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Artykuły w czasopismach na temat "Funeral memorials"

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Alexis-Martin, Becky. "Sensing the deathscape: Digital media and death during COVID-19". Journal of Environmental Media 1, nr 2 (1.08.2020): 11.1–11.8. http://dx.doi.org/10.1386/jem_00032_1.

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Across cultures, death has traditionally encompassed diverse material and ritual assemblages. Funeral practices are a unifying element of death, presenting an opportunity for communal memorialization of the deceased. These practices are environmentally embedded, spanning traditional graveyards and floral memorials, to contemporary green burials and body farms. However, COVID-19 has disrupted socio-environmental practices, due to disease transmission concerns that have manifested new constraints to funerary space. Here, I contemplate the digital deathscape during COVID-19 through three vignettes: the first considers Hart Island mass-burial drone footage and the emergence of a necropticon. The second vignette considers the emergence of domestic deathscapes and their significance to digitally broadcast (DB) funerals. The third vignette, Billy’s funeral, gives interview-based insights into the porous domestic deathscape of a DB funeral guest, Samantha. All three vignettes contemplate the experience of remotely sensing the deathscape and the scenarios that arise when traditionally hidden or ‘in-place’ death rituals arise ‘out-of-place’.
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Rahn, Peter J. "Funeral Memorials of the First Priestess of Athena Nike". Annual of the British School at Athens 81 (listopad 1986): 195–207. http://dx.doi.org/10.1017/s0068245400020153.

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The Lekythos of Myrrhine (NM 4485) is described and dated to the last decade of the fifth century. It is a specially commissioned memorial, commemorating her religious office; she is demonstrated to have been the first priestess of Athena Nike. The gravestone to Myrrhine found near Zographo is also discussed. It is suggested that the Lethykos is either a public monument, or an attempt by her family to draw public attention to her, while the Zographo stone marked her actual burial place.
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Trapeznik, Alexander, i Austin Gee. "Laying the Victorians to Rest: Funerals, Memorials, and the Funeral Business in Nineteenth-Century Otago". Australian Economic History Review 56, nr 3 (25.11.2015): 317–36. http://dx.doi.org/10.1111/aehr.12096.

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Taran, Olena. "A Cultural and Symbolic Aspect of Memorial and Burial Loci (In the Realities of the Russian-Ukrainian War)". Folk art and ethnology, nr 3 (30.09.2023): 43–49. http://dx.doi.org/10.15407/nte2023.03.043.

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The events of the russian-Ukrainian war, especially the last year and a half of its active phase, show how death and dying strongly fixed in space and place. The ability of spaces and places associated with death (cemeteries) and dying (places of death – spontaneous memorials) to evoke the deepest memories and intense emotions are a testament to the power of place and a reminder that the power of symbolic space is in emotion, not function. One of the expressions of collective grieving is memorial sites, whose choice has a deep symbolic meaning. Through careful anthropological analysis of burial sites and memorial sites, the intense emotional experiences associated with death, including grief, bereavement, and reminiscence, can be understood. Funeral and memorial practices are mediated by several spaces – the body (corporeal), the place of death/dying, the morgue, the cemetery, the crematorium, the memorial of memory, the virtual space of the cyber world – the networked martyrologists. The conflict arising from the ongoing performance and recording of memory in public space is reflected in debates about expressions and markers of private grief in public spaces and related disputes about what constitutes a ‹sacred› place. The tragedies of civilian deaths during shelling are part of what are becoming new ritual forms and memorials, constructing a permanent memory of the dead in the material landscape of lived space. The tradition of designing memorials during the russian-Ukrainian war creates a «register of sacred history» – a set of shared historical experiences and views that define and unite the community. Processes of memorialization after a tragic death, which are increasingly taking place in public, are becoming medialized and are used by the state as a political tool. The nature of the memorial landscape creates a specific style of communication, in which the entire society is engaged in spatial dialogue.
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Zhukova, E. N. "Middle age funeral memorials of the Upper Volga in A.A. Spitsyn’s works". Язык и текст 2, nr 2 (2015): 44–51. http://dx.doi.org/10.17759/langt.2015020207.

