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Książki na temat „Georgian Drawing”

Autor: Grafiati

Data publikacji: 29 lipca 2024

Data aktualizacji: 30 lipca 2024

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1

Čʻixraże, Mzia. Naxatis ganvitʻarebis tʻaviseburebebi tʻanamedrove kʹartʻul xelovnebaši: Edmond Kalandażis, Zurab Nižarażis, Givi kasrażisa da Dimitri Eristʻavis šemokʻmedebis magalitʻze. Tʻbilisi: "Pʻavoriti printši", 2011.

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Nicholson, Francis. Francis Nicholson: Lithographs and engravings of Georgian Britain. Pickering, United Kingdom: Blackthorn Press, 2012.

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3

Gabašvili, Manana. Manana Gabašvili: Pʻercera, grapʻika. Redaktor Jikia Marika editor. Tʻbilisi: Gamomcʻemloba "Sveti +", 2020.

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4

Galleries, Courtauld Institute, i Monash University. Museum of Art, red. Georgiana Houghton: Spirit drawings. London: The Courtauld Gallery, 2016.

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5

O'Keeffe, Georgia. Some memories of drawings. Albuquerque: University of New Mexico Press, 1988.

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6

Przybilla, Carrie. Working on paper: Contemporary American drawings : the High Museum at Georgia-Pacific Center, Atlanta, Georgia. Atlanta, Ga: The Museum, 1990.

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7

Cheokas, Anna Moraitakis. Pen and ink drawings of the historic Windsor, Americus, Georgia. [United States?: s.n.], 1991.

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8

Carol, Nathanson, red. Tracing vision: Modern drawings from the Georgia Museum of Art. [Athens, Ga.]: Georgia Museum of Art, University of Georgia, 2011.

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9

Abbot, John. John Abbot's birds of Georgia: Selected drawings from the Houghton Library, Harvard University. Savannah: Library of Georgia, 1997.

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10

Randolf, Coleman Robert, Bohn Babette 1950- i Georgia Museum of Art, red. The art of disegno: Italian prints and drawings from the Georgia Museum of Art. Athens, Ga: Georgia Museum of Art, 2007.

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11

Hageness, MariLee Beatty. Revolutionary soldiers, widows and orphans drawing land lots in Oglethorpe county, Georgia, 3 February 1804: Ordinary's office. [United States?]: privately published, 1995.

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12

TIPS Meeting (1991 Atlanta, Ga.). Maritime personal injury litigation: Jurisdiction and damages : drawn from papers presented at TIPS Annual Meeting, August 1991, Atlanta, Georgia. Chicago, Ill: Tort and Insurance Practice Section, American Bar Association, 1992.

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13

Myers, Robert Manson. Quintet: A five-play cycle drawn from The children of pride. Urbana: University of Illinois Press, 1991.

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14

American Bar Association. Tort and Insurance Practice Section. Meeting. Maritime personal injury litigation: Jurisdiction and damages : drawn from papers presented at the TIPS annual meeting August 1991, Atlanta, Georgia. [Chicago]: Tort & Insurance Practice Section, ABA, 1992.

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15

TIPS Meeting (1991 Atlanta, Ga.). Hazardous waste on the construction site: Who is liable? : drawn from papers presented at TIPS Annual Meeting, August 1991, Atlanta, Georgia. Chicago, Ill: Tort and Insurance Practice Section, American Bar Association, 1992.

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TIPS Meeting (1991 Atlanta, Ga.). Litigating the coverage claim: Denial of coverage & duty to defend : drawn from papers presented at TIPS Annual Meeting, August 1991, Atlanta, Georgia. Chicago, Ill: Tort and Insurance Practice Section, American Bar Association, 1992.

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17

Emory University. Museum of Art and Archaeology., red. Henry Hornbostel, Michael Graves: An exhibition of architectural drawings, photographs and models, March 7-May 15, 1985, Emory University Museum of Art and Archaeology, Michael C. Carlos Hall, Emory University, Atlanta, Georgia. Atlanta, Ga: The Museum, 1985.

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18

Bader, David A., 1969- editor of compilation, Meyerhenke, Henning, 1978- editor of compilation, Sanders, Peter, editor of compilation i Wagner, Dorothea, 1957- editor of compilation, red. Graph partitioning and graph clustering: 10th DIMACS Implementation Challenge Workshop, February 13-14, 2012, Georgia Institute of Technology, Atlanta, GA. Providence, Rhode Island: American Mathematical Society, 2013.

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19

Pablo Bronstein: Pseudo-Georgian London. Verlag der Buchhandlung Walther Konig, 2018.

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20

Pablo Bronstein: Gilded Keyholes. Verlag der Buchhandlung Walther Konig, 2013.

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21

Pablo Bronstein: Hell in Its Heyday. Verlag der Buchhandlung Walther Konig, 2021.

