Gotowe bibliografie tematyczne / Films

Gotowa bibliografia na temat „Films”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 29 lipca 2024

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Artykuły w czasopismach na temat "Films"

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Calvani, Carlos Eduardo Brandão. "“Bem-aventurados os que não viram e creram”. Algumas observações sobre Jesus no cinema". Revista Eclesiástica Brasileira 64, nr 255 (14.05.2019): 548. http://dx.doi.org/10.29386/reb.v64i255.1708.

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O Autor, aficionado por cinema e teologia da cultura, partilha algumas observações não só sobre o filme de Mel Gibson – A paixão de Cristo –, mas também sobre outras películas anteriores sobre Jesus, consideradas seja singularmente, seja em seu conjunto. Tanto os filmes como a pregação cristã são um bom ponto-de-partida para recuperar a memória de Jesus, reinterpretá-la e atualizá-la.Abstract: The Author, an enthusiast for the cinema and for the theology of culture, shares some observations both about Mel Gibson’s recent film – The Passion of Christ – and about other previous films on Jesus, analyzing them either individually or together. In his view, both films and the practice of Christian preaching are a good starting point for rescuing, reinterpreting and updating the memory of Jesus.
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Burns, Tom. "O Cinema Anti-guerra". Aletria: Revista de Estudos de Literatura 8 (2.03.2018): 133–43. http://dx.doi.org/10.17851/2317-2096.8..133-143.

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Resumo: O presente trabalho procura estabelecer algumas características do filme anti-guerra a partir da premissa de que as diferenças culturais e raciais dos inimigos de guerra são apagadas e a noção de uma humanidade em comum, emotivamente atraente mas teoricamente problemática, é transmitida ao espectador. Argumenta-se, aqui, no entanto, que tal mensagem humanística não constitui uma proposta utópica para pôr fim à guerra, mas sim uma proposta que vem a contrapor a ideologia patriótica usada pelos governos para justificar a guerra.Palavras-chave: filmes de guerra; filmes anti-guerra; patriotismo; humanismo.Abstract: This paper attempts to establish the parameters of the anti-war film, the basic premise of which is that the cultural and racial differences of enemies in war are erased, and an emotionally appealing but theoretically problematic notion of a commonly shared humanity is made to the viewer. Various examples are examined. It is argued that this humanistic message is not intended as a utopian proposal for the end of war, however, but to counteract the patriotic ideology propounded by governments to justify wars.Keywords: war films; anti-war films; patriotism; humanism.
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Mayne, Laura. "Assessing Cultural Impact: Film4, Canon Formation and Forgotten Films". Journal of British Cinema and Television 11, nr 4 (październik 2014): 459–80. http://dx.doi.org/10.3366/jbctv.2014.0229.

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For over 30 years Channel 4 has supported more than 400 feature films through its production arm, Film4. However, despite the scale and variety of this contribution to British cinema, only a handful of these productions are regularly cited in print media and academic texts as being representative of the Film4 catalogue and/or influential in British film culture generally. This article will look at the creation of top films lists as a case of canon formation, and the ways in which the Film4 canon in particular continues to be shaped and contested, not only by critics, academics and cultural institutions, but by Channel 4 itself. It draws upon the work of Janet Staiger (1985) on canon formation and of Joseph Lampel and Shivasharan Nadavulakere (2009) on retrospective consecration in order to consider the processes by which certain films are more likely to appear in critics' best films lists. Bearing in mind that the brand identity of Film4 depends also on Channel 4's own promotional activities, the article will go on to examine two case studies of Film4 anniversary seasons in order to assess the part that scheduling plays in constructing the channel's own representations of its contribution to British cinema. Finally, after exploring some of the reasons why certain films are remembered (and why others are forgotten), attention will turn to the ways in which certain forgotten films can be re-presented in DVD and video-on-demand markets. This reveals the extent to which commercial factors are also determinants in the processes of canon formation and can impinge upon the attribution of cultural value.
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Di Mola, Ida, Lucia Ottaiano, Eugenio Cozzolino, Christophe El-Nakhel, Massimo Rippa, Pasquale Mormile, Giandomenico Corrado, Youssef Rouphael i Mauro Mori. "Assessment of Yield and Nitrate Content of Wall Rocket Grown under Diffuse-Light- or Clear-Plastic Films and Subjected to Different Nitrogen Fertilization Levels and Biostimulant Application". Horticulturae 8, nr 2 (6.02.2022): 138. http://dx.doi.org/10.3390/horticulturae8020138.

