Gotowa bibliografia na temat „Filmmakers”
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Artykuły w czasopismach na temat "Filmmakers"
Canet, Fernando. "Filmmaker‐subject relationship in documentary filmmaking". Catalan Journal of Communication & Cultural Studies 14, nr 1 (1.04.2022): 23–40. http://dx.doi.org/10.1386/cjcs_00058_1.
Pełny tekst źródłaWhite, Patricia. "Introduction: Late Hammer". Camera Obscura: Feminism, Culture, and Media Studies 36, nr 3 (1.12.2021): 84–87. http://dx.doi.org/10.1215/02705346-9349371.
Pełny tekst źródłaBalčus, Zane. "FILMMAKERS AS ONSCREEN CHARACTERS IN RECENT LATVIAN DOCUMENTARY CINEMA". Culture Crossroads 18 (31.10.2022): 55–65. http://dx.doi.org/10.55877/cc.vol18.85.
Pełny tekst źródłaGreen, Cheryl. "Saying “Thank You” for Quality Closed Captions: A Promising Shift in Inviting Access". Canadian Journal of Disability Studies 10, nr 2 (8.10.2021): 255–68. http://dx.doi.org/10.15353/cjds.v10i2.801.
Pełny tekst źródłaLoh, Yoke Ling, i Mohd Nor Shahizan Ali. "Dilemma of Indie Documentary Filmmaker Malaysia". Jurnal Komunikasi: Malaysian Journal of Communication 38, nr 1 (31.03.2022): 20–42. http://dx.doi.org/10.17576/jkmjc-2022-3801-02.
Pełny tekst źródłaCharriau, Véronique. "Stratégies populaires et savantes dans le cinéma écossais des années 80 et 90". Recherches anglaises et nord-américaines 40, nr 1 (2007): 163–75. http://dx.doi.org/10.3406/ranam.2007.1344.
Pełny tekst źródłaÖnen, Ufuk. "The Voice as a Narrative Element in Documentary Films". Resonance 2, nr 1 (2021): 6–18. http://dx.doi.org/10.1525/res.2021.2.1.6.
Pełny tekst źródłaFrølunde, Lisbeth, Øystein Gilje, Fredrik Lindstrand i Lisa Öhman-Gullberg. "Methodologies for tracking learning paths: designing the online research study Making a Filmmaker". MedieKultur: Journal of media and communication research 25, nr 46 (19.06.2009): 13. http://dx.doi.org/10.7146/mediekultur.v25i46.1349.
Pełny tekst źródłaAdemiju-Bepo, Adediran Kayode, i Solomon Idyo. "Nollywood and the challenge of digital archiving and preservation in the digital era". Nigeria Theatre Journal: A Journal of the Society of Nigeria Theatre Artists 23, nr 2 (7.03.2024): 176–86. http://dx.doi.org/10.4314/ntj.v23i2.6.
Pełny tekst źródłaTownsend, Dana, i Kuldeep Niraula. "Documentary Filmmakers". International Journal of Conflict Engagement and Resolution 4, nr 1 (maj 2016): 28–40. http://dx.doi.org/10.5553/ijcer/221199652016004001003.
Pełny tekst źródłaRozprawy doktorskie na temat "Filmmakers"
Prime, Rebecca Lynn. "Intimate strangers blacklisted filmmakers in postwar Europe /". Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1779835961&sid=4&Fmt=2&clientId=48051&RQT=309&VName=PQD.
Pełny tekst źródłaShu, Chang. "On the Edge of the Margins: Female Independent Documentary Filmmakers in Contemporary Mainland China". Thesis, Griffith University, 2011. http://hdl.handle.net/10072/365795.
Pełny tekst źródłaThesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
Arts, Education and Law
Full Text
Millar, Michelle. "Alice Guy Blache and the development of early cinema". Thesis, University of London, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343731.
Pełny tekst źródłaGupta, Dipti. "Confronting the challenge of distribution : women documentary filmmakers in India". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ39431.pdf.
Pełny tekst źródłaReynolds, Lucy. "British avant-garde women filmmakers and expanded cinema of the 1970s". Thesis, University of East London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.536627.
Pełny tekst źródłaAgina, Anulika. "Nigerian filmmakers and their construction of a political past (1967-1998)". Thesis, University of Westminster, 2015. https://westminsterresearch.westminster.ac.uk/item/96x0z/nigerian-filmmakers-and-their-construction-of-a-political-past-1967-1998.
Pełny tekst źródłaMak, Monica. "Digital cinematic technology and the democratization of independent cinema". Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=103271.
Pełny tekst źródłaMarquez, Zaida. "Articulating a diasporic identity: The case of Latin American filmmakers in Quebec". Thesis, University of Ottawa (Canada), 2009. http://hdl.handle.net/10393/28420.
Pełny tekst źródłaMcCarty, Andrea Nina. "Toying with obsolescence : Pixelvision filmmakers and the Fisher Price PXL 2000 camera". Thesis, Massachusetts Institute of Technology, 2005. http://hdl.handle.net/1721.1/39180.
Pełny tekst źródłaIncludes bibliographical references (p. 155-165).