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22

Boyington, Amy. Hidden Patrons. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350358621.

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An enduring myth of Georgian architecture is that it was purely the pursuit of male architects and their wealthy male patrons. History states that it was men who owned grand estates and houses, who commissioned famous architects, and who embarked upon elaborate architectural schemes. Hidden Patrons dismantles this myth - revealing instead that women were at the heart of the architectural patronage of the day, exerting far more influence and agency than has previously been recognised. Architectural drawing and design, discourse, and patronage were interests shared by many women in the eighteenth century. Far from being the preserve of elite men, architecture was a passion shared by both sexes, intellectually and practically, as long as they possessed sufficient wealth and autonomy. In an accessible, readable account, Hidden Patrons uncovers the role of women as important patrons and designers of architecture and interiors in eighteenth-century Britain and Ireland. Exploring country houses, Georgian townhouses, villas, estates, and gardens, it analyses female patronage from across the architectural spectrum, and examines the work of a range of pioneering women from grand duchesses to businesswomen to lowly courtesans. Re-examining well-known Georgian masterpieces alongside lesser-known architectural gems, Hidden Patrons unearths unseen archival material to provide a fascinating new view of the role of women in the architecture of the Georgian era.

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23

Drawings. Twin Palms Publishers, 2005.

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24

Notebooks, Georgiana's. Georgiana: Personalized Sketchbook , Sketch Pads Gift for Georgiana, Sketchbook Drawing, Drawing Notebook, Painting Sketchbook, Blank Drawing Book, 120 Pages, 8. 5x11. Independently Published, 2020.

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25

Quasha, Jennifer. How to Draw Georgia's Sights and Symbols (A Kid's Guide to Drawing America). PowerKids Press, 2002.

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26

Notebooks, Georgias Gifts. I Am Georgia Doing Georgia Things: Personalized Sketchbook Gift for Georgia, 120 Pages, 8. 5x11, Sketch Pads Gift for Georgia, Gift Idea for Georgia Sketch Book, Drawing Notebook. Independently Published, 2020.

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27

Savage, Caleb. Georgia's Sticker Book: Blank Pages for Drawing or Putting Stickers. Independently Published, 2019.

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28

Cunningham, Harry Francis 1885. Measured Drawings of Georgian Architecture in the District of Columbia, 1750-1820. Creative Media Partners, LLC, 2021.

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29

Georgian Period: A Series of Measured Drawings of Colonial Work, Part 2. Creative Media Partners, LLC, 2023.

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Georgian Period: A Series of Measured Drawings of Colonial Work, Part 2. Creative Media Partners, LLC, 2023.

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31

Ware, William Rotch. Georgian Period: A Series of Measured Drawings of Colonial Work, Part 2. Creative Media Partners, LLC, 2018.

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Georgian Period: A Series of Measured Drawings of Colonial Work, Part 12. Creative Media Partners, LLC, 2023.

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Georgian Period: A Series of Measured Drawings of Colonial Work, Part 12. Creative Media Partners, LLC, 2023.

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34

Georgian Period: A Series of Measured Drawings of Colonial Work, Part 6. Creative Media Partners, LLC, 2023.

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35

Nas, Loes. Americanization and Anti-American Attitudes in South Africa and Georgia. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040832.003.0009.

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This essay compares processes of “Americanization” and “anti-American” attitudes in South Africa and the Republic of Georgia. The author, originally from the Netherlands, focuses on these two countries because of her long-term personal experiences in these countries and because they are two emerging democracies. But she makes a point of drawing on survey materials in order to extend her personal experiences. While Nas argues that both countries, like probably most countries, have to contend with the economic, political, and military power of the U.S. today, the essay ultimately argues that the Republic of Georgia is moving from being anti-American (and anti-Western) to being pro-American, whereas South Africa is moving from being generally pro-American to being increasingly anti-American.

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36

Historic churches and temples of Georgia: A book of watercolors and drawings. Macon, Ga: Mercer University Press, 1987.

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37

Sampson, Gloria. Historic Churches and Temples of Georgia: A Book of Watercolors and Drawings. Mercer University Press, 1986.

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38

Clature, Nomen. Georgiana's Artist Sketchbook: Georgiana Personalised Name A4 Sketchbook / Sketchpad / Drawing Pad / Workbook - Flower Skull Horse Theme. Independently Published, 2020.

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39

Nomen Clature - Georgina Books. Georgina's Artist Sketchbook: Georgina Personalised Custom Name A4 Sketchbook / Sketchpad / Drawing Pad / Workbook - Flower Skull Horse Theme. Independently Published, 2021.

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40

Roediger III, Henry L., i James V. Wertsch, red. National Memories. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197568675.001.0001.

