Gotowa bibliografia na temat „Film production”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Spis treści
Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Film production”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Artykuły w czasopismach na temat "Film production"
Pamungkas, Rezki Yoga, i Muhammad Muttaqien. "Capciptop short Film management production as Saos ABC Promotion Media". Symposium of Literature, Culture, and Communication (SYLECTION) 2022 3, nr 1 (22.11.2023): 255. http://dx.doi.org/10.12928/sylection.v3i1.13974.
Pełny tekst źródłaSchaefer, Dennis, i Larry Salvato. "Film Production". Communication Booknotes 16, nr 7 (lipiec 1985): 83. http://dx.doi.org/10.1080/10948008509488328.
Pełny tekst źródłaLi, Jiaming. "The Application of VR Technology in Film Production". Highlights in Science, Engineering and Technology 57 (11.07.2023): 305–10. http://dx.doi.org/10.54097/hset.v57i.10018.
Pełny tekst źródłaK Janet Jemimah i Priya R Iyer. "Production of biopolymer films using groundnut oilcake". International Journal of Science and Technology Research Archive 3, nr 1 (30.09.2022): 192–201. http://dx.doi.org/10.53771/ijstra.2022.3.1.0097.
Pełny tekst źródłaIversen, Gunnar. "Editorial". Journal of Scandinavian Cinema 13, nr 1 (1.03.2023): 3–5. http://dx.doi.org/10.1386/jsca_00086_2.
Pełny tekst źródłaNorgia, Michele, i Alessandro Pesatori. "Interferometric Instrument for Thickness Measurement on Blown Films". Photonics 8, nr 7 (29.06.2021): 245. http://dx.doi.org/10.3390/photonics8070245.
Pełny tekst źródłaBunting, Leona, Margaretha Herrman i Marita Johanson. "Learning film production". Journal of Workplace Learning 26, nr 5 (8.07.2014): 296–309. http://dx.doi.org/10.1108/jwl-06-2013-0041.
Pełny tekst źródłaKaur, Harmanpreet. "At Home in the World: Co-productions and Indian Alternative Cinema". BioScope: South Asian Screen Studies 11, nr 2 (grudzień 2020): 123–45. http://dx.doi.org/10.1177/0974927620983941.
Pełny tekst źródłaMonk, Claire. "EMI and the ‘Pre-heritage’ Period Film". Journal of British Cinema and Television 18, nr 1 (styczeń 2021): 50–76. http://dx.doi.org/10.3366/jbctv.2021.0555.
Pełny tekst źródłaKiejziewicz, Agnieszka. "Voices from a distance: Sámi short film production in 2020". Short Film Studies 11, nr 2 (1.09.2021): 211–20. http://dx.doi.org/10.1386/sfs_00056_1.
Pełny tekst źródłaRozprawy doktorskie na temat "Film production"
Wille, Kirstin. "Film production in Cambodia conditions and structure of the Cambodian film production market, demand and supply in consideration of film genre". Erfurt Thüringisch-Kambodschan. Ges, 2009. http://www.tkgev.org/film-production-in-cambodia.html.
Pełny tekst źródłaKieran, Jonathan P. "For Want Of: A Punk Rock Short Film". ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/1992.
Pełny tekst źródłaGoksu, Emel Iraz. "Hemicellulose Based Biodegradable Film Production". Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12605940/index.pdf.
Pełny tekst źródłaTheuer, Timothy. "Submit: A Narrative Film Production". ScholarWorks@UNO, 2005. http://scholarworks.uno.edu/td/232.
Pełny tekst źródłaSong, Dae Hyun. "Pre-Production, Production and Post-Production on Short Film "Draw Me Invisible"". Thesis, The University of Arizona, 2014. http://hdl.handle.net/10150/321962.
Pełny tekst źródłaHarmon, Joseph C. "The Cuddle Club". ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/1970.
Pełny tekst źródłaCarter-Hansen, Jill, University of Western Sydney i of Performance Fine Arts and Design Faculty. "Travelling light - with a case for discovery : the making of the film Songs of the Immigrant Bride". THESIS_FVPA_XXX_CarterHansen_J.xml, 1997. http://handle.uws.edu.au:8081/1959.7/680.
