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Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 4 marca 2023

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1

Díaz Victoria, Juan. "Finnegans Wake". Estudios: filosofía, historia, letras 8, nr 92 (2010): 81. http://dx.doi.org/10.5347/01856383.0092.000174568.

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Kirkland, Larry R., i Kirkland E. Reid. "Finnegans Wake". Southern Medical Journal 84, nr 2 (luty 1991): 283. http://dx.doi.org/10.1097/00007611-199102000-00037.

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Cook-Deegan, Robert Mullan. "Finnegans Wake". Southern Medical Journal 84, nr 2 (luty 1991): 283. http://dx.doi.org/10.1097/00007611-199102000-00038.

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Kim, Kyoungsook. "“Finnegan’s Alice” or “Alice’s Wake”: Reading Finnegans Wake through Lewis Carroll". James Joyce Journal 27, nr 1 (30.06.2021): 5–24. http://dx.doi.org/10.46258/jjj.2021.27-1.5.

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Ady, Paul. "Joyce's Finnegans Wake". Explicator 59, nr 2 (styczeń 2001): 91–93. http://dx.doi.org/10.1080/00144940109597095.

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Gordon, John. "Joyce's Finnegans Wake". Explicator 50, nr 2 (styczeń 1992): 96–98. http://dx.doi.org/10.1080/00144940.1992.9937914.

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Jacobson, H. "Finnegans Wake 60". Notes and Queries 49, nr 1 (1.03.2002): 80–81. http://dx.doi.org/10.1093/nq/49.1.80.

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Jacobson, Howard. "Finnegans Wake 60". Notes and Queries 49, nr 1 (1.03.2002): 80–81. http://dx.doi.org/10.1093/nq/490080.

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O'Brien, Peter. "Drawing Upon Finnegans Wake". Art/Research International: A Transdisciplinary Journal 3, nr 2 (15.09.2018): 196–215. http://dx.doi.org/10.18432/ari29381.

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LOTS OF FUN WITH FINNEGANS WAKE is my six-year project to annotate / illustrate / disrupt the 628 pages of James Joyce’s final book. I’ve been reading Finnegans Wake off and on for about 40 years, and I consider it to be the most multi-layered, protean, and playful collection of words that we have. As a way to explore the book’s circular, recurring, enigmatic pathways, I am involved in the process of transmediation – I am turning some of its words into visual images and some of its linguistic images into words. This project is a way for me to indulge my natural inclination to connect the intellectual and the illustrative, the visual and the verbal.
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MacCABE, COLIN. "Finnegans Wake at fifty". Critical Quarterly 31, nr 4 (grudzień 1989): 3–5. http://dx.doi.org/10.1111/j.1467-8705.1989.tb00366.x.

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Tanselle, G. T. "The Restored "Finnegans Wake"". Common Knowledge 20, nr 3 (1.10.2014): 506–8. http://dx.doi.org/10.1215/0961754x-2732796.

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O'Neill, Patrick. "Traduzindo o intraduzível: o universo em expansão de Finnegans Wake". Cadernos de Tradução 42, esp. 2 (29.12.2022): 1–16. http://dx.doi.org/10.5007/2175-7968.2022.e92165.

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Finnegans Wake tem sido geralmente considerado totalmente intraduzível, contudo, existe atualmente um número surpreendentemente grande e crescente de traduções completas e parciais do livro em aproximadamente trinta idiomas diferentes. Essas traduções podem ser vistas como constituindo um universo em expansão de Finnegans Wake.
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Amaral, Vitor Alevato do. "A Bahia se Revém: Considerações sobre a Tradução de Finnegans Wake". Revista da Anpoll 1, nr 50 (30.12.2019): 152–64. http://dx.doi.org/10.18309/anp.v1i50.1332.