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Jarvis, Helen. "Powerful remains: the continuing presence of victims of the Khmer Rouge regime in today‘s Cambodia". Human Remains and Violence: An Interdisciplinary Journal 1, nr 2 (2015): 36–55. http://dx.doi.org/10.7227/hrv.1.2.5.

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The Khmer Rouge forbade the conduct of any funeral rites at the time of the death of the estimated two million people who perished during their rule (1975–79). Since then, however, memorials have been erected and commemorative ceremonies performed, both public and private, especially at former execution sites, known widely as the killing fields. The physical remains themselves, as well as images of skulls and the haunting photographs of prisoners destined for execution, have come to serve as iconic representations of that tragic period in Cambodian history and have been deployed in contested interpretations of the regime and its overthrow.
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Lambert, Alex, Bjorn Nansen i Michael Arnold. "Algorithmic memorial videos: Contextualising automated curation". Memory Studies 11, nr 2 (23.11.2016): 156–71. http://dx.doi.org/10.1177/1750698016679221.

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Web platforms such as Facebook and Google have recently developed features which algorithmically curate digital artefacts composed of posts taken from personal online archives. While these artefacts ask people to fondly remember their digital histories, they can cause controversy when they depict recently deceased loved ones. We explore these controversies by situating algorithmic curation within the media ethics of grief, mourning and commemoration. In the vein of media archaeology, we compare these algorithms to similar work done by skilled professionals using older media forms, drawing on interviews with Australian funeral slideshow curators. This professional commemorative labour makes up part of a broader, institutionalised system of ‘death work’, a concept we take from thanatology. Through the media ethics of death work, we critique the current shortcomings of algorithmic memorials and propose a way of addressing them by ‘coding ethically’.
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Llewellyn, Nigel. "Honour in Life, Death and in the Memory: Funeral Monuments in Early Modern England". Transactions of the Royal Historical Society 6 (grudzień 1996): 179–200. http://dx.doi.org/10.2307/3679235.

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In the parish churches and cathedrals of England and Wales stand many thousands of early modern funeral monuments. Typically, these are elaborate structures of carved stone, often painted and decorated in bright colours and trimmed with gilding. Their complex programmes of inscribed text, allegorical figures, heraldic emblazons and sculpted effigies are set within architectural frameworks. With a few exceptions, such as the famous memorials to Queen Elizabeth, William Shakespeare or John Donne, these monuments are relatively little studied and little known. However, they were extremely costly to their patrons and prominently displayed in churches in purpose-built family chapels or against the wall of the sanctuary. Contemporary comment reveals that they were accorded high status by both specialist commentators, such as antiquaries and heralds, and by the patrons who invested in them so heavily. All-in-all, they represent what was the most important kind of church art made in the post-Reformation England, a period when there was a great deal of general uncertainty about the status of visual experience and particular worries about the legitimacy of religious imagery.
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Kim, Na-Young. "The Funeral for the Lawful Wife of a Feudal Lord in Early Modern Japan : A Case Study of the Lawful Wife of Harushige NABESHIMA, a Lord of the Saga Domain". Korean Association For Japanese History 60 (30.04.2023): 205–34. http://dx.doi.org/10.24939/kjh.2023.4.60.205.

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In early modern Japan, lawful wife of daimyo lord was regarded as belonging to both the families of husband and her premarital family. This study wanted to examine whether such a dual belonging system of lawful wives of daimyo lords was also expressed in their funerals. In particular, this study focused on whether both the husband family and premarital family played respective roles in funerals of lawful wives, and whether there were some procedural differences in funeral services depending on social statuses of lawful wives. The research objects of this study were the funerals of wives of Harushige NABESHIMA, the lord of Saga Domain. Among their three wives who died, one was his fiancee who was from the family of a branch domain of Saga Domain. And, one of the two lawful wives was from kuge(公家), and the other was from buke(武家). In the funeral of his fiancee, while some officials of Saga Domain attended, the rite was held according to the rules of the family of the deceased fiancee. However, in the cases of funerals of lawful wives, the rites were held following the traditions of the Saga Domain. There was some difference in the degree of involvement of premarital families of lawful wives depending on whether the deceased wife was from kuge or from buke. In the former case, premarital family representatives participated only in the memorial service. But, in the latter case, those representatives visited Saga Domain to see the sick wife before she died and to see her coffin off, not to mention participating in the memorial service. In short, buke was involved in the funeral more actively than kuge. But, it was found that such funerals had been held led by the husband’s family tradition, and that dual belongings of lawful wives did not show much in their funerals.
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Levchenko, Ilya E. "Farewell Meeting (Sociology of Funerals)". Koinon 2, nr 4 (2021): 101–15. http://dx.doi.org/10.15826/koinon.2021.02.4.042.

