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Artykuły w czasopismach na temat "Funk (Music) – History and criticism"
Botstein, Leon. "On Criticism and History". Musical Quarterly 79, nr 1 (1995): 1–5. http://dx.doi.org/10.1093/mq/79.1.1.
Pełny tekst źródłaBielefeldt, Christian. "Beyond Postmodernism? Prince and Some New Aesthetic Strategies". Musicological Annual 42, nr 1 (1.12.2006): 89–101. http://dx.doi.org/10.4312/mz.42.1.89-101.
Pełny tekst źródłaBotstein, L. "Witnessing Music: The Consequences of History and Criticism". Musical Quarterly 94, nr 1-2 (1.03.2011): 1–8. http://dx.doi.org/10.1093/musqtl/gdr001.
Pełny tekst źródłaRadice, Mark A. "Reader's Guide to Music: History, Theory, Criticism (review)". Notes 58, nr 1 (2001): 66. http://dx.doi.org/10.1353/not.2001.0165.
Pełny tekst źródłaParakilas, James. "The Afterlife of Don Giovanni: Turning Production History into Criticism". Journal of Musicology 8, nr 2 (1990): 251–65. http://dx.doi.org/10.2307/763570.
Pełny tekst źródłaParakilas, James. "The Afterlife of Don Giovanni: Turning Production History into Criticism". Journal of Musicology 8, nr 2 (kwiecień 1990): 251–65. http://dx.doi.org/10.1525/jm.1990.8.2.03a00040.
Pełny tekst źródłaPritchard, Matthew. "The Cambridge History of Music Criticism. Ed. by Christopher Dingle". Music and Letters 101, nr 4 (1.11.2020): 785–88. http://dx.doi.org/10.1093/ml/gcaa068.
Pełny tekst źródłaMajer-Bobetko, Sanja. "Between music and ideologies: Croatian music criticism from the beginning to World War II". Muzyka 63, nr 4 (31.12.2018): 55–64. http://dx.doi.org/10.36744/m.344.
Pełny tekst źródłaLoydell, Rupert. "Shake the Foundations: Militant Funk & the Post-Punk Dancefloor 1978‐1984, 3CD Box Set, Various Artists". Punk & Post Punk 10, nr 2 (1.06.2021): 341–42. http://dx.doi.org/10.1386/punk_00100_5.
Pełny tekst źródłaKramer, Elizabeth. "The Beethoven Violin Sonatas: History, Criticism, Performance (review)". Notes 62, nr 1 (2005): 114–16. http://dx.doi.org/10.1353/not.2005.0098.
Pełny tekst źródłaRozprawy doktorskie na temat "Funk (Music) – History and criticism"
Scannell, John School of Media Film & Theatre UNSW. "James Brown: apprehending a minor temporality". Awarded by:University of New South Wales. School of Media, Film and Theatre, 2006. http://handle.unsw.edu.au/1959.4/26955.
Pełny tekst źródłaWilliams, Stephanie E. (Stephanie Evangeline). "On folk music as the basis of a Jamaican primary school music programme". Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63211.
Pełny tekst źródłaPapanikolaou, Dimitris. "Singing poets : literature and popular music in France and Greece /". London : Legenda, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016510046&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.
Pełny tekst źródłaKeightley, Keir. "The history and exegesis of pop : reading "All summer long"". Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22458.
Pełny tekst źródłaTrochimczyk, Maja. "Space and spatialization in contemporary music : history and analysis, ideas and implementations". Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=116333.
Pełny tekst źródłaThis dissertation presents the history of space in the musical thought of the 2Othcentury (from Kurth to Clifton, from Varèse to Xenakis) and outlines the development of spatialization in the theory and practice of contenlporary music (after 1950). The text emphasizes perceptual and temporal aspects of musical spatiality, thus reflecting the close connection of space and time in human experience. A new definition of spatialization draws from Ingarden’s notion of the musical work; a new typology of spatial designs embraces music for different acoustic environments, movements of performers and audiences, various positions of musicians in space, etc. The study of spatialization includes a survey of the writings of many composers (e.g. Ives, Boulez, Stockhausen, Cage) and an examination of their compositions. The final part of the dissertation presents three approaches to spatialization: Brant’ s simultaneity of sound layers, Xenakis’s movement of sound, and Schafer’s music of ritual and soundscape.
Cette thèse présente l’histoire de l’espace dans la pensée musicale du vingtième siècle (de Kurth à Clifton, de Varèse à Xenakis) et retrace le développement de la spatialisation dans la théorie et la pratique de la musique contemporaine (après 1950). Le texte souligne les aspects perceptuels et temporels de la spatialisation musicale, reflétant ainsi le lien étroit entre temps et espace t!ans l’expérience humaine. Une nouvelle définition de la spatialisation tire son origine de la notion de l’oeuvre musicale d’Ingarden; une nouvelle typologie des plans spatiaux prend en considération des musiques pour différents environnements acoustiques, diverses positions des musiciens dans l’espace de même que le mouvement de ceux-ci et des auditeurs, etc. L’étude de la spatialisation inclut un survol des écrits de plusieurs compositeurs (Ives, Stockhausen, Boulez et Cage, par exemple) de même qu’un examen de leurs oeuvres. La dernière partie de la thèse présente trois approches compositionnelles de la spatialisation: la simultanéité de strates sonores ,:hez Brant, le mouvement du son chez Xenakis et la musique du rituel et l’écologie sonore chez Schafer.
