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Artykuły w czasopismach na temat "German literature (English)"
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Roemer, Nils. "Jews in German Literature since 1945: German-Jewish Literature?" Journal of Jewish Studies 55, nr 2 (1.10.2004): 388–89. http://dx.doi.org/10.18647/2576/jjs-2004.
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Bayley, Susan. "Fictional German governesses in Edwardian popular culture: English responses to German militarism and modernity". Literature & History 28, nr 2 (14.09.2019): 194–213. http://dx.doi.org/10.1177/0306197319870372.
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Historians have tended to focus on propaganda when assessing Edwardian attitudes towards Germans, but a shift of focus to fiction reveals a rather different picture. Whereas propaganda created the cliché of ‘the Hun’, fiction produced non- and even counter-stereotypical figures of Germans. An analysis of German governess characters in a selection of short stories, performances, novels, and cartoons indicates that the Edwardian image of Germans was not purely negative but ambivalent and multifarious. Imagined German governesses appeared as patriots and spies, pacifists and warmongers, spinsters and seducers, victims and evil-doers. A close look at characterisations by Saki [H. H. Munro], M. E. Francis [Margaret Blundell], Dorothy Richardson, D. H. Lawrence, Radclyffe Hall, Frank Hart and others reveals not only their variety but also their metaphorical use as responses to Germany’s aggressive militarism and avant-garde modernity. Each governess figure conveyed a positive, negative or ambivalent message about the potential impact of German militarism and modernity on England and Englishness. The aggregate image of German governesses, and by inference Germans, was therefore equivocal and demonstrates the mixed feelings of Edwardians toward their ‘cousin’ country.
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White, Jenny B. "Turks in Germany: Overview of the Literature". Middle East Studies Association Bulletin 29, nr 1 (lipiec 1995): 12–15. http://dx.doi.org/10.1017/s002631840003042x.
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A complete bibliography of just German-language literature dealing with the Turkish minority in Germany could easily double as a coffee table. The best one can do for a short introduction to German-, English- and Turkish-language sources is to separate out major categories into which one can organize the thrust and style of these writings and to select several examples of particularly representative or insightful recent publications. Of necessity that leaves a large barrel untapped. For those interested in acquiring a more complete bibliography, to furnish their home or not, I have appended several sources.
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Acharya, Pushpa Raj. "Rabindranath Tagore and World Literature". Literary Studies 28, nr 01 (1.12.2015): 71–84. http://dx.doi.org/10.3126/litstud.v28i01.39577.
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Courses on world literature in English translations indicate to a new popular trend in the discipline of comparative literature in North American universities. Some scholars like David Damrosch promote the practice as a new way of doing comparative literature, but others like Gayatri Chakravorty Spivak think that an encyclopedic survey of world literatures in English translations confirms the logic of globalization. Whether the world literature courses and anthologies in English translation inspire enthusiasm or invite reservation, the question "What is world literature?" has come to the fore as one of the central concerns of the discipline. In 1907, eighty years after German poet Johann Wolfgang von Goethe in Germany coined the term Weltliteratur, Rabindranath Tagore in India expressed his views on “comparative literature” translating it as vishwa sahitya, “world literature.” My paper is a reading of Tagore’s lecture on world literature. Tagore envisions world literature as a creative transgression that activates a persistent human struggle for a bonding between aesthetics and alterity.
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De Donno, Fabrizio. "Translingual Affairs of World Literature". Journal of World Literature 6, nr 1 (26.11.2020): 103–22. http://dx.doi.org/10.1163/24056480-20201005.
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Abstract This essay explores a number of texts of the exophonic, or non-native literary production, respectively in Italian and German, of translingual authors Jhumpa Lahiri and Yoko Tawada. While the paper looks at how their dominant languages, respectively English and Japanese, continue to play a role in these writers’ non-native production, it focuses on the different approaches the two authors adopt to translingualism and the “linguistic family romance” metaphor, which they equally employ in highly imaginative ways in order to address both their condition of rootlessness and their attitudes to the notion of “mother tongue.” The essay argues that while Lahiri seems to remain a writer that does not contaminate languages (she is a writer in English, a writer in Italian, and a translator of Italian literature into English), Tawada brings German and Japanese together and dwells on the space of contamination between them in her production in German (and Japanese).
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Michelsen, Peter, i Elizabeth Spence. "English Literature as Reflected in German Literature of the Eighteenth Century". Man and Nature 9 (1990): 91. http://dx.doi.org/10.7202/1012612ar.
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New, Melvyn. "Shandean Humour in English and German Literature and Philosophy". Scriblerian and the Kit-Cats 52, nr 2 (2020): 231–34. http://dx.doi.org/10.5325/scriblerian.52.2.0231.
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Schulz, Claus-Jürgen, i Miguel Cañedo-Argüelles. "Lost in translation: the German literature on freshwater salinization". Philosophical Transactions of the Royal Society B: Biological Sciences 374, nr 1764 (3.12.2018): 20180007. http://dx.doi.org/10.1098/rstb.2018.0007.
