Rozprawy doktorskie na temat „Genre”
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Abrahams, Shathley Q. "Sedimentations : reading genre, reading across genre". Master's thesis, University of Cape Town, 2002. http://hdl.handle.net/11427/7815.
Pełny tekst źródłaThis thesis argues for, citing the example of four novels published at or near to the millennium, the establishment of antirely new genre. But implicit in this is an investigstion into what is meant by term 'genre'. Further the nature of these novels makes central the way in which these novels should be grouped over the grouping itself.
Dimmer, Elizabeth Lauren. "Genre morphology". Tallahassee, Fla. : Florida State University, 2010. http://purl.fcla.edu/fsu/lib/digcoll/undergraduate/honors-theses/2181961.
Pełny tekst źródłaKarlsson, Sven-Göran. "Enbart för de invigda öppnar sig texten fullt ut : Om gymnasieelevers genremedvetenhet". Thesis, Halmstad University, School of Teacher Education (LUT), 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-2410.
Pełny tekst źródłaSyftet med denna uppsats är att granska ett antal gymnasieelevers genrekompetens och avgöra hur kapabla de är att placera in texter i olika genrer, samt vad som får dem att betrakta en text som tillhörig en specifik genre. Detta görs genom en tvådelad undersökning där en grupp elever ombeds genrebestämma fyra autentiska texter (en saga, ett kåseri, en skräcknovell och en nyhetsartikel) samt motivera sina val, medan ytterligare en grupp elever fritt får beskriva vad de anser som specifikt för dessa fyra genrer. Undersökningens resultat jämförs sedan med litteraturvetenskapens genredefinitioner. Av resultatet framgår att medverkande elever tycks besitta en någorlunda god kunskap i ett antal vanliga genrer. De kan med ganska stor säkerhet placera texterna i rätt genre samt beskriva vad som är specifikt för genren ifråga. Dessa beskrivningar stämmer tämligen väl överens med de som ges inom litteraturvetenskapen, men skiljer sig också på ett fåtal punkter.
Matignon, Michel. "Genre et genre résiduel des corps de fonctions valués". Bordeaux 1, 1987. http://www.theses.fr/1987BOR10583.
Pełny tekst źródłaMatignon, Michel. "Genre et genre résiduel des corps de fonctions values". Grenoble 2 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb37607825m.
Pełny tekst źródłaZhou, Si Jing. ""Advertorials" : a genre-based analysis of an emerging hybridized genre". Thesis, University of Macau, 2007. http://umaclib3.umac.mo/record=b1783584.
Pełny tekst źródłaKlausing, Tilo. "Robuste Genre-Klassifikation". Universitätsbibliothek Chemnitz, 2008. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-200800184.
Pełny tekst źródłaRoach, M. J. "Video genre classification". Thesis, Swansea University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.638674.
Pełny tekst źródłaAlin, Johanna. "Genre och sångteknik". Thesis, Kungl. Musikhögskolan, Institutionen för musik, pedagogik och samhälle, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2602.
Pełny tekst źródłaLeslie, James. "Collaborative Genre Tagging". Master's thesis, Faculty of Science, 2020. http://hdl.handle.net/11427/32402.
Pełny tekst źródłaHendges, Graciela Rabuske. "Tackling genre classification". Florianópolis, SC, 2007. http://repositorio.ufsc.br/xmlui/handle/123456789/90448.
