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Obrist, Johann Markus. ""What you see is painting" : Studien zum Werk von Frank Stella /". Zürich : [s.n.], 1996. http://www.ub.unibe.ch/content/bibliotheken_sammlungen/sondersammlungen/dissen_bestellformular/index_ger.html.
Pełny tekst źródłaGuldner, Stella [Verfasser], i Frank [Akademischer Betreuer] Krüger. "Psychological and neurophysiological correlates of social vocal control / Stella Guldner ; Betreuer: Frank Krüger". Mannheim : Universitätsbibliothek Mannheim, 2021. http://d-nb.info/1233967134/34.
Pełny tekst źródłaMöhrle, Stella [Verfasser], Andreas [Akademischer Betreuer] Oberweis i Frank [Akademischer Betreuer] Schultmann. "Case-Based Decision Support for Disaster Management / Stella Möhrle ; Andreas Oberweis, Frank Schultmann". Karlsruhe : KIT Scientific Publishing, 2020. http://d-nb.info/1212583752/34.
Pełny tekst źródłaRosenthal, Stephanie. "Die Farben Schwarz in der New York School Robert Rauschenberg, Ad Reinhardt, Frank Stella und Mark Rothko /". [S.l. : s.n.], 2003. http://kups.ub.uni-koeln.de/volltexte/2005/1465/.
Pełny tekst źródłaRahtz, Dominic. "The rhetoric of literalism : readings in American minimal art 1959-1966". Thesis, University of Surrey, 2001. http://epubs.surrey.ac.uk/931/.
Pełny tekst źródłaPhelan, Richard Kempf Jean. "Le questionnement du cadre par la peinture américaine depuis 1945". Lyon : Université Lumière Lyon 2, 2006. http://demeter.univ-lyon2.fr:8080/sdx/theses/lyon2/2006/phelan_r.
Pełny tekst źródłaMackenzie, Jewel, i n/a. "The Fabric of Art: Investigating the Relationships of Power Between Fabric & Fine Art Through Frank Stella's 'Black Paintings' (1958-1960)". Griffith University. Queensland College of Art, 2005. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20060802.144424.
Pełny tekst źródłaMackenzie, Jewel. "The Fabric of Art: Investigating the Relationships of Power Between Fabric & Fine Art Through Frank Stella's 'Black Paintings' (1958-1960)". Thesis, Griffith University, 2005. http://hdl.handle.net/10072/365967.
Pełny tekst źródłaThesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
Full Text
BACH, CHRISTINA ELIZA. "HOW TO EXPLAIN ART TO DEAD HARES? STRATEGIES OF ART OF THE SECOND POSTWAR: TONY SMITH, FRANK STELLA, DONALD JUDD, FLUXUS GROUP, JOSEPH BEUYS AND ANDY WARHOL". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2003. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=8277@1.
Pełny tekst źródłaO trabalho examina a especificidade das relações culturais e das intermediações sociais instauradas pelas obras de Tony Smith, Frank Stella e Donald Judd, pelos eventos performáticos do Grupo Fluxus, pelas Aktionen de Joseph Beuys, e pela Pop Art de Andy Warhol. O texto é conduzido pela hipótese de que tais poéticas foram fundamentais para uma renovação estatutária da arte, obtida, principalmente, via sucessivas inaugurações de modos inéditos de trocas públicas. Os anos seguintes ao fim da Segunda Guerra Mundial exigiram sérias reavaliações e respondem até hoje pelos mais díspares comportamentos. A seleção pressupõe, em segundo plano, a incidência de um significativo ápice poético estimulado pelas urgências morais. As obras de arte resultantes desse aperto existencial distinguem-se, dentre outras tantas inovações estéticas, por uma extravagante apresentação e uma controvertida índole: fermentaram a contracultura do final da década de 1960, encaminharam os movimentos da seguinte e alimentaram os debates pós-modernistas dos últimos vinte anos.
