Gotowe bibliografie tematyczne / German Printing

Gotowa bibliografia na temat „German Printing”

Autor: Grafiati
Data publikacji: 25 lipca 2024
Data aktualizacji: 30 lipca 2024

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Artykuły w czasopismach na temat "German Printing"

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Müller, Jan-Dirk. "‘Wandering’ Scholars in the Beginning of Printing". Daphnis 45, nr 3-4 (18.07.2017): 412–26. http://dx.doi.org/10.1163/18796583-04503004.

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The dissemination of humanism depends on personal contacts between individuals. In the fourteenth and fifteenth centuries there was an intense exchange between Germany and the Italian universities. German princes recruited administrators, counselors, and diplomats among Italian humanists. Italian teachers of rhetoric or art tried to make their fortunes north of the Alps. Apollon himself and with him the studia humanitatis are imagined as crossing the mountains.
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Durnbaugh, Donald F. "The Salas: A German-American Printing Family". Yearbook of German-American Studies 38 (1.12.2003): 43–58. http://dx.doi.org/10.17161/ygas.v38i.19042.

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Kurmaev, Mikhail V. "Book Editions of the Samara Germans of the second half of the 19th - beginning of the 20th centuries in the Collections of the Central Libraries of Russia". Bibliotekovedenie [Library and Information Science (Russia)] 1, nr 2 (28.04.2016): 162–70. http://dx.doi.org/10.25281/0869-608x-2016-1-2-162-170.

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The research reveals the features of the development of the German-language book publishing in Samara in the second half of 19th - the beginning of the 20th centuries. There was analyzed the publishing activities of certain associations, enterprises and individuals, connected with the Evangelical Lutheran community of St. George. The author proves that the Samara German language book publishing used the printing houses of other regions. There is provided information on book production of Samara Germans, preserved in the holdings of the Russian State Library, National Library of Russia and Library of the Russian Academy of Sciences.
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Hussein, Ibrahim. "German Orientalism and its Attention to Quranic Readings". Islamic Sciences Journal 11, nr 10 (17.03.2023): 327–44. http://dx.doi.org/10.25130/jis.20.11.10.14.

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The orientalists have great efforts in studying the Islamic and Arab heritage, and the Germans have a special interest in the Holy Qur'an, its history, readings, and drawing. This research is an attempt to show the care of the oriental orientalism of the Qur'anic readings since the beginning of the orientalist movement. The printing of the Holy Quran in Arabic, and the translation of its meanings into German. The research reached important results, including: that most of the reasons and motives behind the Orientalism are religious reasons, economic colonialism reasons, and there are real scientific reasons, but they are very few as compared to other reasons and motives.
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Winther-Jensen, Thyge. "The Reformation as a Religious, Political, and Educational Project". Revista Española de Educación Comparada, nr 33 (25.01.2019): 106. http://dx.doi.org/10.5944/reec.33.2019.22329.

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This year, five hundred years ago, Martin Luther according to the legend nailed his 95 Theses on the church door in Wittenberg. The Theses, originally written in Latin, were translated into German. Thanks to the invention of the art of printing, “My Theses were truly through all of Germany” Luther later suggested. In a few years they triggered a religious and political transformation in the northern part of Europe, including Scandinavia. This transformation was later termed the Reformation. Today Christian churches rooted in the Reformation are spread all over the world.
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Colón, Germà. "El vocabulari català-alemany de 1502: <i>Vocabolari molt profitos per apendre Lo Catalan Alamany y Lo Alamany Catalan</i>". Zeitschrift für Katalanistik 24 (1.07.2011): 9–15. http://dx.doi.org/10.46586/zfk.2011.9-15.

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Summary: Johan Rosenbachs Vocabulari is the first lexical index of Catalan and German, but it is not a completely original work. The aim of this paper is to produce evidence that shows its reliance on the early Italian dictionaries of his time, and especially on Introito e Porta (1477) from which the printer from Heidelberg took full paragraphs. [Keywords: Catalan-German dictionaries; Italian lexicography; history of printing]
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Cereteu, Igor. "Printing and Old Romanian Books in the European Cultural Heritage". Études bibliologiques/Library Research Studies 2, nr 2 (2020): 21–41. http://dx.doi.org/10.33993/eb.2020.02.