Pełny tekst źródłaMaster of Arts (Hons)
Stratton, Sabra. "Get Out of My Hair". Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/978.
Pełny tekst źródłaThomas, M. "Gelatin film formation related to capsule production". Thesis, Cardiff University, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.372355.
Pełny tekst źródłaBREA, JOANA DE OLIVEIRA. "SUBTLE RESISTANCIES: FILM CREATION AND PRODUCTION INSTANCIES". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2008. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=12940@1.
Pełny tekst źródłaSe a tensão entre o fazer artístico e a lógica do mercado assombrou a arte em geral, desde o surgimento da cultura de massa no século XIX, ela esteve presente no cinema já no seu nascimento: para além de sua dimensão de obra de arte, a invenção do espetáculo da projeção fez do filme um bem de consumo coletivo, impondo-lhe métodos de produção industriais e finalidades comerciais. Na contemporaneidade, o declínio das grandes utopias e a expansão do papel do mercado como grande mediador cultural tem, cada vez mais, colocado em xeque o paradigma estético da modernidade, incluindo seu ideal de autonomia. Distanciada das posturas radicais que, outrora, advogavam o confrontamento com o massivo, a arte contemporânea desenvolve sutis formas de resistência que negociam a possibilidade de expressão com sua inevitável condição de mercadoria. Nosso objetivo, nesta dissertação, foi analisar como a tensão entre um ideal de liberdade artística e o filme como produto comercializável se manifesta no cinema contemporâneo. Para isso, buscamos selecionar, como objeto de estudo, filmes que nos permitissem destacar estratégias de negociação entre criação artística e instâncias da produção. A escolha recaiu sobre Quero Ser John Malkovich (1999), Adaptação (2002), A Natureza Quase Humana (2002) e Brilho Eterno de uma Mente sem Lembranças (2004). Os dois primeiros foram dirigidos por Spike Jonze, os dois últimos por Michel Gondry e todos tiveram Charles Kaufman como roteirista.
If the tension between artistic work and the market`s logic hunted art in general, since the beginning of mass culture in mid nineteen century, it became present in films since its birth: beyond the dimension of work of art, with the invention of the spectacle of projection, films became a largely consumed product which imposed industry production methods and commercial goals. In contemporary days, the decay of utopia and the expansion of the market`s hole as a cultural mediator have put the modern esthetic paradigm in question, including its ideal of autonomy. Far from the radical postures that used to proclaim the confrontation with the massive, contemporary art develops ways of resistance that negotiate the possibility of expression with its undeniable condition of merchandise. Our goal, in this research, is to analyze how the tension between the ideal of artistic freedom and the film as a product happens in contemporary cinema. Therefore, we sought to select, as our object of study, films that allow us to perceive negotiation strategies between artistic creation and production methods. We chose Being John Malkovich (1999), Adaptation (2002), Human Nature (2001) and Eternal Sunshine of the Spotless Mind (2004). The first two had been directed by Spike Jonze, the last two had been directed by Michel Gondry and all of them had been written by Charlie Kaufman.
Książki na temat "Film production"
Brunel, Adrian. Film production. London: Newnes, 1987.
Znajdź pełny tekst źródłaBernstein, Steven, i Steven Bernstein. Film production. Wyd. 2. Oxford: Focal Press, 1994.
Znajdź pełny tekst źródłaCleve, Bastian. Film Production Management. Redaktor Bastian Clevé. Fourth edition. | New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315223186.
Pełny tekst źródłaLandau, David. Film Noir Production. New York: Routledge, 2017.: Routledge, 2016. http://dx.doi.org/10.4324/9781315511733.
Pełny tekst źródłaClevé, Bastian. Film production management. Wyd. 3. Boston: Focal Press, 2006.
Znajdź pełny tekst źródłaCleve, Bastian. Film production management. Wyd. 3. Amsterdam: Elsevier/Focal Press, 2006.
Znajdź pełny tekst źródłaClevé, Bastian. Film production management. Wyd. 3. Boston, MA: Elsevier/Focal Press, 2005.
