Gotowe bibliografie tematyczne / Fontainebleau palace

Spis treści

  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek

Gotowa bibliografia na temat „Fontainebleau palace”

Autor: Grafiati
Data publikacji: 28 lipca 2024
Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Fontainebleau palace"

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Whitman, Nathan T. "Fontainebleau, the Luxembourg, and the French Domed Entry Pavilion." Journal of the Society of Architectural Historians 46, no. 4 (1987): 356–73. http://dx.doi.org/10.2307/990274.

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In this paper I trace the emergence, development, and demise of a hitherto largely ignored but peculiarly French architectural type, the domed entry pavilion. The essential features of the Porte Dauphine at Fontainebleau are traced to the elder du Cerceau's projects for portals at Verneuil I and Charleval combined with suggestions drawn from temporary structures erected for royal entries, particularly that of Henry IV into Rouen. I then propose that the formal logic of the Porte Dauphine compels one to interpret it as an architectural proclamation of Henry's emerging claim to royal absolutism,
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DINU, Ștefania. "VIZITA SUVERANILOR ROMÂNIEI MARI ÎN FRANȚA (9 - 12 APRILIE 1924)." Revista Bibliotecii Academiei Române 9, no. 17 (2024): 49–65. http://dx.doi.org/10.59277/rbar.2024.17.03.

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The article is dedicated to the anniversary, in the year 2024, of the 100th anniversary of the European tour that King Ferdinand and Queen Marie carried out in France, Great Britain, Belgium and Switzerland, representing all types of government known in democratic Europe: constitutional monarchy, semi-presidential republic and state confederation. After the Great Union of 1918, and its international recognition following the Paris Peace Conference, Romania pursued, externally, the preservation of the defensive system of alliances, the preservation of proximity to France and Great Britain in or
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Rozprawy doktorskie na temat "Fontainebleau palace"

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Vial, Charles-Eloi. "Les chasses des souverains en France (1804-1830)." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040222.

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Activité prisée des rois de France depuis l'époque médiévale, la chasse était devenue pour les derniers Bourbons plus une passion dévorante qu'une simple distraction. Louis XV et Louis XVI furent critiqués par l'opinion publique naissante, qui considérait que leurs chasses onéreuses les éloignaient du gouvernement. Après la chute de la monarchie, les chasses royales disparurent. Elles furent remises au goût du jour par Napoléon Ier, soucieux de s'approprier les apparences de la légitimité monarchique. Le maréchal Berthier fut ainsi nommé Grand veneur en 1804. Grâce à lui, Napoléon put faire de
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Vial, Charles-Eloi. "Les chasses des souverains en France (1804-1830)." Electronic Thesis or Diss., Paris 4, 2013. http://www.theses.fr/2013PA040222.

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Activité prisée des rois de France depuis l'époque médiévale, la chasse était devenue pour les derniers Bourbons plus une passion dévorante qu'une simple distraction. Louis XV et Louis XVI furent critiqués par l'opinion publique naissante, qui considérait que leurs chasses onéreuses les éloignaient du gouvernement. Après la chute de la monarchie, les chasses royales disparurent. Elles furent remises au goût du jour par Napoléon Ier, soucieux de s'approprier les apparences de la légitimité monarchique. Le maréchal Berthier fut ainsi nommé Grand veneur en 1804. Grâce à lui, Napoléon put faire de
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Książki na temat "Fontainebleau palace"

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The palace of Fontainebleau: Visitor's guide. Le Château de Fontainebleau, 2007.

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Fontainebleau - Palace in France (Visitor's guide English edition). art lys, 1998.

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Hicks, Jamar. Photo of Fontainebleau Palace: Compelling Photos Collection of Fontainebleau Palace As a Great Gift for Adults, Teens, Kids to Relax and Relieve Stress. Independently Published, 2022.

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Warner, Sammy. Picture of Fontainebleau Palace: An Album Consist of Compelling Photos Collection of Fontainebleau Palace with High Quality Images As a Special Gift for Friends, Family, Lovers, Relative. Independently Published, 2022.