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Printing and Old Romanian Books (1508-1830) gained a well-established position in the European Cultural Heritage by the beginning of the 16th century, with the introduction of imprints in Cyrillic typeface, ahead of many European states. The first printing press was introduced in Wallachia in 1508, when hieromonk Macarie issued several religious books in Slavonic at Târgoviște, for Romanian Orthodox Christians and Slavonic people of Europe. Prints in Romanian would enter the cultural circuit as early as the fifth decennium of the 16th century. Transylvanian typographies started their activity by printing books in Latin and German. In 1535 Johan Honterus of Brașov (1498–1549) set a typography, thus establishing the city as one of the centres for the Lutheran believe in Transylvania. In 1544, the Romanian Catechism was published at Sibiu, a text that aimed to promote the Lutheran theology amongst Romanians. Between 1535 and 1557 over 50 works were published in Latin, Greek and German in the typography of Brașov, which then spread across many European countries. After deacon Coresi came to Brașov in the second half of the 16th century, several books were published with Cyrillic typeface in Slavonic, Romanian and bilingual editions for Orthodox Christians. The Romanian printing activity came to a standstill that lasted from the last decennium of the 16th century until the fourth decennium of the 17th century. The activity restarted during the reign of Matei Basarab in Wallachia (1632-1654) and Vasile Lupu in Moldavia (1634-1653). Printing was introduced in Moldavia in 1642 and, in comparison with Wallachia and Transylvania, Romanian was used as main language. Books in Greek, intended for the Orthodox faithful within the Ottoman Empire, were also printed. After 1812, the eastern part of Moldavia was annexed by Tsarist Russia. In 1814, a printing house that provided literature for the churches of the eparchy was set up in Chișinău, the capital city of the province. Some of the books would reach countries of Central and Western Europe or even cultural centres in Ukraine and Russia. In conclusion, books printed within the Romanian countries were mainly for religious purposes. Sets were issued in Romanian, Slavonic, Latin, German and Greek, for the use of Christians throughout both Western and Eastern Europe.
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Anderson, Emily R. "Printing the Bespoke Book". Nuncius 35, nr 3 (14.12.2020): 536–60. http://dx.doi.org/10.1163/18253911-03503005.

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Abstract In 1482, Erhard Ratdolt, a prominent German printer in Venice, issued the editio princeps of Euclid’s Elements. Ratdolt experimented with the new technology of printing to overcome the difficulty in arranging geometric diagrams alongside the text. This article examines the materials and techniques that Ratdolt used in his edition of Elements including his use of vellum, gold printing, and illumination for special copies as well as his use of woodcuts, movable type, and metal-cast diagrams. Significantly, the legacy of Ratdolt’s innovations continued almost one hundred years later in subsequent editions of Elements. In 1572, Camillo Francischini printed Federico Commandino’s Latin translation and commentary, and today, there are at least two surviving copies of this edition printed on blue paper. Both printers, Ratdolt and Francischini, used the printing press to produce unique and bespoke books using material and visual cues from luxury objects like illuminated manuscripts. These case studies of Euclid’s Elements brings together the fields of art history, history of the book, and the history of geometry, and analyzes the myriad ways that printers employed the printing press in the early modern period to elevate and modernize ancient, mathematical texts.
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Altić, Mirela. "The influence of Blaž Kocen (Blasius Kozenn) and his geographical atlas on the development of Croatian school cartography". Dela, nr 56 (30.12.2021): 193–218. http://dx.doi.org/10.4312/dela.56.193-218.

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In this paper, we analyze the importance of Kocen’s atlases for the development of Croatian school cartography. Comparing German and Croatian editions in the period between 1887 and 1943, we follow the progress in map printing, cartographic techniques, language redactions of toponymy as well as the inclusion of thematic maps and the influence of political discourse (German centralism vs. Slavic nationalisms) on the geographical scope and content of maps used in the educational process.
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Karić, Enes. "The (Un)Substantiated in Dan Diner’s Interpretations of the Islamic World’s “Backwardness”". American Journal of Islam and Society 34, nr 1 (1.01.2017): 134–57. http://dx.doi.org/10.35632/ajis.v34i1.870.

