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Artykuły w czasopismach na temat "Figaro in China"
Zhang, Angel. "How is the 2022 Russo-Ukrainian War Being Portrayed in China?" Lecture Notes in Education Psychology and Public Media 3, nr 1 (1.03.2023): 341–46. http://dx.doi.org/10.54254/2753-7048/3/2022497.
Pełny tekst źródłaLe Baillif, Anne-Marie. "Paris, « un lieu centre de tous les centres ». Est-ce toujours d’actualité ?" Interlitteraria 25, nr 2 (31.12.2020): 435–42. http://dx.doi.org/10.12697/il.2020.25.2.14.
Pełny tekst źródłaLe Baillif, Anne-Marie. "Paris, « un lieu centre de tous les centres ». Est-ce toujours d’actualité ?" Interlitteraria 25, nr 2 (31.12.2020): 435–42. http://dx.doi.org/10.12697/il.2020.25.2.14.
Pełny tekst źródłaZhang, Li Li. "Positive and Negative Impacts of Carbon Taxes in China: A Cost-Benefit Perspective". Advanced Materials Research 878 (styczeń 2014): 44–50. http://dx.doi.org/10.4028/www.scientific.net/amr.878.44.
Pełny tekst źródłaLi, Chenguang, i Jesús Paniagua Pérez. "Comercio, guerra y embajada: el chino Sinsay y la importancia de los intérpretes en las primeras relaciones sino-españolas en las Filipinas". Hispania 83, nr 274 (22.12.2023): e037. http://dx.doi.org/10.3989/hispania.2023.037.
Pełny tekst źródłaKlein, Lucas. "Silences, Whispers, and the Figure of China". Genre 51, nr 3 (1.12.2018): 267–93. http://dx.doi.org/10.1215/00166928-7190519.
Pełny tekst źródłaBENAVENTE, MARIA ANTONIA. "Análisis de la Inversión Directa China en Ecuador en el Período 2000 a 2014". INNOVA Research Journal 1, nr 10 (30.10.2016): 67–79. http://dx.doi.org/10.33890/innova.v1.n10.2016.65.
Pełny tekst źródłaWu, Xiaosong. "The Legendary Scientific Figure: George parisi". Frontiers in Science and Engineering 3, nr 2 (20.02.2023): 21–25. http://dx.doi.org/10.54691/fse.v3i2.3706.
Pełny tekst źródłaShi, Haitao. "A New Species of the Genus Pelodiscus (Testudines, Trionychia) from Jiangxi China". International Journal of Zoology and Animal Biology 6, nr 1 (2023): 1–7. http://dx.doi.org/10.23880/izab-16000444.
Pełny tekst źródłaFedchina, I. G. "Наталья Сысоева: художник, педагог, искусствовед, общественный деятель". Iskusstvo Evrazii [The Art of Eurasia], nr 4(19) (30.12.2020): 102–15. http://dx.doi.org/10.46748/arteuras.2020.04.008.
Pełny tekst źródłaRozprawy doktorskie na temat "Figaro in China"
Long, Jia. "De l’instance poétique au discours métadramatique dans la trilogie espagnole de Beaumarchais". Electronic Thesis or Diss., Sorbonne université, 2023. http://www.theses.fr/2023SORUL109.
Pełny tekst źródłaBeaumarchais made his dramaturgical entry when French theatre was undergoing a crisis. How to write as a playwright? He solved this issue on three levels and developed a theory of fusion already started by other precursors: Fontenelle, Nivelle de la Chaussée, Destouches, Voltaire and Diderot. First of all, by advocating the fusion of the comic and the dramatic, he stimulated the effects of gaiety and tenderness in his audience, officially announcing the birth of the new genre: Drama. This overcomes the clear separation between the tragic and the comic, thus taking the first step within the theatrical genre towards a revolution that opens up a whole range of possibilities. Then, by introducing narrative elements into the theatrical genre, he achieved the fusion between the novel and the theatre, revolutionising the concept of dramatic genre. For him, dramatic poetics was not just a question of formal aesthetics, but of the literary extension of his life as a fighter, which relates to the historic, social and political context of his time. From a reception perspective, his use of metadramatic discourse allowed his audience to be constantly wavering between distance and illusion. This revolutionised the relationship between stage and audience, and had a considerable influence on his posterity. In the broadest sense, Beaumarchais’ metatheatrical discourse transcended his time. The secular circulation of the Spanish trilogy will enable Chinese audiences to study Beaumarchais' singular address on his dramatic poetics and its rich ideological connotations, which will blend into Chinese history, society and aesthetics. In this way, Beaumarchais and his works will become part of the genealogy of classical foreign literature in China, and a typical event in the world literature
Sang, Rui. "La figure féminine dans l’œuvre chinoise d'Alfonso Vagnoni (c.1568-c.1640)". Thesis, Toulouse 2, 2017. http://www.theses.fr/2017TOU20040/document.