Znajdź pełny tekst źródłaClevé, Bastian. Film production management. Boston: Focal Press, 1994.
Znajdź pełny tekst źródła1933-, Boorman John, i Donohue Walter, red. Film-makers on film-making. London: Faber & Faber, 1998.
Znajdź pełny tekst źródłaBureau, Pennsylvania Film, red. Pennsylvania film production guide. Harrisburg, PA (454 Forum Bldg., Harrisburg 17120): Pennsylvania Film Bureau, Pennsylvania Dept. of Commerce, 1995.
Znajdź pełny tekst źródłaCzęści książek na temat "Film production"
Richter, Johanna. "Film production". W Human Rights Education Through Ciné Débat, 117–34. Wiesbaden: Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-12723-7_7.
Pełny tekst źródłaFinney, Angus. "Production". W The International Film Business, 136–43. Wyd. 3. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003205753-14.
Pełny tekst źródłaFinney, Angus. "Production". W The International Film Business, 136–43. Wyd. 3. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003205753-14.
Pełny tekst źródłaParry, Becky. "Film in Children’s Film Production". W Children, Film and Literacy, 153–92. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137294333_8.
Pełny tekst źródłaRawle, Steven. "Transnational Film Production". W Transnational Cinema, 137–70. London: Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-53014-1_6.
Pełny tekst źródłaResh, Howard M. "Nutrient Film Technique". W Hydroponic Food Production, 149–206. Wyd. 8. New York: CRC Press, 2022. http://dx.doi.org/10.1201/9781003133254-6.
Pełny tekst źródłaClevé, Bastian. "The Production Manager". W Film Production Management, 1–4. Fourth edition. | New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315223186-1.
Pełny tekst źródłaClevé, Bastian. "Preparing for Production". W Film Production Management, 17–41. Fourth edition. | New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315223186-3.
Pełny tekst źródłaKemp, Jonathan. "Cinematic post-production". W Film on Video, 166–82. London ; New York : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429468872-15.
Pełny tekst źródłaJoyce, James B. "Post-Production Begins in Pre-Production". W Aesthetics of Film Production, 79–84. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003120896-11.
Pełny tekst źródłaStreszczenia konferencji na temat "Film production"
Larsson, Anna-Lena, Gunnar A. Niklasson i Lars Stenmark. "Thin film coatings with variable emittance". W Optical Systems Design and Production, redaktorzy Claude Amra i H. Angus Macleod. SPIE, 1999. http://dx.doi.org/10.1117/12.360119.
Pełny tekst źródłaNeyman, Y., i H. Sisko. "The Gamma & Density “Thorough Control System”™ as Used in Post Production". W SMPTE Spring Film Conference. IEEE, 1997. http://dx.doi.org/10.5594/m00567.
Pełny tekst źródłaO'Brien, Michael, James Gettinger, Hosuk Chang i Krzysztof Rost. "Making a short film Automation". W DigiPro '20: The Digital Production Symposium. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3403736.3403937.
Pełny tekst źródłaBorshukov, George. "Measured BRDF in film production". W the SIGGRAPH 2003 conference. New York, New York, USA: ACM Press, 2003. http://dx.doi.org/10.1145/965400.965468.
Pełny tekst źródłaRouet, Christian, Keith Goldfarb, Ed Leonard, Darwyn Peachey, Ken Pearce, Enrique Santos i Paul Yanover. "Research and development for film production". W ACM SIGGRAPH 99 Conference abstracts and applications. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/311625.311923.
Pełny tekst źródłaWan, You-Bao, Ru-rong Wu, Guo-xiang Ruan i Hui Yang. "The Production of PZNT91/9 film". W >2006 Joint 31st International Conference on Infrared Millimeter Waves and 14th International Conference on Teraherz Electronics. IEEE, 2006. http://dx.doi.org/10.1109/icimw.2006.368697.
Pełny tekst źródłaGu, Xiaojuan, Junliang Chen, Bo Li i Jun Chen. "Footstep Detection for Film Sound Production". W SA '23: SIGGRAPH Asia 2023. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3610543.3626171.