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The author develops a dialogue with thoughts and views of DanDiner expressed in his book Lost in the Sacred (originally publishedin German as Versiegelte Zeit). This essay focuses on – and disputes– Diner’s contentions that the Arab and Muslim/Islamic worlds arebackward due to their resistance to such western concepts asdemocracy, human rights, and social and educational institutions,not to mention the Arabic alphabet and language and the Qur ’an(e.g., printing the text on a printing press, variant readings, and asan obstacle to progress) themselves.
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Rozprawy doktorskie na temat "German Printing"

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Reiter, April Ann. "PRINTING PRESS AND BROADSHEET IMAGERY: REPRODUCIBILITY AND PERCEPTION DURING THE EARLY GERMAN EVANGELICAL REFORMATION (1517-1530)". Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1308557884.

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Upper, Lauren Elizabeth. "Printing colour in the age of Durer 'Chiaroscuro' woodcuts of the German-speaking lands, 1487-ca. 1600". Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608045.

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Connolly, David E. "Problems of textual transmission in early German books on mining "Der Ursprung Gemeynner Berckrecht" and the Norwegian "Bergkordnung" /". Columbus, Ohio : Ohio State University, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1133283981.

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Suzeau, gagnaire Isabel. "L’École Latine de Sélestat et les débuts de l'humanisme rhénan aux XVe et XVIe siècles". Thesis, Université Paris-Saclay (ComUE), 2016. http://www.theses.fr/2016SACLV126.

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Reconnue pour son rayonnement littéraire dans "L'Eloge" d'Erasme de 1515, la ville de Sélestat doit sa notoriété à son Ecole Latine. Elle a formé nombre de ses compatriotes qui sont devenus de fins lettrés dans le contexte de l'éclosion de l'humanisme rhénan.L'Ecole Latine de Sélestat s'est développée en même temps que l'humanisme rhénan auquel elle a participé aux XVe et XVe siècles.L'objet de notre étude nous a permis d'entrer au coeur de cette institution scolaire et des retombées qu'elle a eues sur les lettrés de son époque.Composée d'un ensemble de sources disparates, l'enquête n'a pas été facile dans un premier temps. Les difficultés de traitement des sources ont conduit à de nombreuses interrogations auxquelles nous avons essayé de répondre. La mise en perspective avec d'autres écoles latines a été indispensable permettant de replacer Sélestat dans un contexte scolaire étendu à l'Empire. La comparaison est devenue notre outil méthodologique dans un premier temps. Nous nous sommes ensuite intéressée aux méthodes pédagogiques et aux modes d'accès au savoir. L'Ecole Latine sélestadienne s'inscrit-elle dans la pérennité d'un enseignement médiévale ou est-elle novatrice? L'étude fine des cahiers d'écolier nous a permis d'en suivre l'application.Les modes d'accès au savoir ont été abordés à partir du rôle des acteurs du milieu scolaire dans la constitution du fonds de la bibliothèque paroissiale, mettant en lumière le passage du manuscrit à l'imprimé dans le contexte du développement de l'humanisme
In 1515, the Latin School of Selestat was a famous school. His development begins with the German humanism at the XVe and XVIe centuries.We wanted to know why this institution was so attractiv. We compare it with others in Germany at this time. Then we wanted to know if the methods were teaching like during the Middle Age or if the methods were modern. The role of the teachers and pupils is interested two. We study the library into know what they did to have so much first print books
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O'Callaghan, Amy. "Anti-Semitism and the Early Printing Press: a Study of the Effect of the Printing Press on Jewish Expulsions in Germany, 1450-1520". Oberlin College Honors Theses / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1374059638.

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Roper, Amelie. "The culture of music printing in sixteenth-century Augsburg". Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/10831.