Pełny tekst źródłaMade available in DSpace on 2012-10-23T10:39:26Z (GMT). No. of bitstreams: 1 249271.pdf: 3171345 bytes, checksum: 00f207cece278de30d1f5b7fd246c496 (MD5)
Pesquisas recentes sobre comunicação científica têm revelado que desde o final dos anos de 1990 o uso de periódicos acadêmicos passou da mídia impressa para o mídia eletrônica (Tenopir, 2002, 2003; Tenopir & King, 2001, 2002) e, conseqüentemente, há previsões de que por volta de 2010 cerca de 80% dos periódicos terão apenas versões online (Harnad, 1998). Todavia, essas pesquisas mostram também que nem todas as disciplinas estão migrando para a Internet com a mesma velocidade. Enquanto que áreas como as Ciências da Informação, Arquivologia, Web design e Medicina têm mostrado interesse e preocupação em entnder e explicar esse fenômeno, em Lingüística Aplicada, particularmente em Análise de Gênero, os estudos ainda são escassos. Neste trabalho, portanto, procuro investigar em que medida o meio eletrônico (Internet) afeta o gênero artigo acadêmico no seu processo de mudança da mídia impressa para a mídia eletrônica. Mais especificamente, examino artigos acadêmicos em HTML nas áreas de Lingüística e Medicina com vistas a verificar se esse hypertexto é um gênero novo ou não. A abordagem metodológica adotada nesta pesquisa deriva da proposta de Askehave e Swales (2001) e de Swales (2004), na qual o critéro predominante para a classificação de um gênero é o propósito comunicativo, o qual só pode ser definido com base em uma análise textual tanto quanto em uma análise contextual. Dessa forma, neste estudo foram coletados e analisados dados textuais e contextuais e os resultados de ambas análises revelam que o artigo acadêmico em HTML é um gênero novo, cujo propósito comunicativo é realizado por hiperlinks e portanto, esse gênero é profundamente dependente da mídia eletrônica.
Atterstig, Elin. "Att höra genre : Vad ljudet i filmens inledning berättar om genre". Thesis, Örebro University, School of Humanities, Education and Social Sciences, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-9740.
Pełny tekst źródłaThis study deals with a research on what the opening sounds in movies tell us about the story that we are about to follow. The purpose is to examine if and how the sound in the first five minutes of the movie contribute in giving information about the film’s genre. The theoretical base includes both genre theory and Michel Chion’s theory on film sound. Six different movies representing different genres, countries and year of production are analyzed in an audiovisual way.
The result shows that the sound in the opening sequence could describe the genre which the movie belongs to, but it doesn’t always work like this. The analysis also shows examples on movies where the sound in the beginning of the movie focus on other things, like describing place or ethnicity. In some of the movies, especially the ones that represent adventure and action, you can hear the genre very clearly. In others, for example the comedy, there is a bit harder to decide if the sound alone could tell us about which genre the movie belongs to, and if the sound is typical for that specific genre or if it could be about almost everything. Furthermore, in some movies it was quite clear that the sound concentrates on describing something else instead, for example the place where the story is set.
Sorin-Ulrich, Isabelle. "L'impact du genre des marques et du genre des individus sur les extensions des marques d'un genre à l'autre". Paris 2, 2010. http://www.theses.fr/2010PA020079.
Pełny tekst źródłaGramer, Rachel. "A GENRE OF COLLECTIVE INTELLIGENCE: BLOGS AS INTERTEXTUAL, RECIPROCAL, AND PEDAGOGICAL". Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2341.
Pełny tekst źródłaM.A.
Department of English
Arts and Humanities
English MA
Emmanouilidou-Buonavista, Despina. "Du genre aux genres polygénéricité et poétique de synthèse chez Serge Brussolo". Aix-Marseille 1, 2006. http://www.theses.fr/2006AIX10034.
Pełny tekst źródłaDillon, Andrew, i Barbara Grushowski. "Genres and the Web - is the home page the first digital genre?" Wiley, 2000. http://hdl.handle.net/10150/105166.
Pełny tekst źródłaHeeks, Richard James. "Discovery writing and genre". Thesis, University of Exeter, 2012. http://hdl.handle.net/10871/13802.
Pełny tekst źródłaPantelides, Kate Lisbeth. "Mapping Dissertation Genre Ecology". Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4557.
Pełny tekst źródłaHon, Yuk Ching Metis. "Genre awareness in children". Thesis, University of Liverpool, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366091.
Pełny tekst źródłaPetrenz, Philipp. "Cross-lingual genre classification". Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/9658.
Pełny tekst źródłaTrat, Josette. "Genre et mouvements sociaux". Versailles-St Quentin en Yvelines, 2002. http://www.theses.fr/2002VERSA001.