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Human activities have globally increased and altered the ion concentration of freshwater ecosystems. The proliferation of potash mines in Germany (especially intense in the early 1900s) constitutes a good example of it. The effluents and runoff coming from potash mines led to extreme salt concentrations (e.g. 72 g l–1of total salt content, approx. 149 mS cm–1) in surrounding rivers and streams, causing ecosystem degradation (e.g. massive algal blooms and fish kills). This promoted scientific research that was mostly published in German, thereby being neglected by the wide scientific community. Here, the findings of the German literature on freshwater salinization are discussed in the light of current knowledge. German studies revealed that at similar ion concentrations potassium (K+) can be the most toxic ion to freshwater organisms, whereas calcium (Ca2+) could have a toxicity ameliorating effect. Also, they showed that salinization could lead to biodiversity loss, major shifts in the composition of aquatic communities (e.g. dominance of salt-tolerant algae, proliferation of invasive species) and alter organic matter processing. The biological degradation caused by freshwater salinization related to potash mining has important management implications, e.g. it could prevent many European rivers and streams from reaching the good ecological status demanded by the Water Framework Directive. Within this context, German publications show several examples of salinity thresholds and biological indices that could be useful to monitor and regulate salinization (i.e. developing legally enforced salinity and ion-specific standards). They also provide potential management techniques (i.e. brine collection and disposal) and some estimates of the economic costs of freshwater salinization. Overall, the German literature on freshwater salinization provides internationally relevant information that has rarely been cited by the English literature. We suggest that the global editorial and scientific community should take action to make important findings published in non-English literature more widely available.This article is part of the theme issue ‘Salt in freshwaters: causes, ecological consequences and future prospects’.
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Busse, Ulrich. "German Loans in Early English". Anglica. An International Journal of English Studies, nr 32/4 (październik 2023): 23–41. http://dx.doi.org/10.7311/0860-5734.32.4.02.
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The paper outlines the contribution of German to the word stock of English in the three periods of Old English, Middle English, and Early Modern English, or, in other words, from the early Middle Ages up to 1700, and relates these words to major cultural events, such as the Christianisation of England, the Norman Invasion, the Reformation and to the beginnings of science and technology during the Renaissance. Methodologically, the term German will be used in the sense of High German and its antecedents rather than Low German or Low Dutch. As a consequence of this approach, the impact of German on the English language during these periods is rather small in terms of numbers, but interesting and varied as far as domains of borrowing, transmission routes of words, linguistic strategies (i.e. importation v. substitution), and mode of transmission (i.e. written v. spoken) are concerned.
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Graeber, Wilhelm. "Das Ende deutscher Romanübersetzungen aus zweiter Hand". Target. International Journal of Translation Studies 5, nr 2 (1.01.1993): 215–28. http://dx.doi.org/10.1075/target.5.2.06gra.
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Zusammenfassung In eighteenth-century Germany, many English works were translated not from the original texts, but from French versions. As far as narrative literature is concerned, the period of "second-hand translation" extends from 1720 to 1765, while in other literary genres it continues to the end of the century. This partial rejection of French role as mediators may be attributed to the developing German target literature as well as to developments within French literature itself The reception of Henry Fielding's last novel Amelia reveals the fading prestige of French translations and novels in their mother country, which will induce German translators to dissociate themselves from their intermediaries.
Rozprawy doktorskie na temat "German literature (English)"
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Schmitt, Franziska. ""Method in the fragments" fragmentarische Strategien in der englischen und deutschen Romantik". Trier WVT, Wiss. Verl. Trier, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2663927&prov=M&dok_var=1&dok_ext=htm.
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Harland, Rachel Fiona. "The depiction of crowds in 1930s German narrative fiction". Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:c8357884-eaf2-4daf-987b-82539148b38b.
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This study of 1930s German fiction adds a new dimension to existing scholarship on the depiction of crowds in literature. Whereas previous surveys on the topic have predominantly focused on the crowd as a revolutionary phenomenon judged on the basis of class perspectives, or as a feature of mass society, this investigation deals specifically with reactions to the crowd in its incarnation as a manifestation of and symbol for political fascism. Drawing on a number of contemporaneous theoretical treatises on crowds and mass psychology, it seeks to demonstrate that war, extreme socio-political upheaval and the rise of Nazism produced intense multidisciplinary engagement with the subject among German-speaking intellectuals of the period, and examines the portrayal of crowds in works by selected literary authors in this context. Exploring the interplay between literature and concurrent theoretical works, the thesis asks how writers used specific possibilities of fiction to engage with the theme of the crowd at a time when the worth of art was often questioned by literary authors themselves. In doing so, it challenges the implication of earlier criticism that authors uncritically appropriated the findings of theoretical texts for fictional purposes. At the same time, it becomes clear that although some literary crowd portrayals support a distinction between the nature of theoretical and literary writing, certain crowd theories are as imaginative as they are positivistic. Extrapolating from textual comparisons, the thesis thus challenges the view held by some authors that knowledge produced by theoretical enquiry was somehow truer and more valuable than artistic responses to the politics of the age.
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Thomas, Nicola. "Landscape, space and place in English- and German-language poetry, 1960-1975". Thesis, University of Nottingham, 2017. http://eprints.nottingham.ac.uk/41884/.
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This thesis examines representations of space, place and landscape in English and German-language poetry of the period 1960-1975, a key transitional phase between modernity and postmodernity. It proposes that the impact certain transnational spatial revolutions had on contemporary poetry can only be fully grasped with recourse to comparative methodologies which look across national borders. This is demonstrated by a series of paired case studies which examine the work of J. H. Prynne and Paul Celan, Sarah Kirsch and Derek Mahon, and Ernst Jandl and Edwin Morgan. Prynne and Celan’s 'Sprachskepsis' is the starting point for a post-structuralist analysis of meta-textual space in their work, including how poetry’s complex tectonics addresses multifaceted crises of representation. Mahon and Kirsch’s work is read in the context of spatial division, and it is argued that both use representations of landscape, space and place to express political engagement, and to negotiate fraught ideas of home, community and world. Jandl and Morgan’s representations of space and place, which often depend on experimental lyric subjectivity, are examined: it is argued that poetic subject(s) which speak from multiple perspectives (or none) serve as a means of reconfiguring poetry’s relationship to space at a time when social, literary and political boundaries were being redefined. The thesis thus highlights hitherto underexplored connections between a range of poets working across the two language areas, making clear that space and place is a vital critical category for understanding poetry of this period, including both experimental and non-experimental work. It reveals weaknesses in existing critical taxonomies, arguing for the use of ‘late modernist’ as category with cross-cultural relevance, and promotes methodological exchange between the Anglophone and German traditions of landscape, space and place-oriented poetry scholarship, to the benefit of both.