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In the early sixteenth century, the free imperial city of Augsburg in southern Germany played a vital role in the development of music printing with movable type north of the Alps. These technical advances impacted on the distribution of musical repertoire and placed the city's printers on a more equal footing with their Italian competitors. Taking these innovations as its starting point, this thesis examines the development of music printing in Augsburg during the sixteenth century. In addition to considering the specialist formats of choir books and partbooks, it extends the boundaries traditionally applied to music print culture to include books about music and pamphlets and broadsheets. These complementary strands of the printing industry contributed to a diverse geography of performance, with Augsburg's musical activity taking place not only in churches, schools and the home, but also in inns and on the street. The market for music publications was similarly multifaceted, encompassing professional musicians, wealthy collectors, students, keen amateurs and humble street performers. Levels of production varied. Pamphlets and broadsheets enjoyed a diverse market profile and were produced in large numbers. Theoretical texts and partbooks were issued in small quantities. In addition to reflecting their more restricted audience, this meagre output was a consequence of the city's thriving book trade, which reduced the demand for local production. In the case of partbooks, it was also a result of deliberate product placing. Augsburg's astute printers carved out a niche in a crowded market by issuing small numbers of partbooks at the highest end of the quality spectrum. The inclusive approach to music printing adopted in this study ensures that the significance of its findings extends beyond a localised investigation of print culture. By tracking the ebb and flow of production across formats and over the sixteenth century as a whole, a complex relationship between music printing and the socio-economic, cultural, political and religious upheavals of the period becomes apparent. Music printing, often the preserve of musicologists and specialist bibliographers, emerges as a powerful tool with which to refine our understanding of the early modern book world.
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Thomas, Drew B. "The industry of evangelism : printing for the Reformation in Martin Luther's Wittenberg". Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/14589.

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When Martin Luther supposedly nailed his Ninety-Five Theses in 1517 to the Castle Church door in Wittenberg, the small town had only a single printing press. By the end of the century, Wittenberg had published more books than any other city in the Holy Roman Empire. Of the leading print centres in early modern Europe, Wittenberg was the only one that was not a major centre of trade, politics, or culture. This thesis examines the rise of the Wittenberg printing industry and analyses how it overtook the Empire's leading print centres. Luther's controversy—and the publications it produced—attracted printers to Wittenberg who would publish tract after tract. In only a few years, Luther became the most published author since the invention of the printing press. This thesis investigates the workshops of the four leading printers in Wittenberg during Luther's lifetime: Nickel Schirlentz, Josef Klug, Hans Lufft, and Georg Rhau. Together, these printers conquered the German print world. They were helped with the assistance of the famous Renaissance artist, Lucas Cranach the Elder, who lived in Wittenberg as court painter to the Elector of Saxony. His woodcut title page borders decorated the covers of Luther's books and were copied throughout the Empire. Capitalising off the demand for Wittenberg books, many printers falsely printed that their books were from Wittenberg. Such fraud played a major role in the Reformation book trade, as printers in every major print centre made counterfeits of Wittenberg books. However, Reformation pamphlets were not the sole reason for Wittenberg's success. Such items played only a marginal role in the local industry. It was the great Luther Bibles, spurred by Luther's emphasis on Bible reading, that allowed Wittenberg's printers to overcome the odds and become the largest print centre in early modern Germany.
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Kempf, Charlotte. "Die deutschen Erstdrucker im französischsprachigen Raum bis 1500. Untersuchungen zu Materialität und Präsenz von Inkunabeln". Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH181.

