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Książki na temat „Gift”

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Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 1 sierpnia 2024

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1

dan, Yangu adaruto tantei, red. Purezento no hon: Eburidē no okurimono aidea jōhōgen = Present. Tōkyō: Jitsumu kyōiku Shuppan, 1991.

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2

Zell, Michael. Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463726429.

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Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art offers a new perspective on the art of the Dutch Golden Age by exploring the interaction between the gift's symbolic economy of reciprocity and obligation and the artistic culture of early modern Holland. Gifts of art were pervasive in seventeenth-century Europe, and many Dutch artists, like their counterparts elsewhere, embraced gift giving to cultivate relations with patrons, art lovers, and other members of their social networks. Rembrandt also created distinctive works to function within a context of gift exchange, and both Rembrandt and Vermeer engaged the ethics of the gift to identify their creative labor as motivated by what contemporaries called a "love of art," not materialistic gain. In the merchant republic’s vibrant market for art, networks of gift relations and the anti-economic rhetoric of the gift mingled with the growing dimension of commerce, revealing a unique chapter in the interconnected history of gift giving and art making.

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3

Murzina, A. S. 100 sposobov ėkskl︠i︡uzivnogo oformleni︠i︡a i ukrasheni︠i︡a podarkov: ︠t︡svetovoe reshenie, instrumenty i materialy, varianty bantov i upakovki. Minsk: Kharvest, 2009.

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4

1959-, Draper Leonie A., red. Great gifts to make and great ways to wrap them. Iola, WI: Krause Publications, 1998.

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5

Hayashi, Izumi. Gifts & greetings. Tokyo: Parco, 1989.

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6

Knight, Amanda. Decorating gift baskets, boxes, & bags. New York: Sterling Pub., 1996.

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7

Mooney, Jeannie. Tiny tidings of joy for you, son. Nashville, Tenn: J. Countryman, 2002.

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8

Judith, Lowndes, i Christian Education Movement, red. Gifts and gift bringers. Derby: Christian Education Movement, 1989.

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9

Bodger, Lorraine. Gift wraps. New York: Perennial Library, 1985.

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10

Bodger, Lorraine. Gift wraps. Bedford Hills, N.Y. (200 Haines Rd., Bedford Hills 10507): Stonesong Press, 1985.

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11

Lawrence, Elizabeth. Great gift wrapping. New York: Prince Paperbacks, 1991.

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12

Kondo, Yoko. Creative gift packaging: A loving touch to gift giving. Tokyo: Ondorisha, 1986.

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13

Poltarnees, Welleran. The happy book. Seattle, Wash: Blue Lantern Books, 1993.

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14

Phillips, Diane. The perfect basket: Make your own special occasion baskets. New York: Hearst Books, 1994.

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15

Judit, Gulyás. A csomagolás művészete. Szeged: IT Stúdió Kft., 1997.

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16

Shōbayashi, Eriko. Chao jian dan! shen Ri xi ren qi bao zhuang: Shou li kai xin, song li da xin de shen qi bao zhuang mo li. Taibei Shi: San cai wen hua chu ban shi ye you xian gong si, 2011.

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17

Hase, Yoshiko. Yasashii rappingu: [rappingu no kihon o kuwashiku kaisetsu ] : [haru natsu aki fuyu]. Tōkyō: Butikkusha, 2004.

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18

Nadia, Mackenzie, red. Gift wraps: Baskets & bows. London: Phoenix Illustrated, 1997.

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19

Mansfield, Margaret. Margaret Mansfield's creative gift wrapping. London: Fraser, 1987.

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20

Colesworthy, Rebecca. Returning the Gift. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198778585.001.0001.