The present work examines the specificity of the cultural relations and social intermediations established by Tony Smith's, Frank Stella and Donald Judd works, by Fluxus's Grup performatic events, by Joseph Beuys's Aktionen, and by Andy Warhol's Pop Art. The text is driven by the hypothesis that such poetics were fundamental for a statutory renewal of the art, obtained, mainly through successive inaugurations of completely new ways of public exchanges. The following years after the end of the World War II demanded serious revaluations which answers until today to the most disparate behaviors. This present selection of works and authors presupposes, in a second plan, the incidence of a significant poetic apex stimulated by moral urgencies. The resulting works of art of this existential configuration stand out, among other so many aesthetic innovations, by an extravagant presentation and a controverted disposition: they fermented the counterculture of the end of the decade of 1960, guided the movements of the following years and fed the post-modernists debates of the last twenty years.
Speight, Amanda Gaye. "Op writing : text ornamenting vision". Queensland University of Technology, 2008. http://eprints.qut.edu.au/16611/.
Pełny tekst źródłaPhelan, Richard. "Le questionnement du cadre par la peinture américaine depuis 1945". Lyon 2, 2006. http://theses.univ-lyon2.fr/documents/lyon2/2006/phelan_r.
Pełny tekst źródłaThis research began out of a desire to fully understood the importance of the absence of the picture-frame around the paintings of Mark Rothko and Barnett Newman. Such an absence was a descision which participated in the creation of a new aesthetic turned outwards from the canvas. This external aesthetic was fully developed, and indeed is still being developed, in the work of Robert Ryman. What was abandoned was an aesthetic for which the frame was a synecdoche, the model which supposed the painting to be a window onto an illusion. But the absence of a visible frame is not an absence of frame since the ornamental frame is but the visible form of a set of functions, a semiotic system which this dissertation attempts to reconstruct and analyse. This system of the frame forms the work and determines its address, both enunciative and manual. It is this invisible frame which the study tries to render perceptible through an analysis of the iconoclastic and contradictory impulses running through the work of Barnett Newman and Mark Rothko, through the pragmatic resistances to reproduction and to appropriation in that of Robert Ryman, and through the bold brightness strategic to the paintings of Frank Stella and Ellsworth Kelly. It is also to be found at work in the installations current at the end of the twentieth century and at the beginning of the twenty-first. The questionning of the frame therefore is a questionning of the limit and of the gaze such as the contemporary viewer is accustomed to enjoying since Marcel Duchamp. It is also the questionning and renewal of the performance of the artist's hand which forwards the work and gives it edge and energy
Speight, Amanda Gaye. "Op writing : text ornamenting vision". Thesis, Queensland University of Technology, 2008. https://eprints.qut.edu.au/16611/1/Amanda_Speight_Thesis.pdf.
Pełny tekst źródłaHristova, Stella [Verfasser], Franz [Akademischer Betreuer] Petermann, Franz [Gutachter] Petermann i Axel [Gutachter] Kobelt. "Die Funktionalität des selbstverletzenden Verhaltens bei adoleszenten Mädchen und jungen Frauen mit Essstörungen / Stella Hristova ; Gutachter: Franz Petermann, Axel Kobelt ; Betreuer: Franz Petermann". Bremen : Staats- und Universitätsbibliothek Bremen, 2017. http://d-nb.info/1153119277/34.
Pełny tekst źródłaThomas, Lukas Benjamin [Verfasser], Jörg H. [Akademischer Betreuer] Stehle, Jörg H. [Gutachter] Stehle i Stefan [Gutachter] Frank. "Einfluss von Melatonin auf das hippocampale Lernen bei der Maus / Lukas Benjamin Thomas ; Gutachter: Jörg H. Stehle, Stefan Frank ; Betreuer: Jörg H. Stehle". Frankfurt am Main : Universitätsbibliothek Johann Christian Senckenberg, 2020. http://d-nb.info/1215756232/34.