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Neste artigo, discutimos os desafios de se ler e traduzir Finnegans Wake (1939), deJames Joyce (1882-1941). A primeira parte lida com o apelo do próprio romance para que seadote um novo paradigma de tradução capaz de torná-la traduzível. A perspectiva de Joycesobre a tradução de Finnegans Wake também será explorada. A segunda parte prioriza otrabalho de quatro tradutores de Finnegans Wake para o português brasileiro: Augusto eHaroldo de Campos, Donaldo Schüler, Dirce Watrick do Amarante e Caetano Galindo. Astraduções de um curto excerto do texto de Joyce realizada pelos quatro tradutores são objetode análise. Suas visões sobre como traduzir a obra de Joyce também são levadas emconsideração.
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Maldonado Cano, Sebastián. "“Haven’t I told you every telling has a tailing”: la oralidad y la escucha en Finnegans Wake". Nuevas Poligrafías. Revista de Teoría Literaria y Literatura Comparada, nr 4 (11.08.2021): 63–87. http://dx.doi.org/10.22201/ffyl.nuevaspoligrafias.2021.4.1485.

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Finnegans Wake suele ser considerada como una de las obras de más difícil lectura en la historia de la literatura. Se han derramado incalculables ríos de tinta para descifrar las miles de alusiones incorporadas en el libro con el fin de encontrar una llave maestra que permita la comprensión del texto. En este artículo, se propone una lectura de Finnegans Wake desde la escucha, ya que la obra misma constantemente invita a una lectura que privilegie el oído sobre el resto de los sentidos. Al introducir la dimensión aural de la novela, también se debe considerar el plano oral de Finnegans Wake, ya que la novela se nutre de la oralidad para darle vida a la escucha. Más allá, la novela presenta la escucha y la oralidad como una dualidad que se opone a la lectura y la escritura. Del mismo modo que es imposible entender la dimensión aural de Finnegans Wake sin considerar su dimensión oral, es imposible pensar la dupla anterior sin contrastarla con sus opuestos. En este artículo sostengo que el capítulo I.8 de Finnegans Wake logra la reconciliación de los opuestos oralidad/escucha contra escritura/lectura; Joyce establece este vínculo gracias al uso de recursos prosódicos de la poesía oral, así como por la incorporación de la dimensión performativa de la voz en su escritura.
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Begnal, Michael H., i Grace Eckley. "Children's Lore in Finnegans Wake". Canadian Journal of Irish Studies 13, nr 1 (1987): 151. http://dx.doi.org/10.2307/25512688.

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Topia, André. "Finnegans Wake : la traduction parasitée". Palimpsestes, nr 4 (1.09.1990): 45–61. http://dx.doi.org/10.4000/palimpsestes.602.

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Roemer, Danielle, i Grace Eckley. "Children's Lore in "Finnegans Wake"". Western Folklore 46, nr 1 (styczeń 1987): 70. http://dx.doi.org/10.2307/1500032.

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Galindo, Caetano. "Kintsugi: refazer o Finnegans Wake". Belas Infiéis 9, nr 2 (31.03.2020): 203–9. http://dx.doi.org/10.26512/belasinfieis.v9.n2.2020.27305.

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Este artigo é na verdade uma carta de intenções; uma breve análise da situação tradutória específica do último romance de Joyce, seguida de uma proposta singular de projeto de tradução, tanto mais singular por estar de fato embasando um trabalho em curso de tradução integral da obra, aqui exemplificada por uma amostra.
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19

Slote, Sam. "A Guide Through "Finnegans Wake,"". James Joyce Quarterly 47, nr 1 (wrzesień 2009): 149–51. http://dx.doi.org/10.1353/jjq.2009.0022.

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McCarthy, Patrick A. "Joyce's Finnegans Wake, 3.18–21". Explicator 43, nr 3 (kwiecień 1985): 26–28. http://dx.doi.org/10.1080/00144940.1985.9938614.

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Slote, Sam. "Finnegans Wake, however basically translated". Translation Studies 12, nr 1 (2.01.2019): 78–88. http://dx.doi.org/10.1080/14781700.2019.1593237.

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Conley, Tim. "Annotations to "Finnegans Wake" (review)". James Joyce Quarterly 44, nr 2 (2007): 363–66. http://dx.doi.org/10.1353/jjq.2007.0027.

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O’Sullivan, Michael, i Oi Lin Irene Yip. "Finnegans Wake by James Joyce". James Joyce Quarterly 50, nr 4 (2013): 1095–99. http://dx.doi.org/10.1353/jjq.2013.0047.