Pełny tekst źródłaThis dissertation aims to provide a comprehensive analysis of contemporary social movements, relying on a gender-based approach. It comprises four sections. The first section focuses mainly on the history of clashes between the feminist and the working-class movements in France between 1970 and the early 1990s. It is shown that a structural conflict divides the two social movements. In order, however, to understand the lack of dialogue, during taht period, it also proves necessary to take into account the fact that the French Communist Party went through a belated destalinization process, while wielding every effort to keep all social movements under its sway. The second section provides a critical analysis of the thought of F. Engels, the 19th century socialist theorist, on the one hand, and of C. Delphy's concept of "domestic mode of producction" on the other. The approach finally adopted is shown to differ from both orthodox Marxist theory and radical feminist thought: it is argued that social structure cannot be explained except in terms of the complex interaction between class relations and gender relations. The third section raises the question of how to define social movements. A. Touraine's normative definition is discussed ans discarded: instead it is suggested that a distinction should be made between social movements arising from political crises and long-term social movements allowing oppressed groups to organize and voice their claims. Then, relying on first-hand field work, the text investigates what active part women can be observed to play in both male-dominated and female-dominated social movements. Evidence is also provided for the relevance of an approach in terms of "gendered social movement". The last section is devoted to analysing the various dimensions of oppression and exploring the various paths the oppressed (wheter male or female) will find to put an end to victimization and move from silence to resistance
Poon, Ka-man Shirley, i 潘嘉敏. "A study of the evolution and diversity of a stereotypical genre: therecipe genre". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B38756006.
Pełny tekst źródłaBarker, Cory Andrew. "Genre Welcome?: Formula, Genre and Branding in USA Network's Programming and Promotional Content". Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1332972861.
Pełny tekst źródłaSimson, H. "Landscape after landscape : pre-genre Italian backgrounds in a post-genre digital age". Thesis, University College London (University of London), 2017. http://discovery.ucl.ac.uk/1563810/.
Pełny tekst źródłaWhite, Shawn Patrick. "Lawsuit genre on trial, presence and function of lawsuit genre in Isaiah 40-48". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0003/MQ45384.pdf.
Pełny tekst źródłaPoon, Ka-man Shirley. "A study of the evolution and diversity of a stereotypical genre : the recipe genre". Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38756006.
Pełny tekst źródłaWeinhold, Florian. "Self/other representations in Aleksei Balabanov's 'Zeitgeist movies' : film genre, genre film and intertextuality". Thesis, University of Manchester, 2012. https://www.research.manchester.ac.uk/portal/en/theses/selfother-representations-in-aleksei-balabanovs-zeitgeist-movies-film-genre-genre-film-and-intertextuality(29460f94-0440-431c-8d59-53133c73489f).html.
Pełny tekst źródłaEastlick, Anne C. "Genre criticism : an application of BP's image restoration campaign to the crisis communication genre". Scholarly Commons, 2011. https://scholarlycommons.pacific.edu/uop_etds/767.
Pełny tekst źródłaQuirion, Jean-Charles. "Étude structurale d'alcaloides du genre aristotelia : synthèse asymétrique d'alcaloides spiro-pipéridiniques du genre nitraria". Paris 11, 1986. http://www.theses.fr/1986PA112101.
Pełny tekst źródłaRamboarison-Lalao, Lovanirina. "Genre et gestion des ressources humaines : étude prospective de l'approche differenciée selon le genre". Université Robert Schuman (Strasbourg) (1971-2008), 2008. https://publication-theses.unistra.fr/public/theses_doctorat/2008/RAMBOARISON-LALAO_Lovanirina_2008.pdf.
Pełny tekst źródłaOur object of research concerns the study of the relevance of the Gender Mainstreaming approach in HRM. Reconsidering the universal model criticized by the feminist movements for its “apparent neutrality” in favour of a male domination, the first part of our thesis confronts two theoretical approaches of Human Resources Management which confront the monolithic base of the traditional HRM model : the management of diversity on the one hand, and the dual perspective of the Gender Mainstreaming approach in HRM, on the other hand. This dialectical analysis clarifies the relevance of the Gender Mainstreaming approach in HRM, which is the subject thereafter of an empirical confrontation in the second part of our thesis. Subsequently, the empirical prospective study restitutes the pertinence perceived of the emerging approach by 26 Human Resources Manager of companies located in Alsace. Using investigation per questionnaire supplemented by 14 in depth interviews, the findings of our empirical study suggest that as regards Human Resources Management, the monolithic model and the Gender Mainstreaming approach in HRM have to cohabit together to train “an eternal triangle” with the management of diversity
Ramboarison-Lalao, Lovanirina Lambert Gilles. "Genre et gestion des ressources humaines étude prospective de l'approche differenciée selon le genre /". Strasbourg : Université de Strasbourg, 2009. http://urs-srv-eprints.u-strasbg.fr/346/01/RAMBOARISON_Lalao_2008.pdf.