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Avec l’introduction d'ateliers à l’université de Paris en 1470 commence l'histoire de l'imprimerie dans l'espace francophone. Un des fondateurs fut l'érudit allemand Johannes Heynlin von Stein. Il marque le début d'un développement durant lequel les imprimeurs allemands furent d'une importance décisive : Jusqu'en 1500, sur 40 villes francophones dans lesquelles nous pouvons attester la présence d’au moins une imprimerie, onze ont été introduites par des Allemands. Ils les ont installées surtout dans le sud-est du royaume de France ainsi que dans le Duché de Bourgogne, le Comté de Bourgogne et dans les régions de la Suisse francophone actuelle. Ce bouleversement important de l'histoire des médias était le sujet de la thèse. À la base d'une méthode sur l'histoire de la matérialité, l'étude montre que les imprimeries devaient être à la croisée de différents développements. L'étude examine les biographies des imprimeurs, présente leurs programmes d’imprimerie, décrit le milieu universitaire, urbain et monastique et épluche les éditions qu’ils ont imprimé. Elle a permis de comprendre la complexité transitionnelle entre l’époque des manuscrits et celle des livres imprimés, des sociétés non-typographiques aux sociétés typographiques. Finalement, l’analyse met en évidence que les premiers imprimeurs allemands furent un groupe communicatif en mouvement ayant un réseau au-delà des frontières qui peut être considéré comme exemplaire pour l’histoire de l'imprimerie en France et et même en Europe. En analysant en détail un groupe important des imprimeurs cette approche présente des nouveaux résultats quant à l'histoire précoce de l'imprimerie française et incite à un dialogue scientifique international
With the establishment of a press at University of Paris in 1470, the history of printing presses in the French speaking world began. One of the founders was the German scholar Johannes Heynlin von Stein. He marks the start of a historically significant development in which printers from the Holy Roman Empire are of central importance. In the 15th century, it were in fact German printers who took the initiative to establish printing presses in eleven out of forty French cities. Geographically, those presses were predominantly located in the southeast of the French Kingdom and in the Duchy of Burgundy, in the Palatinate County of Burgundy, as well as in the region of what is today the French-speaking part of Switzerland. This media-historically important transition is the focus of this dissertation. On the basis of a profound methodology rooted in the history of materiality, the thesis shows that printing presses must be understood as an intersection of different developments. A comprehensive examination of the biographies of the respective printers and their printing portfolios are presented. Additionally, this thesis records the university, urban and monastic environment of the presses and critically evaluates the printed editions. By doing so, it is possible to work out in detail – while always referring to the sources – the complexity of the transition from a period of manuscripts to a period of printed books. Hence, a transition from non-typographic to typographic societies. Finally, this thesis proves that the German printers were a communicative and trans-border networked group which exemplarily stands for the French and partly for the European history of the printing press in the 15th century. By precisely and extensively analysing one of the most important groups of printers in the 15th century, this thesis allows for new insights to the history of early French printing presses and therefore seeks to fill a gap in academic literature. Furthermore, it encourages an international and scientific dialogue
Mit der Einrichtung einer Buchdruckerei in der Universität Paris im Jahre 1470 beginnt die Geschichte des Buchdrucks im französischsprachigen Raum. Einer der Gründer war der deutsche Gelehrte Johannes Heynlin von Stein. Er steht am Anfang einer Entwicklung, in der den Druckern aus dem Heiligen Römischen Reich entscheidende Bedeutung zukam - in elf von rund 40 französischen Städten, in denen in der Inkunabelzeit eine Druckerpresse eingerichtet wurde, ging die Initiative von deutschen Druckern aus. Sie waren vor allem im Südosten des Königreichs Frankreich sowie im Herzogtum Burgund, in der Freigrafschaft Burgund und in Gebieten der heutigen französischsprachigen Schweiz präsent. Dieser mediengeschichtlich bedeutsamen Umbruchphase widmet sich die vorliegende Untersuchung. Auf der Basis einer materialitätsgeschichtlich fundierten Methode kann gezeigt werden, dass die Druckereien als Kreuzungspunkte unterschiedlicher Entwicklungslinien verstanden werden müssen. Die Studie untersucht die Biographien der Drucker, stellt ihr Druckprogramm vor, erfasst das universitäre, städtische oder monastische Umfeld der Pressen und wertet die von ihnen produzierten Ausgaben aus. Auf diese Weise kann detailliert, und stets mit Bezug auf die Quellen, die Komplexität des Übergangs vom Handschriften- zum Druckzeitalter, von non-typographischen zu typographischen Gesellschaften herausgearbeitet werden. Darüber hinaus wird nachgewiesen, dass es sich bei den deutschen Erstdruckern um eine kommunikative und über Ländergrenzen hinweg breit vernetzte Gruppe handelt, die als exemplarisch für das französische sowie in Teilen auch für das europäische Druckwesen des 15. Jahrhunderts gelten kann. Dieser Ansatz einer präzisen und umfassenden Auseinandersetzung mit einer bedeutenden Gruppe von Buchdruckern präsentiert neue Erkenntnisse zur Geschichte des frühen französischen Buchdrucks und regt zur Intensivierung des internationalen Forschungsdialogs an
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Richter, Tina Julia. "Stéréotypes, représentations et identités en R.D.A. et en R.F.A. : une comparaison transnationale des discours journalistiques de Der Spiegel et de la Neue Berliner Illustrierte entre 1949 et 1989". Thesis, Strasbourg, 2014. http://www.theses.fr/2014STRAC028/document.