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The article is devoted to identifying the features of a farewell meeting — funeral. They represent the ritual design of the wires of the deceased into the space of death, guaranteeing a safe crossing of the border between them for the living. Despite the historical, cultural and ethno-confessional differences, a common algorithm and similar features can be found in the farewells to the deceased. A retrospective analysis of the rites showed that at all times there was a “stratification” of funeral ceremonies. In the 20th century, the secularization process abroad led to a significant reduction in funerals performed in accordance with religious rituals. Since ancient times, mourning music has set the tempo of funerals. Although the transition from a traditional to a modernized society had modified the farewell to a certain extent, their fundamental features remained unchanged — the demonstration of love and respect for the deceased, the rites of carrying out the body and the funeral procession to the place of his last resting place. Classification of funerals is carried out on a variety of grounds (the number of deceased, the social status of the deceased, technology, duration, etc.). According to customs, at certain stages or in certain funeral rituals, the participation of children, women (especially pregnant women), seriously ill, elderly people, etc. is restricted or prohibited. Along with strictly regulated ceremonies, emergency funerals occur in people’s lives when the duration of rituals is shortened, or they are not observed at all — in conditions of hostilities, natural or man-made disasters, pandemics. By their “nature” funerals are multifunctional — they perform sanitaryhygienic, ritual, psychotherapeutic, consolidating, identification, memorial and other functions. In general, funerals can be considered as a “chain” of oppositions: completion — beginning, break — connection, farewell — meeting, etc.
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Rozprawy doktorskie na temat "Funeral memorials"

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Hainy, Joshua D. "Undying Glory: Preservation of Memory in Greek Athletics, War Memorials, and Funeral Orations". Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10638.

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vi, 100 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.
Ancient Greek acts of commemoration aimed to preserve the memory of an event or an individual. By examining the commemoration of athletic victory, military success, and death in battle, with reliance upon theories ofmemory, this study examines how each form of commemoration offered immortality. A vital aspect was the way they joined word and material reminder. Athletes could maintain their glory by erecting statues or commissioning epinician odes, which often relied on image and words. The physical and ideological reconfiguration of the plain of Marathon linked the battle's memory to a location. Pericles' oration offered eternal praise to both the war dead and Athens, an Athens crafted as a monument by Pericles to remain for future generations. In different and complimentary ways, all of these forms of commemoration preserved the glory of a deed or an individual for posterity.
Committee in Charge: Dr. Mary Jaeger, Chair; Dr. Christopher Eckerman
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Lee, Joon Seong. "Digital Spirituality and Governmentality: Contextualizing Cyber Memorial Zones in Korea". Ohio : Ohio University, 2006. http://www.ohiolink.edu/etd/view.cgi?ohiou1153929122.

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Lenfesty, Corrine B. "Choices for the living, honour for the dead, a century of funeral and memorial practices in Lethbridge". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0005/MQ38430.pdf.

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Lenfesty, Corrine B., i University of Lethbridge Faculty of Arts and Science. "Choices for the living, honour for the dead : a century of funeral and memorial practices in Lethbridge". Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 1998, 1998. http://hdl.handle.net/10133/66.

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This thesis explores the customs and traditions surrounding death and memorialization in the history of Lethbridge, paying particular attention to the public "face" of the practices as observed in newspaper death notices, obituaries, in-memoriams, undertaker advertisements, gravestones and cemeteries. It places Lethbridge rituals within the context of the general paterns of western culture, and others, as described by anthropology, history, archaeology, and art history. Its intent is to understand the effects of certain external influences on the realms of personal choice and individuality, and to observe the extent to which these influences have had an impact on what was once deeply personal family matter.
viii, 197 leaves : ill. ; 28 cm.
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Mowat, Fiona Anne. "Ritualising the dead : decorated marble cinerary memorials in the context of early Imperial culture and art". Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/28748.