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The decades following World War I saw a widespread turn across disciplines to questions about the nature and role of gifts: What is a gift? What do gifts mean and do? Which individuals and institutions have the authority to give? Returning the Gift argues that these questions centrally shaped literary modernism. The book begins by revisiting the locus classicus of twentieth-century gift theory, Marcel Mauss’s The Gift: The Form and Reason for Exchange in Archaic Societies, to show that, his title notwithstanding, the gift Mauss envisions is a distinctively modern phenomenon. Subsequent chapters offer nuanced readings of novels and nonfiction by Virginia Woolf, Jean Rhys, Gertrude Stein, and H.D. from the 1920s to 1940s, drawing on developments in the social sciences, economics, and politics to illuminate their writing, while also making a case for their unique contributions to broader interdisciplinary debates. Not only do these writers insist that literature is a special kind of gift, but they also challenge the primitivist treatment of women as gifts in the work of their Victorian forebears and contemporary male theorists. Each of these writers uses tropes and narratives of giving to imagine more egalitarian social possibilities under the conditions of the capitalist present. The language of the gift is not, as we might expect, a mark of hostility to the market, but rather a means of giving form to the “society” in market society—of representing everyday experiences of exchange that the myth of the free market works, even now, to render unthinkable.

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21

Sykes, Jim. The Musical Gift. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190912024.001.0001.

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The Musical Gift tells Sri Lanka’s music history as a story of giving between humans and nonhumans, and between populations defined by ethnic and religious difference. Author Jim Sykes argues that the genres we currently recognize as Sri Lanka’s esteemed traditional musics were not originally about ethnic or religious identity but were gifts to gods intended to foster protection and/or healing. Noting that the currently assumed link between music and identity helped produce the narratives of ethnic difference that drove Sri Lanka’s civil war (1983–2009), Sykes contends that the promotion of histories of cultural interaction, exchange, and respect for difference through musical giving has a role to play in post-war reconciliation. The Musical Gift includes a study of how NGOs used music to promote reconciliation in Sri Lanka, the first ethnography of the plight of musicians during the war in the Tamil-dominated north and of Sinhala Buddhist drummers in the south, and a theorization of the relations between musical gifts and commodities. Eschewing a strict binary between the gift and identity, Sykes claims that the world’s music history is largely a story of entanglement between these paradigms. Drawing on fieldwork conducted widely across Sri Lanka over a span of eleven years, The Musical Gift brings anthropology’s canonic literature on “the gift” into music studies fully for the first time, while engaging with anthropology’s “ontological turn” and the “new materialism” in religious studies.

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22

(Editor), Pleasant Company, i Wendy Wallin Malinow (Illustrator), red. American Girl Diary - Lavender. Pleasant Company Publications, 2001.

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23

(Editor), Pleasant Company, i Wendy Wallin Malinow (Illustrator), red. American Girl Diary: Berry. Pleasant Company Publications, 2001.

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24

Pages and Pockets: A Portfolio for Secrets and Stuff (American Girl Library). American Girl, 1995.

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25

Ashwell, Rachel. The Shabby Chic Gift of Giving. Regan Books, 2001.

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26

Creative and Thoughtful Gift Giving: Easy Ideas for Making Gifts Special. Fireside, 2007.

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27

Toast the host. Minnetonka, Minn: Cy DeCosse Inc., 1996.

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28

Care packages: Celebrating the art and craft of thoughtfully made packages. 2016.

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29

Inc, Cy Decosse. Toast the Host (Great Gifts). Creative Pub Intl, 1996.

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30

Wrap It Up! Gifts to Make Wrap and Give. Meredith Press, 2004.

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31

Decorating gift baskets: 35 projects to make plus ideas to inspire for baskets, boxes, and more. London: CICO Books, 2008.

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32

Stafford, Pauline. Gender and the Gift. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198777601.003.0008.

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This chapter responds to Chris’s interest in gifts and giving—and to his recent half-turn linguistically. It aims to fill—or to begin to fill—one of the acknowledged gaps in a recent volume with which he was associated, The Languages of Gift, by looking at marriage and the giving and receiving of women. It underlines some of the things which that volume stressed—notably that gifts are multivocal—and can and do change in meaning contextually, but also that the contextual and changing meaning of the gift is rooted in and constrained by structures—which set that general framework of meaning. This chapter is also concerned with those structures and thus, I hope, responds to Chris’s lifelong concern with the bigger models and heuristic devices which are necessary to our understanding of the past. It will be especially concerned with England—in particular late Anglo-Saxon England. But it will draw on wider material in an attempt to understand that—inspired, once again, by Chris’s constant interest in comparative history.