Pełny tekst źródłaBaudouin, Jean-Baptiste. "Modeling and simulation with molecular dynamics of the edge dislocation behavior in the presence of Frank loops in austenitic stainless steels Fe-Ni-Cr". Thesis, Lyon, INSA, 2014. http://www.theses.fr/2014ISAL0055/document.
Pełny tekst źródłaAustenitic stainless steels are widely used in the nuclear industry as internals. These structures reside mainly in the reactor vessel and, due to their proximity with fuel assemblies, are subjected to severe operating conditions. These elements are exposed to high irradiation doses which can reach 100 dpa after 40 years of operating, at a temperature close to 350°C. These operating conditions affect the microstructure of steels and their mechanical behavior, which leads to the deterioration of their mechanical properties and their corrosion resistance. The objective of this PhD research work is to establish at the atomic scale a constitutive law describing the edge dislocation motion in a random Fe-Ni10-Cr20 solid solute solution, to bring a comprehensive understanding of the interaction mechanism between the edge dislocation and the Frank loops and to investigate the effect of temperature, alloying random generator, orientation and size of the Frank loop on the mechanical stress. To achieve these objectives, molecular dynamics simulations were conducted with a recently developed FeNiCr potential used to mimic the behavior of austenitic stainless steels. These simulations have been performed in static conditions as well as at 300 K, 600 K and 900 K and the interactions realized for loop sizes of 2nm and 10nm. A constitutive law taking into account the temperature and strain rate is proposed; the interaction between the edge dislocation and the Frank loop revealed 3 kinds of interaction mechanisms: simple shearing, unfaulting and absorption of the loop. Absorption is the most stable mechanism; the analyses of the resulting mechanical properties have shown that the unfaulting mechanism requires the highest stress to make the dislocation overcome the obstacle. On the other hand, contrary to previous studies, the unfaulting of the loop surface occurs only when the dislocation comes into contact with the edge dislocation; for the 2 nm Frank loop size, the coupling between the probability of the outcome of the reaction and the average strength of the obstacle constitutes useful data for Dislocation Dynamics simulations. The observations of the resulting Frank loop configurations following the interaction with the dislocation allow justifying the emergence of clear bands observed in TEM. This work has been partially supported by the European Commission FP7 with the grant number 232612 as part of the PERFORM 60 project
Frank, Matthias Johannes [Verfasser], i E. K. [Akademischer Betreuer] Grebel. "Observational Dynamics of Low-Mass Stellar Systems - The Mass Content of Ultra-Compact Dwarf Galaxies and Diffuse Globular Clusters / Matthias Johannes Frank ; Betreuer: E. K. Grebel". Heidelberg : Universitätsbibliothek Heidelberg, 2012. http://d-nb.info/1177808978/34.
Pełny tekst źródłaAlonso, Frank Micael [Verfasser], Sannakaisa [Gutachter] Virtanen i Aldo R. [Gutachter] Boccaccini. "Functionalization of Steels and other Metallic Materials with Hydrophobic Layers - Influence on Wetting and Corrosion Resistance / Micael Alonso Frank ; Gutachter: Sannakaisa Virtanen, Aldo R. Boccaccini". Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2017. http://d-nb.info/1150964286/34.
Pełny tekst źródłaArbak, Murat [Verfasser], Marion [Akademischer Betreuer] Merklein, Marion [Gutachter] Merklein, Tekkaya A. Erman [Gutachter], Marion [Herausgeber] Merklein, Jörg [Herausgeber] Franke, Manfred [Herausgeber] Geiger i Michael [Herausgeber] Schmidt. "Material Adapted Design of Cold Forging Tools Exemplified by Powder Metallurgical Tool Steels and Ceramics / Murat Arbak ; Gutachter: Marion Merklein, A. Erman Tekkaya ; Betreuer: Marion Merklein ; Herausgeber: Marion Merklein, Jörg Franke, Manfred Geiger, Michael Schmidt". Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2012. http://d-nb.info/118517107X/34.