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This thesis explores the imagery of funerary ritual that expresses the commemoration of both the living and the dead in the art of the marble cinerary memorials of the early Empire. This group of objects includes decorated marble artefacts associated with cremation burial between the Augustan period and the reign of Antoninus Pius: ash chests (or cineraria); ash altars and grave altars (with or without ash cavities); as well as round urns and vase-shaped urns. The iconography chosen for cinerary memorials by individuals in the early Empire reflects those individuals’ concerns to remember families and friends and in turn to be remembered. This research approaches the analysis of funerary iconography holistically as embedded in its contemporary culture, as opposed to the focus on the art of various sub-cultures of Roman society, seen in recent scholarship. Items with adequate ancient provenance are used to create a sample dataset that represents individuals that belong to a middle to high income-group of society, individuals that are united through their ability to pay and commission these memorials, rather than by class. The epigraphic material, studied alongside the tomb analysis, indicates that this socio-economic group included people of different legal statuses: slaves, freed-people, non-elites and known-elites. Thus we are able to examine how artistic motifs, and also imperial iconography and culture, were received by a cross-section of society. The use of semiotics allows symbols to be analysed in conjunction with other methods such as examining narration and abstraction. This theoretical framework results in the extraction of meaning from seemingly generic motifs and connects this interpretation with contemporaneous cultural norms. Using these methods and the sample dataset, the memorial typology is examined as indicative of a focal point for funerary cult, through the connection between the object as a replacement altar for ritual, and as a house or shrine for the commemoration of the dead. The iconography associated with the memorials therefore relates to both the ritual context (garlands and other ritualistic motifs) and to the object as a small building (the architectonic façade and doors; garden and vegetative iconography). It also relates to the commemoration of the dead (portraiture and honorific iconography) and in particular to the idea of the spirit or manes of the deceased as being immortalised through the memorial (underworld and mythological iconography). All elements, then, point to the focus of the object in funerary ritual which enables the living to honour the spirit of the deceased and acts as a memento of family and friends, bringing together both the living and the dead in art and inscription.
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Khan, Abdul Jabbar <1977&gt. "Chaukhandi tombs: a peculiar funerary memorial architecture in Sindh and Baluchistan (Pakistan)". Doctoral thesis, Università Ca' Foscari Venezia, 2010. http://hdl.handle.net/10579/985.

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The Chaukhandi Tombs, some 29 kilometers on the left of National Highway (Karachi-Thatta-Hyderabad) are remarkable for their elaborate and exquisite carvings. Their style of architecture is not only typical but unique in the sense that it is nowhere else to be found in the Islamic world. According to a rough estimate, the number of such graveyards ranges between 200 to 300. The ‘Chaukhandi graveyard near Landhi town of Karachi city was brought within pale of Ancient Monuments Preservation Act 1904 in the year 1922. The meaning and connotation of the term Chaukhandi is still controversial whether it is an architectural term or the name of a place. These sand stone built tombs are attributed with Jokhia and kalmati tribes and believe to be built between 16th to 18th centuries. The tombs are generally pyramid in shape and are embellished with beautiful carvings depicting both geometrical and floral motifs. Some of the graves contain human and pictorial representations in the form of hunting scenes, jewellery, arms and amour etc. A detailed study by Shaikh Khurshid throwing the light on the origin, their style of architecture, the history of the people lying buried there, the system of burial, the various forms of figural representation and decorative motifs, their social life and above all their profession, as it shows from their depiction that mainly they were warriors, craftsmen. The motive of my research is to survey and document all such tombs in Sindh and Baluchistan, and to glorify the uniqueness and beauty of this peculiar funerary architecture, as with the passage of time and without any measure steps taken for the preservation of this site, due to human negligence and nature vandalism, have suffered irreparable damage. In order to find some new aspects of Chaukhandi Tombs, I have spent a good amount of time in this graveyard and have taken keen interest to take in-depth study especially with regard to the origin of their style of architecture and the indigenous influences on these tombs.
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Baptista, Joaquim António Ramos. "O túmulo Medieval, uma memória na morte-algumas situações da iconografia funerária portuguesa, séc. XII - XVI". Master's thesis, Instituições portuguesas -- -Universidade Lusíada, 1997. http://dited.bn.pt:80/30036.

