intstudphil200133449.
Pełny tekst źródłaBuchanan, Ian. "Gilles Deleuze". International Studies in Philosophy 35, nr 1 (2003): 150–52. http://dx.doi.org/10.5840/intstudphil2003351236.
Pełny tekst źródłaRay, Matthew. "Gilles Deleuze". Philosophers' Magazine, nr 12 (2000): 61. http://dx.doi.org/10.5840/tpm200012141.
Pełny tekst źródłaScott, Simon. "Gilles Deleuze". Teaching Philosophy 34, nr 4 (2011): 443–46. http://dx.doi.org/10.5840/teachphil201134457.
Pełny tekst źródłaJunutytė, Laura. "KAI KURIŲ GILLES’IO DELEUZE’O SĄVOKŲ TEORINĖS IŠTAKOS". Problemos 76 (1.01.2009): 225–35. http://dx.doi.org/10.15388/problemos.2009.0.1930.
Pełny tekst źródłaKnee, Philip. "DELEUZE, Gilles, Foucault". Laval théologique et philosophique 43, nr 1 (1987): 111. http://dx.doi.org/10.7202/400284ar.
Pełny tekst źródłaRozprawy doktorskie na temat "Gilles Deleuze"
Vankeerberghen, Véronique. "L'ontologie de Gilles Deleuze". Paris 8, 2001. http://www.theses.fr/2001PA081904.
Pełny tekst źródłaSalucci, Marco. "Gilles Deleuze, une inéfinition esthétique". Paris 8, 2014. http://www.theses.fr/2014PA084150.
Pełny tekst źródłaThe concepts of similarity, unconscious Oedipal tendencies, and grammatical order are, respectively, three basic ways of framing sensibility, desire, and writing. Deleuze’s philosophy, however, dismisses this understanding; he renders similarities dysfunctional, while enflaming desire and energizing grammar. In this thesis, we propose an operative approach to Deleuze’s thought, in order to show how it has reclaimed the power of shocking philosophical insight. When desire and its object, or the declaration and its accomplishment, as well as the body and its capacities of sensation, are left in an indefinite area, philosophy is no longer confined to realm of thought; it creates a sensation. This thesis deconstructs and makes explicit those areas where Deleuzian concepts take on this matter of the removal of the certain object. The quick thinking that runs through his philosophy will be placed in counterpoint to those works of art that activate a sharp feeling beyond all defined objects and subject matter. We will see how such undefined paths give rise to a surface where the notion of creation is, according to Deleuze, life itself
Andrew, Culp. "Deleuze Beyond Deleuze: Thought Outside Cybernetics". Universität Leipzig, 2020. https://ul.qucosa.de/id/qucosa%3A71595.
Pełny tekst źródłaRaby, John. "Gilles Deleuze : musique, philosophie et devenir". Thesis, Rennes 2, 2015. http://www.theses.fr/2015REN20011/document.
Pełny tekst źródłaAccording to Gilles Deleuze, writing about music would be a summit of thought, the idea of superiority of the music is even asserted. Deleuze doesn’t think the relationship between music and philosophy as a comment but as a becoming. Music is not just a subject of analysis since in turn influences the style of conceptualization of the philosopher. The musical question thus revolves around two perspectives : a becoming-music of philosophy, a becoming-conceptual of music. For example,the concept of refrain refers to both a "little song" and the eternal return of Nietzsche.Becoming-music of philosophy is an artistic dimension of thought, so the writing style became a major issue. Deleuze shares with writers the creation of a foreign language in everyday language - which tends to create a « musicalisation » of words. As the writer invents a word music with a continuously variable setting of the language, the music of philosophy implies a continuous variation of the concept, including the use of metaphor. The philosophical text then refuses any interpretative approach to concentrate the affective part of the text. Such becoming is not without producing a form of ambiguity since it ultimately makes indistinguishable poetry and philosophy. How to take music fot the deleuzian concept in the field of philosophy?The same continuous variation is seen under high aesthetic ideal within the becomingconceptual of music. This second perspective corresponds to a more traditional aspect of Deleuze's thought since music is subjected to the ontological apparatus of the philosopher. Inspired by Wagner, Proust, Bergson and Boulez, Deleuze develops a metaphysic ofmusic based on two notions : the pure past and reminiscence. Because of such an idealistic conception of music aspect, Deleuze opposes Nietzsche's aesthetics to revive the romantism
Uhlig, Ingo. "Poetologien des Ereignisses bei Gilles Deleuze". Würzburg Königshausen und Neumann, 2005. http://d-nb.info/987933922/04.
