Artykuły w czasopismach na temat „For inquiring into the history and antiquities”

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1

Naylor, John. "Portable Antiquities Scheme". Medieval Archaeology 64, nr 2 (2.07.2020): 354–75. http://dx.doi.org/10.1080/00766097.2020.1835283.

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Womersley, David. "Gibbon's unfinished History: the French Revolution and English political vocabularies". Historical Journal 35, nr 1 (marzec 1992): 63–89. http://dx.doi.org/10.1017/s0018246x00025619.

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AbstractOn Gibbon's death his papers contained an incomplete and unpublished essay on the genealogy of the European dynasty of which the British royal family was a branch, entitled The antiquities of the house of Brunswick. This article explains why Gibbon began this work, and why he laid it aside. Beginning by describing the nature and purpose of literature on Hanoverian genealogy in the earlier eighteenth century, and proceeding to relate the content of the Antiquities to the politics of Blackstone and Hume, the article identifies the Antiquities as a distinctively ancien régime defence of British political life and institutions which was elicited from Gibbon by the early months of the French revolution. The abandonment of the Antiquities is then explained as part of Gibbon's shocked response to the deepening gravity of events in France after the September massacres. In the polarized political atmosphere which ensued, the literary finesse of the Antiquities ran the risk of being confused with disaffection. That risk was increased when Gibbon and The decline and fall began to be used by radicals as auxiliaries in their attack on England's ancien régime. The textual history of the Antiquities allows us to perceive the rapidity with which the connotations and ownership of certain political vocabularies in England changed during the early 1790s.
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Bolger, Diane. "Cypriot Antiquities". Classical Review 55, nr 1 (marzec 2005): 331–34. http://dx.doi.org/10.1093/clrevj/bni182.

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Lash, Ahmed, i Hala Qasem Al-Syoof. "Antiquities laws and regulations issued in Jordan from 1923 to 2013". Jordan Journal for History and Archaeology 16, nr 3 (31.10.2022): 225–41. http://dx.doi.org/10.54134/jjha.v16i3.660.

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The Department of Antiquities, established in 1923, is one of the first governmental departments established after the foundation of the modern state of Jordan. For the purposes of organizing archaeological work, the Jordanian government has issued during the past hundred years several laws related to the legalization of archaeological work and the protection of antiquities, numbering seven, the first of which was the Law of Antiquities of 1925 and the last of which was Law No. 21 of 1988, followed by many amendments and regulations. The most recent of these was the Law Amending the Antiquities Law No. (55) of 2008. In this paper, we reviewed all antiquities laws, regulations, and amendments that occurred to them from 1923 to 2013, and discussed them, highlighting their strengths and weaknesses, and their contribution to protecting the Jordanian cultural heritage.
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Doherty, Stephen, Lisa Ford, Kirsten McKenzie, Naomi Parkinson, David Roberts, Paul Halliday, Zoe Laidlaw, Alan Lester i Philip Stern. "Inquiring into the Corpus of Empire". Journal of World History 32, nr 2 (2021): 219–40. http://dx.doi.org/10.1353/jwh.2021.0022.

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Bryan, B., i Bernard V. Bothmer. "Antiquities from the Collection of Christos G. Bastis, Part I Egyptian Antiquities". Journal of Egyptian Archaeology 77 (1991): 202. http://dx.doi.org/10.2307/3821977.

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Mugnai, Niccolò, Julia Nikolaus, David Mattingly i Susan Walker. "Libyan Antiquities at Risk: protecting portable cultural heritage". Libyan Studies 48 (22.08.2017): 11–21. http://dx.doi.org/10.1017/lis.2017.8.

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AbstractThis article provides an outline of the Libyan Antiquities at Risk (LAaR) project, which has developed a reference database and website recording Libyan antiquities that are under threat of being stolen and sold on the illegal art market. Since the Arab Spring in 2011 and the subsequent political instability, the number of antiquities that are trafficked out of Libya has risen sharply. The illustrated reference collection created by LAaR is mainly aimed at customs officials, international agencies, museum curators, the police and cultural heritage sector, to alert them about the likelihood of Libyan provenance of previously unrecorded material of similar appearance to known pieces, and thereby help to prevent the sale of Libyan antiquities on the illegal art market. LAaR is a collaboration between the Society for Libyan Studies and the University of Leicester.
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Dawson, N. M. "‘National Antiquities’ and the Law". Journal of Legal History 28, nr 1 (kwiecień 2007): 57–92. http://dx.doi.org/10.1080/01440360701237848.

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Sotiriou, Konstantinos-Orfeas. "The F Words: Frauds, Forgeries, and Fakes in Antiquities Smuggling and the Role of Organized Crime". International Journal of Cultural Property 25, nr 2 (maj 2018): 223–36. http://dx.doi.org/10.1017/s0940739118000127.