Pełny tekst źródłaWestern missionaries who went to China in late Ming and early Qing dynasties were founders of the Christian enterprise in China, and they had played a significant and pioneering role in the cultural exchanges between China and the Western Christian World. Most of these early missionaries were Italians, among whom Alfonso Vagnoni can’t be ignored. Alfonso Vagnoni (1566-1640) was one of the few Jesuits who had really penetrated into the interior of China. He stayed in this eastern land for 37 years, during which he disseminated Christian teaching in different provinces and personally experienced several major events in the history of Christianity in China. With more than twenty books written in Chinese, he was regarded as one of the early Jesuits who left the most numerous books in Chinese language. Tian Zhu Sheng Jiao Sheng Ren Xing Shi is a collection of hagiographies written by Alfonso Vagnoni. It was initially engraved by the Catholic Church Chaoxingtang of Wulin(Hangzhou, Zhejiang) in 1629. This work was based on the famous Golden Legend. However, the author was not confined to a translation. In this collection, he described the lives of 74 saints, and some of them were not mentioned by Jacobus de Voragine. While introducing these Western Christian role models to Chinese people, Vagnoni made extensive use of exclusively Chinese expressions, and strove to find the commonalities between these two disparate civilizations. In Tian Zhu Sheng Jiao Sheng Ren Xing Shi, Vagnoni divided the 74 saints into seven categories (the apostles, popes and bishops, martyrs, confessors, religious, virgins and widows), among which women occupied two volumes and thus had an important place. Based on these last two volumes, the present thesis attempts to carry out a preliminary study on the writing features of this work and on the images of the Western female saints that the author tried to show to his Chinese readers
Hui, Yat-chuen Alexander, i 許日銓. "Lingnan in a mustard seed: the cultural significance of Shiwan doll-figure decorated pottery roof ridges ontemples in Hong Kong and Macau". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B31476946.
Pełny tekst źródłaWu, Hong miao. "Analyse sémiotique d'une figure mythique : le dragon chinois". Paris 8, 1993. http://www.theses.fr/1993PA080780.
Pełny tekst źródłaThe figure of the chinese dragon combines the lightning, the rain, the crocodile, etc. . . Our study emphasizes its theme father-ancestor emperor in relation to the yin-yang doctrine in everyday's life as well as in cosmogony. The dragon represents an "actant". Its virtual semic nucleus is nothing but a yang objet : the phallus symbol. The other meanings coming from the context are poetical creations. A combined analysis of semiotic and psycho-analysis brings to light the functions of its symbolism in chinese society. The phallus symbol and the representtion of father unite in the same figure. As an imaginary father it is the forbiffing of enjoyment. The woment, the earth and the power that are paradigms in this mythical world belong to the father only. As a phallus symbol, it uses to entertain man tortured by unsatistaction, it puts us into the "intimate" thought of the father-emperor : prevent the child from growing or turn him into a eunuch or a woman
Tang, Yan Hing Alvin. "An analysis of figure improvement advertisements for different target genders on printed matters". HKBU Institutional Repository, 2005. http://repository.hkbu.edu.hk/etd_ra/648.
Pełny tekst źródłaBortzmeyer, Gabriel. "Figures du peuple dans le cinéma contemporain : Chine, révolutions, France". Thesis, Paris 8, 2017. http://www.theses.fr/2017PA080092.