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Oliver, Emily Kate. "Shakespeare and German reunification : the interface of politics and performance". Thesis, University of Birmingham, 2013. http://etheses.bham.ac.uk//id/eprint/4641/.
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The thesis examines the relationship between politics and Shakespeare performance in eastern Germany before, during, and after reunification in 1990. Distancing itself from the assumption that performance acts as a directly influential political tool, it situates theatre practitioners and institutions within their economic, political, and cultural contexts. By analysing a wide range of case studies from Berlin as well as more peripheral towns and cities, I argue that German Shakespeare performance’s capacity for political intervention, both before and after reunification, was limited by theatre practitioners’ reliance on public funding, their close relationships with governmental authority, and an underlying distrust of the people (Volk). Ultimately, East German theatre practitioners proved useful to the 1989 protest movement precisely because they occupied a unique position at the interface of dissidence and state power. I begin by situating my study within the tradition of reading Hamlet as an allegory for the German struggle between Geist (intellect) and Macht (power). Each following chapter examines Shakespeare productions between 1980 and 2000 from a different perspective. Chapter 2 considers the impact of public funding on theatre practice in the GDR, and theatre’s struggle for economic survival following reunification. Chapter 3 examines theatre’s shifting relationships with political authority by investigating East German censorship practices, theatre practitioners’ involvement with the 1989 protest movement, and attempts to connect Shakespeare performance with politics in reunified Germany. Chapter 4 analyses competing theatre aesthetics in relation to their function, methodology, and intended audience, examining how these translated into theatre practice. The thesis concludes by considering Shakespeare’s role in memorialising East German theatre practice.
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Gardiner, Monte. "Malwida von Meysenbug's Memoirs of an Idealist. Translation of Memoiren einer Idealistin". BYU ScholarsArchive, 1999. https://scholarsarchive.byu.edu/etd/6662.
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The following translation is the first full length rendering of Malwida von Meysenbug's two-volume autobiography Memoiren einer Idealistin/Eine Reise nach Ostende into English. Meysenbug, who boasts ties to Nietzsche, Wagner, Herzen, and Saffi, was forerunner to a long line of female social democrats. She was an eyewitness to the tumultuous political events surrounding the German Revolution of 1848, and is remembered as a pioneer in education and gender issues. Meysenbug's memoirs depict nineteenth-century Europe in a dynamic state of transformation. This is a time of opposition and contradiction, when emerging philosophies and political movements vie for power with existing structures. European governments are forced to implement social reforms in an effort to avert insurrections and political catastrophe. In Germany, the influence of organized religion begins to wane, giving way to a generation of free thinkers who combine elements of the German classical and romantic periods with Marxist and other materialist world views.
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Matthes, Frauke. "Writing and Muslim identity : representations of Islam in German and English transcultural literature, 1990-2006". Thesis, University of Edinburgh, 2008. http://hdl.handle.net/1842/29252.
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This thesis examines the interaction between travel, translation and gender in relation to Islam in German and English transcultural literature. The aim is to explore how German- and English-language authors, Muslim and non-Muslim approach notions of physical and metaphorical movement, (cultural) translation (the means of communicating between cultures, languages and religions, and between a migrant’s traveller’s heritage and present), and the significance of gender constructions in contemporary fictive and semi-fictive writing of travel and migration. In my comparative reading of the selected texts, which is guided by postcolonial criticism, I evaluate the similarities and differences between German and English transcultural writing, whilst paying particular attention to the role of Islam in these texts. The first two chapters focus on movement. In the first chapter on migration writing (Emine Sevgi Özdamar and Monica Ali), I analyse what happens when Islam ‘moves’. I ask how the writers approach first-generation Muslim migration and constructions of ‘home’, primarily from their female protagonists’ point of view. The second chapter on pilgrimage and hajj (V. S. Naipaul and Ilija Trojanow) looks into the idea of travelling to Islam, to its ‘heart’ (Mecca and Medina) as well as to its peripheries (non-Arab Muslim countries), and the textualisation of the journeys. The emphasis of the subsequent two chapters shifts to gender issues of the generation that ‘has arrived’ (post-migrants). The third chapter is an examination of the perceptions of the relationship between Islam, ‘difference’ and masculinity among young male Muslims (in texts by Feridun Zaimoğlu and Hanif Kureishi). Chapter four explores the interaction between language, gender and Islam (in the work of Özdamar, Zaimoğlu and Leila Aboulela).
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Mikus, Birgit. "The political woman in German women's writing 1845-1919". Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:31c15d04-aa94-4ab8-8b91-368731b77538.
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This thesis analyses the depiction and its function of politically active women in novels by six female authors from the margins of the democratic revolution of 1848 and the first German women’s movement. The thesis asks (i) what their political stance was in relation to democratic developments and women’s rights, (ii) how they rendered their political convictions into literary form, (iii) which literary images they used, criticised, or invented in order to depict politically active women in their novels in a positive light, and (iv) which narrative strategies they employed to ‘smuggle’ politically and socially radical ideas into what were sometimes only ostensibly conventional plots. The thesis combines intertextual analysis with poetic analyses of individual texts in order to highlight deviant elements in narrative strategy, imagery, or text-internal appraisals by the narrator or author. In order to contextualise the chosen texts as well as my analyses, it draws on the historical environment (social and legal developments, revolutions, technological progress) for the definition of what can be considered radical and political in the period 1845-1919. Additionally, the thesis is firmly grounded in feminist theory, which provides the instruments for highlighting the concepts and circumstances in which the six authors’ works are situated. The essays and novels analysed were written before feminist theory was established; however, their proto-feminist observations, demands, and discursive tactics contributed much to the formation and institutionalisation of feminist thought and, ultimately, theory. In their efforts to construct a positive role model for the political woman, the six authors chosen are united in their notion that such a role model should evolve from bourgeois values of family and work ethics, but the examples manifested in their novels show a great variety of degrees of radicalism.
