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Artykuły w czasopismach na temat "Fugitive in literature"
Cartographic Literature, Fugitive. "Fugitive Cartographic Literature". Cartographic Perspectives, nr 12 (1.03.1992): 14. http://dx.doi.org/10.14714/cp12.1032.
Pełny tekst źródłaOates, Joyce Carol. "Fugitive". Yale Review 85, nr 3 (lipiec 1997): 20–24. http://dx.doi.org/10.1111/0044-0124.00143.
Pełny tekst źródłaBernier, Celeste-Marie. "FROM FUGITIVE SLAVE TO FUGITIVE ABOLITIONIST". Atlantic Studies 3, nr 2 (październik 2006): 201–24. http://dx.doi.org/10.1080/14788810600875331.
Pełny tekst źródłaKolin, Philip C., Tennessee Williams i Allean Hale. "Fugitive Kind". World Literature Today 76, nr 1 (2002): 151. http://dx.doi.org/10.2307/40157091.
Pełny tekst źródłaSimawe, Saadi A., Mohamed Berrada i Issa J. Boullata. "Fugitive Light". World Literature Today 77, nr 2 (2003): 86. http://dx.doi.org/10.2307/40158020.
Pełny tekst źródłaAnderson, Benedict R., i Pramoedya Ananta Toer. "The Fugitive". World Literature Today 65, nr 2 (1991): 367. http://dx.doi.org/10.2307/40147318.
Pełny tekst źródłaDenda, Kayo. "Fugitive Literature in the Cross Hairs". Collection Management 27, nr 2 (czerwiec 2002): 75–86. http://dx.doi.org/10.1300/j105v27n02_07.
Pełny tekst źródłaFranklin-Brown, Mary. "Fugitive Figures". Romanic Review 111, nr 1 (1.05.2020): 66–84. http://dx.doi.org/10.1215/00358118-8007964.
Pełny tekst źródłaReynolds, Guy. "The Wary Fugitive". Cambridge Quarterly XXI, nr 4 (1992): 382–85. http://dx.doi.org/10.1093/camqtly/xxi.4.382.
Pełny tekst źródłaNielsen, Aldon. "Fugitive Fictions". African American Review 37, nr 2/3 (2003): 321. http://dx.doi.org/10.2307/1512317.
Pełny tekst źródłaRozprawy doktorskie na temat "Fugitive in literature"
Knight, Robert C. A. "Pursuing the fugitive figure : a genealogy of gothic fugitivity /". View thesis, 1999. http://handle.uws.edu.au:8081/1959.7/27799.
Pełny tekst źródłaDoolen, Andrew Vincent. "Fugitive nation: Contagious democracies in American literature of the early national period, 1793-1838". Diss., The University of Arizona, 2001. http://hdl.handle.net/10150/280140.
Pełny tekst źródłaMoore, Marya. "Graceful communities, eventually: An exploration of the relationship between community and grace in "The Double Hook", "Fugitive Pieces", "The Shipping News", and "Crackpot"". Thesis, University of Ottawa (Canada), 2003. http://hdl.handle.net/10393/26527.
Pełny tekst źródłaWood, Graham Patrick. "Narrating space : historiographical representations of body and landscape in Waterland by Graham Swift and Fugitive Pieces by Anne Michaels". Master's thesis, University of Cape Town, 2003. http://hdl.handle.net/11427/7964.
Pełny tekst źródłaAnderson, Erich R. "A Window to Jim's Humanity: The Dialectic Between Huck and Jim in Mark Twain's Adventures of Huckleberry Finn". Thesis, Connect to resource online, 2008. http://hdl.handle.net/1805/1729.
Pełny tekst źródłaTitle from screen (viewed on August 26, 2009). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Jane E. Schultz, Jonathan R. Eller, Robert Rebein. Includes vita. Includes bibliographical references (leaves 80-83).
Terao, Yoshiko. "Le Fixe et le fugitif : thiphaigne, Diderot, Mical, Castel et leurs machines audiovisuelles". Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE2154.