Pełny tekst źródłaMancino, Antonio. "On the structural and dynamical properties of a new class of galaxy models with a central BH". Master's thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amslaurea.unibo.it/18722/.
Pełny tekst źródłaOakshott, Stephen Craig School of Information Library & Archives Studies UNSW. "The Association of Libarians in colleges of advanced education and the committee of Australian university librarians: The evolution of two higher education library groups, 1958-1997". Awarded by:University of New South Wales. School of Information, Library and Archives Studies, 1998. http://handle.unsw.edu.au/1959.4/18238.
Pełny tekst źródłaKuo-Yu, Hsieh, i 謝國昱. "A Study of the Style of Art by Frank Stella (1936 -)". Thesis, 2003. http://ndltd.ncl.edu.tw/handle/89198116777418613286.
Pełny tekst źródła國立屏東師範學院
視覺藝術教育學系碩士班
92
In 1959, Frank Stella who was famous for black-stripe paintings in the world of America Art influenced the creation of modern and post-modern painter, and the visual experience and artistic attitude of art commentator by his specific style and characteristics of art. This research is going to discuss the development of Frank Stella’s art works and the analysis of his product’s style deeply. In order to achieve the purpose of research, this research will be proceed in the way of combining the analysis of history, style model, and art sociology. By the discussion of this research, we will discover that the difference of variation of style is massive in the present creation created by Frank Stella. Each of his serial creation shows that he emphasizes on the essential---“space” in his works. We also find out that the modern-art environment inspires his creation of art very much. After he visited the retrospective show of Jasper Johns’ America flag and Pablo Picasso, he had a lot of inspiration on his creation of art. Besides, his traveling experience and the favorite hobby of automobile race sport also influences some of his serial theme creation and thinking. The artistic style of Frank Stella can be divided into four periods, and the appellation and characteristics of each period are listed as below: (1) Period of student (period of imitation and Abstract Expressionism) - 1954~1958: In this period, Frank Stella reformed imitation more than creation. The direction of creation was stressed on the abstract painting. Abstract Expressionism was so popular at that time, therefore the most of style of painting was emphasized on the way of performance of the ism of Abstract Expressionism. (2) Early period (period of shaped-canvas) - 1959~1970: This period was began from the famous “Black Painting Series” to “Protractor series”. In this period, he developed eleven kinds of flat “stripe” paintings, and the main style was performed by the way of two-dimensional space. Besides, one of most manifest characteristics in this period was the changeful variation of the shape of canvas. (3)Middle period (period of half 3-D embossment painting) - 1971~1987: The creation in this period got into the 3-D idea of performance formally that had been pursued by Frank Stella. Therefore, most of works presented the complicated variation of space. Besides, the works were totally different from the early period on the application of color. He started to use colorful and splendid colors to present his works. (4) Recent period (huge three-D creation) - 1987~2002: The works in this period are created by using computer and other metal medium material. The kind of creation is developed from embossment to independent 3-D work, then the designed sample of public art, art of environmental decoration, and the mold of construction are invented, the application of color is more colorful and has more splendid effect of decorative pattern in Baroque style than the past serial works. In this period, no matter what skills used on the application of technic, colors, embossment, or piece together & stick, he is proficient to use them. In the same way, we can say this period is the mature period of the serial works of Frank Stella. We can summarized the characteristics of the four-period serial works as six points as below: (1) These creations are named after the name of place or city which has been traveled, or something is known well or interested (for example, bird’s or one of his friends’ name, or the title of chapter of literature novel). (2) Shaping canvas or canvas of shape. (3) Some works are presented in serial as produced by factory. (4) Attempt of diversiform skill: Combined creation of graphic arts, painting, and the painting of embossment; on the technic aspect, he use the computer