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The quantity and quality of wall rocket (Diplotaxis tenuifolia L.) production are strongly influenced by the cultivation system, in particular the protected environment conditions and nitrogen fertilization. In the present research, we tested two greenhouse cover films (Film1: diffuse light; Film2: clear), to verify the effects on yield and nitrate content (a detrimental factor of quality) of rocket leaves, fertilized with optimal (N2) or sub-optimal nitrogen dose (N1), or unfertilized (N0). In addition, we combined the N fertilization with a biostimulant application, declared by the manufacturer as able to reduce nitrate content. Film1 provided a 36% yield increase over Film2 and allowed an increasing production until the V harvest, opposite to what was recorded under Film2, where the yield increased only until the III harvest. Additionally, biostimulant application boosted the yield (+40%), as well as nitrogen fertilization. Both factors had the best performance under Film1, where N1 yield was even equal to N2-Film2. The nitrate content showed a seasonal trend (lower values in spring harvests) and it was boosted by nitrogen (1096, 3696, and 4963 mg/kg fresh weight, for N0, N1, and N2, respectively) and biostimulant application (3924 vs. 2580 mg/kg fresh weight). Therefore, the use of diffuse-light film seems useful to obtain higher yield with a halved N dose as well as in combination with biostimulant application, but the latter did not confirm the capacity to contain nitrate, at least for this crop and in this cultivation system.
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Baumgartner, Bettina, Ken Ikigaki, Kenji Okada i Masahide Takahashi. "Infrared crystallography for framework and linker orientation in metal–organic framework films". Chemical Science 12, nr 27 (2021): 9298–308. http://dx.doi.org/10.1039/d1sc02370e.

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Polarization-dependent infrared spectroscopy of oriented metal organic framework films fills the information gap left by diffraction methods and gives access to the orientation of the aromatic linker and initial orientation of ultra-thin films.
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Lavena, Leonardo B., Amanda G. Romero, Anibal De Paul, Luis A. Rocha i Viviana I. Rotger y. Juan M. Olivera. "Obtaining digital files from radiographic films". Journal of Physics: Conference Series 90 (1.11.2007): 012071. http://dx.doi.org/10.1088/1742-6596/90/1/012071.

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Grayeli, Alireza. "Structure and Optical Characteristics of DLC Films". Vakuum in Forschung und Praxis 35, nr 5 (październik 2023): 34–38. http://dx.doi.org/10.1002/vipr.202300807.

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SummaryUsing a RF‐Plasma Enhanced Chemical Vapor (RF‐PECVD) Depositions method, employing hydrogen and methane gas, Diamond like carbon (DLC) films were fabricated on glass and silicon substrates. The impact of varying CH4 to H2 ratios on the resulting film's structure, optical characteristics, and mechanical properties was investigated. The deposition process occurred at methane flow rates spanning 5 to 40 sccm. The films' surface morphology, and roughness were analyzed through Atomic Force Microscopy. Moreover, the Vickers hardness tests was employed to determine the hardness of produced films. The optical behavior of the DLC thin films was explored utilizing UV‐visible spectrometry and ellipsometry. A thorough investigation was conducted to understand how the CH4 flow rate influences layer growth, morphology, topography, and how these factors relate to the films' transmittance, reflectance, refractive index, and optical band gap.
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Leong, Marcus Chiang Mun, Fabian Chiang Mun Chun, Jae Lee Kai Wei, Peng Qi Zhen, Ye Ko San, Santhiagu Ezhilvalavan, Heng Hui Hoon i Jan Ma. "Investigating the Thermoelectric and Structural Properties of Bismuth Telluride Thin Films for Harvesting Energy from Waste Heat". Solid State Phenomena 185 (luty 2012): 77–80. http://dx.doi.org/10.4028/www.scientific.net/ssp.185.77.