Pełny tekst źródłaAfter the invention of the printing press in the Renaissance, knowledge became progressively based on the use of signs with no essential relation with things, spatially reconstructed with words on the page. The classical age in general and the eighteenth century in particular have often been characterized by the primacy of sight as a means of knowledge, at the expense of other senses. Such is at least one of Michel Foucault’s arguments in the Order of Things.Our thesis strives to qualify this perspective and show how, within the domination of the written culture, remnants of the traditional oral culture survived. Not only in the archaic forms of popular entertainment such as fairs, farces and fairy tales, but in what might be considered as the epitome of modernity: machines. The eighteenth century was a hot bed of contraptions aiming to produce sounds and images and to record them. Among these, our attention has focused on the real or imaginary inventions of Tiphaigne de La Roche (audio monitoring and fixation of images) Diderot (automatic production and conservation of musical pieces), Abbé Mical (reproduction of the human voice) and Father Castel (visual transposition of sounds). The careful examination of such machines as well as the ideological context of their emergence, enables us to show how the Enlightenment was open to forms of comprehension of the world much more varied than is often stated.Today the development of new media has made us familiar again with modes of representation which are more analogical than words. The tensions proper to the media system of the eighteenth century provide us with instruments to think about our relation to the world around us
BASTOS, Ana Karine Pereira de Holanda. "Anúncios de escravos: traços de mudanças e permanências de tradições discursivas nos jornais do Recife". Universidade Federal de Pernambuco, 2016. https://repositorio.ufpe.br/handle/123456789/17830.
Pełny tekst źródłaMade available in DSpace on 2016-09-13T14:02:51Z (GMT). No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Tese_AnaKarine_BC.pdf: 9677886 bytes, checksum: 7a5f526e96da76f17cfd9a1bbbb018dc (MD5) Previous issue date: 2016-02-25
Esta investigação tem como objetivo central analisar as tradições discursivas (TDs), dos anúncios de fuga de escravos dos jornais do Recife, do século XIX, e compará-las com as dos anúncios de procurados da atualidade, identificando os elementos constitutivos de ambos os gêneros, a fim de estabelecer um elo entre inovação e conservação de TDs entre os textos. Os critérios definidores da historicidade e tradicionalidade dos textos residem na repetição e evocação de expressões que adquirem valor de signos próprios, princípios que fundamentam a noção de TD. O arcabouço teórico está ancorado nos pressupostos das TDs, a partir das considerações de Coseriu (1979, 1980), Schlieben-Langue (1983), Koch (1997, 2008), Oesterreicher (1994, 1996, 2006), Kabatek (2003, 2004, 2005, 2008), da teoria dos gêneros textuais com Bakhtin (2003) e Marcuschi (2002; 2008), que procuram compreender a constituição e o funcionamento do gênero na sociedade; a prática do jornalismo impresso e na história da imprensa no Brasil e em Pernambuco com Rizzini (1968), Sodré (1999), Pessoa (2002; 2006) e Barbosa (2010); a história social da escravidão no Brasil com Freyre (1967/2010; 2006), Schwarcz (1987) e Carvalho (2010); e nas análises linguístico-discursivas que se apoiam nos trabalhos de Oesterreicher (1994), Pessoa (2003) e Toral (2013). A metodologia consiste no método histórico e na abordagem quanti-qualitativa, pautada na análise estrutural, descritiva, interpretativa dos dados, e na pesquisa documental e bibliográfica. A investigação inicial reside na averiguação das TDs que permaneceram retoricamente situadas nos anúncios de fuga de escravos e quais delas mudaram e migraram para os anúncios de procurados. No entanto, o anúncio de fuga de escravos, como TD da cultura impressa, o jornal, mostra-se como produção de autores semicultos, i.e., de competência escrita restrita, que transportam traços da fala à elaboração textual. As análises evidenciaram que tais anúncios estão muito próximos do que Oesterreicher denominou de imediatez comunicativa, apresentando sintaxe truncada, ausência de pontuação ou pontuação inadequada e ausência de elementos sintáticos que contribuem com a ruptura no tópico discursivo, entre outros aspectos. As análises empreendidas não pretendem submeter os dados às exigências de uma teoria, mas de valorizar o jornal como fonte histórica, dos anúncios de fuga escravos (diacronia) e de procurados (sincronia) como TDs legítimas tanto para as análises linguísticas, quanto para a história social. Ao falarmos em repetição, evocação, atualização e tradição, acreditamos que uma língua particular, como o português brasileiro, é afetada pelos aspectos históricosociais e, em decorrência disso, há elementos tradicionais que se tornam imutáveis e outros que são vulneráveis a mudanças, favorecendo, dessa forma, a mudança linguística.