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Abstract:The phenomenon of antiquities smuggling is a complicated issue. The lack of official data makes it difficult to do an integrated analysis of the problem. The aim of this article is to present an accurate view of antiquities smuggling in the recent past. After gaining official permission from the Greek police, we examined 246 official arrests made by the Greek Department against Antiquities Smuggling (Athens Office) that occurred between 1999 and 2009. First and foremost, our results revealed that many arrests showed instances of fake antiquities. Moreover, it seems that there is a connection between organized crime and antiquities forgery. In addition, people with higher status are more often involved in antiquities forgery. With respect to the stolen objects, coins were by far the most preferred objects when it comes to forgery, and forgers are also using mostly bronze when it comes to these forgeries. Antiquity looting seems to have many hidden aspects, and the varied natured of antiquities smuggling requires the cooperation of a range of competent authorities and an in-depth investigation of the data, which should be based on the principles of the scientific method.
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Kenrick, Philip. "Supporting cultural tourism in Libya – a brief history". Libyan Studies 50 (22.10.2019): 51–57. http://dx.doi.org/10.1017/lis.2019.5.

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AbstractTourists come to Libya for two reasons: to admire the antiquities and/or to experience the natural wonders of the desert. The flow of tourists in the twentieth and twenty-first centuries has been very variable, depending on political circumstances. As a result, the availability of authoritative guidebooks to the antiquities has also been variable. During the years immediately prior to the 2011 revolution, the Society for Libyan Studies has promoted the publication of new Libya Archaeological Guides, both in English for foreign visitors and (progressively) in Arabic for the benefit of the Libyan population.
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Finkelstein, Ari. "Taking Herod to Task: Source Critical and New Historical Methods of Reading Herod’s Trial". Journal for the Study of Judaism 50, nr 3 (29.08.2019): 403–22. http://dx.doi.org/10.1163/15700631-15031212.

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AbstractFor nearly three decades scholars of the first-century Jewish historian, Flavius Josephus, have debated this author’s methodologies and goals in writing his Jewish Antiquities. While source-critics view Josephus as a compiler, new historians have chosen to read Antiquities as primarily a literary work which reveals social, political, and intellectual history. A series of recent publications place these methodologies side by side but rarely coordinate them, which leaves out important insights of each group. At stake is how we moderns read Jewish history of the first century CE. I explore how parallel accounts of Herod’s trial while he was Tetrarch of the Galilee in Jewish War and in Antiquities can be justified by employing source-critical analysis as a first step to explain the changes made to the text of Antiquities before turning to new historians’ methodologies. We can better understand the function of Herod’s trial in Antiquities through this process.
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Suber, David Leone, Luca Mazzali, Guido Thomas Heins, Pietro Matteoni, Marco Tiberio, Sanaz Zolghadriha i Ben Bradford. "Antiquities trafficking in conflict countries: A crime-mapping approach". International Journal of Cultural Property 29, nr 4 (listopad 2022): 531–61. http://dx.doi.org/10.1017/s0940739122000248.

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AbstractStudies on antiquities trafficking have often been overshadowed by research looking at the trafficking of human beings, drugs, and weapons, a fact partly motivated by the arguably higher relevance and greater security implications involved in these other forms of illicit trade. However, the past decade of conflicts in the Middle East has revived an interest in the study of antiquities trafficking networks.1 The association between the growing size of the illicit antiquities market and conflicts in the region did not go unnoticed by crime scientists and criminologists looking deeper at the relation between the trafficking of antiquities and transnational organized crime.2
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Gill, David, i Christopher Chippindale. "The Trade in Looted Antiquities and the Return of Cultural Property: A British Parliamentary Inquiry". International Journal of Cultural Property 11, nr 1 (styczeń 2002): 50–64. http://dx.doi.org/10.1017/s0940739102771579.

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The British parliamentary report on Cultural Property: Return and Illicit Trade was published in 2000. Three key areas were addressed: the illicit excavation and looting of antiquities, the identification of works of art looted by Nazis, and the return of cultural property now residing in British collections. The evidence presented by interested parties—including law enforcement agencies and dealers in antiquities—to the Culture, Media and Sport Committee is assessed against the analysis of collecting patterns for antiquities. The lack of self regulation by those involved in the antiquities market supports the view that the British Government needs to adopt more stringent legislation to combat the destruction of archaeological sites by looting.
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14

Lane, Andrew. "Emperor's Dream to King's Folly: The Provenance of the Antiquities from Lepcis Magna Incorporated into the ‘Ruins’ at Virginia Water (part 2)". Libyan Studies 43 (2012): 67–80. http://dx.doi.org/10.1017/s0263718900009870.

