Rozprawy doktorskie na temat „Folk music”
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Tichai, Thomas. "Towards a digital folk music". Thesis, Liverpool John Moores University, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.505934.
Pełny tekst źródłaBurns, Robert, i n/a. "Transforming folk : innovation and tradition in English folk-rock music". University of Otago. Department of Music, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080701.132922.
Pełny tekst źródłaZhang, Yiming. "The Underlying Folk Music in Wang Lisan's Music". Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/296184.
Pełny tekst źródłaD.M.A.
A prominent yet under-researched composer, Wang Lisan contributed many significant works to the Chinese piano music repertoire. The monograph is a subjective analysis of Wang's selective works and their origins based on the author's own understanding.
Temple University--Theses
Ogier, Jarod M. "“Foundations of Folk: The Federal Music Project, The Joint Committee on Folk Arts, and the Archive of American Folk-Song”". The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1354588034.
Pełny tekst źródłaKeegan-Phipps, Simon. "Teaching folk : the educational institutionalization of folk music in contemporary England". Thesis, University of Newcastle Upon Tyne, 2008. http://hdl.handle.net/10443/263.
Pełny tekst źródłaAldred, Sarah. "Cultural identity and Galician folk music". Thesis, University of Strathclyde, 2005. http://oleg.lib.strath.ac.uk:80/R/?func=dbin-jump-full&object_id=23489.
Pełny tekst źródłaBearman, Christopher James. "English folk music movement 1898-1914". Thesis, University of Hull, 2001. http://hydra.hull.ac.uk/resources/hull:5448.
Pełny tekst źródłaFerlaino, Christian. "Confluences : folk wisdom in contemporary music". Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/33213.
Pełny tekst źródłaGillan, Matthew Alexander. "Multiple identities in Yaeyaman folk music". Thesis, SOAS, University of London, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573492.
Pełny tekst źródłaMarjenin, Peter A. "The Metal Folk: The Impact of Music and Culture on Folk Metal and the Music of Korpiklaani". Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1412632625.
Pełny tekst źródłaChamberlin, Phillip Mark. "Folk Wiki : the shared traditions of folk music and the Wiki way". [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001822.
Pełny tekst źródłaOlson, Ted. "The Folk Box: A Forgotten, Yet Unforgettable Album from The Folk Era". Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/1213.
Pełny tekst źródłaNyce, Zachary David Robert. "Heartening Folk: Frederic Rzewski's North American Ballads as an Extension of Folk Culture". Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1558449012996443.
Pełny tekst źródłaLopez, Edwin Gerardo Aybar. "American Folk Traditions in Piano Concert Music". Diss., North Dakota State University, 2013. https://hdl.handle.net/10365/27102.
Pełny tekst źródłaGenet, Coline. "Dialogues between a violin and a body : How to be a dancing musician on stage ?" Thesis, Kungl. Musikhögskolan, Institutionen för folkmusik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4217.
Pełny tekst źródłaIjas, Kaapo. "Finding the inner fiddler : Folk music influences in Sibelius’ 7th Symphony". Thesis, Kungl. Musikhögskolan, Institutionen för komposition, dirigering och musikteori, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2489.
Pełny tekst źródłaMcHenry, Patrick J. "With music strong I come : Whitman's cultural influence through folk music". Honors in the Major Thesis, University of Central Florida, 2001. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/287.
Pełny tekst źródłaBachelors
Arts and Sciences
English Literature
Noll, William Henry. "Peasant music ensembles in Poland : a culture history /". Thesis, Connect to this title online; UW restricted, 1986. http://hdl.handle.net/1773/11368.
Pełny tekst źródłaAbeyaratne, Harsha. "Folk music of Sri Lanka : ten piano pieces". Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1213149.
Pełny tekst źródłaSchool of Music
Kirilov, Kalin. "Harmony in Bulgarian music /". Connect to title online (Scholars' Bank) Connect to title online (ProQuest), 2007. http://hdl.handle.net/1794/6275.