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Dias, Paulo Jorge Monteiro Henriques da Silva. "Real Panteão dos Braganças-arte e memória". Master's thesis, Instituições portuguesas -- UL-Universidade de Lisboa -- -Faculdade de Letras, 2002. http://dited.bn.pt:80/30122.

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Mantas, Helena Alexandra Jorge Soares. "O panteão nacional - memória e afirmação de um ideário em decadência-a intervenção da Direcção Geral dos edifícios e monumentos nacionais na igreja de Santa Engrácia (1956-1966)". Master's thesis, Instituições portuguesas -- UL-Universidade de Lisboa -- -Faculdade de Letras, 2002. http://dited.bn.pt:80/30161.

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Vieira, Carlos Jorge Canto. "Capitéis de ara do Municipium Olisiponense". Master's thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas -- -Departamento de História da Arte, 1998. http://dited.bn.pt:80/30318.

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Książki na temat "Funeral memorials"

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(Japan), Kokusai Shūkyō Kenkyūjo. Gendai shūkyō: 2006. Tōkyō: Tōkyōdō Shuppan, 2006.

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Walker, S. E. C. Memorials to the Roman dead. London: Published for the Trustees of the British Museum by British Museum Publications, 1985.

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L, Tucker R., red. A mother in Israel, or, Some memorials of the late Mrs. M.A. Lyle. [Toronto?: s.n.], 1994.

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Antonio, Cavicchia Scalamonti, red. Il gioco e il tabù. Napoli]: Ipermedium libri, 2007.

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Haller, Reinhard. Totenbretter: Brauchdenkmäler in Niederbayern und der Oberpfalz : neue Funde zu einem alten Thema. Grafenau: Morsak, 1990.

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Trustees, British Museum, red. Memorials to the Roman dead. London: Published for the Trustees of the British Museum by British Museum Publications, 1985.

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Reigle, John M. When death occurs: A practical consumer's guide : funerals, memorials, burial, cremation, body donation. Curran, MI: Consumer Advocate Press, 2003.

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Reigle, John M. When death occurs: A practical consumer's guide : funerals, memorials, burial, cremation, body donation. Curran, MI: Consumer Advocate Press, 2003.

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Nascimento, Márcia, i Nuno Costa, red. Käräjäkivet 07: Agiña: Memorial Aita Donostia, Navarra. 1959. Barcelos, Portugal: Käräjäkivet, 2021.

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Mortuary monuments and burial grounds of the historic period. New York: Kluwer Academic/Plenum Publishers, 2004.

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Części książek na temat "Funeral memorials"

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Roth, Jeffrey C. "Memorials and Funerals". W School Crisis Response, 159–65. Wyd. 2. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003315209-19.

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Hoy, William G. "Memorial Ceremonies". W Creating Meaning in Funerals, 148–67. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003353010-10.

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Hoy, William G. "Funerals and Memorial Practices". W Encyclopedia of Gerontology and Population Aging, 1–5. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-69892-2_1009-1.

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Hoy, William G. "Funerals and Memorial Practices". W Encyclopedia of Gerontology and Population Aging, 1946–50. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-22009-9_1009.

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Hoy, William G. "Children, Teens, and Memorial Ceremonies". W Creating Meaning in Funerals, 54–70. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003353010-5.

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Hoy, William G. "Memorials and the Ever-Changing Landscape of Spirituality and Faith". W Creating Meaning in Funerals, 38–53. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003353010-4.

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Zaripov, Islam A., i Marat A. Safarov. "Funeral and Memorial Rites of Moscow Muslims in the 1960s–1980s". W Religious Life in the Late Soviet Union, 64–75. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003311294-5.

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Harlan, Susan. "Coda: “Let’s Do’t After the High Roman Fashion”: Funeral and Triumph". W Memories of War in Early Modern England, 269–73. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-58012-2_7.

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Cockerham, Paul. "Opportunity or Oppression? The Impact of the Reformation on Funeral Monuments in Cornwall". W Reformations and their Impact on the Culture of Memoria, 91–120. Turnhout: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.memo-eb.5.110755.