This thesis is a study of the Fisher Price PXL 2000 camera and the artists and amateurs who make films and videos with this technology. The Pixelvision camera records video onto an audiocassette; its image is low-resolution, black and white. Fisher Price marketed the PXL 2000 to children in 1987, but withdrew the camera after one year. Despite its lack of commercial success, the camera became popular with avant-garde artists, amateur film- and videomakers and collectors, sparking a renewed interest in the obsolete camera. An online community has built up around the format, providing its members with information on how to modify the camera to make it compatible with contemporary digital equipment. Although Pixelvision garners little recognition from mainstream culture, the camera's hipster cachet and perceived rarity has driven up prices in the community and in auctions. This thesis examines the position of the PXL 2000 camera within the history of moving image technology, and in the context of today's digital video equipment. How has this obsolete video camera made the transition from analog to digital? The thesis also explores Pixelvision's position in the cultural hierarchy of media, as well as the motivations of artists and users who are creating with the camera today, as it moves further and further into its obsolescence.
by Andrea Nina McCarty.
S.M.
Daniels, Tracy K. (Tracy Kim). "Hybrid cinematics : rethinking the role of filmmakers of color in American cinema". Thesis, Massachusetts Institute of Technology, 2008. http://hdl.handle.net/1721.1/42422.
Pełny tekst źródłaIncludes bibliographical references (leaves 69-71).
This thesis explores the practices of filmmakers of color in the United States who employ strategies to circumvent industrial, financial and cultural barriers to production and distribution. To overcome these barriers, many filmmakers of color in the United States operate as independents, which can allow them to route around Hollywood or forge a new space within. For most contemporary independent minority filmmakers, such as those from Latin, Asian, Pacific, Native and African American communities, an amalgam of political, industrial, economic and technological shifts have both facilitated and hindered access to crucial funding and distribution opportunities, which in turn impacts their ability to control and shape their imagery and identity. The result of these impediments inspires a mix of endeavors by those who seek mainstream access and success, those who seek independent status, and the hybrid practices of those who increasingly negotiate between the two. Hybrid Cinematics describes practices of those who negotiate such strategies to not only overcome persistent barriers, but also to strengthen their presence and authority within the American motion picture industry.
by Tracy K. Daniels.
S.M.
Książki na temat "Filmmakers"
Koopmans, Andy. Filmmakers. San Diego, Calif: Thomson/Gale, 2004.
Znajdź pełny tekst źródłaTo the young filmmaker: Conversations with working filmmakers. New York: Franklin Watts, 2002.
Znajdź pełny tekst źródłaVallan, Giulia D'Agnolo. Filmmakers & Aldrich. Torino: Museo nazionale del cinema, Fondazione Maria Adriana Prolo, 2006.
Znajdź pełny tekst źródłaLommel, Cookie. Black filmmakers. Broomall, PA: Chelsea House Publishers, 2002.
Znajdź pełny tekst źródłaCorrigan, Michael. The filmmakers. College Station, TX: Virtualbookworm.com Pub., 2008.
Znajdź pełny tekst źródłaGalenson, David W. Innovators: Filmmakers. Cambridge, MA: National Bureau of Economic Research, 2010.
Znajdź pełny tekst źródłaSingleton, Ralph S. Filmmakers dictionary. Beverly Hills, CA: Lone Eagle Pub Co., 1986.
Znajdź pełny tekst źródłaIan, Garwood, i Thomas Deborah, red. Filmmakers' choices. London: Wallflower Press, 2006.
Znajdź pełny tekst źródłaLevison, Louise. Filmmakers and Financing. Eighth edition. | New York ; London : Routledge, 2016.: Routledge, 2016. http://dx.doi.org/10.4324/9781315670089.
Pełny tekst źródła1964-, Tasker Yvonne, red. Fifty contemporary filmmakers. London: Routledge, 2002.
Znajdź pełny tekst źródłaCzęści książek na temat "Filmmakers"
Morrow, Stephen M. "Filmmakers Intermingled". W Rethinking Art Education Research through the Essay, 135–58. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-81269-0_6.
Pełny tekst źródłaBarr, Charles. "Hitchcock and Early Filmmakers". W A Companion to Alfred Hitchcock, 48–66. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444397321.ch3.
Pełny tekst źródłaSteedman, Robin. "Nairobi-based Female Filmmakers". W A Companion to African Cinema, 315–35. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781119100577.ch14.
Pełny tekst źródła"Filmmakers". W Cinema and the Urban Poor in South India, 119–33. Cambridge University Press, 1993. http://dx.doi.org/10.1017/cbo9780511557972.008.
Pełny tekst źródła"EIGHT. FILMMAKERS". W Film Studies, second edition, 116–28. Columbia University Press, 2020. http://dx.doi.org/10.7312/siko19592-010.
Pełny tekst źródła"Muslim Filmmakers". W Encyclopedia of Computer Graphics and Games, 1223. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-23161-2_300821.
Pełny tekst źródła"Arab Filmmakers". W Encyclopedia of Computer Graphics and Games, 123. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-23161-2_300103.