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Recently, thermoelectric thin films have been gaining attention as potential thermoelectric generators that can be used to power external devices. Such films can recover electrical energy from waste heat and are environmentally friendly. Micro fabrication of thin films is achieved by sputtering on silicon films. In this study, the sputtering of Bismuth Telluride (N-type, P-type) films was investigated. Research has verified the efficiency of Bismuth Telluride films, but little is known about how the sputtering process affects the film's quality. Thus, the focus of this study explores how sputtering parameters of discontinuous sputtering intervals, exposure to normal atmospheric conditions and in situ annealing affect the thickness, thermoelectric properties, and microstructure of films. This will bring about a better understanding of the relationship between the sputtering process and the properties of the produced film for both N and P type materials. Recommendations based on this study can contribute to the production of more efficient thin films suitable for energy harvest application.
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Khandelwal, A., R. Shukla i K. S. Sharma. "Effect of Different Compositions of Mixed Metal Oxides (Zinc Oxide and Tin Oxide) on Structural and Optical Properties for the Application of Window Layers in Solar Cells". Journal of Scientific Research 16, nr 1 (1.01.2024): 41–51. http://dx.doi.org/10.3329/jsr.v16i1.64157.

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Thin films of composite Zinc Tin Oxide (ZTO) are grown on glass substrates by thermal vapor evaporation. Thin films with different ratios of ZnO: SnO2= (90:10, 80:20, 70:30, 60:40 and 50:50) wt% were prepared and annealed at 500 °C for 2 h. The X-ray diffraction (XRD) patterns reveal that the ZTO films have become polycrystalline as we increase the percentage of tin oxide. The crystallinity of films also increases significantly. The field emission scanning electron microscopy (FESEM) results indicate that the percentage of tin oxide changes the film's morphology. UV visible spectroscopy of the films indicates that the band gap is reduced with the increased percentage of tin oxide in the mixture, and transmittance is also decreased at a higher percentage. The transmittance of the films ranges from 90 to 83 %, while the band gap falls within the range of 3.90 to 3.40 eV. These characteristics make the films well-suited for solar cell window layers.
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Costa, Tamara Lorena, Ricardo Henrique Lima Leite, Edna Maria Mendes Aroucha i Francisco Klebson Gomes Santos. "Edible films from polyneric blends of chitosan, pectin and cassava starch". Revista Verde de Agroecologia e Desenvolvimento Sustentável 15, nr 4 (1.10.2020): 391–97. http://dx.doi.org/10.18378/rvads.v15i4.6713.

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Os materiais poliméricos não biodegradáveis, tem se tornado um problema devido ao longo tempo de degradação destes no meio ambiente. Assim, estudos demonstram interesse em relação ao desenvolvimento de filmes poliméricos e misturas destes como materiais funcionais nas mais diversas áreas, especialmente devido a suas características como biocompatibilidade, biodegradabilidade e não-toxicidade. Logo, objetivou-se desenvolver e caracterizar filmes comestíveis produzidos por blendas poliméricas, compostas por polissacarídeos naturais, visando sua utilização como recobrimentos comestíveis para frutos. Foram desenvolvidos sete filmes poliméricos pela técnica casting: filme 1 (Quitosana), filme 2 (Pectina), filme 3 (Fécula de Mandioca), filme 4 (Quitosana + Pectina), filme 5 (Quitosana + Fécula de Mandioca), filme 6 (Pectina + Fécula de Mandioca) e filme 7 (Quitosana + Pectina + Fécula de Mandioca). Todos apresentaram superfícies homogêneas e sem separação de fases. Em relação às propriedades óticas, todos obtiveram alta luminosidade, sendo que os mais opacos foram os de quitosana, apresentando L* 77,40 ± 0,28 (4). Quanto as propriedades de barreira, os valores de solubilidade foram menores nos que continham quitosana devido a sua insolubilidade em água, sendo 22% para o 1 e 18% para o 5. Os filmes formados pelas blendas proporcionaram redução da taxa de permeação de água sem comprometer suas características, como os filmes 4 e 5, com taxa de 14,15 g.m-2.h-1 e 20,43 g.m-2.h-1, respectivamente.
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Rozprawy doktorskie na temat "Films"

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Delavaud, Gilles. "Le film par le film : films documentaires et films didactiques pour l'enseignement du cinéma : analyses et propositions". Paris 3, 1992. http://www.theses.fr/1993PA030050.