Stein, Eric 1973. ""Living right and being free" : country music and modern American conservatism". Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=21267.
Pełny tekst źródłaBroman, Per F. "Bengt Hambræus's notion of World Music : philosophical and aesthetical boundaries". Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28042.
Pełny tekst źródłaPowell, Steven. "Dread rites : an account of Rastafarian music and ritual process in popular culture". Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=55647.
Pełny tekst źródłaDumitrescu, Theodor. "The early Tudor court and international musical relations /". Aldershot [u.a.] : Ashgate, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016142806&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.
Pełny tekst źródłaForeign cultural models at the English royal court -- International events and musical exchanges -- Building a foreign musical establishment at the early Tudor court -- Anglo-continental relations in music manuscripts -- English music theory and the international traditions. Includes bibliographical references (p. [297]-315) and index.
Deruchie, Andrew. "The French symphony at the fin de siècle style, culture, and the symphonic tradition /". Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115596.
Pełny tekst źródłaPrevious critics have viewed this repertoire primarily with limited structuralist methodologies. The results have often been unhappy: all of these symphonies are in some ways formally idiosyncratic and individual, and their non-conforming aspects have tended to puzzle or disappoint. My study draws on recent methods developed by Warren Darcy, Scott Burnham, and others that emphasize the dynamic and teleological qualities of musical form. This more supple approach allows a fuller appreciation of the subtle and sophisticated ways in which individual works unfold formally, and the spectrum of procedures French composers employed.
My study demonstrates that the factors shaping the French symphony in this period included imperatives of progress as well as the popularity of the symphonic poem. Some of the earlier symphonists covered in this study also felt the need to confront Wagner's influential theoretical writings: mid -century he had famously proclaimed the death of the symphony. As many writers have argued, the archetypal heroic "plot" that Beethoven's symphonies express embodies the subject-laden values---notions of individual freedom and faith in the self---that prevailed in his time. Different inflections of this plot by French symphonists, I argue, reflect the variegated ways fin-de-siec1e French culture had received these values.
Książki na temat "Funk (Music) – History and criticism"
Thompson, Dave. Funk. San Francisco: Backbeat Books, 2001.
Znajdź pełny tekst źródłaO mundo funk carioca. Rio de Janeiro: J. Zahar Editor, 1988.
Znajdź pełny tekst źródłaBatidão: Uma históiria do funk. Rio de Janeiro: Editora Record, 2005.
Znajdź pełny tekst źródłaRagged glories: City lights, country funk, American music. London: Pimlico, 2003.
Znajdź pełny tekst źródłaFunk, que batida é essa. Rio de Janeiro, RJ: Agosto Realizações, 2009.
Znajdź pełny tekst źródłaTechno rebels: The renegades of electronic funk. Wyd. 2. Detroit, Mich: Wayne State University Press, 2010.
Znajdź pełny tekst źródłaFunk: The music, the people, and the rhythm of the one. New York: St. Martin's Griffin, 1996.
Znajdź pełny tekst źródłaLopes, Adriana Carvalho. Funk-se quem quiser: No batidão negro da cidade carioca. Rio de Janeiro: FAPERJ, 2011.
Znajdź pełny tekst źródłaFunk carioca: Crime ou cultura? : o som dá medo e prazer. São Paulo: Editoras Albatroz, Loqüi e Terceiro Nome, 2006.
Znajdź pełny tekst źródłaBirds of fire: Jazz, rock, funk, and the creation of fusion. Durham: Duke University Press, 2011.
Znajdź pełny tekst źródłaCzęści książek na temat "Funk (Music) – History and criticism"
Wehrs, William. "Affect and Film Music: A Brief History". W The Palgrave Handbook of Affect Studies and Textual Criticism, 735–52. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63303-9_28.
Pełny tekst źródłaBolden, Tony. "Blue Funk". W Groove Theory, 37–84. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496830524.003.0003.
Pełny tekst źródłaDahl, Per. "Music Criticism in Norway". W The Cambridge History of Music Criticism, 392–407. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.021.
Pełny tekst źródłaKarnes, Kevin C. "MUSIC CRITICISM AS LIVING HISTORY". W Music, Criticism, and the Challenge of History, 48–76. Oxford University Press, 2008. http://dx.doi.org/10.1093/acprof:oso/9780195368666.003.0003.
Pełny tekst źródłaFrey, Emily. "Music Criticism in Imperial Russia". W The Cambridge History of Music Criticism, 208–28. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.012.
Pełny tekst źródłaWatt, Paul. "British Music Criticism, 1890–1945". W The Cambridge History of Music Criticism, 371–91. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.020.
Pełny tekst źródłaRacz, Mark. "Jazz Criticism in America". W The Cambridge History of Music Criticism, 459–83. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.025.
Pełny tekst źródłaFrith, Simon. "Writing about Popular Music". W The Cambridge History of Music Criticism, 502–26. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.027.
Pełny tekst źródłaDingle, Christopher. "Comparing Notes: Recording and Criticism". W The Cambridge History of Music Criticism, 249–71. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.014.
Pełny tekst źródłaRose, Stephen. "German-Language Music Criticism before 1800". W The Cambridge History of Music Criticism, 104–24. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.007.
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