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D’où vient « le mur dans les têtes » des Allemands en 1989 ? Que signifient les stéréotypes Besserwessi / Jammerossi ? Quelles sont les représentations et les identités en R.D.A. et en R.F.A. ? Existe-t-il deux identités allemandes différentes ? Avec un corpus de 312 exemplaires de Der Spiegel et de la Neue Berliner Illustrierte, cette thèse étudie la dimension sémantique des stéréotypes, elle analyse les représentations en R.F.A. et en R.D.A. et définit une double identité allemande. L’année 1989 provoque une crise identitaire et langagière que nous étudions à l’aide de sondages, d’ouvrages, de caricatures et de journaux. La guerre froide, la manipulation du discours et un contexte économique déstabilisant font naître dès 1949 des stéréotypes qui s’intensifient en 1961 et s’accumulent en 1989. Ils se transforment du stéréotype de la revendication de représenter l’Allemagne dans son ensemble (1949) en celui de la grande famille socialiste (R.D.A.) et de la grande famille américaine (R.F.A.) en 1961 et en celui de la pérennité étatique (R.D.A.) et de la terra incognita (R.F.A.) en 1989. Les stéréotypes se diffusent avec des images et un vocabulaire de la consommation et de l’individualisme en R.F.A. et de la solidarité en R.D.A. L’identité est-allemande est une identité collective, solidaire et uniforme et l’identité ouest-allemande est une identité de plaisir, de liberté, d’esprit de compétitivité et d’individualisme. Avec une perspective de recherche pluridisciplinaire, comparative et transnationale, ce travail s’insère dans les champs des recherches historiques et linguistiques et s’appuie sur l’histoire comparée, l’analyse du discours et de l’image. L’enjeu identitaire est relié aux stéréotypes et aux représentations qui sont les faces visibles des stéréotypes. Cette thèse étudie aussi les lieux de mémoire textuels, culinaires, culturels, politiques et économiques est-allemands et ouest-allemands en se basant sur les travaux de Walter Lippmann, Ruth Amossy, Pierre Nora, Etienne François, Hagen Schulze, Pierre Moscovici, Christian Delporte, Dominique Maingueneau, Laurent Gervereau, Heinz Gerhard Haupt, Henri Ménudier, Sandrine Kott, Alain Lattard. C’est ce qui nous permet d’analyser les discours d’hommes politiques et de journalistes comme Helmut Kohl, Ludwig Erhard, Konrad Adenauer, Walter Ulbricht, Rudolf Augstein, Rudolf Hernnstadt et Lilly Becher
What is the origin of the « wall in the minds » between East-germans and West-germans in 1989 ? What is the significance of the stereotypes Besserwessi / Jammerossi ? Do we have two german identities ? Based on a corpus of 312 exemplars of Der Spiegel and Neue Berliner Illustrierte, this thesis analyses the relationship between GDR and West Germany during the cold war. It presents the social representations and defines a double german identity. In 1989, we have a crisis in german language and identity illustrated by soundings, literature, caricatures and stereotypes. Cold war, political speech and destabilizing aspects of 1989 push up stereotypes since 1949. In 1961 they grow up and in 1989 they are on the top. They transform themselves from the stereotype of sole and exclusive representation (1949) to the stereotype of the big socialiste family (GDR) and the big west family (West Germany) in 1961 and to the stereotype of endurance (GDR) and terra incognita (West Germany) in 1989. Stereotypes circulate by language, various leitmotiv and a vocabulary of consumption and egoism in West Germany and solidarity in GDR. They are the sign of a temporarily double german identity. Absence of the same identity and language markers bring up gap between Ossis and Wessis. With a interdisciplinary and comparative approach, this thesis takes place in historic and language studies. The innovation is to connect the question of german identity with stereotypes and representations by defining representations as visible faces of stereotypes. This work studies german history, est-german and west-german memory in the second half of the 20th century with the autors and journalistes Walter Lippmann, Ruth Amossy, Pierre Nora, Etienne François, Hagen Schulze, Pierre Moscovici, Christian Delporte, Dominique Maingueneau, Laurent Gervereau, Heinz-Gerhard Haupt, Henri Ménudier, Sandrine Kott, Alain Lattard and Helmut Kohl, Ludwig Erhard, Konrad Adenauer, Walter Ulbricht, Rudolf Augstein, Rudolf Hernnstadt and Lilly Becher
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(12175648), Philip Cass. "The apostolate of the press: Missionary language policy, translation and publication in German New Guinea". Thesis, 1996. https://figshare.com/articles/thesis/The_apostolate_of_the_press_Missionary_language_policy_translation_and_publication_in_German_New_Guinea/19287857.