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1. Etude de films documentaires didactique destines a l'enseignement du cinema. Les analyses portent notamment sur des realisations personnelles jointes au texte de la these. Ii. Etude de plusieurs films de fiction dit "reflexifs" : dans quelle mesure ces films peuvent-ils etre consideres comme des documentaires sur eux-memes?
I. A study of didactic documentary films intended for the teaching of cinema. The analyses treat, in particular, certain of the author's own productions, which supplement the text of the thesis. Ii. A study of several fiction films termed "reflexive" : to what extent may these films be considered to be documentaires on themselves?
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Carter-Hansen, Jill, University of Western Sydney i of Performance Fine Arts and Design Faculty. "Travelling light - with a case for discovery : the making of the film Songs of the Immigrant Bride". THESIS_FVPA_XXX_CarterHansen_J.xml, 1997. http://handle.uws.edu.au:8081/1959.7/680.

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This paper examines the background, development and production of the film ‘Songs of the immigrant bride’ and explains the general decisions made throughout the creation of the film. It proposes the idea that visuals, combined in an abstract narrative with music/sound, can create a language outside that generally accepted in real-time film (generally) and animation (specifically) to create a communicating ‘mythopoetic’ film-style from combined, selected elements, of both genres. Some of the issues presented and examined are: how relevant background experiences and influences directed the image-making in the production of the film; the experimental use of symbols and metaphor for an ‘evocative’ narrative in both visuals and sound, and the use of these within the film; the relevance of the theme of journey to viewers of the film; the part played by ‘Chance’ as an accepted phenomenon in shaping the direction of the film; production considerations, other than those of image and sound, to enhance audience perception and understanding of the film; ‘understanding’, as a physical as well as an intellectual phenomenon
Master of Arts (Hons)
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Nilsson, Kristian. "Film formation of latex in dry coating films". Thesis, Karlstad University, Faculty of Technology and Science, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-1048.

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The objective of this master thesis was to investigate the possibility to measure the gain in stiffness of the dry coating due to film formation of latex with a Dynamic Mechanic Thermal Analyzer (DMTA). This could tell when and to which extent the latex forms a film after the drying process.

Two latices with different Tg was used for the experiments, one with a Tg of 36°C, denoted hard, and the one with a Tg of 8°C, denoted soft. The hard latex was used to make coating samples that would not form a film when dried at room temperature and the soft latex was used as a reference to the coating with hard latex since it would form a film at room temperature.

It was shown that a gain in stiffness due to film formation of latex in coating can be measured with a DMTA. It was also shown that that the film forming of latex in coatings depend on time, temperature and the history of the sample. Further investigations were carried out to try to determine the time for film formation to be completed at a certain temperature.. These investigations showed that this type of trials cannot be carried out in a DMTA directly since the stiffness seemed to increase monotonically during a very ling time. This might be due to the rearrangements in the pigment structure that might affect the gain in stiffness. Therefore, a method involving oven curing was developed. Only one series of test were performed with this method due to lack of time but the method showed promising results.


Syftet med detta examensarbete var att undersöka möjligheten att använda en Dynamic Mechanic Thermal Analyzer (DMTA) för att mäta ökningen av styvhet som följd av filmbildning av latex i en torr bestrykning.

Två olika latexer användes för experimenten, en med Tg = 36°C (hård) och en med Tg = 8°C (mjuk). Den hårda latexen användes för att kunna göra tester på prover som ännu inte filmbildat när de torkat vid rumstemperatur och den mjuka latexen användes för att göra referens prover mot bestrykningen med hård latex.