Pełny tekst źródłaTypescript. Includes vita and abstract. Accompanied by 3 compact discs with preliminary examples and village music, Bulgarian wedding music, and choral and instrumental obrabotki. Includes bibliographical references (leaves 527-529) and discography (leaves 529-531). Also available online in Scholars' Bank; and in ProQuest, free to University of Oregon users.
Rouse, Marilyn Ann. "Jamaican folk music : a synthesis of many cultures?" Thesis, Kingston University, 1992. http://eprints.kingston.ac.uk/20565/.
Pełny tekst źródłaNunn, Erich Thomas. "Country music and the souls of white folk". [Gainesville, Fla.] : University of Florida, 2002. http://purl.fcla.edu/fcla/etd/UFE1000149.
Pełny tekst źródłaMcLaughlin, Sean Robert. "Locating authenticities : a study of the ideological construction of professionalised folk music in Scotland". Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/7947.
Pełny tekst źródłaEncarnacao, John. "Punk aesthetics in independent "new folk", 1990-2008". Electronic version, 2009. http://hdl.handle.net/2100/981.
Pełny tekst źródłaNg, Chun-Hoi Daniel School of Music & Music Education UNSW. "The impact of exposure to Chaozhou Xianshi music on pre-service teachers??? development as music educators". Awarded by:University of New South Wales. School of Music and Music Education, 2006. http://handle.unsw.edu.au/1959.4/24249.
Pełny tekst źródłaPalmer-Quay, Dianne M. "Developing indigenous hymnody an annotated bibliography for cross-cultural workers /". Theological Research Exchange Network (TREN), 1998. http://www.tren.com.
Pełny tekst źródłaLorenz, Stephen Fox. "Cosmopolitan Folk| The Cultural Politics of the North American Folk Music Revival in Washington, D.C". Thesis, The George Washington University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3615789.
Pełny tekst źródłaThis dissertation looks at the popular American folksong revival in the Washington, D.C., metropolitan region during the Cold War and Civil Rights era. Examination of folk revival scholarship, local media reports and cultural geography, and the collected interviews and oral histories of Washington area participants, reveals the folk and blues revival was a mass mediated phenomenon with contentious factions. The D.C. revival shows how restorative cultural projects and issues of authenticity are central to modernity, and how the function of folksong transformed from the populist, labor oriented Old Left to the personalized politics of the New Left. This study also significantly disrupts often romantic scholarship and political narratives about the folk revival and redirects the intellectual attention on New York, Chicago, and San Francisco towards the nation's capital as an overlooked site of cultural production. Washington's "folk world" of music clubs, coffeehouses, record collectors, disc jockeys, performers, folklorists, and folk music aficionados drove folk music studies towards context and cultural democracy, but the local insistence on apolitical, traditional, and rural forms of folksong as the most genuine reinscribed racial and class hierarchies even as they enhanced Washington's status. Washington, D.C., shifted the loose folk revival "movement" into permanent cultural institutions and organizations, and the city gained a cosmopolitan reputation for authentic folk music that intermingled with its regional culture and identity as the nation's capital and site of public protest.
Midgren, Sven. "Folk as Art : my development as an artist". Thesis, Kungl. Musikhögskolan, Institutionen för folkmusik, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1501.
Pełny tekst źródłaBilaga: 1 DVD
Williams, Stephanie E. (Stephanie Evangeline). "On folk music as the basis of a Jamaican primary school music programme". Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63211.
Pełny tekst źródłaChanunkha, Robert Amos Bauleni James. "Music education in Malawi the crisis and the way forward /". Pretoria : [s.n.], 2005. http://upetd.up.ac.za/thesis/available/etd-09262005-084834/.
Pełny tekst źródłaMahony, Marinela. "An investigation of the polyphonic folk music of Albania". Diss., University of Pretoria, 2011. http://hdl.handle.net/2263/27337.
Pełny tekst źródłaDissertation (MMus)--University of Pretoria, 2011.
Music
unrestricted
Gurczak, Adam Stanley, i Adam Stanley Gurczak. "An Anthropological Perspective on Eastern and Western Folk Music". Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/625002.
Pełny tekst źródłaBrocken, Michael. "The British folk revival : an analysis of folk/popular dichotomies from a popular music studies perspective". Thesis, University of Liverpool, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.266140.