Pełny tekst źródłaRutigliano, Francisca Tania Soares. "Gilles Deleuze : o drama da diferença". [s.n.], 1998. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278830.
Pełny tekst źródłaDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Não informado
Abstract: Not informed.
Mestrado
Mestre em Filosofia
Cavalcanti, Adriane da Silva. "Filosofia e pintura em Gilles Deleuze". [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281532.
Pełny tekst źródłaDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Este trabalho se pretende como uma investigação filosófica enfeixando questões conceituais a respeito de estética, arte e a potencialidade dos conceitos filosóficos ao abordarem este domínio, segundo a óptica do pensador francês Gilles Deleuze (1925-1995). O estudo centra-se no discurso desse autor acerca da arte pictórica, tomada como eixo para a compreensão de como se ergue o encontro entre a filosofia e a arte. Dois aspectos são delimitados para desenvolver a investigação: o primeiro indaga pelas relações entre a filosofia e a arte, explicitando as articulações entre conceitos filosóficos e elementos artísticos segundo um ponto de vista teórico. O segundo aspecto refere-se ao momento prático dessa articulação, presente na pintura. Esse segundo aspecto se desenvolve segundo a análise da operatoriedade de um conjunto de conceitos deleuzianos mobilizados ao apreciar a singular configuração estética da pintura de Francis Bacon em relação à aparição destes mesmos conceitos em outras obras do filósofo, visando com isso verificar as variações e apropriações às quais eles são submetidos e, conseqüentemente, dar a dimensão de como se constitui o discurso deleuziano acerca de uma arte
Abstract: This work intends to be a philosophical investigation assembling conceptual questions related to aesthetics, art, and the potentiality of philosophic concepts to concern this domain, according to Gilles Deleuze¿s point of view. Our study is based on that philosopher¿s discourse about pictorial art, as the axis to understand how proceeds the meet interface between philosophy and art. Two points are circumscribed to develop our investigation: the first asks for the relations hip between philosophy and art, making clear the articulations between philosophicae concepts and artistic elements according to a theoretical point of view. The second point is related to the practical moment of this articulation, as it occurs on painting. This second point evolves according to the analysis of the functionality of an ensemble of deleuzian concepts, mobilized during the appreciation of the singular aesthetic configuration of Francis Bacon¿s paintings, and how these concepts appear in other writings of that same philosopher, intending, to investigate the variations and appropriations to which they are conditioned, and, consequently, to explicit the dimension of the deleuzian discourse constitution about a fine art (painting)
Mestrado
Mestre em Filosofia
Gallina, Simone Freitas da Silva. "Invenção e aprendizagem em Gilles Deleuze". [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/252031.