Resultaten visade att det går att mäta styvhetsökning i bestrykningen som en följd av filmformation med DMTA och filmformation av latex i bestrykningen troligtvis beror på både tid, temperatur och provets historia. Ett försök att mäta vilken uppehålls tid vid en specifik temperatur som krävs för att filmbildningen skall fulländas genomfördes. Dessa försök visade att DMTA:n inte var en lämplig metod för att mäta denna tid då styvheten verkade öka under en längre tid. Detta kan bero på att pigment partiklarna packade sig tätare och på så sätt orsakade en ökning av styvheten. Därför gjordes ett annat försök som involverar ugns härdning, men på grund av tidsbrist blev det bara en mätserie utförd. Den sist nämnda metoden visade dock goda resultat och måste därför bedömas ha en potential.

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Poole, Mark William. "Film noir and the films of Christopher Nolan". Master's thesis, Universidade de Aveiro, 2004. http://hdl.handle.net/10773/16688.

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Mestrado em Estudos Ingleses
Film noir has returned as a commercially attractive genre in the last ten years following the success of Pulp Fiction. This thesis discusses the differences of style and content and reasons for these differences between the present incarnation of film noir and its predecessors. As a director whose three feature films to date all contain noir elements, the work of Christopher Nolan is contextualized with that of his contemporaries while the purpose of his expression of these elements is also considered.
O Film Noir regressou como género comercialmente atraente nos últimos dez anos e na sequência do sucesso de Pulp Fiction. Nesta tese tentamos analisar as diferenças de estilo e de conteúdo, e as razões para estas diferenças entre a incarnação actual do Film Noir e a dos seus antecessores. Enquanto realizador cujos filmes até hoje apresentados contêm elementos de Film Noir, a obra de Christopher Nolan é contextualizada com a dos seus contemporâneos, ao mesmo tempo que se analisa igualmente o objectivo da expressão destes elementos.
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Kohli, Gurdeep Singh. "Film or film brand? : investigating consumers' engagement with films as brands". Thesis, Brunel University, 2017. http://bura.brunel.ac.uk/handle/2438/16312.

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This study offers an in-depth account of how, when and why consumers engage with films as brands, using 38 exploratory, semi-structured consumer interviews and 1030 consumer survey responses. Extant film branding literature is scarce, dominated by filmmakers' and marketers' perspectives of films as brands and is confined to exploring points of parity associations films have as brands, rather than ways films may differentiate themselves as brands. Taking on a consumer centric view, our findings show although filmmakers, production houses and marketers may jointly develop and market films with the vision of becoming brands, this doesn't necessarily guarantee consumers' engagement with such films as brands. Instead, consumers initially evaluate the coherency of a film's identity and subsequently go on to engage with films as brands, a process which is fully mediated by the emotional bonding a consumer may develop for a film and partially mediated by a film's popularity and sequels. Films' marketing/franchising efforts, iconic status and sense of timelessness moderate consumer-film brand engagement, resulting in positive word of mouth and purchase intention. Our sequential, consolidated and specified film brand engagement framework guides filmmakers and marketers on how to tactically engage consumers with their films as brands, in order to differentiate themselves within this risky and competitive market.
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Nie, Jing. "Contemporary Chinese Cinema: Fifth Generation films, urban films, and Sixth Generation films". Ohio : Ohio University, 2003. http://www.ohiolink.edu/etd/view.cgi?ohiou1061419663.

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Arteaga, Loïc. "Du non-film inexploré aux films à restaurer : l'apport des documents d'archives non-film dans les processus de restauration de films muets". Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCC291.