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Spiers, Emily. "'Alpha-Mädchen sind wir alle' (we're all Alpha Girls) : subjectivity and agency in contemporary pop-feminist writing in the US, Britain and Germany". Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:21fd8597-82a0-40e7-9a21-fdcd3da27641.
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This thesis investigates models of subjectivity and agency in early twenty-first-century pop-feminist fiction and non-fiction. Non-fiction accounts of subjectivity (Haaf, Klingner and Streidl, 2008; Valenti, 2007; Moran, 2011 et al.) draw on poststructuralist notions of incoherent, performative identity, yet retain the assumption that there remains a sovereign subject capable of claiming full autonomy. The pop-feminist non-fictions reflect a neoliberal model of entrepreneurial individualism where self-optimisation replaces an ethics of intersubjective relations. In exploring the theoretical blind-spots of pop-feminist claims to female autonomy and agency, this thesis sets out to demonstrate that pop-feminist non-fiction lacks an actual feminist politics. My methodology is comparative and primarily involves the close reading of a corpus of pop-feminist texts from the Anglo-American and German contexts. I utilize my corpus of current essayistic pop-feminist texts as a fixed point of reference, deeming them to be representative of a pervasive kind of contemporary postfeminist thinking. Through the employment of the first-person narrative voice the literary authors explore how subjects are constituted by discourse but also how the subject may shape her choices/actions. Subjectivity becomes a generative capacity characterised by expansive and self-reflexive negotiations between self and other. The fictional portrayal of this process prompts an imaginative and extrapolative process of identification and dis-identification in the reader which opens up a site for the exercise of critique. Through my close readings of the novels (Riley, 2002; Walsh, 2004; Thomas, 2004; Grether, 2006; Roche, 2008; Bronsky, 2008; Baum, 2011; Hegemann, 2010) I develop a model of intersubjective dependency, drawing on Judith Butler’s later work (1994, 1999, and 2005), and identify versions of this model in the 1980s-1990s work of American postmodern feminist writers Kathy Acker and Mary Gaitskill. My thesis reveals hitherto un-discussed lines of literary and critical influence on the contemporary British and German novelists emanating from Acker and Gaitskill, suggesting that their texts may be viewed as representative of a critical pop-literary interest, spanning approximately three decades and shifting across cultural contexts, in the encounter between female subjectivity and agency in the face of late-capitalist manifestations of social constraint.
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Dunn, Abigail. "The depiction of the widow in nineteenth- and early twentieth-century German literature". Thesis, University of Oxford, 2009. http://ora.ox.ac.uk/objects/uuid:366c6541-25b7-4cb7-a5f1-8889d3b4c1d9.
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This thesis examines the depiction of the widow by men and women in novels and short stories written between 1842 and 1913. The representation of the widow is analysed in the context of dominant views about widowhood at the time, such as those expressed in the writings of politician and statesman, Theodor Gottlieb von Hippel (1741-1796). These ideas are set out in chapter I. The first chapter also examines the social reality of widowhood in nineteenth-century Germany. In the first chapter of the thesis Hippel argues that real widows are superfluous beings and men’s second-hand goods, but they were also perceived by theologians and moralists of the time as a threat due to their ungoverned lust. Many nineteenth-century widows internalised the idea espoused by Hippel and felt alienated and invisible. In German fiction, however, male writers in the works discussed repeat the latter theory that once deprived of their husbands widows are sexually voracious. In the works written by men, the figure of the widow is generally presented as a dangerous sexual predator. Female authors, however, highlight the invisibility of the widow and portray her as a figure alienated from society and her family. Henriette Hanke is the first author to be examined in chapter II. Her novel, Die Wittwen (1842), portrays five widows, who range from the self-sacrificing Lucie von Gardemer, to the liberated and financially independent Frau von Kleist. Hanke depicts widowhood as a process of education for her two key widows, Lucie von Gardemer and Franzisca Weihland. They must learn to love the right man, and at the end of the story they revert from widowhood to marriage. Fourteen years later, the first version of Gottfried Keller’s Der grüne Heinrich (1854/55) was published. Chapter III explores the way in which Keller portrays the threatening sexuality of his widow Judith and emphasises her power to destabilise the narrator. Chapters IV and V also focus on the widow as a predatory and dangerous figure, as exemplified in works by Paul Heyse, Eduard Grisebach, C. F. Meyer and Arthur Schnitzler. In chapter VI Hedwig Dohm presents a contrast to the dominant representations of widowhood in her story Werde, die du bist! (1896). Dohm challenges prevalent stereotypes of the widow, though with limited success. Gabriele Reuter, the final author to be discussed, reverts to male stereotypes of the widow in her stories. This chapter thus shows that women writers are not always more positive, or original, in their representation of the widow. The thesis as a whole demonstrates the overwhelmingly negative portrayal of the widow in nineteenth-century German fiction. She is a figure to be at best re-educated and at worst to be feared and guarded against. She is a cynical man-trap in Heyse’s and Grisebach’s stories, a murderess in Meyer’s story, and an incestuous mother in Schnitzler’s texts. Hanke and Dohm, themselves both widows, show from the inside what it is like to be a widow in such a society.
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Corrigan, Patsy Kay Looney. "Translation of Ilse Aichinger's short stories". PDXScholar, 1985. https://pdxscholar.library.pdx.edu/open_access_etds/3418.