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Abstract This book brings together dozens of the world’s leading scholars in memory studies to explore national memory in an age of populism. Drawing on disciplines ranging from cognitive science to history, these scholars address issues such as how memory is tied to individual and collective identity, how national pasts create political presents, and how a range of disciplines can contribute to an integrated account of national memory. Several chapters examine how these issues play out in the United States, but others take them up in countries such as Israel, China, Russia, Georgia, Azerbaijan, Germany, Japan, and Poland. The book provides a foundation for understanding the vexing issues of national memory and identity that promise to shape the future of countries throughout the world.

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41

Goff, Krista A. Nested Nationalism. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501753275.001.0001.

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This book is a study of the politics and practices of managing national minority identifications, rights, and communities in the Soviet Union and the personal and political consequences of such efforts. Titular nationalities that had republics named after them in the USSR were comparatively privileged within the boundaries of “their” republics, but they still often chafed both at Moscow's influence over republican affairs and at broader Russian hegemony across the Soviet Union. Meanwhile, members of nontitular communities frequently complained that nationalist republican leaders sought to build titular nations on the back of minority assimilation and erasure. Drawing on extensive research conducted in Armenia, Azerbaijan, Dagestan, Georgia, and Moscow, the book argues that Soviet nationality policies produced recursive, nested relationships between majority and minority nationalisms and national identifications in the USSR. The book pays particular attention to how these asymmetries of power played out in minority communities, following them from Azerbaijan to Georgia, Dagestan, and Iran in pursuit of the national ideas, identifications, and histories that were layered across internal and international borders. What mechanisms supported cultural development and minority identifications in communities subjected to assimilationist politics? How did separatist movements coalesce among nontitular minority activists? And how does this historicization help us to understand the tenuous space occupied by minorities in nationalizing states across contemporary Eurasia? Ranging from the early days of Soviet power to post-Soviet ethnic conflicts, the book explains how Soviet-era experiences and policies continue to shape interethnic relationships and expectations today.

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42

Wertsch, James V. How Nations Remember. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197551462.001.0001.

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How Nations Remember draws on multiple disciplines in the humanities and social sciences to examine how a nation’s account of the past shapes its actions in the present. National memory can underwrite noble aspirations, but the volume focuses largely on how it contributes to the negative tendencies of nationalism that give rise to confrontation. Narratives are taken as units of analysis for examining the psychological and cultural dimensions of remembering particular events and also for understanding the schematic codes and mental habits that underlie national memory more generally. In this account, narratives are approached as tools that shape the views of members of national communities to such an extent that they serve as co-authors of what people say and think. Drawing on illustrations from Russia, China, Georgia, the United States, and elsewhere, the book examines how “narrative templates,” “narrative dialogism,” and “privileged event narratives” shape nations’ views of themselves and their relations with others. The volume concludes with a list of ways to manage the disputes that pit one national community against another.

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43

Vazquez, Alexandra T. The Florida Room. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478022541.

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In The Florida Room Alexandra T. Vazquez listens to the music and history of Miami to offer a lush story of place and people, movement and memory, dispossession and survival. She transforms the “Florida room”—an actual architectural phenomenon—into a vibrant spatial imaginary for Miami’s musical cultures and everyday life. Drawing on songs, ephemera, and oral histories from artists, families, and inheritors of their traditions, Vazquez hears Miami as a city that has long been shaped by Indigenous Florida, the Bahamas, the Caribbean, and southern Georgia. She draws connections between seemingly disparate artists, sounds, and stories, from singer Gwen McCrae to pirate radio innovator DJ Uncle Al, from the Miccosukee rock band Tiger Tiger to the Cuban-American songwriter Desmond Child, among the percussionists Dafnis Prieto, Obed Calvaire, and Yosvany Terry, and through the notes of Eloise Lewis, Betty Wright, and the Miami Bass group Anquette. By listening to musical collaborations and ancestral ties across place and time, Vazquez brings together formal musical details, the histories of people and locations they hold, and the aesthetic traditions transformed inside them.

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44

Divine, Grace. Rose Close-Ups Inspired by Georgia o'Keefee American Modernism Focus Learn Art Styles with Black & White Drawings by Artist Grace Divine. Independently Published, 2019.

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Publications, Storytime. Georgia: Georgia Magical Unicorn Horse Large Blank Pre-K Primary Draw & Write Storybook Paper - Personalized Letter G Initial Custom First Name Cover - Story Book Drawing Writing Practice for Little Girl - Use Imagination, Create Tales, Be Creative. Independently Published, 2019.

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Notebooker, Personalized. I'm Georgia and Magical: Personalized Name Notebook, Lined and Blank Pages Alternating for Notes Doodling Drawing, Custome Name Journal, Personalzied Gift for Girls Women. Independently Published, 2021.

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47

Hallock, Steven M. Reporters Who Made History. ABC-CLIO, LLC, 2009. http://dx.doi.org/10.5040/9798216007685.