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Malgré sa récente remise en lumière, le cinéma muet est toujours menacé de disparition, du fait notamment de la décomposition des supports nitrate avec le temps. On estime que 80 pour cent de la production cinématographique mondiale de 1895 à 1929 serait de nos jours perdue, rendant d’autant plus cruciale la restauration des films muets subsistants. Malheureusement, un siècle après, ces films se présentent souvent dans des versions incomplètes et parfois différentes de celles d’origine. Ce travail de recherche s’inscrit dans ce cadre et démontre plus spécifiquement l’apport fondamental des documents d’archives non-film d’époque dans les processus de restauration de films muets. Ces documents, qui constituent désormais les seules sources attestant de la forme d’origine et complète de ces œuvres, permettent notamment, par comparaison avec les films incomplets, l’identification des versions conservées et la reconstruction des trames narratives. Cette réflexion théorique sur les principes directeurs de la restauration de films [I] est ensuite mise en pratique au travers de notre analyse des éléments de restauration du fonds d’archives non-film de la société de production américaine Triangle Film Corporation (1915-1919) conservés par la Cinémathèque française [II] puis, grâce à l’exploitation de ces éléments, au travers de notre contribution aux restaurations des versions françaises du western The Desert Man (La Cité du désespoir, William S. Hart, 1917) et du drame historique The Despoiler (Châtiment, Reginald Barker, 1915) [III] ; deux films Triangle jusqu’alors considérés comme perdus qui constituent les seuls éléments filmiques localisés à ce jour dans le monde
Despite its recent re-lighting, silent cinema is still threatened by disappearance, notably because of nitrate film decomposition over time. It is estimated that 80 per cent of the world cinema production from 1895 to 1929 is currently lost, which makes silent film restoration even more crucial for those that still exist. Unfortunately, a century later, those films often remain in incomplete versions, sometimes even different from the original ones. This research work falls within this scope and specifically demonstrates the essential input of non-film archival documents of the time in silent film restoration processes. Those documents from now on represent the only sources attesting the original and complete form of those films. They notably allow, by comparing them with the incomplete films, both the identification of the preserved versions and the reconstruction of the narrative spine. This theoretical reflection on film restoration guiding principles [I] is then put into practice first through our examination of the restoration elements of the non-film archive collection of the American production company Triangle Film Corporation (1915-1919) preserved by the Cinémathèque française [II] then, based on the exploitation of these elements, through our contribution to the restorations of the French versions of the western The Desert Man (La Cité du désespoir, William S. Hart, 1917) and the historical drama The Despoiler (Châtiment, Reginald Barker, 1915) [III] ; two Triangle films so far presumed lost that constitute the only film elements located in the world until now
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Bentley, Christina Mitchell. ""THAT'S JUST THE WAY WE LIKE IT": THE CHILDREN'S HORROR FILM IN THE 1980'S". Lexington, Ky. : [University of Kentucky Libraries], 2002. http://lib.uky.edu/ETD/ukyengl2002t00033/00cmbthe.pdf.

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Thesis (M.A.)--University of Kentucky, 2002.
Title from document title page. Document formatted into pages; contains vii, 63 p. : ill. Includes film clips utilizing MPG files. Includes abstract. Includes bibliographical references (p. 60-62).
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Reed, Amber Nicole. "Characterization of Inert Gas RF Plasma-Treated Indium Tin Oxide Thin Films Deposited Via Pulsed DC Magnetron Sputtering". Wright State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=wright1221763086.

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Kim, Yumi. "Chasing the moon /". Online version of thesis, 2009. http://hdl.handle.net/1850/8691.

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Książki na temat "Films"

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Karl-Heinrich, Schmidt, red. Multimodal film analysis: How films mean. New York: Routledge, 2012.

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Gonzalez-Foerster, Dominique. Films. [France]: Les presses du réel, 2003.

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Visy, Gilles. Films cultes-Culte du film: Culte du film. Paris: Publibook, 2005.

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T︠S︡vetkov, I︠U︡riĭ. Vesenni︠a︡i︠a︡ skazka: Fil'm-skazka. Moskva: OOO Magnat, 2006.

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Cheu, Hoi F. Cinematic howling: Women's films, women's film theories. Vancouver: UBC Press, 2007.

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Narwekar, Sanjit. Directory of Indian film-makers and films. Westport, Conn: Greenwood Press, 1994.

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Shiri, Keith. Directory of African film-makers and films. Westport, Conn: Greenwood Press, 1992.

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Narwekar, Sanjit. Directory of Indian film-makers and films. Trowbridge, Wiltshire, England: Flicks Books, 1994.

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P, Fennell John, red. Film quotes: Great lines from famous films. London: Robinson, 1991.

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Harmon, Renee. Film producing: Low budget films that sell. Hollywood: Samuel French, 1988.

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Części książek na temat "Films"

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Dima, Ramona. "Films". W Queer Culture in Romania, 1920–2018, 91–125. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-38849-1_4.