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AbstractIn the grounds of Windsor Great Park stands an elaborate folly in the form of an idealised classical ruin. Built at the beginning of the nineteenth century, the ruins are constructed almost entirely from reused material. This includes an important assemblage of antiquities from the Roman site of Lepcis Magna, in Libya. Whilst the origin of the collection has never been forgotten, there has been no attempt to establish the provenance of the individual elements. Through a process of comparison, this article establishes where most of the antiquities originated. Increasing our knowledge of both this important folly and the collection of incorporated antiquities, this article also explores the nature of Warrington's work at Lepcis Magna.
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15

Chippindale, C., D. Gill, E. Salter i C. Hamilton. "Collecting the classical world: first steps in a quantitative history". International Journal of Cultural Property 10, nr 1 (styczeń 2001): 1–31. http://dx.doi.org/10.1017/s0940739101771184.

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Of the two values of ancient objects, the connoisseur's first concern is with the object today, and the archaeologist's is with its past place and the knowledge it offers about the past. Central to both is provenance, which comprises the 'archaeology' of the item - its story until it went to rest in the ground - and its 'history' - its story once found and brought to human awareness again. Our response to looting of antiquities depends on how serious is the impact on knowledge, so we need a 'quantitative history' of collecting - how much there was to start with, how much has been dug up, how much we know about it, how much remains. Four quantitative histories are reported: on Cycladic figures, on items in recent celebrated classical collections, on antiquities sold at auction in recent decades, and on classical collecting at the Ashmolean Museum, Oxford. These pioneering studies are not yet enough to make a clear overall picture; our preliminary conclusion is a glum view of the damage caused by the illicit pursuit of antiquities.
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Ede, J. "Ethics, the antiquities trade, and archaeology". International Journal of Cultural Property 7, nr 1 (styczeń 1998): 128–31. http://dx.doi.org/10.1017/s0940739198770110.

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This article presents the perspective of a long-time dealer in ancient art and antiquities on the many attacks on the antiquities trade. After a brief historical review of collecting and the different national approaches to control of export of archaeological materials, the author presents an analysis of why the more draconian of the legal systems defeat their intended purposes and are themselves unethical in that they promote the destruction of archaeological sites and the black market in antiquities.
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17

Brodie, Neil. "Through a Glass, Darkly: Long-Term Antiquities Auction Data in Context". International Journal of Cultural Property 26, nr 3 (sierpień 2019): 265–83. http://dx.doi.org/10.1017/s094073911900016x.

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Abstract:The antiquities catalogues of major auction houses comprise an accessible long-term source of information about the auction market in antiquities and the market in antiquities more generally. The information contained in these catalogues has been used to investigate the nature and scale of the market and to assess the impact of legal and normative measures of market control. But, by way of two case studies, referencing Iraqi and Cambodian material sold at the New York branch of Sotheby’s, this article argues that, while auction catalogues do provide an invaluable source of information for investigating the antiquities market, it can be misleading. Changing material or monetary statistics might reflect commercial factors unrelated to market control. For more reliable research, long-term auction data should be contextualized with information available from other sources.
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Tsirogiannis, Christos. "antiquities market we deserve: 'Royal-Athena Galleries' (1942-2020)". Acta ad archaeologiam et artium historiam pertinentia 32, nr 18 N.S. (13.09.2021): 147–75. http://dx.doi.org/10.5617/acta.9024.

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On September 13, 2020 a quarter of a century had elapsed since the Swiss and Italian authorities raid in the Free Port of Geneva, on the warehouses of Giacomo Medici, later convicted of involvement in cases of trafficked antiquities. Since then, many other raids followed on properties of other notorious antiquities traffickers, thousands of antiquities were confiscated from them and their invaluable archives were discovered and seized. The research on these archives resulted in hundreds of notable repatriations so far, but mainly in the enrichment of our knowledge about the criminal way in which the so-called ‘reputable’ members of the international antiquities market have been acting since the 1970 UNESCO Convention, which they completely ignored in practice. Despite the numerous occasions on which these ‘reputable’ members were identified as involved, even today they continue to act in the same way, some without any (or known) legal sanctions. This chapter reviews the illicit associations of one of these ‘prominent’ members of the international antiquities market, the ‘Royal-Athena Galleries’ in New York, a gallery run by the antiquities dealer Jerome Eisenberg, who has repeatedly been found selling looted, smuggled and stolen antiquities. I then present seven antiquities, most of them identified in October 2019, one in March 2020, soon before the retirement of Jerome Eisenberg and the closure of ‘Royal-Athena Galleries’ on October 31, 2020. This piece lays out all the relevant evidence from the confiscated archives and combines everyone involved to illustrate the network that ‘circulated’ these seven objects. This case study also highlights all the problems that are ongoing in this research field, proving that essentially nothing has changed since 1995, or even 1970, and we indeed deserve the (illicit) antiquities market we still have. On cover:ANNIBALE CARRACCI (BOLOGNA 1560 - ROME 1609), An Allegory of Truth and Time c. 1584-1585.Oil on canvas | 130,0 x 169,6 cm. (support, canvas/panel/str external) | RCIN 404770Royal Collection Trust / © Her Majesty Queen Elizabeth II 2021.
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Arafat, K. W. "Pausanias' attitude to antiquities". Annual of the British School at Athens 87 (listopad 1992): 387–409. http://dx.doi.org/10.1017/s0068245400015227.