Pełny tekst źródłaTese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação
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Resumo: A presente tese tem como proposta apresentar a contribuição de Gilles Deleuze sobre a aprendizagem abordada a partir da invenção de problemas e da criação de conceitos. Com isso pretendemos mostrar que a aprendizagem não se constitui meramente numa passagem ou transição natural e um estado de não saber para um estado de saber. Antes, a aprendizagem se dá num contexto de experimentação, em que o aprender equivale ao pensar e este somente surge por uma coação exercida pelos acontecimentos portadores de signos. Para essa tarefa foi preciso percorrer as linhas que constituíram e constituem o traçado do pensamento, as quais partem da interpretação de Deleuze da imagem tradicional do pensamento como recognição. Também foi preciso percorrer os deslocamentos da sua elaboração de uma imagem original do pensamento, a imagem de um traçado de linhas de forças no qual o passado, enquanto duração, sempre atual, emerge como futuro. Esse movimento que dá origem ao pensar e, portanto, ao aprender, tem como seus elementos os signos, os acontecimentos, a experiência enquanto elaboração de problemas e de invenção das suas soluções
Abstract: The present thesis has as proposal to present the contribution of Gilles Deleuze about the learning approached from the invention of problems and the creation of concepts. With this we intend to show that learning does not merely constitute a passage or natural transition from the state of knowledge. Before, learning occurs in the context of experimentation, in which learning equals thinking, and it only appears by coercion exercised by events carried with signs. For this task it was necessary to go through the lines that constituted and constitute the trace of thought, which part from Deleuze¿s interpretation of the traditional image of thought as recognition. It was also necessary to cover the displacements of its elaboration of an original image of thought, an image of a stroke of power lines in which the past, as duration, always current, emerges as future. This movement gives origin to thought, and therefore, as learning, has as its elements the signs, the happenings, the experience while elaboration of problems and the inventions of its solutions
Doutorado
Filosofia e História da Educação
Doutor em Educação
León, Alejandro. "Gilles Deleuze: el pensamiento como pasión". Pontificia Universidad Católica del Perú, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/119548.
Pełny tekst źródłaMichalet, Judith. "Vie et création chez Gilles Deleuze". Paris 1, 2009. http://www.theses.fr/2009PA010561.
Pełny tekst źródłaKsiążki na temat "Gilles Deleuze"
Deleuze, Gilles. Gilles Deleuze. Paris: ADPF, 2003.
Znajdź pełny tekst źródłaDeleuze, Gilles. Gilles Deleuze. Paris: ADPF, 2003.
Znajdź pełny tekst źródłaGilles Deleuze. London: Routledge, 2002.
Znajdź pełny tekst źródłaGuareschi, Massimiliano. Gilles Deleuze popfilosofo. Milano: Shake edizioni underground, 2001.
Znajdź pełny tekst źródłaDeleuze. Cambridge, UK: Polity, 2007.
Znajdź pełny tekst źródłaJager, Christian. Gilles Deleuze: Eine Einführung. Munich, Germany: W. Fink, 1997.
Znajdź pełny tekst źródłaBouaniche, Arnaud. Gilles Deleuze, une introduction. Paris: Pocket, 2007.
Znajdź pełny tekst źródłaGilles Deleuze zur Einfuhrung. Hamburg: Junius, 2005.
Znajdź pełny tekst źródłaStivale, Charles J. Gilles Deleuze: Key concepts. Wyd. 2. Montreal: McGill-Queen's University Press, 2011.
Znajdź pełny tekst źródłaGilles Deleuze: Key concepts. Wyd. 2. Montreal: McGill-Queen's University Press, 2011.
Znajdź pełny tekst źródłaCzęści książek na temat "Gilles Deleuze"
Buchanan, Ian. "Gilles Deleuze". W The Wiley-Blackwell Companion to Major Social Theorists, 175–92. Oxford, UK: Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781444396621.ch26.
Pełny tekst źródłade Freitas, Elizabeth. "Gilles Deleuze". W Alternative Theoretical Frameworks for Mathematics Education Research, 93–120. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-33961-0_5.
Pełny tekst źródłaSemetsky, Inna. "Gilles Deleuze". W Re-Symbolization of the Self, 61–71. Rotterdam: SensePublishers, 2011. http://dx.doi.org/10.1007/978-94-6091-421-8_6.
Pełny tekst źródłaKocyba, Hermann. "Deleuze, Gilles". W Metzler Philosophen Lexikon, 200–203. Stuttgart: J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03642-1_73.