Pełny tekst źródłaBonhomme, Vincent. "Écologie, Évolution et Développement du genre des plantes carnivores à urnes du genre Nepenthes". Thesis, Montpellier 2, 2010. http://www.theses.fr/2010MON20110.
Pełny tekst źródłaThe carnivorous genus encompasses at least 120 species mainly distributed in SE Asia with Borneo and Sumatra recognized as endemism and diversity centers. They are vines whose leaves modified as pitchers exhibit an array of morphological and physicochemical adaptations that compete to the attraction, the capture and the digestion of arthropods. Besides the great morphological diversity the genus comprises a functional diversity exists: retentive mechanisms vary between species and in some species pitcher morphologies and functioning can also change throughout ontogeny. This thesis attempts to describe the trapping mechanisms and the ecology of some species to the evolutionary history of the diversification of the genus
Stewart, Susan Louise Trites Roberta Seelinger. "Genre, ideology, and children's literature". Normal, Ill. Illinois State University, 2004. http://wwwlib.umi.com/cr/ilstu/fullcit?p3172884.
Pełny tekst źródłaTitle from title page screen, viewed November 22, 2005. Dissertation Committee: Roberta Seelinger Trites (chair), Karen Coats, C. Anita Tarr. Includes bibliographical references (leaves 242-256) and abstract. Also available in print.
De, Thélin Henry. "Concentration de genre et laminarité". Phd thesis, Université Paul Sabatier - Toulouse III, 2003. http://tel.archives-ouvertes.fr/tel-00005171.
Pełny tekst źródłaTöyrä, Jessica. "Ledartexten – En genre för alla?" Thesis, Högskolan i Halmstad, Sektionen för humaniora (HUM), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-24685.
Pełny tekst źródłaBlake, Eric Michael. "Genre, Justice & Quentin Tarantino". Scholar Commons, 2015. http://scholarcommons.usf.edu/etd/5911.
Pełny tekst źródłaRichmond, Jessye. "Opera Marketing| Rebranding the Genre". Thesis, American University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10786455.
Pełny tekst źródłaThis paper reviews current and historical opera marketing practices and analyzes the marketing mix (product, place, promotion, price, and people) of major opera companies in the United States. The purpose of this paper is to determine methods to attract and build sustainable, less homogenous audiences. Surveys were conducted to determine public perceptions about the art form from both opera-goers and non-opera buyers and interviews with leaders within the field of opera marketing revealed current trends. The paper provides insights about changes within the field in recent years and offers suggestions for improvement based on the success of other opera companies and other artistic organizations.
Tranback, Gustav. "Filmkritik - En genre på fall?" Thesis, Stockholms universitet, Institutionen för mediestudier, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-90830.
Pełny tekst źródłaRogers, Jacqueline Rhoda. "Multidisciplined individuals : defining the genre". Thesis, University of Plymouth, 2010. http://hdl.handle.net/10026.1/285.
Pełny tekst źródłaCornille, Amandine. "Diversification dans le genre Malus". Phd thesis, Université Paris Sud - Paris XI, 2012. http://tel.archives-ouvertes.fr/tel-00923150.
Pełny tekst źródłaBrownrigg, Mark. "Film music and film genre". Thesis, University of Stirling, 2003. http://hdl.handle.net/1893/439.
Pełny tekst źródłaLessard, Anne. "Le genre et l'abandon scolaire". Thèse, Université de Sherbrooke, 2004. http://savoirs.usherbrooke.ca/handle/11143/910.
Pełny tekst źródłaPark, Arum. "Truth and Genre in Pindar". Cambridge University Press, 2013. http://hdl.handle.net/10150/622193.
Pełny tekst źródłaJordan, Emily. "Automated genre classification in literature". Thesis, Kansas State University, 2014. http://hdl.handle.net/2097/17578.