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This article examines the criteria by which the periegete Pausanias selected the objects he discussed. His interest in manifestations of age in the material of artefacts, in their technique, and in their design is considered as a basis for his distinction between the recent and distant past. The historical and social background to his writings is also considered.
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Spencer, A. J., i Rosalie David. "The Macclesfield Collection of Egyptian Antiquities". Journal of Egyptian Archaeology 71 (1985): 1. http://dx.doi.org/10.2307/3821651.

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Rothfield, Lawrence. "The Past Polluted: A Pigovian Approach to the Black Market in Antiquities". International Journal of Cultural Property 26, nr 3 (sierpień 2019): 343–55. http://dx.doi.org/10.1017/s0940739119000201.

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Abstract:In the global struggle to protect not-yet-excavated archaeological sites from looting, despite legal strictures, the playing field remains badly tilted against the site guards, customs officials, antiquities police, and prosecutors who lack the financial resources to enforce existing laws. To supplement and give teeth to the strict, but ineffectual, legal regime now in place, economic theory points to a policy solution: a “pollution tax” on antiquities purchased by residents of “market” countries, designed to internalize the social costs of looting so that the industry either takes measures to clean itself up or pays the government to prevent or mitigate the harm the industry causes. Tailored to fall more heavily on antiquities with weaker provenance or extremely high prices, and channeled into an antiquities-protection “superfund” (as was done to clean up toxic chemical sites) or via existing governmental agencies, a Pigovian tax on antiquities could provide a sustainable funding stream for more robust monitoring and enforcement efforts against the illicit market as well as for better site security. Archaeologists and dealers may find the idea of this kind of tax repugnant, but such feelings may be overcome through sustained discussion and negotiation explaining the benefits to both sides of a more licit regulated market.
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Venturino, S. J. "Inquiring After Theory in China". boundary 2 33, nr 2 (1.06.2006): 91–113. http://dx.doi.org/10.1215/01903659-2006-004.

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Topçuoǧlu, Oya, i Tasha Vorderstrasse. "Small Finds, Big Values: Cylinder Seals and Coins from Iraq and Syria on the Online Market". International Journal of Cultural Property 26, nr 3 (sierpień 2019): 239–63. http://dx.doi.org/10.1017/s0940739119000213.

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Abstract:Discussions about looted antiquities often focus on large, culturally and monetarily valuable items. Nevertheless, it is clear that mundane small finds, which sell for relatively small amounts, account for a large portion of the global market in antiquities. This article highlights two types of small artifacts—namely, cylinder seals and coins, presumed to come from Syria and Iraq and offered for sale by online vendors. We argue that the number of cylinder seals and coins sold on the Internet has increased steadily since 2011, reaching a peak in 2016–17. This shows that the trade in Iraqi and Syrian antiquities has shifted from big-ticket items sold in traditional brick-and-mortar shops to small items readily available on the Internet for modest prices. The continuing growth of the online market in antiquities is having a devastating effect on the archaeological sites in Iraq and Syria as increasing demand fuels further looting in the region.
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Almohamad, Adnan. "The destruction and looting of cultural heritage sites by ISIS in Syria: The case of Manbij and its countryside". International Journal of Cultural Property 28, nr 2 (maj 2021): 221–60. http://dx.doi.org/10.1017/s0940739121000114.

