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Artykuły w czasopismach na temat "Germany Rohr"
Stanford, Charlotte A. "Theresa Earenfight, ed., Royal and Elite Households in Medieval and Early Modern Europe: More than Just a Castle. Explorations in Medieval Culture 6. Leiden and Boston: Brill, 2018. 416 pp." Mediaevistik 31, nr 1 (1.01.2018): 251. http://dx.doi.org/10.3726/med012018_251.
Pełny tekst źródłaOdiņa, Indra, i Inga Zeide. "THE THEORETICAL ASPECTS OF WELL-BEING IN THE CONTEXT OF LIFELONG LEARNING". SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 2 (26.05.2017): 519. http://dx.doi.org/10.17770/sie2017vol2.2376.
Pełny tekst źródłaKelly, Joseph F. "Der Theoderich-Panegyricus des Ennodius. By Christian Rohr. Monumenta Germaniae Historiae, Studien und Texte 12. Hannover, Germany: Hahnsche Buchhandlung, 1995. xxxvii + 308 pp. DM 80." Church History 66, nr 4 (grudzień 1997): 786–87. http://dx.doi.org/10.2307/3169220.
Pełny tekst źródłaHanenberg, Norbert, i Daniel Lohmann. "The Verseidag Silk Factory in Krefeld. Architectural History and Restoration of a much-neglected Mies van der Rohe Project". Heritage of Mies, nr 56 (2017): 16–25. http://dx.doi.org/10.52200/56.a.3f4yitqa.
Pełny tekst źródłaGuereñu, Laura Martinez De. "The Sequence of Mies van der Rohe in Barcelona: the German Pavilion as Part of a much Larger Industrial Presence". Heritage of Mies, nr 56 (2017): 56–63. http://dx.doi.org/10.52200/56.a.uy5o2bw6.
Pełny tekst źródłaVerbeek, J. W., C. S. de Leeuw, N. Parker i Th E. Wong. "Characterisation and correlation of Tertiary seismostratigraphic units in the Roer Valley Graben". Netherlands Journal of Geosciences - Geologie en Mijnbouw 81, nr 2 (sierpień 2002): 159–66. http://dx.doi.org/10.1017/s0016774600022393.
Pełny tekst źródłaWesterhoff, W. E., H. A. Kemna i W. Boenigk. "The confluence area of Rhine, Meuse, and Belgian rivers: Late Pliocene and Early Pleistocene fluvial history of the northern Lower Rhine Embayment". Netherlands Journal of Geosciences - Geologie en Mijnbouw 87, nr 1 (marzec 2008): 107–25. http://dx.doi.org/10.1017/s0016774600024070.
Pełny tekst źródłaCaetano, André. "ENSAIO: 1929: Reexistência em Barcelona". Revista Prumo 4, nr 7 (15.11.2019): 74–86. http://dx.doi.org/10.24168/revistaprumo.v4i7.1124.
Pełny tekst źródłaKasse, C., R. T. Van Balen, S. J. P. Bohncke, J. Wallinga i M. Vreugdenhil. "Climate and base-level controlled fluvial system change and incision during the last glacial–interglacial transition, Roer river, the Netherlands – western Germany". Netherlands Journal of Geosciences 96, nr 2 (19.12.2016): 71–92. http://dx.doi.org/10.1017/njg.2016.50.
Pełny tekst źródłaPireddu, Alberto. "Mies van der Rohe. Progetto per Mansion House Square a Londra". Firenze Architettura 25, nr 1 (19.10.2021): 148–57. http://dx.doi.org/10.36253/fia-13172.
Pełny tekst źródłaRozprawy doktorskie na temat "Germany Rohr"
Schröder, Gesine. "Raffiniert ... oder lieber roh?" Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2010. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-60680.
Pełny tekst źródłaNine years after the Russian and eight after the French first publications, the German, alongside the English translation of Rimsky-Korsakov’s famous treatise was eventually published by the Edition Russe de musique in 1922. In answering this question, the following has been taken into account: i) orchestration guides written in German after 1922; ii) documents from education institutions; iii) German historiography of the theoretical discipline in question; and iv) works by German composers who are known to have reacted against Rimsky-Korsakov’s model of orchestration. The sound ideal associated with the orchestra had changed. Selectivity was emphasized and composers sought to create an orchestral sound that was seen as ‘split up’ and thought of as the opposite to something merging and melting. The new composers sought a raw, woodcut-like orchestration. Some musicians nonetheless could not or did not want to escape from the deep technical insights of Rimsky-Korsakov, from the sophistication and raffinement of the Russian orchestrator. The conflict between the fascination by his writing and the new sound fashion soon offered multiple solutions. Especially one of them was successful: Rimsky-Korsakov\\\'s explicit recommendations could be understood against the grain, or could be taken too literally: in the thirties just this guaranteed expressivity
Cooke-Plagwitz, Jessamine Penrose. "Der rohe Scherz, representation and perception of women in German comedies of the eighteenth and nineteenth centuries". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0005/NQ31920.pdf.
Pełny tekst źródłaRowe, Michael. "German civil administrators and the politics of the Napoleonic State in the Department of the Roer, 1798-1815". Thesis, University of Cambridge, 1996. https://www.repository.cam.ac.uk/handle/1810/272814.
Pełny tekst źródłaMena, Palacín Raúl. "Oteiza-Newman-Mies van der Rohe: espacios compartidos. Una hermenéutica de la desocupación del espacio en escultura, pintura y arquitectura". Doctoral thesis, Universitat Pompeu Fabra, 2012. http://hdl.handle.net/10803/85062.