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Frey, Bruno S. "Films". W Economics of Art and Culture, 71–76. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15748-7_9.

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Lloyd, Christopher. "Films". W Collaboration and Resistance in Occupied France, 194–230. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230503922_6.

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Córdova-Cisneros, Karla C., Paola F. Vera-García, Karina G. Espinosa-Cavazos, Omar A. Martínez-Anguiano, Aidé Sáenz-Galindo i Adali O. Castañeda-Facio. "Films". W Biodegradable Polymers, 112–28. Boca Raton: CRC Press, 2023. http://dx.doi.org/10.1201/9781003230533-8.

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Rees, Catherine. "Films". W Martin McDonagh, 69–99. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003185093-4.

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Lee, Hyunseon. "From Festival Films to Film Festivals". W Korean Film and Festivals, 15–40. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429327841-3.

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Gould, Robert D., Safa Kasap i Asim K. Ray. "Thin Films". W Springer Handbook of Electronic and Photonic Materials, 1. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48933-9_28.

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White, Neil. "Thick Films". W Springer Handbook of Electronic and Photonic Materials, 1. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48933-9_29.

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Kanematsu, Hideyuki, i Dana M. Barry. "Conditioning Films". W Biofilm and Materials Science, 9–15. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-14565-5_2.

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Nassar, Raja, i Weizhong Dai. "Thin Films". W Modelling of Microfabrication Systems, 221–48. Berlin, Heidelberg: Springer Berlin Heidelberg, 2003. http://dx.doi.org/10.1007/978-3-662-08792-3_6.

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Streszczenia konferencji na temat "Films"

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Kubodera, K., S. Tomaru, H. Kobayashi, T. Kanetake, K. Ishikawa, T. Koda, K. Takeda, Y. Tokura i S. Koshihara. "Evaluation of Third-Order Susceptibility of Vacuum-Deposited Polydiacetylene Thin Films". W Nonlinear Optical Properties of Materials. Washington, D.C.: Optica Publishing Group, 1988. http://dx.doi.org/10.1364/nlopm.1988.wb1.

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Streszczenie:
Polydiacetylene (PDA) has high potential for use in nonlinear optical devices, such as optically gated switches and optical bistable devices, because it has large third-order nonlinearity due to one-dimensional conjugated π-electrons in its backbone chains. This material has the advantage of very fast response time and fairly small absorption loss. Nonlinear optical measurements have been performed for various sample forms, single crystals1) solvent-cast films, Langumuir-Blodgett (LB) films2), and vacuum-deposited films3),4). Among these, vacuum-deposited films are easiest to prepare because the process is dry and not time-consuming. However, the measured χ(3) values for films deposited by the usual method were not so large (≃ 1 × 10−11 esu) compared with those of single crystals1) and LB films2). This paper reports on the fairly large χ(3) value that has been observed in a highly-oriented epitaxial PDA thin film prepared by a successful vacuum-deposition method. This χ(3) value is larger than LB films and comparable to that of single crystals. To properly evaluate the χ(3) value, a third-harmonic generation (THG) measurement system with high accuracy has been set up.
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Dalton, Larry. "Can drive voltages of less than one volt be systematically achieved for polymeric electro-optic devices?" W Organic Thin Films. Washington, D.C.: OSA, 1999. http://dx.doi.org/10.1364/otf.1999.fb1.

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Dalton, Larry R., i Bruce H. Robinson. "Comparison of simple theory and experiment on the electro-optic coefficient of high dipole moment materials". W Organic Thin Films. Washington, D.C.: OSA, 1999. http://dx.doi.org/10.1364/otf.1999.fa1.

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Thakur, Mrinal, Shida Tan, Achintya Bhowmik i Sunil Sodah. "Second-harmonic generation in single-crystal thin-films of 3-methyl-4-methoxy-4'-nitrostilbene (MMONS)". W Organic Thin Films. Washington, D.C.: OSA, 1999. http://dx.doi.org/10.1364/otf.1999.fa2.