Pełny tekst źródłaThis PhD aims to update Gilles Deleuze's diagnosis concerning « the people that lacks » through the examination of a range of figures found in four different corpus : the movies of Jia Zhangke ; documentaries made upon the arab spring and the western uprisings that followed these events (Tahrir, place de la libération of Stefano Savona, Maïdan of Sergueï Loznitsa, Vers Madrid of Sylvain George, The Uprising of Peter Snowdon) ; the french realist dramas of Bruno Dumont, Abdellatif Kechiche, Jean-Charles Hue and Rabah Ameur-Zaïmeche ; a set of movies staging figures of refugees. The premise of this research is that the « people » can not be conceived as an eternal substance or a fixed identity, but is to be understood as the product of historical and symbolic configurations specifics to each epoch or épistémè (Michel Foucault is another leading reference of this work, altogether with Jacques Rancière), therefore carving the political subjectivities of an age. The analyses are guided by the hypothesis that, put together, these figures can outline the common characteristics of the people of our time : the erasure of its predicates, the deletion of its former historical perspectives and the fact that it is ideologically and socially disaffiliated. This tends to prove that the proletariat has been replaced by a « precariat » whose existence is determined by a phenomenon of « unbelonging ». This research looks for the aesthetic
Ringoot, Roselyne. "La mémoire au quotidien : approche sémiotique de l'évenement dans le discours journalistique (le Figaro, le Monde, Libération) : le printemps chinois 1989, du sacre au massacre". Toulouse 2, 1995. http://www.theses.fr/1995TOU20070.
Pełny tekst źródłaBased on the theoretical and methodological acquirements of narrativity and rooted in the problematics of enunciation our process aims at analysing the axiologic structures of dailies. The construction of the event is observed on a diachronic level through a follow-up of the front page news (from mid-april tothe end of june) and on a synchronic one through the study of the june 4 th repression. We first define the strategies of announcements on the front page, consideringits function of interface. The morphologic donne of the items and the spacing is apprehended with the semantic donne of the headlines and illustrations, the linguistics and the iconography allowing to bring out the figurative and thematic isotopies. Secondly, we consider the ponctual aspect of the event refered to by the lexeme "massacre" of which we propose a lexico-semantic analysis. Passional configurations are precised in the semio-narrative and discursive analysis of the narrative. The latter as well as editorial will be submitted to the study of the veridictory and epistemic modalities within the scope of veridiction linked to the specificity of the enunciative contracts. Through the discursive genres announcing, relating and explaining the news item, we give an account of the mechanisms in keeping with the proceedings of the utterance and of the enunciation
Charlotte, Pollet. "Comparaison des pratiques algebriques de la Chine et de l'Inde medievales". Phd thesis, Université Paris-Diderot - Paris VII, 2012. http://tel.archives-ouvertes.fr/tel-00770493.
Pełny tekst źródłaSobrino, Figaredo Catalina [Verfasser], Rolf [Gutachter] Chini i Ralf-Jürgen [Gutachter] Dettmar. "Dust reverberation mapping of the Quasar 3C273 : central geometry and lag-luminosity relation / Catalina Sobrino Figaredo ; Gutachter: Rolf Chini, Ralf-Jürgen Dettmar ; Fakultät für Physik und Astronomie". Bochum : Ruhr-Universität Bochum, 2021. http://d-nb.info/123063133X/34.
Pełny tekst źródła"人物話本: 工筆人物畫再探". 2001. http://library.cuhk.edu.hk/record=b5890887.
Pełny tekst źródła"2001年6月"
論文 (藝術碩士)--香港中文大學, 2001.
參考文獻 (leaves 16-17)
附中英文摘要.
"2001 nian 6 yue"
Shi Jiahao.
Lun wen (yi shu shuo shi)--Xianggang Zhong wen da xue, 2001.
Can kao wen xian (leaves 16-17)
Fu Zhong Ying wen zhai yao.
圖片 --- p.i -vi
序言 --- p.1
Chapter 上部 --- 古典與復古 --- p.2
Chapter 中部 --- 藝術性與職業性 --- p.6
Chapter 下部 --- 現代化與後現代 --- p.10
結語 --- p.14
註釋 --- p.15
參考書目 --- p.16
附錄:藝術碩士畢業展(研究生:石家豪)作品
Książki na temat "Figaro in China"
Weng, Wei. Zhongguo xie shi hua pai: Weng Wei : China realism : Weng Wei. Changchun: Jilin mei shu chu ban she, 2009.