Pełny tekst źródłaAcosta, Emiliano. "Deleuze, Gilles". W Lexikon der Geisteswissenschaften, 1177–81. Wien: Böhlau Verlag, 2011. http://dx.doi.org/10.7767/boehlau.9783205790099.1177.
Pełny tekst źródłaLynch, Heather. "Gilles Deleuze". W The Routledge Handbook of Critical Pedagogies for Social Work, 271–82. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781351002042-23.
Pełny tekst źródłaWidder, Nathan. "Gilles Deleuze". W Palgrave Advances in Continental Political Thought, 274–88. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230501676_19.
Pełny tekst źródłaBalke, Friedrich. "Gilles Deleuze". W Foucault-Handbuch, 219–22. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05717-4_35.
Pełny tekst źródłaMurphy, Timothy S. "Deleuze, Gilles". W Encyclopedia of Contemporary Literary Theory, redaktor Irena Makaryk, 288–91. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-082.
Pełny tekst źródłaGunter, Peter. "Gilles Deleuze, Deleuze’s Bergson and Bergson Himself". W Deleuze, Whitehead, Bergson, 167–80. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230280731_10.
Pełny tekst źródłaStreszczenia konferencji na temat "Gilles Deleuze"
Cunha, Carlos Fernando Carrer da. "GILLES DELEUZE E O PENSAMENTO NÔMADE: A MÁQUINA DE GUERRA PRIMITIVA". W VIII Semana de Orientação Filosófica e Acadêmica. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/phipro-sofia-008.
Pełny tekst źródłaFeng, Tiancong. "THE INTANGIBLE STUDY OF PAINTING AND MUSIC BASED ON THE EXAMPLE OF THE AESTHETIC THEORY OF GILLES DELEUZE". W VI Международная научно-практическая конференция "Искусствознание и педагогика. Диалектика взаимосвязи и взаимодействия". Общество с ограниченной ответственностью «Книжный дом», 2018. http://dx.doi.org/10.25807/pbh.978-5-94777-431-3.92.100.
Pełny tekst źródłaAlrubaiy, Amir. "The Virtual, The Actual, and The Aspen Idea". W 2019 Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.72.
Pełny tekst źródłaLadeira, Anariá Reis Simões, i Igor Guatelli. "Pequenas ações de interdição e expulsão no território: [tecno] ideologias de metas políticas e sociais". W V JORNADA DISCENTE DO PROGRAMA DE PÓS-GRADUAÇÃO EM ARQUITETURA E URBANISMO - FAU MACKENZIE. Universidade Presbiteriana Mackenzie, 2021. http://dx.doi.org/10.5935/2238-5037.20210002.
Pełny tekst źródłaRodríguez Cañestro, Sheila, i Javier Garcerá Ruiz. "Los límites del ver: una aproximación a la pintura contemporánea". W IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Valencia: Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.9271.
Pełny tekst źródłaVuk, Amir. "SARAJEVO ĆE BITI, SVE DRUGO ĆE PROĆI". W Političko-pravni i zakonski položaj Grada Sarajeva u sistemu lokalne samouprave u Bosni i Hercegovini: mogućnosti reforme nadležnosti i teritorijalne organizacije. Academy of Sciences and Arts of Bosnia and Herzegovina, 2022. http://dx.doi.org/10.5644/pi2022.204.12.
Pełny tekst źródłaPetrović, Emina Kristina. "Two Conceptualisations of Change in Architectural History: Towards Driving Pro-sustainable Change in Architecture". W The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4006pqv8s.
Pełny tekst źródłaMolina García, Erika Natalia. "Déversement du regard fluide. Esquisse d'une méthodologie pour approcher théoriquement le cinéma." W XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3090.
Pełny tekst źródłaBURMESTER, CRISTIANO FRANCO. "Fotografia - esencia y la hibridación". W III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.5789.
Pełny tekst źródłados Santos, Camila, i Andreia Machado Oliveir. "Zonas de Ação da Comunicação em Arte e Tecnologia - ZACAT". W LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.101.g142.
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