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Staley, Tom. "Finnegans Wake by James Joyce". James Joyce Quarterly 52, nr 2 (2015): 429–31. http://dx.doi.org/10.1353/jjq.2015.0012.

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Estévez-Saá, Margarita. "A guide through Finnegans Wake". Irish Studies Review 19, nr 2 (maj 2011): 232–34. http://dx.doi.org/10.1080/09670882.2011.565954.

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Cahill, Clinton. "Finnegans Wake: Readings through drawing". Journal of Illustration 3, nr 1 (1.08.2016): 57–83. http://dx.doi.org/10.1386/jill.3.1.57_1.

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Schwarz, Daniel R., i John Bishop. "Who's Afraid of "Finnegans Wake?"". Contemporary Literature 29, nr 4 (1988): 654. http://dx.doi.org/10.2307/1208473.

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Osejo Brito, Esmeralda. "Finnegans Wake: Beyond the Limits of Translation". Nuevas Poligrafías. Revista de Teoría Literaria y Literatura Comparada, nr 4 (11.08.2021): 86–103. http://dx.doi.org/10.22201/ffyl.nuevaspoligrafias.2021.4.1483.

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Many deem James Joyce’s Finnegans Wake an untranslatable novel. Despite this, the characteristics that appear to obscure its meaning, such as semantic multiplicity and experimental syntax, also make it particularly open to interpretation and resignification—thus, to translation. The present paper proposes a flexible, creative, playful, and free approach to its translation. I discuss the possibilities derived from such an approach through the analysis and translation of fragments of Finnegans Wake into Spanish, and I support this approach to the translation process with some of the most prominent research on the translations of Joyce’s works, up to date scholarship from Translation Studies, and relevant testimonies from Joyce himself and from translators and writers who have studied his literary production. I argue that Finnegans Wake is a text that tries to capture language itself, transcends linguistic barriers by resisting rigidity of meaning, and achieves an “openness” and freedom that, paradoxically, have somewhat limited the efforts to translate it. Therefore, I propose that if Joyce did not limit himself in his creative process, it is necessary that we, as readers and translators, accept without fear the challenges presented to us by Finnegans Wake and dare to create new art from it.
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Milišić, Lamija. "JOYCEOV FINNEGANS WAKE I MCCARTHYJEV REMAINDER: KODIRANJE I JEZIČKO RASLOJAVANJE". Umjetnost riječi: časopis za znanost o književnosti, izvedbenoj umjetnosti i filmu 63, nr 1-2 (19.03.2020): 51–76. http://dx.doi.org/10.22210/ur.2019.063.1_2.03.

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JOYCE’S FINNEGANS WAKE AND MCCARTHY’S REMAINDER: CODING AND LANGUAGE STRATIFICATION The purpose of this paper is to consider the terms “code” and “language stratification” by analysing James Joyce’s Finnegans Wake and Tom McCarthy’s Remainder. A code is considered to be a transition from mimesis to meaning. The starting point of the analysis is the genre of Finnegans Wake and Remainder, and the state of fictional characters in these literary works. The paper argues that the fictional characters have a “rhetorically encrypted identity”, and furthermore considers methods with which this identity develops, and their consequences. The paper also shows how the technique of bricolage is used in Finnegans Wake and Remainder, and explains the connection between bricolage and encryption. The last part of the analyses explains the way in which Joyce’s and McCarthy’s texts use their literary language to self-reflect about the code the texts are written in. The code thus stays within the area of mimesis (and does not proceed to the area of meaning). This text also proposes the idea of a literary text as performative, which consequently changes the ontology of fictional characters in their respective literary works.
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Naugolnykh, E. A. "CIRCULAR CONCEPT IMPLICATION IN JAMES JOYCE’s FINNEGANS WAKE AND ITS INTERLINGUAL TRANSFER". Bulletin of Udmurt University. Series History and Philology 32, nr 5 (14.10.2022): 990–95. http://dx.doi.org/10.35634/2412-9534-2022-32-5-990-995.