imitational pattern, piece together & stick, production of mold, corruption of metal board, and handed painting ; on the aspect of colors, he also use the “industrial” colors on painting. (5) Pursuing for the essential of space. (6) Enthusiasm for “lines and stripes”. Although the styles of each serial product were different massively after Frank Stella became famous in 1958, it is still not very difficult for us to discover that every of his creation has the essential of “stripe” in his artistic works. Except from the pure visual image, decorative ornament of stripe, or the representative of the shape of waves and streamline form, the essential of line plays a very important role in Frank Stella’s works. Moreover, we still have some additional discoveries in this research after we discuss about the style, growing background, and the creative idea of Frank Stella: First, in the serial creation of Frank Stella after middle-period, we could see that the characteristics of variation of colors and the irregularity of form are different from the Minimalism that promotes the extreme simple and pure. Therefore, it needs to think more in details about the most of critic of art to include Frank Stella as the artist of Minimalism. After all, the creative types of modern or post-modern artists are changed with the trend of time, so it will be more meaningful to classify Frank Stella’s works by the types of serial or period. Second, Frank Stella thinks his work is belonged to painting, not sculpture. If we classify by the definition of sculpture, the creation of Frank Stella is truly belonged to sculpture. But when we classify his works by the point of view of “idea”, we could classify his works into painting ; on contrary, if we just classify by general idea, it is sculpture without any questions. So we focus our points on what kind of meaning we could possess to obtain the meaning of artistic style rather than argue on weather the works of Frank Stella is belong to painting or sculpture. Third, Frank Stella emphasizes on “What you see is what I show” in his serial works of early and middle period again and again. Frank Stella doesn’t want the viewers to limit the meaning he wants to express in his works by image. On contrary, he hopes viewers just look, but do not “think” or “guess”. This point of view seems like practicable in the creation of stripe-painting before middle period. But in the creation of post-middle and recent period, the pattern and stripes on Frank Stella’s works are changed and represented according to some kind of image. So it is pretty difficult to demand viewers just look instead of thinking. Forth, although the name of works has no entire relationship with works itself, it is the essential of period and serial needs to be cared specifically on the discussion of style of work and serial works. Thus, I collect the relevant information that is named after works as possible as I could to supply more powerful point of view for the basis of period of works in this article. It is very obviously that Frank Stella plays the role of bridge between the modernism and post-modernism in the trend of development of modern art. Although there are two extremely different criticisms in his works, for example, “His works show the serious and ideal modernism” and “The painting deletes out the human nature”, however, they are both the main characteristics of Frank Stella’s works. By now, he has gotten rid of the humanism of theory of image entirely, and gets into the supreme post-modern territory. His complicated diversification is contrary to the Cubism of Pablo Picasso or Minimalism. His creation is not only impressive inner practice, but also the massive outer consumption of energy. He often describes his works as “physics is stronger than visual”, and his works are always finished under the powerful and tight control. The firm and careless materialism of Frank Stella is the most pure and extreme post-modern art.
Rosenthal, Stephanie [Verfasser]. "Die Farben Schwarz in der New York School: Robert Rauschenberg, Ad Reinhardt, Frank Stella und Mark Rothko / von Stephanie Rosenthal". 2003. http://d-nb.info/975570676/34.
Pełny tekst źródła"How to explain art to dead hares? strategies of art of the second postwar: tony smith, frank stella, donald judd, fluxus group, joseph beuys and andy warhol". Tese, MAXWELL, 2003. http://www.maxwell.lambda.ele.puc-rio.br/cgi-bin/db2www/PRG_0991.D2W/SHOW?Cont=8277:pt&Mat=&Sys=&Nr=&Fun=&CdLinPrg=pt.
Pełny tekst źródła"The expansion of Franke into Egypt". Thesis, 2003. http://hdl.handle.net/10413/4119.
Pełny tekst źródłaThesis (MBA)-University of Natal, Durban, 2003.