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Translations of three of Ilse Aichinger's stories which originally appeared in the book Eliza, Eliza are presented in this thesis. The three stories translated are "Herodes," "Port Sing," and "Die Puppe."
Książki na temat "German literature (English)"
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Publishing, Milet, red. Tools =: Werkzeuge : English-German. Rudgwick, Horsham, West Sussex: Milet Publishing, 2014.
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artist, Dittopoulos Chris, Parmar Alvin 1976 translator i Milet Publishing, red. Hearing: Das hören : English-German. West Sussex, England: Milet, 2013.
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M, Byrn R. F., i Knight K. G, red. Anglo-German studies. Leeds, England: Leeds Philosophical and Literary Society, 1991.
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Amos, Janine. Getting to know Germany and German. London: Barron's, 1993.
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Michel, Joachim. Globalization and labor: Bibliography of German and English language literature. Kiel: Bibliothek des Instituts für Weltwirtschaft, 1998.
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Bernd-Peter, Lange, i Pandurang Mala, red. Mediating Indian writing in English: German responses. Berlin: Lit, 2006.
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Bernd-Peter, Lange, i Pandurang Mala, red. Mediating Indian writing in English: German responses. Berlin: Lit, 2006.
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Hofmannsthal, Hugo von. Writings on art: German and English = Schriften zur Kunst : Deutsch und Englisch. München: Iudicium, 2017.
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James, Pipkin, red. English and German Romanticism: Cross-currents and controversies. Heidelberg: C. Winter, 1985.
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Tucholsky, Kurt. Germany? Germany!: The Kurt Tucholsky reader. Manchester: Carcanet, 1990.
Znajdź pełny tekst źródłaCzęści książek na temat "German literature (English)"
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Hilliard, Kevin. "German Literature". W A Handbook to English Romanticism, 113–15. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22288-9_29.
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Hilliard, Kevin. "German Literature". W A Handbook to English Romanticism, 113–15. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-13375-8_29.
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Volkmann, Laurenz. "Functions of Literary Texts in the Tradition of German EFL Teaching". W The Institution of English Literature, 179–206. Göttingen: V&R unipress, 2016. http://dx.doi.org/10.14220/9783737006293.179.
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Surkamp, Carola. "On the History of the Canons of English Literature at German Schools". W The Institution of English Literature, 257–72. Göttingen: V&R unipress, 2016. http://dx.doi.org/10.14220/9783737006293.257.
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Schaff, Barbara. "John Tompson’s English Miscellanies 1737–1766 in the Context of Eighteenth-Century British-German Cultural Relations". W The Institution of English Literature, 45–56. Göttingen: V&R unipress, 2016. http://dx.doi.org/10.14220/9783737006293.45.
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Singer, Sandra. "Cultural and Historical Memory in English and German Discursive Responses to 9/11". W 9/11 in European Literature, 131–57. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64209-3_6.
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Davison, Carol Margaret. "The Rise of the Vampiric Wandering Jew: A Sinister German-English Co-Production". W Anti-Semitism and British Gothic Literature, 87–119. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230006034_5.
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Hesping, Frank, i Holger Schiele. "Towards a framework for strategy in purchasing: German and English language literature". W Supply Management Research, 57–86. Wiesbaden: Springer Fachmedien Wiesbaden, 2013. http://dx.doi.org/10.1007/978-3-658-03061-2_3.
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de Quincey, Thomas. "From ‘Lessing: Gallery of the German Prose Classics. By the English Opium Eater. Part II’". W Literature and Philosophy in Nineteenth Century British Culture, 199–210. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003427858-28.
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Keller, Andreas. "Mammon und Passion ‚ins Deutsche versetzet‘: Transfer der Sprache und Erhebung der Seele am Beispiel der Parallelübersetzungen Joseph Halls im deutschen Protestantismus". W Neues von der Insel, 41–65. Berlin, Heidelberg: Springer Berlin Heidelberg, 2024. http://dx.doi.org/10.1007/978-3-662-66949-5_3.
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ZusammenfassungDuring the 16th century the english language is not very common in the german areas. In the course of the continued Reformation movements, however, demand is increasing for personally oriented devotional literature, which British authors appear to be better able to meet. In this way, multiple versions of individual texts are created in parallel in German, which, in addition to meditation and devotion, also introduce very specific phenomena of a social reality that are relatively unknown in German-speaking areas. As Joseph Hall shows, questions such as financial speculation, capital increase or commercial law, psychology or character development are particularly attractive for readers in German-speaking countries who are completely focused on heart and inwardness. More precise comparisons of individual translations show the different techniques of the translators, but also the different interests of their regional readership.
Streszczenia konferencji na temat "German literature (English)"
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Muresan, Laura. "HOW TO PROMOTE HIGH QUALITY MULTILINGUALISM IN AN ENGLISH-DOMINATED RESEARCH WORLD? CHALLENGES AND OPPORTUNITIES". W eLSE 2013. Carol I National Defence University Publishing House, 2013. http://dx.doi.org/10.12753/2066-026x-13-259.
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There is a clear dominance of English in the most cited research journals, as well as in English as lingua franca communication contexts in academia. This does not mean, however, that high quality university education does not continue to exist and flourish in other languages, including contexts with German, French or Spanish as lingua franca. The academic context selected for analysis in this paper is an internationally accredited German MBA programme in Romania, where the dominant medium of tuition is German, with only a few courses taught in English. Academic writing is, thus, mainly in German, and the Master dissertations have to be written in German. The main aims of this small scale study are to explore the features of this multilingual environment, in terms of both challenges and opportunities involved. We will look at the benefits of encouraging an internationalised quality agenda, which promotes the observance of academic requirements characteristic of anglophone and German Higher Education. Where do they meet? Are they always in harmony? What are the challenges for students (whose mother tongue is neither English nor German) of reading most of their research literature in English and writing their master dissertation in German? To answer these questions we have resorted to text based and corpus driven research, complemented by focus group discussions and interviews with students and teachers. The findings are meant to inform future curriculum developments, the 'research writing' module, and interdisciplinary cooperation with and among subject teachers, with a focus on enhancing the quality of student dissertation writing and their academic competences, in general.