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The paper looks at certain aspects of the circular concept in Finnegans Wake , the final experimental work of the writer. The way it is implicated in the lexical layer of the novel’s structure is analyzed, its language game principle is revealed. The full and incomplete versions of Finnegans Wake in German (H. Beck, D. Stündel, F. Rathjen), Russian (A. Rene, A. Volokhonsky, S. Divakov) and Spanish (V. Pozanco, M. Zabaloy) languages are explored. Various translation strategies are considered. Although brilliant decisions for the units transferring circular concept are exemplified, they are predictably subjective, as it is the translator who figures out and interprets informative substrate semantically and logically associated with reality. As a result of the necessary radical transformation of the source text the reader gets the modified version of Finnegans Wake rather than a translation in the true sense.
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Paret-Passos, Marie-Hélène. "De Finnegans Wake à Finnicius Revém". Genesis, nr 38 (15.04.2014): 69–84. http://dx.doi.org/10.4000/genesis.1288.

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Long, Charles. "Finnegans Wake: Some Strange Tristan Influences". Canadian Journal of Irish Studies 15, nr 1 (1989): 23. http://dx.doi.org/10.2307/25512763.

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Lovejoy, Laura. "The Bestial Feminine in Finnegans Wake". Humanities 6, nr 3 (4.08.2017): 58. http://dx.doi.org/10.3390/h6030058.

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Amarante, Dirce Waltrick do. "Finnegans Wake e seus personagens tradutores". Cadernos de Literatura em Tradução, nr 11 (1.05.2010): 129–35. http://dx.doi.org/10.11606/issn.2359-5388.i11p129-135.

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Num ensaio intitulado “Ajudantes”, o filósofo italiano Giorgio Agamben (dialogando com idéias desenvolvidas por Walter Benjamin no ensaio “Franz Kafka”) fala sobre seres que “não sabemos quem são, talvez sejam ‘enviados’ do inimigo (o que explica por que insistem em ficar à espreita e espiar).
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Fagan, Paul. "The Nonhuman Skin of Finnegans Wake". James Joyce Quarterly 58, nr 1-2 (2020): 157–80. http://dx.doi.org/10.1353/jjq.2020.0037.

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Sailer, Susan Shaw. "A Methodology of Reading Finnegans Wake". Twentieth Century Literature 35, nr 2 (1989): 195. http://dx.doi.org/10.2307/441611.

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Tuggle, Brad. "The Faerie Queene at Finnegans Wake". Explicator 74, nr 2 (2.04.2016): 129–32. http://dx.doi.org/10.1080/00144940.2016.1176004.

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Korg, Jacob. "Polyglotism in Rabelais and Finnegans Wake". Journal of Modern Literature 26, nr 1 (2002): 58–65. http://dx.doi.org/10.1353/jml.2004.0009.

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Sebastian D. G. Knowles. "Finnegans Wake for Dummies". James Joyce Quarterly 46, nr 1 (2009): 97–111. http://dx.doi.org/10.1353/jjq.0.0117.

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Lord, John Vernon. "The pixillated doodler: Illustrating Finnegans Wake". Journal of Illustration 3, nr 1 (1.08.2016): 9–54. http://dx.doi.org/10.1386/jill.3.1.9_1.

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Dai, Congrong. "The original sin in Finnegans Wake". Neohelicon 39, nr 2 (4.07.2012): 475–83. http://dx.doi.org/10.1007/s11059-012-0146-9.

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Ruggieri, Franca. ""Finnegans Wake" Libro Terzo, Capitoli 1 E 2 (Finnegans Wake III, 1-2), by James Joyce". James Joyce Quarterly 52, nr 3-4 (2015): 730–33. http://dx.doi.org/10.1353/jjq.2015.0046.

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Oliveira, Leide Daiane De Almeida, Larissa Ceres Lagos i Giovana Beatriz Manrique Ursini. "Entrevista com Donaldo Schüler". Cadernos de Tradução 39, nr 2 (28.05.2019): 294–304. http://dx.doi.org/10.5007/2175-7968.2019v39n2p294.