Pełny tekst źródłade Cesare, Giampiero, Fernanda Irrera i Piergiorgio Nicolosi. "Thin film photodetectors for the UV and vacuum UV spectral range". W Optical Systems Design and Production, redaktor Fritz Merkle. SPIE, 1999. http://dx.doi.org/10.1117/12.360029.
Pełny tekst źródłaChakravarthy, Ajay, Richard Beales, Yvonne Jung, Sebastian Wagner, Christoph Jung, Angelos Yannopoulous, Stefanos Koutsoutos, Rolf Schiffmann, Rolf Hedtke i Ignace Saenen. "A Notation Based Approach to Film Pre-vis". W 2010 Conference on Visual Media Production (CVMP). IEEE, 2010. http://dx.doi.org/10.1109/cvmp.2010.15.
Pełny tekst źródłaTulloch, G. E. "Thin film materials production for microwave applications". W 1992 Asia-Pacific Microwave Conference. IEEE, 1992. http://dx.doi.org/10.1109/apmc.1992.672093.
Pełny tekst źródłaRaporty organizacyjne na temat "Film production"
Woodcock, Leslie V. A Mesoscale Model for Thin Film Production Processes. Fort Belvoir, VA: Defense Technical Information Center, grudzień 2000. http://dx.doi.org/10.21236/ada397789.
Pełny tekst źródłaDabrovolskas, Audrius. In Search of Film Policy and Film Exhibition Model Based on Mission Economy: the Case of the Baltic Film Industries. Publishing House - Vilnius Business College, czerwiec 2023. http://dx.doi.org/10.57005/ab.2023.1.2.
Pełny tekst źródłaBożek, Małgorzata. FILM PRODUCTION IN POLAND. STAGES: FROM AN IDEA TO THE SCREEN. Ivan Franko National University of Lviv, marzec 2021. http://dx.doi.org/10.30970/vjo.2021.50.11112.
Pełny tekst źródłaMcCamy, James, Cheng-Hung Hung i Zhixun Ma. Low Cost Production of Thin-Film Photovoltaic Cells Final Report. Office of Scientific and Technical Information (OSTI), czerwiec 2015. http://dx.doi.org/10.2172/1342514.
Pełny tekst źródłaBrog, T. K. Commercial production of thin-film CdTe photovoltaic modules. Final report. Office of Scientific and Technical Information (OSTI), październik 1997. http://dx.doi.org/10.2172/544696.
Pełny tekst źródłaRyan, Mark David, Andrew Couzens, Peter Innes i Sue Cake. A Re-Evaluation of Screen Production on the Gold Coast After COVID-19. Queensland University of Technology, 2023. http://dx.doi.org/10.5204/rep.eprints.244107.
Pełny tekst źródłaBrog, T. K. Commercial production of thin-film CdTe photovoltaic modules. 1995 annual report. Office of Scientific and Technical Information (OSTI), luty 1997. http://dx.doi.org/10.2172/459336.
Pełny tekst źródłaYue Kuo. A NOVEL LOW THERMAL BUDGET THIN-FILM POLYSILICON FABRICATION PROCESS FOR LARGE-AREA, HIGH-THROUGHPUT SOLAR CELL PRODUCTION. Office of Scientific and Technical Information (OSTI), sierpień 2010. http://dx.doi.org/10.2172/992272.
Pełny tekst źródłaToney, Michael F., i Maikel F. A. M. van Hest. In-situ X-Ray Analysis of Rapid Thermal Processing for Thin-Film Solar Cells: Closing the Gap between Production and Laboratory Efficiency. Office of Scientific and Technical Information (OSTI), luty 2017. http://dx.doi.org/10.2172/1395583.
Pełny tekst źródłaSun, Sey-Shing. Development of a Manufacturable Blue Electroluminescent (EL) Phosphor Process for the Production of White Monochrome Thin Film Electroluminescent (TFEL) and Full Color Active Matrix Electroluminescent (AMEL) Displays. Fort Belvoir, VA: Defense Technical Information Center, listopad 2002. http://dx.doi.org/10.21236/ada408952.
Pełny tekst źródła