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This volume looks back at the last half of the 20th century through the work and reminiscences of ten of the era's preeminent journalists. Reporters Who Made History: Great American Journalists on the Issues and Crises of the Late 20th Century looks at a series of extraordinary chapters in the American story through the eyes of ten giants of journalism: Helen Thomas, Anthony Lewis, Morley Safer, Earl Caldwell, Ben Bradlee, Georgie Anne Geyer, Ellen Goodman, Juan Williams, David Broder, and Judy Woodruff. Taking each of these journalists in turn, Hallock focuses on his or her work in the course of a single decade, drawing on the author's interviews with the journalist, archival research, memoirs, and critical studies. These exemplars of the best postwar American news reporting never took the easy path of simply restating policies and uncritically regurgitating press releases. Instead, their skeptical, independent, and searching methods of investigative and analytical journalism actually influenced the course of the very events they covered and significantly shaped our understanding of our national past.

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Gillespie, Deanna M. The Citizenship Education Program and Black Women's Political Culture. University Press of Florida, 2021. http://dx.doi.org/10.5744/florida/9780813066943.001.0001.

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This book details how African American women used lessons in basic literacy to crack the foundation of white supremacy and sow seeds for collective action during the civil rights movement. Deanna Gillespie traces the history of the Citizenship Education Program (CEP), a grassroots initiative that taught people to read and write in preparation for literacy tests required for voter registration—a profoundly powerful objective in the Jim Crow South. Born in 1957 as a result of discussions between community activist Esau Jenkins, schoolteacher Septima Clark, and Highlander Folk School director Myles Horton, the CEP became a part of the Southern Christian Leadership Conference in 1961. The teachers, mostly Black women, gathered friends and neighbors in living rooms, churches, beauty salons, and community centers. Through the work of the CEP, literate black men and women were able to gather their own information, determine fair compensation for a day’s work, and register formal complaints. Drawing on teachers’ reports and correspondence, oral history interviews, and papers from a variety of civil rights organizations, Gillespie follows the growth of the CEP from its beginnings in the South Carolina Sea Islands to southeastern Georgia, the Mississippi Delta, and Alabama’s Black Belt. This book retells the story of the civil rights movement from the vantage point of activists who have often been overlooked and makeshift classrooms where local people discussed, organized, and demanded change.

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O'Donnell, Angela Alaimo. Radical Ambivalence. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823288243.001.0001.

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Radical Ambivalence: Race in Flannery O’Connor is the first book-length study of O’Connor’s attitude toward race in her fiction and correspondence and is the first study to include controversial material from unpublished letters that reveals the complex and troubling nature of her thoughts on the subject. O’Connor lived and wrote in her native Georgia during the tumultuous years of the Civil Rights movement. In one of her letters, O’Connor frankly expresses her double-mindedness regarding the social and political upheaval taking place in the U.S.: “I hope that to be of two minds about some things is not to be neutral.” This double-mindedness also manifests itself in O’Connor’s fiction. Drawing on critical whiteness studies, this study analyzes the ways in which O’Connor critiques the unjust racial practices of the South in her stories and other writings yet unconsciously upholds them; explores O’Connor’s ambivalence with regard to contemporary politics; considers the influence of theology and the Catholic Church on O’Connor’s attitudes; examines the complex role played by “Africanist” presence in the construction of white consciousness in O’Connor’s stories; and explores the theme of thwarted communion between the races in her fiction and correspondence. The study concludes that O’Connor’s race-haunted writing serves as the literary incarnation of her uncertainty about the great question of her era and of her urgent need, despite considerable reluctance, to address the fraught relationship between the races.

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Wardhaugh, Benjamin. The Correspondence of Charles Hutton. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198805045.001.0001.

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This book contains complete transcriptions, with notes, of the 133 surviving letters of Charles Hutton (1737–1823). The letters span the period 1770–1823 and are drawn from nearly thirty different archives. Most have not been published before. Hutton was one of the most prominent British mathematicians of his generation. He played roles at the Royal Society, the Royal Military Academy, the Board of Longitude, the ‘philomath’ network, and elsewhere. He worked on the explosive force of gunpowder and the mean density of the earth, winning the Royal Society’s Copley Medal in 1778; he was also at the focus of a celebrated row at the Royal Society in 1784 over the place of mathematics there. He is of particular historical interest because of the variety of roles he played in British mathematics, the dexterity with which he navigated, exploited, and shaped personal and professional networks in mathematics and science, and the length and public profile of his career. Hutton corresponded nationally and internationally, and his correspondence illustrates the overlapping, intersection, and interaction of the different networks in which Hutton moved. It therefore provides new information about how Georgian mathematics was structured socially and how mathematical careers worked in that period. It provides a rare and valuable view of a mathematical culture that would substantially cease to exist when British mathematics embraced continental methods from the early nineteenth century onwards.

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