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Yang, Ying. "A Contrastive Analysis of Passive Voice of English and German Intransitive Verbs from the Perspective of Construal Theory". W 6th Annual International Conference on Language, Literature and Linguistics (L3 2017). Global Science & Technology Forum (GSTF), 2017. http://dx.doi.org/10.5176/2251-3566_l317.107.
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TUĞLUK, Mehmet Emin. "A COMPETITION TO FIND AN EQUAL TO THE TWELVE FOREIGN WORDS ORGANIZED BY THE ŞEHBÂL MAGAZINE (1909-1914)". W 3. International Congress of Language and Literature. Rimar Academy, 2021. http://dx.doi.org/10.47832/lan.con3-4.
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One of the important magazines of the Second Constitutional period was the magazine Şehbâl, which was published between 14 March 1909 and 14 July 1914. Political events and comments in Şehbâl magazine; culture, literature, music; painting, sculpture, architecture; health,sport; inventions and inventions, discoveries, accounting, humor, fashion, make-up, embroidery, housework; articles on many subjects such as information about new publications and selections from English, French, German and American magazines have been published. Another important feature of Şehbâl magazine is that it organizes competitions on various subjects. One of these competitions organized by the Magazine is The Competition to Find an Equal to The Twelve Foreign Words In this competition, it was requested to find the equivalents of the words bibliographie, boycottage, caprice, caricature, clup, conference, concert, decor, monologue, paradoxe, surprise, taximetre. Various words were suggested to this competition by 517 people. However, none of the suggested words are used in standard Turkey Turkish instead of the desired word. However, this competition is important in terms of showing the influence of foreign languages on Turkish and the awareness and resistance shown against this influence. Key words: Şehbâl Magazine, Competition, Second Constitutional, Foreign Languages, Turkish Equivalent.
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Staiger, Jeff D. "The Forest, The Trees, The Bark, The Pith: An Intensive Look at the Circulation Rates of Primary Texts in Ten Major Literature Areas at the University of Oregon Libraries". W Charleston Library Conference. Purdue Univeristy, 2020. http://dx.doi.org/10.5703/1288284317145.
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This poster looks at the circulation rate for literary primary texts, which constitute a unique area of collecting in academic libraries: while they do not in most cases meet immediate research needs, it is assumed that libraries ought to acquire them, for reasons including future research needs, preservation of the cultural record, and the ability of members of the intellectual community to stay current, those these remain primarily tacit. The circulation trends of contemporary literary works in ten areas of literature (English, American, German, French, Italian, Spanish, Latin American, Chinese, Japanese, and Russian) over the past twenty years at the University of Oregon Knight Library are presented and the circulation turnover rate (CTR), for each of these subject areas are presented. Sample graphs allow for the comparison of circulation rates and numbers of books across time, and serve as examples of the utility of such visualizations of the numbers. The key question raised by the study is what makes a good CTR for a particular region of the collection? The poster concludes by summarizing the considerations that bear on the interpretation of the CTR as an index of how the collection is “working.”
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Slamova, Karolina. "CZECH LITERARY CRITICISM FROM THE EXILE PERSPECTIVE". W 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s28.05.
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The paper deals with the exile view of Czech literary criticism in the past decades, reflected in two essays: one by Igor Hajek, and the other one by Kvetoslav Chvatik. Igor Hajek (1931�1995), a Czech literary critic, who went to exile in 1969, played a significant role in presenting Czech literature abroad. Kvetoslav Chvatik (1930�2012) was a Czech philosopher, aesthetician, art historian, and literary theorist. Hajek taught at universities in the English-speaking world, while Chvatik worked in a German-speaking environment. Two periods are covered and compared in the paper: the first period, the period of pluralistic democracy and the resulting cultural structure when the literary criticism contributed to the fact that Czech literature reached the European level, and the period after February 1948 when the ruling ideology started to interfere in the development of literature. Two completely contradictory conceptions are described showing the radical changes that took place in literary criticism after 1948. The text looks at the role of literary criticism in an era when plurality of opinion is possible, and at the impact of the suppression of freedom of speech on the work of literary critics. It also shows how the process of the shift of literary criticism towards its true function in the spirit of democratising tendencies had gradually won its way.
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Slamova, Karolina. "CZECH LITERARY CRITICISM FROM THE EXILE PERSPECTIVE". W 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s10.05.
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The paper deals with the exile view of Czech literary criticism in the past decades, reflected in two essays: one by Igor Hajek, and the other one by Kvetoslav Chvatik. Igor Hajek (1931�1995), a Czech literary critic, who went to exile in 1969, played a significant role in presenting Czech literature abroad. Kvetoslav Chvatik (1930�2012) was a Czech philosopher, aesthetician, art historian, and literary theorist. Hajek taught at universities in the English-speaking world, while Chvatik worked in a German-speaking environment. Two periods are covered and compared in the paper: the first period, the period of pluralistic democracy and the resulting cultural structure when the literary criticism contributed to the fact that Czech literature reached the European level, and the period after February 1948 when the ruling ideology started to interfere in the development of literature. Two completely contradictory conceptions are described showing the radical changes that took place in literary criticism after 1948. The text looks at the role of literary criticism in an era when plurality of opinion is possible, and at the impact of the suppression of freedom of speech on the work of literary critics. It also shows how the process of the shift of literary criticism towards its true function in the spirit of democratising tendencies had gradually won its way.