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Pitsillides, Stacey, i Jayne Wallace. "Physically distant but socially connected: streaming funerals, memorials and ritual design during COVID-19". W Death, Grief and Loss in the Context of COVID-19, 60–76. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003125990-4-6.

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Streszczenia konferencji na temat "Funeral memorials"

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Bolshakova, Anastasia Sergeevna. "Digital necrophilia as a component of the modern "thanatological renaissance"". W All-Russian Scientific Conference with International Participation. Publishing house Sreda, 2023. http://dx.doi.org/10.31483/r-104663.

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The article attempts to consider the phenomenon of social necrophilia, described by Erich Fromm, from the angle of transformations taking place in the world in the digital age. Digitalization intensifies necrophilic tendencies of modern civilization: mechanization and robotization, dominance of the material, fixation on the past, etc.; contributes to an outbreak of interest in the once taboo subject of death, so it’s worth talking about digital necrophilia. It is noted that the virtual mode of being creates a wide range of opportunities for a fixed representation of one's Self (social networks), for the release of aggression (cyberbullying, cancelling), for the reorganization of funeral culture and the process of mourning (digital cemeteries, memorials). The anthropologization of technology, the formality and coldness of interpersonal relationships, transgressive games and cinema, the translation of long speech (Dialogue in its hermeneutic presentation) into a signed (fixed) form - all
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Ivchenko, Andrey. "After-funeral rituals on Olbia necropolis". W ANCIENT NECROPOLISES — FUNERAL AND MEMORIAL RITUALISM, ARCHITECTURE AND PLANNING OF NECROPOLISES. Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-93572-816-8-201-205.

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Simonyan, Akop, i Elena Atoyantz. "Necropolis Teyshebaini". W ANCIENT NECROPOLISES — FUNERAL AND MEMORIAL RITUALISM, ARCHITECTURE AND PLANNING OF NECROPOLISES. Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-93572-816-8-216-223.

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Pertseva, Marina. "Pits with figured recesses — special type of burial constructions of middle Bronze Age". W ANCIENT NECROPOLISES — FUNERAL AND MEMORIAL RITUALISM, ARCHITECTURE AND PLANNING OF NECROPOLISES. Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-93572-816-8-10-24.

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Kisel, Vladimir. "Human sacrifices on Dogae-Baary cemetery in Tuva". W ANCIENT NECROPOLISES — FUNERAL AND MEMORIAL RITUALISM, ARCHITECTURE AND PLANNING OF NECROPOLISES. Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-93572-816-8-106-112.

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Semenov, Vladimir. "Planigraphy of Suglug-Khem I and Suglug-Khem II cemeteries in Tuva (III– II centuries B. C.)". W ANCIENT NECROPOLISES — FUNERAL AND MEMORIAL RITUALISM, ARCHITECTURE AND PLANNING OF NECROPOLISES. Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-93572-816-8-113-122.

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Borodovskiy, Andrey. "Funeral space in the context of polyculturalism (on materials from Bystrovsky necropolis of early Iron Age on Upper Ob)". W ANCIENT NECROPOLISES — FUNERAL AND MEMORIAL RITUALISM, ARCHITECTURE AND PLANNING OF NECROPOLISES. Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-93572-816-8-123-133.

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Shishkin, Alexey, Pavel Volkov, Alisa Zubova i Maria Kishurko. "Exposing of heads among the bringers of Kamenskaya culture of Upper Ob (on materials from Bystrovsky necropolis)". W ANCIENT NECROPOLISES — FUNERAL AND MEMORIAL RITUALISM, ARCHITECTURE AND PLANNING OF NECROPOLISES. Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-93572-816-8-134-143.

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Subbotin, Andrey. "Barrow fields of tagarskaya culture in the south of the Nazarovo basin". W ANCIENT NECROPOLISES — FUNERAL AND MEMORIAL RITUALISM, ARCHITECTURE AND PLANNING OF NECROPOLISES. Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-93572-816-8-144-148.

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Akulov, Alexey. "«Time of cats». Amazing century of Tagarskaya noble monuments". W ANCIENT NECROPOLISES — FUNERAL AND MEMORIAL RITUALISM, ARCHITECTURE AND PLANNING OF NECROPOLISES. Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-93572-816-8-149-163.

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