This research aims at analyzing the discursive traditions (DTs) “slaves escape ads” of newspapers from Recife, in the nineteenth century, and comparing them with those of today's wanted fugitives ads, identifying the constituent elements of both genders, in order to establish a link between innovation and conservation of DTs in texts. The defining criteria of historicity and traditionalism of the texts lie in repetition and evoking expressions that acquire value of own signs, principles underlying the notion of DT. The theoretical framework is anchored on the assumptions of the studies of DTs, from considerations of Coseriu (1979; 1980), Schlieben-Langue (1983), Koch (1997; 2008), Oesterreicher (1994; 1996; 2006), Kabatek (2003; 2004; 2005; 2008); the theory of genres with Bakhtin (2003) and Marcuschi (2002; 2008), by seeking to understand the constitution and functioning of the genre in society; the practice of print journalism in the history of the press in Brazil and Pernambuco with Rizzini (1968), Sodré (1999), Pessoa (2002; 2006) and Barbosa (2010); the social history of slavery in Brazil with Freyre (1967/2010; 2006), Schwarcz (1987) and Carvalho (2010); and the linguisticdiscursive analyses that support the work of Oesterreicher (1994), Pessoa (2003) and Toral (2013). The methodology consists of the historical method and the quantitative and qualitative approach, based on structural analysis, descriptive and interpretative data, and documentary and bibliographic research. The initial research is the investigation of DTs who remained rhetorically located in the slaves escape ads and which ones changed and migrated to the wanted ads. However, the announcement of slaves escape, as DT of print culture, the newspaper, is shown as production of semicultos (half-literate), i.e., authors with restricted writing competence, carrying traces of speech to textual written elaboration. Analyses show that such ads are very close to what Oesterreicher termed “communicative immediacy”, with truncated syntax, no punctuation or improper punctuation and absence of syntactic elements that contribute to the breakdown in the discursive topic, among others. The current analysis do not intend to submit the data to the demands of a theory, but to value the newspaper as a historical source of slaves escape advertisements (diachrony) and its transformation into wanted fugitives ads (synchrony) as legitimate DTs both for linguistic analysis, as for social history. When we talk about repetition, retrieval, update and tradition, we believe that a particular language, such as Brazilian Portuguese, is affected by sociohistorical aspects and, as a result, there are traditional elements that become immutable and others who are vulnerable to change, favoring thus the language change.
Bölling, Gordon. "History in the making : Metafiktion im neueren anglokanadischen historischen Roman /". Heidelberg : Winter, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2832122&prov=M&dokv̲ar=1&doke̲xt=htm.
Pełny tekst źródłaRoy, Michaël. "« My Narrative is just published » : publication, circulation et réception des récits d'esclaves africains-américains, 1825-1861". Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCD080.
Pełny tekst źródłaThis dissertation is at the crossroads of two distinct disciplinary fields : African American studies and the history of the book. More specifically, it examines the publication, circulation, and reception of antebellum slave narratives—the narratives of Frederick Douglass, William Wells Brown, and Harriet Jacobs, as well as a number of lesser-known works. The story of the slave narrative is well rehearsed : narratives of ex-slaves, critics say, were usually written in collaboration with white abolitionists, with antislavery societies subsidizing publication ; they met with considerable success, going through multiple editions and selling in the tens of thousands ; they were largely directed toward a northern white audience ; and they soon emerged as a distinct genre in antebellum America. None of these statements is fundamentally untrue. The overall picture they paint of antebellum slave narratives is, however, a distorted one. Slave narratives were produced through a variety of authorial economies. Investigating these economies allows to shed new light not only on the slave narrative as a genre, but also on African Americans’ print practices at a time when the publishing industry was still emerging and when book people were reluctant to publish and distribute antislavery literature—at least before Harriet Beecher Stowe’s Uncle Tom’s Cabin came out in 1852. Acknowledging the heterogeneous and fluid nature of what is often perceived as a homogeneous and strictly codified genre gives us a better sense of how slave narratives might have been variously received and consumed in the decades preceding the Civil War
McIntyre, Katherine. "Fugitive Poetics: Ecological Resistance in the Plantation Era". Thesis, 2020. https://doi.org/10.7916/d8-hxh0-hy38.
Pełny tekst źródłaKsiążki na temat "Fugitive in literature"
Eva, the fugitive. Berkeley: University of California Press, 1990.
Znajdź pełny tekst źródłaMichaels, Anne. Fugitive pieces. Thorndike, Me: Thorndike Press, 1997.
Znajdź pełny tekst źródłaFugitive pieces. London: Bloomsbury, 1997.
