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Gotowe bibliografie tematyczne / Forbrydelser

Gotowa bibliografia na temat „Forbrydelser”

Autor: Grafiati

Data publikacji: 26 lipca 2024

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Artykuły w czasopismach na temat "Forbrydelser"

1

Hammerum, Camilla. "Jørn Vestergaard m.fl.: Forbrydelser og andre strafbare forhold - 3. udgave". Nordisk Tidsskrift for Kriminalvidenskab 105, nr 3 (16.12.2018): 378–80. http://dx.doi.org/10.7146/ntfk.v105i3.120573.

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Andenæs, Johs. "Anders Bratholm og Magnus Matningsdal (red) :Straffeloven med kommentarer. Anden Del. Forbrydelser. Universitetsforlaget, Oslo 1995. 1013 s. Kr. 1.350". Lov og Rett 35, nr 09 (1.11.1996): 619–20. http://dx.doi.org/10.18261/issn1504-3061-1996-09-08.

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Loos, Adolf. "Ornament og forbrydelse". Slagmark - Tidsskrift for idéhistorie, nr 27 (4.02.2018): 9–16. http://dx.doi.org/10.7146/sl.v0i27.103868.

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Hyvik, Jens Johan. "«...en Forbrydelse mod Nationen»". Historisk tidsskrift 81, nr 01 (15.02.2002): 55–81. http://dx.doi.org/10.18261/issn1504-2944-2002-01-04.

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Lentz, Lene Wacher, i Jens Myrup Pedersen. "”Hacking” – forbrydelse eller digitalt selvforsvar?" Økonomi & Politik 93, Oktober (20.10.2020): 76–90. http://dx.doi.org/10.7146/okonomi-og-politik.v93ioktober.122529.

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Vi kender først og fremmest ”hacking” som en forbrydelse. De større, opsigtsvækkende ”hacking”-angreb hører vi om i nyhederne. Dog bliver ”hacking”-metoden nu også italesat som en it-sikkerheds-kompetence. Således udbydes flere steder kurser i ”hacking”, og Forsvarets Efterretningstjeneste har oprettet et ”Hackerakademi” for at rekruttere talenter til statens tjeneste. Begrebet ”hacking” kan skabe forvirring, for alt er ikke tilladt for at optimere eller teste sikkerheden ved it-systemer. Denne artikel klarlægger, hvornår der straffes for ”hacking” efter straffeloven. Desuden undersøges, om en it-sikkerhedsaktør må bruge ”hacking” som et forsvar, når it-systemer bliver angrebet af en fjendtlig ”hacker”. I artiklen illustreres, at det kan være vanskeligt at forudsige, hvor grænserne for strafansvar går for den, der vil optimere sikkerheden ved sine systemer.

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Isaacson, Lanae Hjortsvang, i Jens-Martin Eriksen. "Jonatan Svidts forbrydelse: Nye beretninger". World Literature Today 76, nr 1 (2002): 200. http://dx.doi.org/10.2307/40157183.

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PONTOPPIDAN, KNUD. "Om Slägtskabsforholdet mellem Forbrydelse og Sindssygdom". Nordiskt Medicinskt Arkiv 14, nr 8 (24.04.2009): 1–15. http://dx.doi.org/10.1111/j.0954-6820.1882.tb01271.x.

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PONTOPPIDAN, KNUD. "Om Slägtskabsforholdet mellem Forbrydelse og Sindssygdom". Nordiskt Medicinskt Arkiv 14, nr 5 (24.04.2009): 1–28. http://dx.doi.org/10.1111/j.0954-6820.1882.tb01478.x.

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Kärrholm, Sara. "Mord til tiden: Forbrydelse, historie og mediekultur by Gunhild Agger". Scandinavian Studies 86, nr 3 (2014): 373–76. http://dx.doi.org/10.1353/scd.2014.0030.

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Verdoner, Søren. "»Omvendelsesterapi« rettet mod unge LGBT+-personer – en ny nordisk forbrydelse?" Nordisk Tidsskrift for Kriminalvidenskab 109, nr 4 (15.12.2022): 442–57. http://dx.doi.org/10.7146/ntfk.v109i4.135176.

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AbstractThis article investigates recent legal developments regarding the practice of so-called »LGBT+ conversion therapy«. It analyses what positive obligations the Nordic states bear to protect LGBT+ youth against practices of ‘conversion treatments’ under international and regional human rights law. It then goes on to consider the challenges of criminalizing ‘conversion therapy’ and reviews the new Norwegian draft law proposal on its criminalization. The article concludes that the rather limited Nordic debate on the issue has been narrowly focused on balancing the right to privacy against the right to religious freedom. Furthermore, it has failed to pay sufficient attention to the positive obligations states have to protect the dignity of vulnerable groups against degrading and cruel treatment. Finally, the article discusses how measures outside of the criminal law can be used to protect LGBT+ youth against practices like ‘continuing none-acceptance’ that do not fall within the scope of actual ‘conversion therapy’, but which can still cause long-term harm. The article argues that non-acceptance of a child’s sexuality or gender identity might amount to a breach of the parental guardian’s duty of care.