Pełny tekst źródłaDepartment of Computing and Information Sciences
William Hsu
This thesis examines automated genre classification in literature. The approach described uses text based comparison of book summaries to examine if word similarity is a feasible method for identifying genre types. Genres help users form impressions of what form a text will take. Knowing the genre of a literary work provides librarians, information scientists, and other users of a text collection with a summative guide to its form, its possible content, and what its members are about without having to peruse individual topic titles. This makes automatically generating genre labels a potentially useful tool in sorting unmarked text collections or searching the web. This thesis provides a brief overview of the problems faced by researchers wishing to automate genre classification as well as the current work in the field. My own methodology will also be discussed. I implemented two basic methods for labeling genre. The results collected using them will be covered, as well as future work and improvements to the project that I wish to implement.
Barreira, Luís Filipe Marques. "Unsupervised automatic music genre classification". Master's thesis, Faculdade de Ciências e Tecnologia, 2010. http://hdl.handle.net/10362/4761.
Pełny tekst źródłaIn this study we explore automatic music genre recognition and classification of digital music. Music has always been a reflection of culture di erences and an influence in our society. Today’s digital content development triggered the massive use of digital music. Nowadays,digital music is manually labeled without following a universal taxonomy, thus, the labeling process to audio indexing is prone to errors. A human labeling will always be influenced by culture di erences, education, tastes, etc. Nonetheless, this indexing process is primordial to guarantee a correct organization of huge databases that contain thousands of music titles. In this study, our interest is about music genre organization. We propose a learning and classification methodology for automatic genre classification able to group several music samples based on their characteristics (this is achieved by the proposed learning process) as well as classify a new test music into the previously learned created groups(this is achieved by the proposed classification process). The learning method intends to group the music samples into di erent clusters only based on audio features and without any previous knowledge on the genre of the samples, and therefore it follows an unsupervised methodology. In addition a Model-Based approach is followed to generate clusters as we do not provide any information about the number of genres in the dataset. Features are related with rhythm analysis, timbre, melody, among others. In addition, Mahalanobis distance was used so that the classification method can deal with non-spherical clusters. The proposed learning method achieves a clustering accuracy of 55% when the dataset contains 11 di erent music genres: Blues, Classical, Country, Disco, Fado, Hiphop, Jazz, Metal,Pop, Reggae and Rock. The clustering accuracy improves significantly when the number of genres is reduced; with 4 genres (Classical, Fado, Metal and Reggae), we obtain an accuracy of 100%. As for the classification process, 82% of the submitted music samples were correctly classified.
Brigadoi, Ivan. "Genre classification using syntactic features". Thesis, Uppsala universitet, Institutionen för lingvistik och filologi, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-454667.
Pełny tekst źródłaViant, Pascal. "Exploitations biotéchnologiques du genre "Cinchona"". Paris 5, 1988. http://www.theses.fr/1988PA05P244.
Pełny tekst źródłaThélin, Henry de. "Concentration de genre et laminarité". Toulouse 3, 2003. https://tel.archives-ouvertes.fr/tel-00005171.
Pełny tekst źródłaBourseul, Vincent. "Clinique du genre en psychanalyse". Paris 7, 2013. http://www.theses.fr/2013PA070089.
Pełny tekst źródłaSexual identity reflects the process of identifications which it is based, without covering them completely. Submerged, these identifications drain deeper ail kinds of constructions, deconstructions and psychological changes that are revealed in the clinic of gender. Why go through the gender of sexual being ? What good will enter queer to think of sex, and its place in the landscape sex ? Why viral HIV contamination of some gay compensates sometimes an impossible sexuation ? What hormones absorbed for gender transformation they perform mental operations for the subject, then they guarantee him the same no change "real" sex ? At once object and process instance, gender is the fulcrum and the red wire innovations and impasses that question us on subjective responses made to the enigma of sexual difference in the sexes. These innovations are authentic creations psychic, which tend to open a possible creation of sex that remains to be defined. How the analyst and clinician work they do with gender in this clinic in constant transformation ? On what structural or processual can they bind their practices and elaborations? In rereading what "refusai of the feminine," the fetish, castration gender invites us there ? How to think from the disorder of gender, sexual difference, "sexual identity"?
PIERRE, LEANDRI CHRISTELLE. "Etude chimiotaxinomique du genre cupressus". Nice, 2000. http://www.theses.fr/2000NICE5397.
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