Rozprawy doktorskie na temat „Film production”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Sprawdź 50 najlepszych rozpraw doktorskich naukowych na temat „Film production”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Przeglądaj rozprawy doktorskie z różnych dziedzin i twórz odpowiednie bibliografie.
Wille, Kirstin. "Film production in Cambodia conditions and structure of the Cambodian film production market, demand and supply in consideration of film genre". Erfurt Thüringisch-Kambodschan. Ges, 2009. http://www.tkgev.org/film-production-in-cambodia.html.
Pełny tekst źródłaKieran, Jonathan P. "For Want Of: A Punk Rock Short Film". ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/1992.
Pełny tekst źródłaGoksu, Emel Iraz. "Hemicellulose Based Biodegradable Film Production". Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12605940/index.pdf.
Pełny tekst źródłaTheuer, Timothy. "Submit: A Narrative Film Production". ScholarWorks@UNO, 2005. http://scholarworks.uno.edu/td/232.
Pełny tekst źródłaSong, Dae Hyun. "Pre-Production, Production and Post-Production on Short Film "Draw Me Invisible"". Thesis, The University of Arizona, 2014. http://hdl.handle.net/10150/321962.
Pełny tekst źródłaHarmon, Joseph C. "The Cuddle Club". ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/1970.
Pełny tekst źródłaCarter-Hansen, Jill, University of Western Sydney i of Performance Fine Arts and Design Faculty. "Travelling light - with a case for discovery : the making of the film Songs of the Immigrant Bride". THESIS_FVPA_XXX_CarterHansen_J.xml, 1997. http://handle.uws.edu.au:8081/1959.7/680.
Pełny tekst źródłaMaster of Arts (Hons)
Stratton, Sabra. "Get Out of My Hair". Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/978.
Pełny tekst źródłaThomas, M. "Gelatin film formation related to capsule production". Thesis, Cardiff University, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.372355.
Pełny tekst źródłaBREA, JOANA DE OLIVEIRA. "SUBTLE RESISTANCIES: FILM CREATION AND PRODUCTION INSTANCIES". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2008. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=12940@1.
Pełny tekst źródłaSe a tensão entre o fazer artístico e a lógica do mercado assombrou a arte em geral, desde o surgimento da cultura de massa no século XIX, ela esteve presente no cinema já no seu nascimento: para além de sua dimensão de obra de arte, a invenção do espetáculo da projeção fez do filme um bem de consumo coletivo, impondo-lhe métodos de produção industriais e finalidades comerciais. Na contemporaneidade, o declínio das grandes utopias e a expansão do papel do mercado como grande mediador cultural tem, cada vez mais, colocado em xeque o paradigma estético da modernidade, incluindo seu ideal de autonomia. Distanciada das posturas radicais que, outrora, advogavam o confrontamento com o massivo, a arte contemporânea desenvolve sutis formas de resistência que negociam a possibilidade de expressão com sua inevitável condição de mercadoria. Nosso objetivo, nesta dissertação, foi analisar como a tensão entre um ideal de liberdade artística e o filme como produto comercializável se manifesta no cinema contemporâneo. Para isso, buscamos selecionar, como objeto de estudo, filmes que nos permitissem destacar estratégias de negociação entre criação artística e instâncias da produção. A escolha recaiu sobre Quero Ser John Malkovich (1999), Adaptação (2002), A Natureza Quase Humana (2002) e Brilho Eterno de uma Mente sem Lembranças (2004). Os dois primeiros foram dirigidos por Spike Jonze, os dois últimos por Michel Gondry e todos tiveram Charles Kaufman como roteirista.
If the tension between artistic work and the market`s logic hunted art in general, since the beginning of mass culture in mid nineteen century, it became present in films since its birth: beyond the dimension of work of art, with the invention of the spectacle of projection, films became a largely consumed product which imposed industry production methods and commercial goals. In contemporary days, the decay of utopia and the expansion of the market`s hole as a cultural mediator have put the modern esthetic paradigm in question, including its ideal of autonomy. Far from the radical postures that used to proclaim the confrontation with the massive, contemporary art develops ways of resistance that negotiate the possibility of expression with its undeniable condition of merchandise. Our goal, in this research, is to analyze how the tension between the ideal of artistic freedom and the film as a product happens in contemporary cinema. Therefore, we sought to select, as our object of study, films that allow us to perceive negotiation strategies between artistic creation and production methods. We chose Being John Malkovich (1999), Adaptation (2002), Human Nature (2001) and Eternal Sunshine of the Spotless Mind (2004). The first two had been directed by Spike Jonze, the last two had been directed by Michel Gondry and all of them had been written by Charlie Kaufman.
Vales, Marcela. "The Golden Ring: A Narrative Film Production". ScholarWorks@UNO, 2005. http://scholarworks.uno.edu/td/285.