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Le, Tanner. Photo Book of Fontainebleau Palace: A Great Gift with Compelling and Impressive Pictures of Fontainebleau Palace to Relax and Relieve Stress for All Ages and Genders on Christmas, Birthday. Independently Published, 2022.

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Ledbury, Mark. Patronage. Edited by William Doyle. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199291205.013.0023.

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This article focuses on the last century and a half of the Ancien Régime. However, for art historians, one of the first and most important events in the history of the attempt to transfer the cultural sophistication of the Italian Renaissance courts to France, and in doing so to create a powerful sense of France as culture-state, occurred at an earlier moment with the policy of Francis I, first in the Loire valley and then, most intensely, at the hunting lodge/palace of Fontainebleau (1528 and after). At Fontainebleau, Francis enticed significant artists away from Italy and created the kind of
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Rouyer, Eug. French Architectural Ornament: From Versailles, Fontainebleau and Other Palaces. Dover Publications, Incorporated, 2013.

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Rouyer, Eugène. French Architectural Ornament: From Versailles, Fontainebleau and Other Palaces. Dover Publications, Incorporated, 2013.

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French Architectural Ornament: From Versailles, Fontainebleau and Other Palaces. Dover Publications, 2007.

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A day at Château de Fontainebleau. 2015.

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Części książek na temat "Fontainebleau palace"

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Bensoussan, Nicole. "Passages to Fantasy : The Performance of Motion in Cellini’s Fontainebleau Portal and the Galerie François I." In Early Modern Spaces in Motion. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463725811_ch02.

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In the early 1540s, King Francis I commissioned Benvenuto Cellini to design a bronze portal for the Porte Dorée at Fontainebleau. It consisted of a tympanum depicting the ‘Nymph of Fontainebleau’ in a forest setting. The imagery revived the foundation myth of Fontainebleau as a bountiful hunting ground and water source. Although it was never completed, Cellini’s design presented the forest beyond the doors as a recreational space for the varied motions of the hunting ritual and the palace behind the doors as a space for the more choreographed ambulatory motion of guided diplomatic tours. This
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Droguet, Vincent. "Empress Eugénie’s Chinese Museum at the Château of Fontainebleau." In Collecting and Displaying China’s “Summer Palace” in the West. Routledge, 2017. http://dx.doi.org/10.4324/9781315113395-9.

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"Chapter 3 Palace Décor(um) The Galerie des Cerfs at Fontainebleau." In Lies of the Land. Penn State University Press, 2025. https://doi.org/10.1515/9780271098708-007.

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Bull, Malcolm. "Hercules." In The Mirror Of The Gods. Oxford University PressNew York, NY, 2005. http://dx.doi.org/10.1093/oso/9780195219234.003.0004.

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Abstract There is not a lot of snow in Florence, but in the winter of 1406 there was enough to build snowmen. One of the figures made on this occasion was a gigantic Hercules almost twenty feet high, armed with a stout shield and a heavy club, and accompanied by a fierce lion. The Florentines knew who Hercules was because he had been on a seal of the city since 1281. And if they looked carefully they would have seen his exploits carved in the right jamb of the Porta della Mandorla of the cathedral, completed the previous year. Some of the masons from the cathedral may have helped. It was not j
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Jaffré, Marc W. S. "‘The God of the Race’: Louis XIII and his Itinerant Court." In The Courtiers and the Court of Louis XIII, 1610–1643. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780198957645.003.0009.

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Abstract Chapter 8 is concerned with the peripatetic nature of Louis XIII’s court. It highlights just how extensive and frequent Louis’s voyages were, challenging narratives that the court was becoming increasingly fixed in Paris. It reveals the physical dangers the court faced while on the move, the extent to which Louis’s progresses impeded the natural running of government, and the devastating impact the court could have on the towns it sojourned in. However, progresses could not be avoided as they continued to be vital tools for exerting political pressure, securing provinces, meeting with
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Frommel, Sabine. "Residenze a confronto : Il Palazzo di Carlo V a Granada, il Castello di Fontainebleau e la ricostruzione del Louvre di Francesco I." In El patio circular en la arquitectura del Renacimiento : de la Casa de Mantegna al Palacio de Carlos V. Universidad Internacional de Andalucía, 2018. http://dx.doi.org/10.56451/10334/5474.

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