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Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE". W 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s28.06.
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The contemporary Czech poet using the pseudonym Ewald Murrer (born in 1964 in Prague) used to be a representative of Czech underground literature before 1989. Then he became one of the most specific and original artists of his generation. The present essay deals with his very successful collection of poetry called The Diary of Mr. Pinke (1991, English translation published in 2022). Between the world wars, the most Eastern part of Czechoslovakia was so-called Subcarpathian Ruthenia (or Karpatenukraine in German). This rural and somewhat secluded region neighbouring Austrian Galicia (or Galizien in German) in the very West of Ukraine and the South- East of Poland used to be a centre of Jewish culture using mainly Yiddish and inspired by local folklore. The poems of Ewald Murrer are deeply rooted in the imagery of Jewish and Rusyn fairy tales and folk songs. While Marc Chagall, the famous French painter (coming from today�s Byelorussia), discovered these old sources of Jewish art for European Modernism, Ewald Murrer uses the same sources but his approach to literary creation can be seen as much more post-modern: he uses but at the same time also re-evaluates old myths and archetypes of this region with both a lovely kind of humour and more serious visions of Kafkaesque absurdity that are probably unavoidable in Central Europe. The fictional and highly poetic diary of Mr. Pinke is highly significant as a sophisticated revival of the almost forgotten culture of a Central European region that almost definitely stopped existing after the tragic times of the Holocaust and Stalinism.
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Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE". W 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s10.06.
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The contemporary Czech poet using the pseudonym Ewald Murrer (born in 1964 in Prague) used to be a representative of Czech underground literature before 1989. Then he became one of the most specific and original artists of his generation. The present essay deals with his very successful collection of poetry called The Diary of Mr. Pinke (1991, English translation published in 2022). Between the world wars, the most Eastern part of Czechoslovakia was so-called Subcarpathian Ruthenia (or Karpatenukraine in German). This rural and somewhat secluded region neighbouring Austrian Galicia (or Galizien in German) in the very West of Ukraine and the South- East of Poland used to be a centre of Jewish culture using mainly Yiddish and inspired by local folklore. The poems of Ewald Murrer are deeply rooted in the imagery of Jewish and Rusyn fairy tales and folk songs. While Marc Chagall, the famous French painter (coming from today�s Byelorussia), discovered these old sources of Jewish art for European Modernism, Ewald Murrer uses the same sources but his approach to literary creation can be seen as much more post-modern: he uses but at the same time also re-evaluates old myths and archetypes of this region with both a lovely kind of humour and more serious visions of Kafkaesque absurdity that are probably unavoidable in Central Europe. The fictional and highly poetic diary of Mr. Pinke is highly significant as a sophisticated revival of the almost forgotten culture of a Central European region that almost definitely stopped existing after the tragic times of the Holocaust and Stalinism.
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Oneț, Veronica. "Functions of names in Romanian and foreign fairy tales – between cultural diversity and identity". W International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/78.
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: This paper is aimed at analysing the functions of names in Romanian and foreign fairy tales by highlighting similarities and differences of names in various cultures (English, French, German and Romanian). In comparison with names in real life, proper names in literature feature more functions than that of identification, as such names are varied from a semantic and structural perspective. The relationship between a name and its bearer is motivated; thus, literary names are generally more innovative and their structure is much more complicated than in the case of names in real life. One finds it impossible to talk about a set of stable functions of names in fairy-tale discourse, since it is impossible for one to separate their hierarchy from the text in which they appear. The functions of proper names in fairy tales are inferred by means of analogy based on the more general functions of verbal communication defined by Jakobson (1964: 88–94). In the framework of fairy-tale discourse, the functions are not independent, but actually depend on one another, as names in fairy tales are polyfunctional in themselves. Several functions occur: dominant (referential), as well as subjacent or latent (allusive, camouflage, localisation, didactic-educational, expressive, semantic and sociological) functions. The research framework of this paper is onomastics, but the approach is transdisciplinary. The methods belong to pragmatics, semantics and semiotics. The corpus was compiled from anthologies of folktales and modern fairy tales.
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Popovici, Alexandrufilip, Adelina Mirzea, Dumitru Grigore, Nicolae Goga, Ionel Petrescu, Ramona Dragomir i Marinel cornelius Dinu. "A NEUROLINGUISTICS EXPERIMENT BASED ON A NOVEL PSYCHOLOGICAL ASSESSMENT TOOL". W eLSE 2020. University Publishing House, 2020. http://dx.doi.org/10.12753/2066-026x-20-112.
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The science of neurolinguistics represents the study of brain activity as related to the control, acquisition, and production of language. Neurolinguistics looks to the mechanism through which the brain processes language concepts. It is an interdisciplinary field at the intersection of linguistics, neuropsychology, communication, computer science, and the theory of languages. It is taught in the field of learning foreign languages but it is of interest in other educative disciplines such as psychology, computer science, etc., as well. Neurolinguistics is based both on experimental methods and theoretical models. In this paper, we present a novel neurolinguistics experiment done with a psychological iOT tool, namely MindMiTM System, which is described in a patent. MindMiTM System is based on the bio-potentials measurements (response and levels of skin potentials) taken from the hand's fingers with the help of a finger scanner (for both hands) with monopolar electrodes. All the data needed for a psychological measurement is collected in approximately five minutes. Based on the gathered data, the psychological profile is computed through an innovative method. The system was calibrated on 5000 subjects. The method is based on relevant variables related to personality traits such as the level of cortical arousal, the lability, and amplitude of electro-dermal response, etc. The algorithm based on those key variables computes a kernel of psychological indicators that reflect cognitive, emotional and social abilities. For the first time in the reported literature, we used the MindMiTM System for a neurolinguistics experiment. The experiment is based on interpreters translating the same text in Romanian, English, and German. We present the core technology of the system and the results obtained. The system itself can be used also in educational settings by students in psychology, linguistics computer science, etc.
