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Artykuły w czasopismach na temat "Folk-rock music"
Weston, Donna. "Transforming Folk. Innovation and Tradition in English Folk-Rock Music". Musicology Australia 36, nr 1 (2.01.2014): 151–53. http://dx.doi.org/10.1080/08145857.2014.911064.
Pełny tekst źródłaCarter, James. "Campus Rock". Journal of Popular Music Studies 32, nr 3 (27.08.2020): 51–72. http://dx.doi.org/10.1525/jpms.2020.32.3.51.
Pełny tekst źródłaCarter, James. "Campus Rock". Journal of Popular Music Studies 32, nr 3 (26.08.2020): 51–72. http://dx.doi.org/10.1525/jpms.2020.323006.
Pełny tekst źródłaZhivitsa, A. R. "MODERN TRENDS OF ETHNIC MUSIC". Arts education and science 1, nr 30 (2022): 172–79. http://dx.doi.org/10.36871/hon.202201020.
Pełny tekst źródłaGodeli, Maria Regina C. S., Paulo R. Santana, Vera H. P. Souza i Gisele P. Marquetti. "Influence of Background Music on Preschoolers' Behavior: A Naturalistic Approach". Perceptual and Motor Skills 82, nr 3_suppl (czerwiec 1996): 1123–29. http://dx.doi.org/10.2466/pms.1996.82.3c.1123.
Pełny tekst źródłaLiang, Yuyi. "A Study on the Singing Forms of Western Rock Music Integrating Classical Cultural Elements". Advances in Humanities Research 6, nr 1 (28.05.2024): 5–8. http://dx.doi.org/10.54254/2753-7080/6/2024056.
Pełny tekst źródłaRedhead, Steve, i John Street. "Have I the right? Legitimacy, authenticity and community in folk's politics". Popular Music 8, nr 2 (maj 1989): 177–84. http://dx.doi.org/10.1017/s0261143000003366.
Pełny tekst źródłaLarkey, Edward. "Austropop: popular music and national identity in Austria". Popular Music 11, nr 2 (maj 1992): 151–85. http://dx.doi.org/10.1017/s0261143000004980.
Pełny tekst źródłaDorobek, Andrzej. "Nie tylko folkowa osobność Berta Janscha". Przegląd Kulturoznawczy, nr 3 (57) (październik 2023): 325–35. http://dx.doi.org/10.4467/20843860pk.23.023.18581.
Pełny tekst źródłaHeinonen, Yrjö. "Finno-Ugric Rune Song Tradition Revisited: A Critical Discourse Analysis of Värttinä's "Äijö"". Articles 25, nr 1-2 (17.12.2012): 138–70. http://dx.doi.org/10.7202/1013309ar.
Pełny tekst źródłaRozprawy doktorskie na temat "Folk-rock music"
Burns, Robert, i n/a. "Transforming folk : innovation and tradition in English folk-rock music". University of Otago. Department of Music, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080701.132922.
Pełny tekst źródłaWyatt, Corwyn Thomas. "Medievalism in German folk rock: Mittelalter's wild imagining of the Middle Ages". Thesis, Boston University, 2014. https://hdl.handle.net/2144/21280.
Pełny tekst źródłaThis thesis explores the role played by medieval images, music, and poetry in the Mittelalter movement of German folk rock in order to uncover its ideological underpinnings and comment on its artistic and social value. This is achieved through analysis of select recordings, music videos, and interviews with Mittelalter artists, as well as "digital ethnography" carried out on fan forums dedicated to Mittelalter bands. It is determined that the movement as a whole has a strong liberal bias and is less concerned with portraying historical accuracy than it is in championing individual freedom, growth, and tolerance. This thesis concludes that its artistic value varies widely but that its great value lies in the culture of collaborative creativity it fosters.
Encarnacao, John. "Punk aesthetics in independent "new folk", 1990-2008". Electronic version, 2009. http://hdl.handle.net/2100/981.
Pełny tekst źródłaMcLaughlin, Noel. "Pop and the periphery : nationality, culture and Irish popular music". Thesis, Ulster University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326322.
Pełny tekst źródłaTang, Kai. "Musical Culture of Chinese Floaters". Thesis, Harvard University, 2014. http://nrs.harvard.edu/urn-3:HUL.InstRepos:13094351.
Pełny tekst źródłaMusic
MacDonald, Jennifer Marie. ""Devil on the fiddle" : the musical and social ramifications of genre transformation in Cape Breton music". Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99381.
Pełny tekst źródłaBonnot, Charles. "Le discours des documentaires musicaux : de Robert Johnson à LCD Soudsystem". Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCC316.
Pełny tekst źródłaThis thesis is a linguistic and discursive study of documentaries on 20th century popular music in English-speaking countries: rock music, folk, blues, punk and electro. We first suggest a description of the corpus based on formal, discursive and narrative criteria. We see how editing allows an articulation of micro and macro-discourses as well as the creation of pseudo-dialogues and of a plurisemiotic anaphoric chain. We also notice certain patterns among micro-stories and macro-stories, which we believe are the expression of specific cultural norms. The second part of this study in based on the research of linguistic expressions of rock's supposedly innate rebellion. Corpus analysis shows the plasticity of linguistic taboo and of the use of swearwords, depending on the environment in which they appear. Besides, the corpus contains an important number of interactional transgressions that show how rock's rebellion is actually built and dealt with in media discourse. The third part of this study deals with the counter-discourses that are produced within and by music documentaries. These discourses aim at correcting a faulty doxa, they reflectively question the limits of speech and discourse, whether in songs or in the media, and tend to valu the unsa yable as well as alternative means of expression what we refer to as logophobia
XIONG, XIN-YUAN, i 熊信淵. "Hit, Rock to Folk: Youth Music World in Taiwan (1950’s-1970’s)". Thesis, 2017. http://ndltd.ncl.edu.tw/handle/hfvffh.