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AbstractThe Islamic State of Iraq and Syria (ISIS) occupied the city of Manbij and its countryside from 23 January 2014 until 12 August 2016. During this period, the region suffered greatly as ISIS monopolized control and brutally imposed its ideology. Fierce battles were fought for the control of oil wells, bakeries, mills, dams, and power stations, all of which were sources of revenue. Antiquities were soon recognized as another potential income source. This article demonstrates the ways in which ISIS began to administer and facilitate the looting of antiquities through the Diwan Al-Rikaz. Within this diwan, ISIS established the Qasmu Al-Athar, which was specifically responsible for looting antiquities. Based on interviews conducted in 2015 and primary documents, this article studies the specific ways in which ISIS facilitated the quarrying and looting of antiquities in Manbij and the rich archaeological sites of its countryside. Further, by examining the damage at a previously undocumented archaeological site, Meshrefet Anz, the looting of antiquities under the direct supervision of the Diwan Al-Rikaz is studied. Using documentary evidence including ISIS’s internal documentation as well as photographs collected by the author between 2014 and 2016, the article demonstrates the methods used by ISIS, reveals its financial motivations, and bears witness to the damage done at specific Syrian heritage sites.
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Sidorova, Irina B. "Heads, assistants and employees of the Museum of Arts and Antiques of Kazan University". Issues of Museology 13, nr 2 (2022): 280–300. http://dx.doi.org/10.21638/spbu27.2022.210.

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The article is devoted to the history of the Museum of Arts and Antiquities of Kazan University. There are different opinions in the literature about who should be considered the founder of the Museum of Arts and Antiquities, who was the first director, who, when and how carried out the reorganization of the museum. The chronological framework of the study — 1870–1922 — also includes the history of the Museum of Ethnography, Antiquities and Fine Arts, which was considered in the literature in terms of collecting local historical, archaeological and ethnographic collections, but in reality laid the foundation for the art collection of Kazan University. The article for the first time describes the circle of persons directly connected with the Museum of Arts and Antiquities of Kazan University, as well as with its predecessor — the Museum of Ethnography, antiquities and fine arts is presented in full. These are professors-heads N.A.Firsov, D.F.Belyaev, D.V.Ainalov, D.I.Naguyevsky, A.M.Mironov; keepers D.A.Korsakov, I.V. Sokolovsky, S.K.Kuznetsov, P.V.Traubenberg, assistants B.P.Denike and K.N.Kravchenko, unofficial assistants of heads, scientific consultants. Through their activities, the continuity of the development of museums, the results of the formation of the library and art collection are traced. The article traces the continuity of the development of museums, the results of the formation of a library and an art collection. The article focuses on the following aspects of the history of the Museum: the status of the museum, financial and logistical support, the number and composition of collections, the role of the museum in scientific, educational and educational work, fate in the Soviet era.
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Thorn, James Copland. "Warrington's 1827 Discoveries in the Apollo Sanctuary at Cyrene". Libyan Studies 24 (1993): 57–76. http://dx.doi.org/10.1017/s0263718900001977.

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AbstractIn the summer of 1827 Colonel Hanmer Warrington, British Consul General in Tripoli, sent his son H. G. Warrington to Cyrene to search for antiquities which the Bashaw of Tripoli had offered to Britain. The article contains copies of the original letters on this subject and gives a description of the antiquities which were discovered during his excavations in the Apollo Sanctuary. Also given is the subsequent history of their journey from Cyrene to London, and then to Edinburgh, where they are now exhibited.
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Michail, Marc. "The legal protection of Egyptian antiquities in light of digital transformation". Journal of Law and Emerging Technologies 2, nr 2 (15.10.2022): 13–52. http://dx.doi.org/10.54873/jolets.v2i2.90.

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Historical and cultural heritage serve as a bridge between a country's history and present and serve to define its identity. Egypt therefore takes all necessary steps to safeguard its historical treasures and antiquities by passing laws that serve this objective. There are, however, gaps in each of these laws and regulation that preclude a strict and thorough protection of the Egyptian antiquities. Utilizing contemporary technology has made it easier to sell illicit Egyptian artefacts. Therefore, the Egyptian antiquities cannot get full protection under the laws in place at this time for their protection. As a result, these laws need to be amended to accommodate the digital revolution period. This study tries to examine and identify all difficulties and barriers that come into contact with the stipulations of existing Egyptian antiquities laws and regulations protecting Egyptian antiquities. It outlines the required changes that must be made to several Egyptian laws and regulations in order to keep up with the digital age while also protecting Egyptian national heritage to the fullest extent possible.
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Hixenbaugh, Randall. "The Current State of the Antiquities Trade: An Art Dealer’s Perspective". International Journal of Cultural Property 26, nr 3 (sierpień 2019): 227–38. http://dx.doi.org/10.1017/s0940739119000183.