Pełny tekst źródłaGooch, Sara Anne. "Mediating the mill: steel production in film". Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/2879.
Pełny tekst źródłaLange, Shara K. "Documentary Production & Documentary Problems". Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/3666.
Pełny tekst źródłaRaymond, Mark C. "Going In circles". ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/td/1938.
Pełny tekst źródłaCheng, Alexandra. "TERMS: A Short Film". Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/cmc_theses/1807.
Pełny tekst źródłaHo, Isabella Mei-yu. "The BFI and film production : a history of policy and practice from the Experimental Film Fund to the Production Board". Thesis, University of Exeter, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.437470.
Pełny tekst źródłaXing, Zishuo. "Unfolding the Spectrum of Emotions". Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1243.
Pełny tekst źródłaMerz, Caroline. "Why not a Scots Hollywood? : fiction film production in Scotland, 1911-1928". Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/22054.
Pełny tekst źródłaCASEIRO, IGOR AJUZ DE ABREU. "APPLICATIONS OF RFID IN A FILM PRODUCTION COMPANY". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2011. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=18171@1.
Pełny tekst źródłaToday’s increasing market competitiveness demands a highly performing production chain, with lower delivery times and more competitive price levels. In that scenario, logistics has earned a strategic role across industrial processes, being critically important in supporting Supply Chain Management (SCM) decision making. In recent years, Radio Frequency Identification (RFID) technology has become a powerful tool that has been added to logistics, in offering greater opportunities for companies to respond more competitively and safely to market demands. The objective of this paper is assesses the use by a film producer of RFID technology in costume inventory management. The research examines the barcode technology presently in use, and subsequently explores the use of RFID. The main contribution of this work is to introduce in the literature a new application for RFID technology, offering a more comprehensive look of its impact in Brazilian film industry. Based on the results of this case study, the essay shows the main improvements obtained with the use of RFID technology, and offers a comparison to the advantages documented in academic reviews. With RFID in increased agility, minimization of errors, rework and loss. The conclusion is that the RFID implementation was a success.
Nozaic, Claire. "An introduction to audio post-production for film". Thesis, Stellenbosch : Stellenbosch University, 2006. http://hdl.handle.net/10019.1/17405.
Pełny tekst źródłaENGLISH ABSTRACT: In South Africa there has been an increase over the last few years in audio engineering courses which include modules of study in audio post-production or even offer audio post-production as a major focus of study. From an academic standpoint however, and despite the growth in the local film industry, very little study of this field has been undertaken in South Africa until recently. In 2005, a MMus thesis was submitted at the University of KwaZulu-Natal entitled Acoustic Ambience in Cinematography: An Exploration of the Descriptive and Emotional Impact of the Aural Environment (Turner, 2005: online). The thesis briefly outlines the basic components of the soundtrack and focuses on describing and analysing the properties of ambience, a sub-section of sound effects. At Stellenbosch University, research has recently begun in the fields of film music and Foley (sound effects associated with human movement onscreen). The purpose of this thesis is to provide an overview of audio post-production and the contribution of sound to the film medium. It provides an outline of the processes involved in creating a soundtrack for film and includes a description of the components of the soundtrack and recommendations for practical application.
AFRIKAANSE OPSOMMING: Gedurende die afgelope paar jaar was daar ‘n toename in oudio-ingenieurskursusse, insluitend studiemodules in oudio post-produksie, en selfs ‘n aanbod vir modules in post-produksie as hoofstudierigting. Desnieteenstaande, en ten spyte van die groei in die plaaslike filmindustrie is tot onlangs min akademiese studies op dié terrein in Suid-Afrika onderneem. In 2005 is ‘n MMus-tesis aan die Universiteit van KwaZulu-Natal voorgelê, met die titel Acoustic Ambience in Cinematography: An Exploration of the Descriptive and Emotional Impact of the Aural Environment (Turner, 2005: aanlyn). Hierdie tesis gee ‘n basiese oorsig oor die basiese komponente van die klankbaan, en fokus op die beskrywing en analise van die eienskappe van ambience – ‘n onderafdeling van klankeffekte. By die Universiteit van Stellenbosch is onlangs ‘n begin gemaak met navorsing oor die terreine van filmmusiek en Foley, d.w.s. klankeffekte geassosieer met menslike bewegings op die skerm.. Hierdie tesis beoog om ‘n oorsig te gee van oudio post-produksie en die bydrae van klank tot die filmmedium. Dit verskaf ‘n oorsig oor die prosesse betrokke by die daarstelling van ‘n filmklankbaan en sluit ook in ‘n beskrywing van die komponente van die klankbaan en aanbevelings vir die praktiese toepassing daarvan.
El, Khachab Chihab. "Technology, labor, and mediation in Egyptian film production". Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:3968411a-84aa-4478-887b-b2c59be71522.
Pełny tekst źródłaMynatt, Trenton T. "Splitting Maul". ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2176.