Pełny tekst źródłaMurphy, Judith A. "Folk on Tyne : Tyneside culture and the second folk revival, 1950-1975". Thesis, Northumbria University, 2007. http://nrl.northumbria.ac.uk/1731/.
Pełny tekst źródłaPoe, Preston. "American folk". [Tampa, Fla.] : University of South Florida, 2004. http://purl.fcla.edu/fcla/etd/SFE0000590.
Pełny tekst źródłaFält, Anna. "How To Sell A Product : Solo Folk Singing, Personal Branding and Spiritual Journey". Thesis, Kungl. Musikhögskolan, Institutionen för folkmusik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2431.
Pełny tekst źródłaMaster konsert: ILMOI; medverkande Anna Fält, Joonas Ojajärvi, Jenni Venäläinen
Diehl, Keila. "Echoes from Dharamsala : music in the lives of Tibetan refugees in north India /". Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.
Pełny tekst źródłaSmith, Kristen Lia. "THE INFLUENCE OF FOLK AND POPULAR MUSIC ON TWENTIETH-CENTURY FLUTE MUSIC OF BRAZIL". University of Cincinnati / OhioLINK, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=ucin976030455.
Pełny tekst źródłaPosner, David M. "Reviving a lost art : piano music of Russian-Jewish origin /". Access Digital Full Text version, 1988. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10809193.
Pełny tekst źródłaHenderson, David Randolph. "Collected voices : echoes of harmony and discontent in the music of the Kathmandu Valley /". Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.
Pełny tekst źródłaBaltagi, Ibrahim H. "Relationships among folk song preferences of grade five students". Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1149040252.
Pełny tekst źródłaAiken, Katie J. "Navigating hybrid identities performing "Irishness" in an urban soundscape /". Diss., Access online, 2008.
Znajdź pełny tekst źródłaHaymans, Brian. "STEVE BLACKWELL: A FLORIDA FOLK MUSICIAN". Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3514.
Pełny tekst źródłaM.A.
Department of Music
Arts and Humanities
Music MA
Panyaniti, Rawin. "Bartók as ethnomusicologist and composer: folk music and art music influences on his musical language". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31223278.
Pełny tekst źródłaFerrari-Nunes, Rodrigo. "SPREE : Shetland's epistemological tradition of music making". Thesis, University of Aberdeen, 2016. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=230026.
Pełny tekst źródłaLombardi, David. "Communication and Creative Process Between Musicians From Different Cultures : A report of travels, experiences, exchanges and encounters". Thesis, Kungl. Musikhögskolan, Institutionen för folkmusik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4221.
Pełny tekst źródłaCheung, Kwok-hung Stephen. "Traditional folksongs in an urban setting a study of Hakka Shange in Tai Po, Hong Kong /". Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/hkuto/record/B31364846.
Pełny tekst źródłaShagidullina, Adelya. "TATAR FOLK MUSIC AND ITS INFLUENCE ON THE FIRST NATIONAL BALLET". Diss., Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/581968.
Pełny tekst źródłaD.M.A.
The purpose of this monograph is to introduce Tatar national music to the Western world by focusing on the influence of Tatar folklore on the first national ballet, quite possibly the most beloved and popular musical work of Tatars to this day. The monograph will include a brief discussion of the history of Tatars, as well as historical background of Tatar folk music and its importance to the development of concert music in Tatarstan. An analysis of characteristic elements of the folk music of Tatars and their influences on the music of the first Tatar national ballet will also be discussed. In my study, I rely on available sources, including books, articles, reviews, dissertations, recordings, and musical scores. I hope my monograph will help to promote Tatar national music and spark the interest of English-speaking scholars and musicians.
Temple University--Theses
Nguyễn, Xuân-Thaʼo Joseph. "Music ministry the inculturation of liturgical vocal music in Vietnam /". Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p033-0807.
Pełny tekst źródłaRodhe, Agnes. "Dansens relevans i folkmusikutbildningar". Thesis, Stockholms konstnärliga högskola, Institutionen för danspedagogik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-581.
Pełny tekst źródła