Pełny tekst źródła國立臺灣大學
台灣文學研究所
105
There are abundant of works of culture phenomenon of Taiwan music analysis. However, there are still some gaps between the phenomena. This essay tries to connect the gaps-from the appearance of hit music to the end of folk movement, the 25 years manifests the process of the acceptance and localization of rock music. The essay focuses on how did different generations of youth develop new identification of music, and how did styles change by continuing struggles. Besides, the writing skill tends to be chronicled: the story line is composed of the main characters of music communities and their activities. With the progress, the context such as the development of music industry and political change would be completed. During the middle of 1950’s, a closed environment of martial law period, the western hit songs developed quickly in the name of “hit music” by the supporting of young mainlanders and the shielding of authority groups. Meanwhile, the rock music entered and experienced 3 times of changes in the 50’s - 70’s. However, the hit music that was mainly supported by the youth could not officially enter the music industry, and joined the new entertainment arena such as night clubs in the middle of 60’s. But it leaded to a deterioration of social perception to hit music. In the beginning of 70’s, the youth started to use “rock music” to call their beloved American folks. The youth who embraced a dream of change the dispirited atmosphere of Taiwan music absorbed the nutrient of rock music, drove different areas of society to start the folk movement in the middle of 70’s. Nevertheless, the movement could not expand more because the government’s suspicion that the youth autonomy was rising up. And the rude political examination and intervention extinguished the fire of the dream of the youth finally.
Makovcová, Demartini Lenka. "Biblické motivy v textech české pop music 60. a 70. let dvacátého století". Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-324580.
Pełny tekst źródłaDalby, Susan E. "Electric, eclectic, Canadian: issues of genre and identity in the music of the Guess Who". Thesis, 2009. http://hdl.handle.net/1828/1751.
Pełny tekst źródłaKsiążki na temat "Folk-rock music"
Caraman-Fotea, Daniela. Dicționar rock, pop, folk. București: Humanitas, 1999.
Znajdź pełny tekst źródłaGénération Rock & folk, 40 ans de culture rock. [Paris]: Flammarion, 2006.
Znajdź pełny tekst źródłaRick, Jackson. Encyclopedia of Canadian rock, pop & folk music. Kingston, Ont: Quarry Press, 1994.
Znajdź pełny tekst źródłaKoechlin, Philippe. Mémoires de rock et de folk. [France?]: Mentha, 1992.
Znajdź pełny tekst źródłaFrazer, Paula. Now it's time. Los Angeles, CA: Birdman, 2007.
Znajdź pełny tekst źródłaDylan, Bob. Biograph: A five-record-deluxe-edition. New York, NY: Columbia, 1985.
Znajdź pełny tekst źródłaDenny, Sandy. Who knows where the time goes? London: Hannibal Records, 1985.
Znajdź pełny tekst źródłaMichka, Assayas, red. Dictionnaire du rock: Blues, country, folk, pop, reggae, rock indépendant, soul. Paris: Laffont, 2002.
Znajdź pełny tekst źródłagroup), Mazzy Star (Musical. Among my swan. Hollywood, Calif: Capitol, 1996.
Znajdź pełny tekst źródłagroup), Beirut (Musical. The flying club cup. [Leonia, N.J.]: Ba Da Bing, 2007.
Znajdź pełny tekst źródłaCzęści książek na temat "Folk-rock music"
Wiseman-Trowse, Nathan. "Folk Revival and Folk Rock". W Performing Class in British Popular Music, 106–24. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230594975_6.
Pełny tekst źródłaStepanović Ilić, Ivana, Marina Videnović, Zora Krnjaić i Ksenija Krstić. "6. Adolescent Musical Preferences and their Relationship with Schwartz’s Basic Values". W Psychological Perspectives on Musical Experiences and Skills, 123–42. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0389.06.
Pełny tekst źródłaSchröder, Martin. "4.1 Electric Folk und Folk Rock als Genre". W Musik und Klangkultur, 227–49. Bielefeld, Germany: transcript Verlag, 2024. http://dx.doi.org/10.14361/9783839472682-012.
Pełny tekst źródłaPurvis, Jason E. "Indigenous Revitalization, Rock Music, and the Holy Spirit". W Living Folk Religions, 293–306. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003257462-23.
Pełny tekst źródła"FOLK ROCK". W Music in the 20th Century (3 Vol Set), 223. Routledge, 2016. http://dx.doi.org/10.4324/9781315702254-155.
Pełny tekst źródła"FOLK,ROCK,AND POP". W Music in the Air, 139–88. Yale University Press, 2020. http://dx.doi.org/10.12987/9780300221091-004.
Pełny tekst źródłaSmith, Chris. "Stop, Hey, What’s that Sound? 1963–1967". W 101 Albums that Changed Popular Music, 23–54. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195373714.003.0002.
Pełny tekst źródłaAltschuler, Glenn C. "“The Day The Music Died”". W All Shook Up, 161–84. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195139433.003.0006.
Pełny tekst źródłaChurch, Joseph. "Background and Rock Aesthetics". W Rock in the Musical Theatre, 3–14. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190943462.003.0002.
Pełny tekst źródłaWaksman, Steve. "Crowds, Chaos, and Community". W Live Music in America, 345–417. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197570531.003.0008.
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