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Singer, Kenneth, V. Ostroverkhov, O. Ostroverkhova, R. G. Petschek, L. Sukhomlinova i R. J. Twieg. "Quadrupolar molecular nonlinear optics". W Organic Thin Films. Washington, D.C.: OSA, 1999. http://dx.doi.org/10.1364/otf.1999.fa3.

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Ostroverkbov, V., O. Ostroverkhova, R. G. Petschek, R. G. Petschek, K. D. Singer, L. Sukhomlinova i R. J. Twieg. "Quadrupolar molecular nonlinear optics". W Organic Thin Films. Washington, D.C.: OSA, 1999. http://dx.doi.org/10.1364/otf.1999.fa4.

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Liakatas, Ilias, C. Cai, M. Bösch, M. Jäger, Ch Bosshard, P. Günter, Cheng Zhang i Larry R. Dalton. "Intermolecular interactions of highly nonlinear optical molecules for electro-optic polymer applications". W Organic Thin Films. Washington, D.C.: OSA, 1999. http://dx.doi.org/10.1364/otf.1999.fa5.

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Pliska, Tomas, Wook-Rae Cho, Vincent Ricci, Joachim Meier, Anne-Claire Le Duff, Michael Canva, George I. Stegeman i Paul Ray. "Polymer waveguides for second-order nonlinear-optical effects at telecommunication wavelengths". W Organic Thin Films. Washington, D.C.: OSA, 1999. http://dx.doi.org/10.1364/otf.1999.fb2.

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Shi, Yongqiang, Weiping Lin, David J. Olson i James H. Bechtel. "Microstrip line-slot ground electrode for high-speed optical push-pull polymer modulators". W Organic Thin Films. Washington, D.C.: OSA, 1999. http://dx.doi.org/10.1364/otf.1999.fb3.

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Toyama, Jiro, Takeshi Yamada, Yasuhiro Kubota i Ichiro Takatsu. "A compact optical branch, composed of a half-mirror and a rectangularly crossed waveguide". W Organic Thin Films. Washington, D.C.: OSA, 1999. http://dx.doi.org/10.1364/otf.1999.fb4.

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Raporty organizacyjne na temat "Films"

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Dahlberg, E. D., i P. I. Cohen. Epitaxial Iron Films. Fort Belvoir, VA: Defense Technical Information Center, luty 1992. http://dx.doi.org/10.21236/ada250402.

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Hui, Y., R. Brusasco, R. Kershaw, K. Dwight i A. Wold. VO2 Thin Films. Fort Belvoir, VA: Defense Technical Information Center, lipiec 1986. http://dx.doi.org/10.21236/ada171554.

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Smith, B. K., G. LaVigne, J. J. Sniegowski i C. D. Brown. Thin teflon-like films for MEMS: Film properties and reliability studies. Office of Scientific and Technical Information (OSTI), lipiec 1998. http://dx.doi.org/10.2172/656699.

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Simon, M. I. [Melting in adsorbed films]. Office of Scientific and Technical Information (OSTI), styczeń 1992. http://dx.doi.org/10.2172/7183243.

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Phillips, M. L. F., P. I. Pohl i C. J. Brinker. Selective inorganic thin films. Office of Scientific and Technical Information (OSTI), kwiecień 1997. http://dx.doi.org/10.2172/494134.

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Denlinger, Edgar J. High Performance YBCO Films. Fort Belvoir, VA: Defense Technical Information Center, lipiec 1992. http://dx.doi.org/10.21236/ada255439.

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Denlinger, Edgar J. High Performance YBCO Films. Fort Belvoir, VA: Defense Technical Information Center, październik 1992. http://dx.doi.org/10.21236/ada258481.

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Phillips, M. L. F., L. A. Weisenbach i M. T. Anderson. Selective inorganic thin films. Office of Scientific and Technical Information (OSTI), maj 1995. http://dx.doi.org/10.2172/105137.

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Sekula, S. (Fabrication of superconducting films). Office of Scientific and Technical Information (OSTI), październik 1989. http://dx.doi.org/10.2172/5486162.

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Zweibel, K. Thin films: Past, present, future. Office of Scientific and Technical Information (OSTI), kwiecień 1995. http://dx.doi.org/10.2172/61140.

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