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Abstract:The antiquities trade is the subject of contentious debate. The anti-trade position stems from a long unquestioned stance within academia that private ownership of antiquities inherently results in archaeological site destruction and the loss of valuable data. However, there is little data to support this notion. It also ignores the enormous contributions to our shared knowledge of the past that have been made through art collecting and museum acquisitions. The narrative that the destruction of ancient sites is directly tied to Western demand for ancient art is overly simplistic. Despite the ongoing destruction in the Middle East and North African region, virtually no artifacts from there have entered the Western trade in recent years. Opportunistic treasure hunting by desperate locals and intentional destruction of ancient objects for religious reasons cannot be curtailed by increased legislation in Western nations. Fetishizing mundane ubiquitous antiquities as sacrosanct objects of great national importance that must be retained within modern borders in a globalized world and demanding criminalization of the legitimate international art trade are counterproductive. In many archaeologically rich countries, antiquities are regarded as items to sell to foreigners at best or sacrilegious objects to be destroyed at worst. The free trade in cultural objects is itself an institution that needs to be protected. An open legitimate trade in antiquities is now more than ever necessary to ensure the preservation and dissemination of worldwide cultural property.
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Finn, Margot C. "MATERIAL TURNS IN BRITISH HISTORY: III. COLLECTING: COLONIAL BOMBAY, BASRA, BAGHDAD AND THE ENLIGHTENMENT MUSEUM". Transactions of the Royal Historical Society 30 (11.11.2020): 1–28. http://dx.doi.org/10.1017/s0080440120000018.

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ABSTRACTThis lecture explores the history of Enlightenment-era collecting of antiquities to probe the claims to universality of Western museums. Focusing on the British Museum's Enlightenment Gallery, it underscores the imperial and familial contexts of British collecting cultures. Questioning received narratives of collecting which highlight the role played by individual elite British men, it suggests that women, servants and non-European elites played instrumental parts in knowledge production and the acquisition of antiquities. The private correspondence of the East India Company civil servant Claudius Rich – the East India Company's Resident or diplomatic representative at Baghdad 1801–1821 – and his wife Mary (née Mackintosh) Rich illuminates social histories of knowledge and material culture that challenge interpretations of the British Museum's Enlightenment Gallery which privilege trade and discovery over empire.
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Kiss Szemán, Róbert. "Slavic Antiquities and Forgeries as Means for the Shaping of Canons". Studia Slavica Academiae Scientiarum Hungaricae 64, nr 1 (czerwiec 2019): 47–58. http://dx.doi.org/10.1556/060.2019.64105.

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The study deals with the role of Slavic antiquities in the age of national revivals and with the forging of such antiquities. It discusses the subject of Slavic antiquities and forgeries in Central Europe, bringing in the cultural context of Western Europe as well. ‘Antiquity’ is understood to mean a kind of medium that conveyed textual or visual information. The collecting of antiquities became fashionable during the first decades of the 19th century and led to the need for antiquities to be described and categorized. In turn, antiquities served as corpuses for the shaping of modern national cultural canons. It contends that these artefacts, authentic and forged alike, played an important role in moulding the cultural canons of the Slavic nations in Central Europe. An antiquity's canonical value stemmed from its age most of all and an antiquity needed to be linked as specifically as possible to the history and culture of a given nation. The worth of an antiquity was further boosted when it could be connected with historical personages of great significance. Finally, the more mysterious the history of an antiquity, the greater the degree of speculation permissible in regard to interpretations of it. A forged antiquity is basically an objectification informed by the forger's thinking and imagination. A forgery bears not just marks characteristic of past times but also marks of the forger and those of the time in which the forgery was made. It is something which calls an entire system into question, thereby causing bewilderment. From this perplexity, only one phenomenon can derive benefit, namely, the national culture. Important among the motives for the forging of Slavic antiquities was the circumstance that framers of canons felt that the structures of their national cultures were incomplete. Researching the reasons for the forging, the study points out structural gaps in the canons in Central Europe as well as traumas stemming from forgeries. Using four examples taken from Kollár's oeuvre (the Poison Tree of Java, the Slavic idols of Prillwitz, the Queen's Court and Green Mountain manuscripts and Derzhavin's poem God in Japanese and Chinese translation) it presents the most common motives behind Slavic forgeries along with the kinds of fake most frequently encountered; it also shows the processes by which forgeries were exposed for what they were. These examples show that when Kollár worked with antiquities and fake antiquities, playing the imposter and pecuniary advantage were very far from him. On the other hand, as a philologist he became a prisoner of contemporary national canonical and emblematic structures.
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31

Burnett, Laura, i Robert Webley. "Report of the Portable Antiquities Scheme 2019". Post-Medieval Archaeology 55, nr 2 (4.05.2021): 293–304. http://dx.doi.org/10.1080/00794236.2021.1972589.

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32

Bassett, Sarah Guberti. "The Antiquities in the Hippodrome of Constantinople". Dumbarton Oaks Papers 45 (1991): 87. http://dx.doi.org/10.2307/1291694.