Pełny tekst źródłaHillauer, Rebecca. "Other Filmmakers". W Encyclopedia of Arab Women Filmakers, 421–48. American University in Cairo Press, 2006. http://dx.doi.org/10.5743/cairo/9789774249433.003.0011.
Pełny tekst źródłaMotrescu-Mayes, Annamaria, i Heather Norris Nicholson. "Teacher Filmmakers". W British Women Amateur Filmmakers, 133–62. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474420730.003.0006.
Pełny tekst źródłaMcKemmish, Laura K., Rebecca L. Coates, Frazina S. Botelho, Alvina Kuhai, Katherine V. C. Marshall i Laurence Z. J. Turlej. "Phys FilmMakers:". W Shaping Higher Education with Students, 294–302. UCL Press, 2018. http://dx.doi.org/10.2307/j.ctt21c4tcm.46.
Pełny tekst źródłaStreszczenia konferencji na temat "Filmmakers"
Ao, Austin, i Sharon Greytak. "Resilient Creatives: Experiences of Filmmakers During Covid-19". W The Asian Conference on Media, Communication and Film 2021. The International Academic Forum(IAFOR), 2022. http://dx.doi.org/10.22492/issn.2186-5906.2022-1.6.
Pełny tekst źródłaAo, Austin, i Sharon Greytak. "Resilient Creatives: Experiences of Filmmakers During Covid-19". W – The Asian Conference on Media, Communication and Film 2021. The International Academic Forum(IAFOR), 2022. http://dx.doi.org/10.22492/issn.2186-5906.2022.6.
Pełny tekst źródłaYe, Ding. "An integrated 2D and 3D pipeline for independent filmmakers". W ACM SIGGRAPH 2005 Sketches. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1187112.1187119.
Pełny tekst źródłaMalone, Hui-Ling. "Young Guerilla Filmmakers: Shaping Learning Through Community-Centric Practices". W 2019 AERA Annual Meeting. Washington DC: AERA, 2019. http://dx.doi.org/10.3102/1442753.
Pełny tekst źródłaGalyavetdinova, Marina Mukhamatyanovna. "Pedagogical technologies in the quality management system for the preparation of future filmmakers". W II International Scientific and Practical Conference. TSNS Interaktiv Plus, 2017. http://dx.doi.org/10.21661/r-463236.
Pełny tekst źródłaKillian Lund, Virginia. ""We Drink the Water": Teen Filmmakers (Re)Producing Media and Place on the Move". W 2020 AERA Annual Meeting. Washington DC: AERA, 2020. http://dx.doi.org/10.3102/1586080.
Pełny tekst źródłaDux, Stefan. "The Impact of Camera Innovations on Visual Aesthetics in Documentary Films – A Filmmakers Perspective". W The European Conference on Media, Communication & Film 2020. The International Academic Forum(IAFOR), 2020. http://dx.doi.org/10.22492/issn.2188-9643.2020.4.
Pełny tekst źródłaConey, Shun, i Yasunobu Ito. "The production process of films from a relational perspective: A case study of independent films about Parkinson's disease in Japan". W 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002555.
Pełny tekst źródłaCrone, Vincent C. A., i Floris Müller. "The Polysemic Documentary: Authenticity, Artistry and Change. Documentary filmmakers and their strategic use of contradicting repertoires." W Annual International Conference on Journalism & Mass Communications. Global Science & Technology Forum (GSTF), 2012. http://dx.doi.org/10.5176/2301-3729_jmcomm12.106.
Pełny tekst źródłaXiao, Fu. "SOVIET FILM EXPERTS AND THE "SOVIET EXPERIENCE" IN THE CONSTRUCTION OF NEW CHINESE CINEMA (1949‒1959)". W Chinese Studies in the 21st Century. Buryat State University Publishing Department, 2022. http://dx.doi.org/10.18101/978-5-9793-1802-8-2022-304-316.
Pełny tekst źródłaRaporty organizacyjne na temat "Filmmakers"
Galenson, David. Innovators: Filmmakers. Cambridge, MA: National Bureau of Economic Research, kwiecień 2010. http://dx.doi.org/10.3386/w15930.
Pełny tekst źródłaBernárdez-Rodal, A., i G. Padilla-Castillo. Female filmmakers and women’s representation in Spanish commercial cinema (2001-2016). Revista Latina de Comunicación Social, lipiec 2018. http://dx.doi.org/10.4185/rlcs-2018-1305en.
Pełny tekst źródłaCastedo, Leopoldo. Cultural Foundations of Latin American Integration. Inter-American Development Bank, wrzesień 1999. http://dx.doi.org/10.18235/0007936.
Pełny tekst źródłaAntonov, Volodymyr. Natural history BBC documentaries: history and functions. Ivan Franko National University of Lviv, luty 2022. http://dx.doi.org/10.30970/vjo.2022.51.11402.
Pełny tekst źródłaGattenhof, Sandra, Ulvund Marit i Cecilie Haagensen. #YoungArt and Future Skills Report. Queensland University of Technology, 2023. http://dx.doi.org/10.5204/rep.eprints.244541.
Pełny tekst źródła