Raporty organizacyjne na temat "German literature (English)"
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Prysyazhnyi, Mykhaylo. UNIQUE, BUT UNCOMPLETED PROJECTS (FROM HISTORY OF THE UKRAINIAN EMIGRANT PRESS). Ivan Franko National University of Lviv, marzec 2021. http://dx.doi.org/10.30970/vjo.2021.50.11093.
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In the article investigational three magazines which went out after Second World war in Germany and Austria in the environment of the Ukrainian emigrants, is «Theater» (edition of association of artists of the Ukrainian stage), «Student flag» (a magazine of the Ukrainian academic young people is in Austria), «Young friends» (a plastoviy magazine is for senior children and youth). The thematic structure of magazines, which is inferior the association of different on age, is considered, by vital experience and professional orientation of people in the conditions of the forced emigration, paid regard to graphic registration of magazines, which, without regard to absence of the proper publisher-polydiene bases, marked structuralness and expressiveness. A repertoire of periodicals of Ukrainian migration is in the American, English and French areas of occupation of Germany and Austria after Second world war, which consists of 200 names, strikes the tipologichnoy vseokhopnistyu and testifies to the high intellectual level of the moved persons, desire of yaknaynovishe, to realize the considerable potential in new terms with hope on transference of the purchased experience to Ukraine. On ruins of Europe for two-three years the network of the press, which could be proud of the European state is separately taken, is created. Different was a period of their appearance: from odnogo-dvokh there are to a few hundred numbers, that it is related to intensive migration of Ukrainians to the USA, Canada, countries of South America, Australia. But indisputable is a fact of forming of conceptions of newspapers and magazines, which it follows to study, doslidzhuvati and adjust them to present Ukrainian realities. Here not superfluous will be an example of a few editions on the thematic range of which the names – «Plastun» specify, «Skob», «Mali druzi», «Sonechko», «Yunackiy shliah», «Iyzhak», «Lys Mykyta» (satire, humour), «Literaturna gazeta», «Ukraina і svit», «Ridne slovo», «Hrystyianskyi shliah», «Golos derzhavnyka», «Ukrainskyi samostiynyk», «Gart», «Zmag» (sport), «Litopys politviaznia», «Ukrains’ka shkola», «Torgivlia i promysel», «Gospodars’ko-kooperatyvne zhyttia», «Ukrainskyi gospodar», «Ukrainskyi esperantist», «Radiotehnik», «Politviazen’», «Ukrainskyi selianyn» Considering three riznovektorni magazines «Teatr» (edition of Association Mistciv the Ukrainian Stage), «Studentskyi prapor» (a magazine of the Ukrainian academic young people is in Austria), «Yuni druzi» (a plastoviy magazine is for senior children and youth) assert that maintenance all three magazines directed on creation of different on age and by the professional orientation of national associations for achievement of the unique purpose – cherishing and maintainance of environments of ukrainstva, identity, in the conditions of strange land. Without regard to unfavorable publisher-polydiene possibilities, absence of financial support and proper encouragement, release, followed the intensive necessity of concentration of efforts for achievement of primary purpose – receipt and re-erecting of the Ukrainian State.
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Rahmé, Marianne, i Alex Walsh. Corruption Challenges and Responses in the Democratic Republic of Congo. Institute of Development Studies, styczeń 2022. http://dx.doi.org/10.19088/k4d.2022.093.
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The Democratic Republic of the Congo (DRC) consistently scores in the lowest rungs of global indexes on corruption, integrity and wider governance standards. Indeed, corruption of different sorts pervades public and corporate life, with strong ramifications for human development. Although the DRC is one of the richest countries in the world in terms of natural resources, its people are among the globe’s poorest.Corruption in the extractive industries (minerals and oil) is particularly problematic in terms of scale and its centrality to a political economy that maintains elites and preserves the highly inequitable outcomes for the majority. The politico-economic elites of the DRC, such as former President Joseph Kabila, are reportedly significant perpetrators but multinationals seeking valuable minerals or offering financial services are also allegedly deeply involved. Corruption is therefore a problem with national and international roots.Despite national and international initiatives, levels of corruption have proven very stubborn for at least the last 20 years, for various reasons. It is a structural and not just a legal issue. It is deeply entrenched in the country’s political economy and is driven both by domestic clientelism and the fact that multinationals buy into corrupt deals. This rapid review therefore seeks to find out the Corruption challenges and responses in the Democratic Republic of Congo.Grand level corruption shades down into the meso-level, where for instance, mineral laden trucks are systematically under-weighted with the collusion of state officials. With severe shortfalls in public funding, certain public services, such as education, are supported by informal payments. Other instances of petty corruption facilitate daily access to goods and services. At this level, there are arguments against counting such practices as forms of corruption and instead as necessary survival practices.To address the challenge of corruption, the DRC is equipped with a legal system that is of mixed strengths and an institutional arsenal that has made limited progress. International programming in integrity and anti-corruption represents a significant proportion of support to the DRC but much less than humanitarian and governance sectors. The leading international partners in this regard are the EU, US, UNDP, UK, African Development Bank, Germany and Sweden. These partners conduct integrity programming in general governance issues, as well as in the mineral and forest sectors.The sources used in this rapid review are gender blind and converge on a very negative picture The literature ranges from the academic and practitioner to the journalistic and investigative, and taken as a whole, is of good quality, drawing on different types of evidence including perceptions and qualitative in-country research. The sources are mostly in English with two in French.