Znajdź pełny tekst źródłaWang, Ban. The sublime figure of history: Aesthetics and politics in twentieth-century China. Stanford, Calif: Stanford University Press, 1997.
Znajdź pełny tekst źródłaLing yan ge tu. Beijing Shi: Wen wu chu ban she, 2016.
Znajdź pełny tekst źródłaThe life and times of Sir Kai Ho Kai: A prominent figure in nineteenth-century Hong Kong. Wyd. 2. Hong Kong: Chinese University Press, 2000.
Znajdź pełny tekst źródłaLa figure de l'artiste et le statut de son oeuvre en Chine contemporaine. Paris, France: You Feng, 2009.
Znajdź pełny tekst źródłaMuseum of Fine Arts, Boston. A picture book: Figure compositions of China and Japan, from the collection of the Museum of Fine Arts, Boston. Boston: Museum of Fine Arts, Boston, 2003.
Znajdź pełny tekst źródłaThe body at stake: Experiments in Chinese contemporary art and theatre. Bielefeld: Transcript, 2013.
Znajdź pełny tekst źródłaThe China Tibet coins Figure recorded. Tibet People's Publishing House, 2000.
Znajdź pełny tekst źródłater Haar, Barend J. Historical Figure and Divine Being. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198803645.003.0001.
Pełny tekst źródłaBIAN, LIN LING. Figure says China five thousand years: historical figures(Chinese Edition). Qingdao Publishing House, 2014.
Znajdź pełny tekst źródłaCzęści książek na temat "Figaro in China"
Ng, Emily. "Belly of the World: Toxicity, Innocence, and Indigestibility in Plastic China". W Planetary Hinterlands, 33–50. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-24243-4_2.
Pełny tekst źródłaCastorina, Miriam. "Unending Wandering: visions of mobility in Zou Taofen’s Italy". W Studi e saggi, 13–29. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0068-4.04.
Pełny tekst źródłaWang, Dong yue. "Research on the Evaluation Model of Excellent Synchronized Swimming Athletes’ Figure in China". W Communications in Computer and Information Science, 265–72. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-23020-2_40.
Pełny tekst źródłaSider, Justin A. "“Of China That’s Ancient and Blue”: Andrew Lang, English Parnassus, and the Figure of Form". W Victorian Verse, 143–60. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-29696-3_8.
Pełny tekst źródłaZhang, Chenyang. "Trial". W Win in Chinese Courts, 63–76. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-3342-6_5.
Pełny tekst źródła"2 Writing China: The Imaginary Body and Allegorical Wilderness". W The Sublime Figure of History, 55–100. Stanford University Press, 1997. http://dx.doi.org/10.1515/9780804764063-004.
Pełny tekst źródła"List of Tables and Figure". W The Business of Lobbying in China, ix—x. Harvard University Press, 2005. http://dx.doi.org/10.4159/9780674039490-001.
Pełny tekst źródłaMangalagiri, Adhira. "Slave of the Colonizer". W Beyond Pan-Asianism, 29–66. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190129118.003.0002.
Pełny tekst źródłaYue, Genevieve. "China Girls in the Film Laboratory". W Girl Head, 33–72. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823289554.003.0002.
Pełny tekst źródłaGarnaut, Ross, i Yiping Huang. "China’s Integration into the World Economy". W Growth Without Miracles, 436–58. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780199240609.003.0027.
Pełny tekst źródłaStreszczenia konferencji na temat "Figaro in China"
Su, Lin, Ping Yan, Boyu Ding, Guowei Zhang i Yang Yang. "Determination of figure of merit (FOM) of Ti-doped sapphire laser crystal material". W Photonics China '98, redaktorzy Qiming Xin i Robert E. Parks. SPIE, 1998. http://dx.doi.org/10.1117/12.318329.