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Esta é uma entrevista realizada recentemente com o escritor e tradutor Donaldo Schüler. Ele é professor emérito em Língua e Literatura grega da UFRGS, além de ser poeta e ensaísta. Sua carreira como tradutor conta com traduções de tragédias gregas, a Odisséia de Homero e Finnegans Wake de James Joyce. Sua tradução da última obra de Joyce lhe rendeu o prêmio Jabuti em 2004. É principalmente sobre sua experiência como tradutor de Finnegans Wake, um dos livros mais desafiadores da literatura ocidental, que essa entrevista se propõe dedicar maior atenção.
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Galindo, Caetano Waldrigues. "Pode o intraduzível traduzir-se. Deve." O Eixo e a Roda: Revista de Literatura Brasileira 27, nr 3 (21.12.2018): 11–28. http://dx.doi.org/10.17851/2358-9787.27.3.11-28.

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Resumo: A partir da situação de obras-limite como Grande sertão: veredas, de Guimarães Rosa (e o Finnegans Wake, de James Joyce, por exemplo) o texto apresenta um argumento em favor da traduzibilidade da literatura como tal e, especialmente, das obras literárias mais radicais, propondo inclusive que essa sua radicalidade torna ainda mais central sua condição de “traduzíveis”. Ao longo de uma comparação entre obras literárias, musicais e pictóricas, e seus diferentes conceitos de original e reprodução, o texto sustenta que a reprodutibilidade é por necessidade corolário da base linguística da literatura, o que acarreta a traduzibilidade necessária como premissa menor, derivada, e, portanto, quase inquestionável.Palavras-chave: traduzibilidade; experimentalismo; Grande sertão: veredas; Finnegans Wake.Abstract: From the situation of such radical works as Grande Sertão: Veredas, by João Guimarães Rosa (and Finnegans Wake, by James Joyce, for instance) this paper argues in favor of the translatability of literature as such and, most specially, of the more avant-garde works of literary art, whose radical position makes their translatability even more necessary. After comparing works of literature, music and painting, and their different ideas of originality and reproduction in each of these fields, this paper argues that this reproducibility is a natural consequence of the linguistic basis of literature, which entails this translatability as a minor premise, a second-order premise, which is, as such, unquestionable.Keywords: translatability; experimentalism; Grande sertão: veredas; Finnegans Wake.
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Jacobus, Lee A. ""Wake" Rites: The Ancient Irish Rituals of "Finnegans Wake" (review)". James Joyce Quarterly 44, nr 3 (2008): 587–91. http://dx.doi.org/10.1353/jjq.2008.0021.

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Duszenko, Andrzej. "Abnihilization of the Etym: Joyce, Rutherford, and Particle Physics". Irish University Review 46, nr 2 (listopad 2016): 275–86. http://dx.doi.org/10.3366/iur.2016.0227.

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This essay examines one of Joyce's references to new physics in Finnegans Wake: the allusion to Ernest Rutherford in the opening section of the third chapter of Book II. The composition of Finnegans Wake coincided with the development of the theory of relativity and quantum physics, which resulted in a variety of references to these new scientific developments in the book. The essay argues that among the many Wakean passages referring to new physics, the allusion to Rutherford stands out by virtue of being personal in nature and broad in references. The analysis of the linguistic transformations in the text of the passage suggests that Joyce saw a parallel between the work of the man who ‘split the atom’ and two aspects of his own work: the constant pattern of death and rebirth which is fundamental to the world described in Finnegans Wake, and his own lexical practice in creating a new kind of language to describe that world. References to quantum mechanics in the Rutherford passage are blended with allusions to relativity, the second component of new physics, and the text is placed in a cluster of other references to various elements of the subatomic world.
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Robinson, David W., i Patrick A. McCarthy. "Critical Essays on James Joyce's "Finnegans Wake"". South Atlantic Review 58, nr 3 (wrzesień 1993): 136. http://dx.doi.org/10.2307/3200932.

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Miller, Nolan, i John Bishop. "Joyce's Book of the Dark: Finnegans Wake". Antioch Review 45, nr 2 (1987): 238. http://dx.doi.org/10.2307/4611728.

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Sorlin, Evelyne. "Le forficule et l'oreille dans Finnegans Wake". Études irlandaises 14, nr 1 (1989): 89–103. http://dx.doi.org/10.3406/irlan.1989.2512.

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Silantyeva, V. G. "Finnegans Wake: Analysis of Three Russian Translations". Университетский научный журнал, nr 42 (2018): 97–105. http://dx.doi.org/10.25807/pbh.22225064.2018.42.97.105.

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