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Książki na temat "Forbrydelser"

1

Bonnesen, Niels. Forbrydelsen Neuengamme. Kbh: A0F, 1995.

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Gråbøl, Sofie. The killing: Forbrydelsen : Trilogy. U.K: Distributed by Arrow Films, 2002.

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Brixvold, Jeppe. Forbrydelse og fremgang: Roman. [Copenhagen]: Gyldendal, 2007.

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Brixvold, Jeppe. Forbrydelse og fremgang: Roman. [Copenhagen]: Gyldendal, 2007.

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Jensen, Bent. Forbrydelse, straf og afsoning i Danmark. København: Gyldendal, 2015.

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Stensager, Anders Otte. Nazilægen Josef Mengele: Liv og forbrydelse. Hellerup: Documentas, 2008.

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Dødens engel Josef Mengele: Liv og forbrydelse. Wyd. 2. København: People's Press, 2011.

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Agger, Gunhild. Mord til tiden: Forbrydelse, historie og mediekultur. Aalborg: Aalborg Universitetsforlag, 2013.

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Lammers, Karl Christian. Fascination og forbrydelse: Den nazistiske tid 1919-1945. [Denmark]: Akademisk forlag, 1992.

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Taarup, Liselotte. Bolines femte reinkarnation: En fortælling om forbrydelse og kærlighed. [Copenhagen]: Gyldendal, 1986.

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Części książek na temat "Forbrydelser"

1

Redvall, Eva Novrup. "Prime-time Public Service Crime: Forbrydelsen/The Killing". W Writing and Producing Television Drama in Denmark, 159–82. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137288417_8.

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"FORBRYDELSEN". W Jesus, 40–49. Aarhus University Press, 2018. http://dx.doi.org/10.2307/j.ctv34wmq9d.6.

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Hansen, Kim Toft. "Forbrydelsens ondskab". W Viden om drab, 171–82. Aarhus University Press, 2013. http://dx.doi.org/10.2307/jj.608270.19.

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Letort, Delphine. "Adapting Nordic Noir: From Forbrydelsen to The Killing". W Noir in the North. Bloomsbury Academic, 2020. http://dx.doi.org/10.5040/9781501342899.ch-003.

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"Does Crime Pay? Forbrydelsen (The Killing) and the Thriving of Nordic Noir". W Beyond the Bridge. I.B.Tauris, 2017. http://dx.doi.org/10.5040/9781350985520.ch-003.

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Gustafsson, Tommy, i Pietari Kääpä. "Introduction: Nordic Genre Film and Institutional History". W Nordic Genre Film, 1–18. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748693184.003.0001.

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Streszczenie:

The demand for all areas of Nordic film and television culture outside the borders of the Nordic countries may come as no surprise. The popularity of television shows such as The Killing (Forbrydelsen, 2007) and The Bridge (Bron|Broen, 2011) both domestically and internationally have increased the profile of Nordic media while the crime novels of Henning Mankell and Stieg Larsson have penetrated the American market – the barometer for global Commercial ‘relevance’. The Guardian in the UK has published several articles on the craze, noting how the protagonist of the original Danish version of The Killing, detective Sarah Lund, has become an unlikely fashion icon with her knitted sweaters. While a certain type of Nordic film – the existential artistry of a Dreyer, a Bergman or a Kaurismäki – has existed at the periphery of this global consciousness, such perceptions are clearly shifting as the contemporary situation seems to be more characterised by Nordic contributions to global popular culture instead of the more traditional frameworks of artistic or experimental relevance. How did we get to this situation? In short, how did the media products of this small region of the world become part of global popular culture?

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Redvall, Eva N. "Nordic Noir as a Calling Card: The International Careers of Danish Film and Television Talent in the 2010s". W Nordic Film Cultures and Cinemas of Elsewhere, 190–204. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474438056.003.0015.

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This chapter examines the transnational success of drama serials such as Forbrydelsen/The Killing (2007-2012) and Borgen (2010-2013) and the popularity of a special kind of ’Nordic Noir’ crime drama, the Danish television production landscape enjoyed an unprecedented international interest in the early 2010s. While the series found widespread circulation and sparked new discourses on subtitled content that challenges dominant English-speaking fare, the interest in what was perceived as a highly professional public service production culture simultaneously created new possibilities for Danish talent to launch A-list careers on the global television stage. This study further analyses this new circulation of talent, focusing on how the Danish practitioners have experienced the move to the international production landscape, particularly on what they perceive as similarities and differences between Danish and US production cultures. The chapter also explores what can be regarded as the benefits of this kind of transnational flow of talent; for the international productions as well as for the national series when directors and actors move back and forth between the Nordic region and the rest of the world, creating different kinds of ’Nordic elsewheres’, on screen and behind the screen.

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