Pełny tekst źródłaChen, Jingguo, Yan Wang, Liguo Sun, Xiaohui Ren, Guowei Shi i Dandan Hou. "A E-Band Receiver With 8.8dB Noise Figure in 55-nm CMOS". W 2023 International Applied Computational Electromagnetics Society Symposium (ACES-China). IEEE, 2023. http://dx.doi.org/10.23919/aces-china60289.2023.10249444.
Pełny tekst źródłaMorozov, Vasiliy, Yaroslav Derbenev, Fanglei Lin, Yuhong Zhang, Anatoliy Kondratenko i Yury Filatov. "Polarization Preservation and Control in a Figure-8 Ring". W The 21st International Symposium on Spin Physics, Peking University, Beijing, China, Oct 20 – 24, 2014. US DOE, 2014. http://dx.doi.org/10.2172/1962665.
Pełny tekst źródłaYang, Tianwen, Jianing Zhao, Xin Wang i Fei Xu. "Deep learning based RFF recognition with differential constellation trace figure towards closed and open set". W 2022 IEEE/CIC International Conference on Communications in China (ICCC). IEEE, 2022. http://dx.doi.org/10.1109/iccc55456.2022.9880623.
Pełny tekst źródłaGuo, Hu, Menghao Zhang, Xiuqin Lyu, Yang Xu, En Meng, Hongtao Fu, Yuxuan Zhang i Kaoping Song. "Recent Advances of Alkali-Surfactant-Polymer ASP Flooding in China". W SPE Improved Oil Recovery Conference. SPE, 2022. http://dx.doi.org/10.2118/209458-ms.
Pełny tekst źródłaJintapitak, Manissaward, i Deng Meini. "Designing a Questionnaire for English Teachers, Morejoy Education, Chongqing, China to Figure out Teachers’ Need of Training". W 2019 Joint International Conference on Digital Arts, Media and Technology with ECTI Northern Section Conference on Electrical, Electronics, Computer and Telecommunications Engineering (ECTI DAMT-NCON). IEEE, 2019. http://dx.doi.org/10.1109/ecti-ncon.2019.8692307.
Pełny tekst źródłaZhao, Lantao, i Qing Mao. "Research on the Figure Themed Convert Bottle from the 10th to the 14th Century in Kilneyes of South China". W Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.39.
Pełny tekst źródłaAsahina, Joseph K., i Ryusuke Kitamura. "A Study on Safer Operation of Impulsively Loaded Vessels". W ASME 2009 Pressure Vessels and Piping Conference. ASMEDC, 2009. http://dx.doi.org/10.1115/pvp2009-78133.
Pełny tekst źródłaZhang, Shaoduan. "Discussion on the Decorative Interest and Charm of Figure Paintings in the Wei, Jin, Southern and Northern Dynasties of China". W 4th International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200316.041.
Pełny tekst źródłaZhong, Mengqi, Yuanyi Shen i Yifan Yu. "Association between Neighborhood Built Environment and Body Mass Index among Chinese Adults: Hierarchical Linear Model". W 55th ISOCARP World Planning Congress, Beyond Metropolis, Jakarta-Bogor, Indonesia. ISOCARP, 2019. http://dx.doi.org/10.47472/bfwj3902.
Pełny tekst źródłaRaporty organizacyjne na temat "Figaro in China"
Hynd, David, Caroline Wallbank, Jonathan Kent, Ciaran Ellis, Arun Kalaiyarasan, Robert Hunt i Matthias Seidl. Costs and Benefits of Electronic Stability Control in Selected G20 Countries. TRL, styczeń 2020. http://dx.doi.org/10.58446/lsrg3377.
Pełny tekst źródłaVargas-Herrera, Hernando, Juan Jose Ospina-Tejeiro, Carlos Alfonso Huertas-Campos, Adolfo León Cobo-Serna, Edgar Caicedo-García, Juan Pablo Cote-Barón, Nicolás Martínez-Cortés i in. Monetary Policy Report - April de 2021. Banco de la República de Colombia, lipiec 2021. http://dx.doi.org/10.32468/inf-pol-mont-eng.tr2-2021.
Pełny tekst źródłaMonetary Policy Report - January 2022. Banco de la República, marzec 2022. http://dx.doi.org/10.32468/inf-pol-mont-eng.tr1-2022.
Pełny tekst źródła