Pełny tekst źródłaCrockett, Emmett J. III. "Timelocked: A Thesis". ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2600.
Pełny tekst źródłaMcNamee, Robert V. "Writing for film : the role of the Production Board of the British Film Institute". Thesis, University of Oxford, 1994. https://ora.ox.ac.uk/objects/uuid:bf4bcf2d-4120-4c59-a196-05d9f771a9dc.
Pełny tekst źródłaAtionu, A. "Comparison of fixed Acetobacter film fermenter systems". Thesis, University of Strathclyde, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.382281.
Pełny tekst źródłaBeaudet, Madison. "Can the Good Man Be Happy? The Production of "Beyond Memory"". ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2129.
Pełny tekst źródłaNorwood, Tracy L. "The Blanket of the Dark". ScholarWorks@UNO, 2017. http://scholarworks.uno.edu/td/2389.
Pełny tekst źródłaMeiser, Cory. "Documentary Film: Love's Story". Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5312/.
Pełny tekst źródłaZiemsen, Eva. "Developing a learning model for teaching film production online". Thesis, University of British Columbia, 2017. http://hdl.handle.net/2429/63862.
Pełny tekst źródłaGraduate and Postdoctoral Studies
Graduate
Holtmeier, Matthew. "The modern political film : biopolitical production and cinematic subjectivity". Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/3624.
Pełny tekst źródłaMulligan, Talley. "Lekhost a Tize: An Experiment in Film Production Methodology". ScholarWorks@UNO, 2003. http://scholarworks.uno.edu/td/46.
Pełny tekst źródłaBarquinha, Pedro. "Transparent oxide thin-film transistors: production, characterization and integration". Doctoral thesis, Faculdade de Ciências e Tecnologia, 2010. http://hdl.handle.net/10362/5380.
Pełny tekst źródłaKaimal, Kiren G. "Light: Journey of a Lifetime". ScholarWorks@UNO, 2008. http://scholarworks.uno.edu/td/709.
Pełny tekst źródłaMackay, Jem. "www.swarmtv.net : non-hierarchy through open source approaches to distributed filmmaking". Thesis, University of the Arts London, 2015. http://ualresearchonline.arts.ac.uk/8756/.
Pełny tekst źródłaElliott, Emma M. "Damn Spot: Navigating Emotional Trauma in the Body". Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1252.
Pełny tekst źródłaLopez, Laura. "BAKER:THE MAKING OF AN INDEPENDENT THRILLER". Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2096.
Pełny tekst źródłaM.F.A.
School of Film and Digital Media
Arts and Humanities
Film and Digital Media MFA
Johnson, Jeb E. Mr. "Exploring Hollywood Cinema: A Look at Cinematic Techniques and the Classical Hollywood Ideology". Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/honors/350.
Pełny tekst źródłaBentley, Christina Mitchell. ""THAT'S JUST THE WAY WE LIKE IT": THE CHILDREN'S HORROR FILM IN THE 1980'S". Lexington, Ky. : [University of Kentucky Libraries], 2002. http://lib.uky.edu/ETD/ukyengl2002t00033/00cmbthe.pdf.
Pełny tekst źródłaTitle from document title page. Document formatted into pages; contains vii, 63 p. : ill. Includes film clips utilizing MPG files. Includes abstract. Includes bibliographical references (p. 60-62).
Pinkey, Sheena. "Sidelined". Digital Commons at Loyola Marymount University and Loyola Law School, 2018. https://digitalcommons.lmu.edu/etd/691.
Pełny tekst źródłaRead-Fisher, Kathryn. "Billy the Elephant: Life In Captivity Is No Life At All". Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/905.
Pełny tekst źródłaFerrer, Danielle. "Casting". Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1082.
Pełny tekst źródłaWang, Xiwen. "Xin Yi: A Dramatic Exploration of International Student Experience". Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1081.
Pełny tekst źródłaBrown, Elizabeth. "Ambitious Young Woman". Digital Commons at Loyola Marymount University and Loyola Law School, 2020. https://digitalcommons.lmu.edu/etd/919.
Pełny tekst źródłaHorde, Candice. "The Fittest". Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/968.
Pełny tekst źródłaHerman, Hannah. "Barren". Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/985.
Pełny tekst źródłaRay, Preston. "No Man's Land". Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/974.
Pełny tekst źródłaHunter, Alexis F. "Botany Bay". Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/970.
Pełny tekst źródłaPittis, Patrick J. "Star Patrol Space Squad". Digital Commons at Loyola Marymount University and Loyola Law School, 2018. https://digitalcommons.lmu.edu/etd/690.
Pełny tekst źródłaWoodside, Addison. "Evangelicals". Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/983.
Pełny tekst źródłaMartin, Edwin Lorenzo. "Black Men Don't Cheat". Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/982.
Pełny tekst źródła