Pełny tekst źródłaThe purpose of this study is to address the concept of space and, in particular, its disoccupation through three different pieces of work: Empty/Metaphysical Box by Jorge Oteiza, Who´s afraid of red, yellow and blue by Barnett Newman and German Pavilion by Ludwig Mies van der Rohe. The discourse is constructed through a move on the Moebius band, its swing and double apparition and disappearance of images, ideas and texts which build a new interpretation of the subject matter. Martin Heidegger, Gilles Deleuze and Gaston Bachelard are the three theorists of this structure. The difficult task of understanding what is the way of living and being of man (Ich bin) on earth always remains what is closer and further away from this text.
Książki na temat "Germany Rohr"
Museum für Moderne Kunst (Frankfurt am Main, Germany). Peter Roehr. Frankfurt am Main: Museum für Moderne Kunst, 1991.
Znajdź pełny tekst źródłaAndreas, Bee, Engler Martin, Denninger Daniela, Dirting Corinna, Zocher Tanja, Städtische Galerie im Städelschen Kunstinstitut Frankfurt am Main i Museum für Moderne Kunst (Frankfurt am Main, Germany), red. Peter Roehr. Petersberg: Michael Imhof, 2009.
Znajdź pełny tekst źródłaWahle, Christina, i Ray Malone. Gerold Miller: Mies van der Rohe. Redaktorzy Verein der Freunde und Förderer des Mies van der Rohe Hauses e.V. i Mies van der Rohe Haus. Berlin]: Form + Zweck, 2014.
Znajdź pełny tekst źródłaPavia, Laura. Ludwig Mies van der Rohe: Neue Nationalgalerie in Berlin 1962-1968. Bari: Ilios, 2013.
Znajdź pełny tekst źródłaPlüm, Kerstin, i Kerstin Meincke. Mies van der Rohe im Diskurs: Innovationen - Haltungen - Werke : aktuelle Positionen. Bielefeld: Transcript, 2013.
Znajdź pełny tekst źródła1950-, Cramer Johannes, Sack Dorothée, Gaier Martin i Mies van der Rohe, Ludwig, 1886-1969., red. Mies van der Rohe: Frühe Bauten : Probleme der Erhaltung, Probleme der Bewertung. Petersberg: M. Imhof, 2004.
Znajdź pełny tekst źródłaG, Miller Edward. A dark and bloody ground: The Hürtgen Forest and the Roer River dams, 1944-1945. College Station: Texas A&M University Press, 1995.
Znajdź pełny tekst źródłaGosta, Francesca, Mirko Russo i Renato Capozzi. The museum of 20th century: L'ampliamento della Galleria Nazionale di Berlino di Mies van der Rohe. Canterano (RM): Aracne, 2020.
Znajdź pełny tekst źródłaHilpert, Thilo. Mies van der Rohe im Nachkriegsdeutschland: Das Theaterprojekt : Mannheim 1953 = Mies in postwar Germany : project 5207, unbuilt : the Mannheim Theater. Redaktorzy Mies van der Rohe, Ludwig, 1886-1969., Schulze Franz 1927-, Sablowski Anke i Meisterhaus Kandinsky-Klee (Dessau Germany). Leipzig: E.A. Seemann, 2001.
Znajdź pełny tekst źródłaA. M. P. P. Janssen. Spätmittelalterliche Holzskulptur zwischen Maas, Rur und Wurm =: Laatmiddeleeuwse houten beelden tussen Maas, Roer en Worm. Wyd. 2. [Heinsberg]: Kreis Heinsberg, 2001.
Znajdź pełny tekst źródłaCzęści książek na temat "Germany Rohr"
Watson, Victoria. "Architecture and Faux-nationalism: reflections on a remark made by the British architectural historian Gavin Stamp about the German-American architect Ludwig Mies van der Rohe". W After Belonging, 123–30. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003317296-9.
Pełny tekst źródła"Mies van der Rohe and Crown Hall". W German Façade Design, 319–55. Routledge, 2016. http://dx.doi.org/10.4324/9781315584621-11.
Pełny tekst źródłaWoodman, A. J. "Introduction: The Literature of War". W Tacitus Reviewed, 1–20. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198152583.003.0001.
Pełny tekst źródła"The German Counteroffensive and the Drive to the Roer River, 16 December 1944–22 February 1945". W Normandy to Victory, 213–304. The University Press of Kentucky, 2008. http://dx.doi.org/10.2307/j.ctt2jcr3j.9.
Pełny tekst źródłaSylvan, William C., i Francis G. Smith. "The German Counteroffensive and the Drive to the Roer River, 16 December 1944–22 February 1945". W Normandy to Victory, 213–303. University Press of Kentucky, 2008. http://dx.doi.org/10.5810/kentucky/9780813125251.003.0006.
Pełny tekst źródłaOrekhova, Polina D. "Annotations in the Margin: Thomas Mann’s Reading of Dostoevsky’s Notes from Underground". W “Notes from Underground” by F.M. Dostoevsky in the Culture of Europe and America, 407–16. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/978-5-9208-0668-0-407-416.
Pełny tekst źródłaStreszczenia konferencji na temat "Germany Rohr"
Gleeson, Andrew Ryan. "The Mies Mystique: Irreducible Opposites in the Work of Mies Van Der Rohe". W 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.79.
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