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THIS dissertation is a study of missionary language policy, translations and publications in German New Guinea. When I began this dissertation my intention was to produce a history of missionary newspapers, but it soon became apparent that newspapers had only been a small, albeit important, part of mission publications. It also became apparent that no study of mission publications could be made without placing them in their historical context, of examining the background of the missions or of placing the work of the missions against the wider context of missionary and colonial expansion. Nor could a history of mission publications be made without considering mission language and education policy or the whole question of transliterating native languages.
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Książki na temat "German Printing"

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Walter, Kurz, Kunsthalle Erfurt, Herzog August Bibliothek i Gutenberg-Museum Mainz, red. Printing into thinking: Felix Martin Furtwängler : Folgen, Suiten, Zyklen. Wiesbaden: Harrassowitz, in Kommission, 2009.

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Verclas, Till. Musterbuch: 40 tief- und hockdrucktafeln und einige contre épreuves. Hamburg: Un Anno Un Libro, 1995.

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Ch'oe, Kyŏng-ŭn. P'ilsa esŏ inswae ro: Lut'ŏ Sŏngsŏ ijŏn e inswae toen Togirŏ Sŏngsŏ rŭl chungsim ŭro. Sŏul T'ŭkpyŏlsi: Han'guk Munhwasa, 2016.

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Dittrich, Benjamin. Dünner Pelz. Leipzig: Lubok Verlag, 2019.

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Stegmann, Markus. Lexikon der graphischen Künste: Techniken und Stile. Reinbek bei Hamburg: Rowohlt, 1992.

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1959-, Loos Christoph, red. A woodcut (re-)invention in resonance with Merleau-Ponty's Chiasma: Eine (Wieder-)Erfindung des Holzschnitts in Resonanz mit Merleau-Pontys Chiasma. Oberhausen: Athena, 2017.

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Ursula, Rautenberg, red. Reclams Sachlexikon des Buches. Stuttgart: Reclam, 2003.

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Nadolski, Dieter. Kleines Lexicon der schwartzen Kunst: Spracheigentümlichkeiten und Brauchtum des Buchdruckerhandwerks von A-Z. Leipzig: VEB Bibliographisches Institut, 1987.

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Kirchheim, Jakob. Linolbüro. Berlin: Jakob Kirchheim Verlag, 2017.

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Bird & Bull Press., red. Sweynheym & Pannartz and the origins of printing in Italy : German technology and Italian humanism. McMinnville, Oregon: Phillip J. Pirages, 1991.

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Części książek na temat "German Printing"

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Giselbrecht, Elisabeth, i Elizabeth Savage. "Printing music". W Early Music Printing in German-Speaking Lands, 84–99. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315281452-5.

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Lindmayr-Brandl, Andrea. "Polyphonic music in early German print". W Early Music Printing in German-Speaking Lands, 245–58. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315281452-12.

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Duggan, Mary Kay. "Early music printing and ecclesiastic patronage". W Early Music Printing in German-Speaking Lands, 21–43. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315281452-2.

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Guillo, Laurent. "‘Made in Germany’". W Early Music Printing in German-Speaking Lands, 67–83. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315281452-4.

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Lindmayr-Brandl, Andrea, Elisabeth Giselbrecht i Grantley McDonald. "Introduction". W Early Music Printing in German-Speaking Lands, 1–15. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315281452-1.

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McDonald, Grantley. "The cult of Luther in music 1". W Early Music Printing in German-Speaking Lands, 199–224. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315281452-10.

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Tröster, Sonja. "Theobald Billican and Michael’s ode settings in print". W Early Music Printing in German-Speaking Lands, 225–43. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315281452-11.

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Restrepo, Margarita. "German-speaking printers and the development of music printing in Spain (1485–1505)". W Early Music Printing in German-Speaking Lands, 46–59. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315281452-3.

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Groote, Inga Mai. "‘Synopsis musicae’". W Early Music Printing in German-Speaking Lands, 100–118. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315281452-6.

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Giselbrecht, Elisabeth. "Melchior Lotter". W Early Music Printing in German-Speaking Lands, 123–34. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315281452-7.

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Streszczenia konferencji na temat "German Printing"

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Roemhild, Martin, Georg Gramlich, Jonathan Wendel, Holger Baur, Thomas Zwick i Norbert Fruehauf. "Ultraprecise Printing of D-Band Interconnects Using Dielectric Ramps". W 2024 15th German Microwave Conference (GeMiC). IEEE, 2024. http://dx.doi.org/10.23919/gemic59120.2024.10485303.