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33

Sharlet, Jocelyn. Educated Slave Women and Gift Exchange in Abbasid Culture. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190622183.003.0015.

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The chapter argues that although educated slave women played a significant role in Abbasid-era sources, their portrayal has received less attention than that of their free male counterparts. Using stories of gift exchange that feature two slave women, Utba and Inan, it demonstrates how enslaved women participated in the negotiation of their evolving status in the context of patriarchy in general, and educated female slavery in particular. The chapter uses two stories of the participation of such women in episodes of gift exchange to investigate the dynamics of the slave woman’s subjective agency and objectification in accounts of elite male competition. As a theme of Abbasid literature, the exchange of material gifts contributes to a reconstruction of elite networks and hierarchies. The slave woman may be objectified as a gift, but she may also display subjective agency by interfering with her exchange or by giving a gift herself.

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34

Handmade Christmas: 35 Step-By-step Projects and Inspirational Ideas for the Festive Season. Ryland Peters & Small, 2015.

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35

Handmade Christmas: Over 35 Step-By-step Projects and Inspirational Ideas for the Festiveseason. Ryland Peters & Small, 2016.

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36

Nuchy, Amy. Gift Log: Gift Record Book ,Gift for Me ,Gift Tracker for Gifts Received. Independently Published, 2020.

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37

Mooney, Jeannie. Tiny Tidings of Joy: For You Son (Tiny Tidings of Joy) (Tiny Tidings of Joy). Thomas Nelson, 2002.

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38

Mooney, Jeannie. TIny Tidings Of Joy: For You Grandchild (Tiny Tidings of Joy) (Tiny Tidings of Joy). Thomas Nelson, 2002.

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39

Perfect Wedding Favours. Ryland, Peters & Small Ltd, 2012.

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40

Colesworthy, Rebecca. Marcel Mauss and the Turn to the Gift. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198778585.003.0002.

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Chapter 1 takes a cue from recent anthropologists who have stressed the influence of Mauss’s socialism on his sociological work. Returning to Mauss’s The Gift, the chapter argues that what links his essay to the experimental writing of his literary contemporaries is not their shared fascination with the primitive, as other critics have suggested, but rather their shared investment in reimagining social possibilities within market society. Mauss was, as his biographer notes, an “Anglophile.” Shedding light on his admiration of British socialism and especially the work of Beatrice and Sidney Webb—friends of Virginia and Leonard Woolf—as well as competing usages of the language of “gifts” in the social sciences and the arts, the chapter ultimately provides a new material and conceptual framework for understanding the intersection of largely French gift theory and Anglo-American modernist writing.

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41

Trackers, Elegant Simple. Gift Log Book: Gift Tracker for Gifts Received. Independently Published, 2020.

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42

Nuchy, Amy. Gift Log: Gift Log Book ,Gift Tracker for Gifts Received, Celebrations, Recorder, Gift for Me. Independently Published, 2020.

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43

Nuchy, Amy. Gift Log: Gift Log Book ,Gift for Me ,Gift Tracker for Gifts Received, Record Keepsake. Independently Published, 2020.

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44

Gifts within the Gift. Extreme Overflow Enterprises, 2017.

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45

Staff, Journals for All. Record Gifts: Gift Log. Independently Published, 2017.

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46

The Creative Kitchen. Leisure Arts, 2011.

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47

Editorial, Anness. Country Christmas (Christmas Crafts). Lorenz Books, 1999.

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48

Ingalls, Wilder Laura. The Little House Book of Memories. Harpercollins Childrens Books, 1994.

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49

Phillips, Diane. Perfect Basket: How to Make a Fabulous Gift Basket for Any Occasion. Harvard Common Press, 2005.

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50

Rule Regulator: Great Gift for Teachers Appreciation Gifts, Teacher Gifts, , Appreciation Gift, 120 Pages Instructor Gift. Independently Published, 2020.

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