Znajdź pełny tekst źródłaMichaels, Anne. Fugitive pieces. New York: A.A. Knopf, 1997.
Znajdź pełny tekst źródłaMichaels, Anne. Fugitive pieces. Toronto: McClelland & Stewart, 1996.
Znajdź pełny tekst źródłaMichaels, Anne. Fugitive pieces. London: Bloomsbury, 1998.
Znajdź pełny tekst źródłaMichaels, Anne. Fugitive pieces. New York: Alfred A. Knopf, 1997.
Znajdź pełny tekst źródła1939-, Beekman E. M., red. Fugitive dreams: An anthology of Dutch Colonial literature. Amherst: University of Massachusetts Press, 1988.
Znajdź pełny tekst źródła1949-, Finkelman Paul, red. Fugitive slaves and American courts: The pamphlet literature. New York: Garland Pub., 1988.
Znajdź pełny tekst źródłaThe fugitive race: Minority writers resisting whiteness. Jackson: University Press of Mississippi, 2002.
Znajdź pełny tekst źródłaCzęści książek na temat "Fugitive in literature"
Grimwood, Marita. "The Poetic Novel: Anne Michaels’s Fugitive Pieces". W Holocaust Literature of the Second Generation, 109–32. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230605633_6.
Pełny tekst źródłaHorváth, Rita. "“The Magical Properties of Creative Sameness: The Role of Translation in Anne Michaels’s Fugitive Pieces”". W Translating Holocaust Literature, 81–88. Göttingen: V&R Unipress, 2015. http://dx.doi.org/10.14220/9783737005012.81.
Pełny tekst źródłaStenner, Rachel. "Sheep, Beasts, and Knights: Fugitive Alterity in Edmund Spenser’s The Faerie Queene Book VI, and The Shepheardes Calender". W Palgrave Studies in Animals and Literature, 167–79. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39773-9_12.
Pełny tekst źródłaGivens, Jarvis R. "Literate Slave, Fugitive Slave". W The Future is Black, 22–30. New York, NY : Routledge, 2019.: Routledge, 2020. http://dx.doi.org/10.4324/9781351122986-5.
Pełny tekst źródłaHook, Andrew. "Fugitives and Agrarians". W A Companion to the Literature and Culture of the American South, 420–35. Oxford, UK: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470756935.ch24.
Pełny tekst źródłaO'Gorman, Farrell. "The Fugitive-Agrarians and the Twentieth-Century Southern Canon". W A Companion to the Regional Literatures of America, 286–305. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470999080.ch18.
Pełny tekst źródłaWong, Edlie L. "Choosing Kin in Antislavery Literature and Law". W Neither Fugitive nor Free, 77–127. NYU Press, 2009. http://dx.doi.org/10.18574/nyu/9780814794555.003.0002.
Pełny tekst źródła"Fugitive Conclusions or the Inescapability of Captivity, Flight, and Fugitive Narration". W The Black Border and Fugitive Narration in Black American Literature, 248–57. De Gruyter, 2022. http://dx.doi.org/10.1515/9783110761030-004.
Pełny tekst źródłaRusert, Britt. "Sarah’s Cabinet". W Fugitive Science. NYU Press, 2017. http://dx.doi.org/10.18574/nyu/9781479885688.003.0006.
Pełny tekst źródłaRusert, Britt. "Conclusion". W Fugitive Science. NYU Press, 2017. http://dx.doi.org/10.18574/nyu/9781479885688.003.0007.
Pełny tekst źródłaStreszczenia konferencji na temat "Fugitive in literature"
Townsend, Aaron K., i Michael E. Webber. "Technical and Economic Analysis of a Waste-to-Energy Plant for Austin, Texas Under a Range of Greenhouse Gas Emissions Prices". W ASME 2010 4th International Conference on Energy Sustainability. ASMEDC, 2010. http://dx.doi.org/10.1115/es2010-90146.
Pełny tekst źródłaLegault, Xavier, Abdel-Hakim Bouzid i Ali Salah Omar Aweimer. "Mechanical Characterization of Valve Compression Packing at High Temperature". W ASME 2019 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/imece2019-10103.
Pełny tekst źródłaMoghadam, A., i A. N. Corina. "Modelling Stress Evolution in Cement Plugs During Hydration". W 56th U.S. Rock Mechanics/Geomechanics Symposium. ARMA, 2022. http://dx.doi.org/10.56952/arma-2022-0966.
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