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Kienemund, Daniel, Mohammad Nikfalazar, Christian Kohlery, Andreas Friederichy, Alex Wiens, Holger Maune, Morten Mikolajeky, Joachim R. Bindery i Rolf Jakoby. "Temperature dependence of a tunable phase shifter based on inkjet printing technology". W 2015 German Microwave Conference (GeMiC). IEEE, 2015. http://dx.doi.org/10.1109/gemic.2015.7107775.

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Salewski, C., J. Ly, S. Spintzyk, A. Nemeth, J. R. Sandoval Boburg, H. Hamdoun, T. Krüger, A. F. Popov i C. Schlensak. "Patient-Specific Vascular Anatomy for ECMO Training Model Realized with 3D Printing". W 48th Annual Meeting German Society for Thoracic, Cardiac, and Vascular Surgery. Georg Thieme Verlag KG, 2019. http://dx.doi.org/10.1055/s-0039-1678904.

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Grab, M., J. Emrich, N. Schepp, C. Kamla, C. Hagl i N. Thierfelder. "Combining 3D-Printing and Tissue Decellularization—A Novel and Cost-Effective Approach". W 49th Annual Meeting of the German Society for Thoracic and Cardiovascular Surgery. Georg Thieme Verlag KG, 2020. http://dx.doi.org/10.1055/s-0040-1705380.

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Schroeter, F., R. U. Kuehnel, M. Hartrumpf, R. Ostovar i J. Albes. "Development of New Shapes for Polymeric Heart Valves Using Silicone 3D Printing". W 51st Annual Meeting of the German Society for Thoracic and Cardiovascular Surgery (DGTHG). Georg Thieme Verlag KG, 2022. http://dx.doi.org/10.1055/s-0042-1742942.

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Krammer, J., M. Pichlmaier, J. Stana, P. P. Heinisch, C. Hagl, L. Grefen i M. Grab. "Biomimetic Multilayered Aortic Grafts: Combining 3D-Printing and Electrospinning to Improve Prosthesis Performance". W 52nd Annual Meeting of the German Society for Thoracic and Cardiovascular Surgery (DGTHG). Georg Thieme Verlag KG, 2023. http://dx.doi.org/10.1055/s-0043-1761798.

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Weixler, V., J. Brüning, P. Kramer, L. Goubergrits, A. Schulz, P. Murin, N. Solowjowa, T. Kühne, F. Berger i J. Photiadis. "3D Modeling and Printing for Complex Biventricular Repair of Double Outlet Right Ventricle". W 52nd Annual Meeting of the German Society for Thoracic and Cardiovascular Surgery (DGTHG). Georg Thieme Verlag KG, 2023. http://dx.doi.org/10.1055/s-0043-1761667.

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Peivandi, A., S. Martens, A. Motekallemi, S. Martens i A. Hoffmeier. "Integrating 3D Printing in Surgical Teaching: A Novel, Low-Cost Method for Prospective Cardiac Surgeons". W 49th Annual Meeting of the German Society for Thoracic and Cardiovascular Surgery. Georg Thieme Verlag KG, 2020. http://dx.doi.org/10.1055/s-0040-1705459.

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Yildirim, Y., C. Lutz, C. Pahrmann, J. Petersen, H. Reichenspurner i S. Pecha. "Valvular Tissue Engineering Using 3D Printing—Hemodynamic and Functional Measurements of Different Matrix Structures". W 53rd Annual Meeting of the German Society for Thoracic and Cardiovascular Surgery (DGTHG). Georg Thieme Verlag KG, 2024. http://dx.doi.org/10.1055/s-0044-1780640.

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Weber, R., A. Rukosujew, A. Dell 'Aquila i A. Motekallemi. "The Use of Three-Dimensional (3D) Printing for the Surgical Management of Pseudoaneurysm after Stent Implantation". W 49th Annual Meeting of the German Society for Thoracic and Cardiovascular Surgery. Georg Thieme Verlag KG, 2020. http://dx.doi.org/10.1055/s-0040-1705385.

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Raporty organizacyjne na temat "German Printing"

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The German Club in Victoria Parade, Melbourne, was converted into a Note Printing Office for the Commonwealth Government - 1922. Reserve Bank of Australia, marzec 2022. http://dx.doi.org/10.47688/rba_archives_pn-002803.

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