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33

Lewis, Michael. "Report of the Portable Antiquities Scheme 2011". Post-Medieval Archaeology 46, nr 2 (listopad 2012): 320–32. http://dx.doi.org/10.1179/0079423612z.00000000019.

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34

LEWIS, MICHAEL. "Report of the Portable Antiquities Scheme 2013". Post-Medieval Archaeology 48, nr 2 (listopad 2014): 412–25. http://dx.doi.org/10.1179/0079423614z.00000000065.

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35

Egan, Geoff. "Report of the Portable Antiquities Scheme 2004". Post-Medieval Archaeology 39, nr 2 (2.09.2005): 328–34. http://dx.doi.org/10.1179/007943205x69816.

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36

Lewis, Michael. "Report of the Portable Antiquities Scheme 2014". Post-Medieval Archaeology 49, nr 2 (4.05.2015): 334–46. http://dx.doi.org/10.1080/00794236.2015.1124199.

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37

Burnett, Laura, i Robert Webley. "Report of the Portable Antiquities Scheme 2015". Post-Medieval Archaeology 51, nr 1 (2.01.2017): 201–7. http://dx.doi.org/10.1080/00794236.2017.1319178.

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38

Burnett, Laura, i Robert Webley. "Report of the Portable Antiquities Scheme 2017". Post-Medieval Archaeology 53, nr 2 (4.05.2019): 284–91. http://dx.doi.org/10.1080/00794236.2019.1654752.

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39

Burnett, Laura, i Robert Webley. "Report of the Portable Antiquities Scheme 2018". Post-Medieval Archaeology 54, nr 2 (3.05.2020): 229–36. http://dx.doi.org/10.1080/00794236.2020.1812301.

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40

Egan, Geoff. "Report of the Portable Antiquities Scheme 2005". Post-Medieval Archaeology 40, nr 2 (wrzesień 2006): 301–15. http://dx.doi.org/10.1179/174581306x160099.

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41

Egan, Geoff. "Report of the Portable Antiquities Scheme 2006". Post-Medieval Archaeology 41, nr 2 (grudzień 2007): 305–17. http://dx.doi.org/10.1179/174581307x318994.

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42

Egan, Geoff. "Report of the Portable Antiquities Scheme 2007". Post-Medieval Archaeology 42, nr 2 (grudzień 2008): 317–31. http://dx.doi.org/10.1179/174581308x381038.

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43

Egan, Geoff. "Report of the Portable Antiquities Scheme 2008". Post-Medieval Archaeology 44, nr 1 (czerwiec 2010): 223–34. http://dx.doi.org/10.1179/174581310x12662382629418.

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44

Richardson, Ian, i Stuart Wyatt. "Report of the Portable Antiquities Scheme 2020". Post-Medieval Archaeology 56, nr 2 (4.05.2022): 215–23. http://dx.doi.org/10.1080/00794236.2022.2139516.

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45

Bentz, Katherine M. "Ulisse Aldrovandi, Antiquities, and the Roman Inquisition". Sixteenth Century Journal 43, nr 4 (1.12.2012): 963–88. http://dx.doi.org/10.1086/scj24244967.

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46

Reeve, Anna. "Antiquities in Airdrie Burgh 1895–2021". Proceedings of the Society of Antiquaries of Scotland 151 (30.11.2022): 277–92. http://dx.doi.org/10.9750/psas.151.1345.

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North Lanarkshire Council Museums is the latest custodian of some of the founding collections of the Airdrie Burgh Museum, which was established in 1895 and closed in 1974. These reflect the wide-ranging interests of their original collectors, encompassing geology, natural history, ethnography and archaeology. This paper focuses on a collection of Mediterranean antiquities which survives today from the establishment of the museum. It results from a project funded by the Society of Antiquaries of Scotland to investigate this collection, and demonstrates that it can be used to examine the museum’s development and changing ethos over the intervening period. Although they were initially keenly sought after and welcomed as valuable gifts, later curators found little use for such objects in streamlined displays focused on local history and culture. Now, curatorial networks and the affordances of digital technology allow such collections of antiquities to be researched and shared with both local and wider audiences, while they can also contribute to local, national and global histories of archaeology, collection and display.
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47

Briggs, Will. "The Preservation of Prophecy in the Jewish Antiquities: Josephus’s Account of Elisha’s Prophecy during the Campaign against Moab". Journal for the Study of Judaism 47, nr 4-5 (24.10.2016): 508–31. http://dx.doi.org/10.1163/15700631-12340461.

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This project builds on the observations of Begg and Feldman by examining how Josephus ensures prophetic accuracy in his account of 2 Kings 3 in Antiquities 9.3.29-44. It examines the questions of Josephus’s source material for this account and the significant issues in the biblical account Elisha’s prophecy of victory before tracing the steps that Josephus takes to ensure its accuracy in Antiquities for his audience. Josephus slightly alters his Hebrew source in order to allow for the campaign’s final retreat and strengthens the connection between 2 Kings 3 with 1 Kings 22:1-40 by adding the concepts of true and false prophecy and rendering Elisha’s address to Joram in 2 Kings 3:13 as sarcasm. These steps, designed to persuade his audience to believe his apologetic account of Jewish history, allow Josephus to preserve the connection between prophecy and history that he makes throughout Antiquities.
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48

Campbell, Peter B. "The Illicit Antiquities Trade as a Transnational Criminal Network: Characterizing and Anticipating Trafficking of Cultural Heritage". International Journal of Cultural Property 20, nr 2 (maj 2013): 113–53. http://dx.doi.org/10.1017/s0940739113000015.

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AbstractThe illicit antiquities trade is composed of a diverse population of participants that gives the appearance of complexity; however, using the network paradigm, a simple underlying structure is revealed based on specific geographical, economic, political, and cultural rules. This article uses a wide range of source material to chart interactions from source to market using a criminal network approach. Interchangeable participants are connected through single interactions to form loosely based networks. These flexible network structures explain the variability observed within the trade, as well as provide the basis behind ongoing debates about the roles of organized crime, terrorism, and the Internet in antiquities trafficking. Finally, a network understanding of trade's organization allows for anticipation, though not necessarily prediction, of antiquities trafficking and offers the opportunity to develop new strategies for combating the trade.
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Rudnickaitė, Eugenija. "WHEN VILNIUS UNIVERSITY WAS CLOSED: THE GEOLOGICAL COLLECTIONS OF VILNIUS UNIVERSITY IN THE VILNIUS MUSEUM OF ANTIQUITIES". Natural Science Education in a Comprehensive School (NSECS) 23, nr 1 (15.04.2017): 46–58. http://dx.doi.org/10.48127/gu/17.23.46.

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In Vilnius University Geology museum gathered, scientifically unique, material was never hidden from society. These resources are perfectly fit for: education, geoscientific knowledge propagation, informal natural science education (Rudnickaitė, 2003; 2007; 2012; ect.). When writing about the geology and mineralogy collections of Vilnius University, the Vilnius Museum of Antiquities and the Department of Natural History of the Museum of Antiquities under the Vilnius Public Library are always necessarily, though often fragmentarily, mentioned. This is an attempt to identify the part of the Geological collections that was transferred to the Vilnius Museum of Antiquities compiled by associate member of the Vilnius Temporary Archaeological Commission, teacher of natural sciences of the Vilnius 1st boys’ gymnasium, Kajetan Tamulewicz (1828-1870), a catalogue of the Department of Natural History of the Museum of Antiquities under the Vilnius Public Library from 1905, a catalogue of mineralogy compiled by a professor of the Vilnius Medicine and Surgery Academy and the author of several textbooks in mineralogy, Ignacy Jakowicki (1794-1847), from 1836 and other known sources. The scientific quality of the collections, their structure and more outstanding exibits are discussed. A small part of the collections, which were taken away in the 1840s and brought back from the Ilya Mechnikov State University in Odessa to the Geology and Mineralogy Museum of Vilnius University by professor Juozas Paškevičius and Eugenija Rudnickaitė on 23 May 1986, has also been used for the research. The author attempts to identify the exibits of the geological collections of Vilnius University that remained in Vilnius and were subsequently transferred to the Vilnius Museum of Antiquities (later, the Museum of Antiquities under the Vilnius Public Library) by comparing the list of exibits returned from the University of Odesa with the data in Jakowicki’s catalogue. It was mentioned in the minutes of the annual session of the Vilnius Temporary Archaeological Commission of 11 January 1858 that the systematically arranged collections became an excellent teaching aid for young people aspiring to education, and during the last year the museum received 11,800 visitors. The author can assert that the Vilnius Museum of Antiquities made a great contribution to society’s education and training of school children, the development of the science of geology and mineralogy in the period when there was no institution of higher education in Lithuania. E.Tyszkiewich had an exclusive role in this activity - he continued geological research even after the closure of the Vilnius Museum of Antiquities. Keywords: Museum of Geology, Vilnius University, Vilnius Museum of Antiquities, informal natural science education, geology, education, museum.
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50

Sánchez Cano, Gaël. "About antiquities: politics of archaeology in the Ottoman Empire". European Review of History: Revue européenne d'histoire 26, nr 3 (29.08.2018): 534–35. http://dx.doi.org/10.1080/13507486.2018.1505300.

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