Gotowe bibliografie tematyczne / Fiction - people

Gotowa bibliografia na temat „Fiction - people”

Autor: Grafiati
Data publikacji: 25 lipca 2024
Data aktualizacji: 28 lipca 2024

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Artykuły w czasopismach na temat "Fiction - people"

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Cussen, John. "The People Jhumpa Lahiri Little Likes". Theory in Action 16, nr 1 (31.01.2023): 100–132. http://dx.doi.org/10.3798/tia.1937-0237.2304.

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This paper makes the claim that despite the culture-page and scholar classes' favorable reception of just about everything she offers, Bengali-American writer Jhumpa Lahiri thinks meanly of them and of their progressive mindsets. Telling in the second's regard are her counter-normative usages of their favored tropes--of, for example, the madwoman-in-the-attic trope. Telling in the first's regard are the literary academics who appear in her fictions. Nine for nine, they are shallow, feckless, and bullying sorts. Yes, literary academics--they are the people Jhumpa Lahiri little likes. In its later pages, the paper also observes that for much of her career writer Lahiri has been in the throes of a crisis of literary faith. An early symptom of this crisis is discernible in that plot strand of her second book, The Namesake, wherein the protagonist Gogol does everything in his power to dispossess himself of his literary name. Another symptom of the crisis is the sparsity of literary allusions that mark her fourth and latest fiction's pages (as opposed to the great number that marked her earlier works). And, lastly, toward the end of the latest fiction, Whereabouts, when the writing-prof protagonist begins her journey out of the city that has been her lifelong residence, that’s Lahiri wishing she could do the same vis á vis her literary faith. KEYWORDS: Jhumpa Lahiri, Critical Reception, Academic Culture, Immigrant Fiction
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Fathallah, Judith. "Reading real person fiction as digital fiction: An argument for new perspectives". Convergence: The International Journal of Research into New Media Technologies 24, nr 6 (19.01.2017): 568–86. http://dx.doi.org/10.1177/1354856516688624.

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‘Real person fiction’ (RPF) is a subset of fanfiction that has gone largely unnoticed by academics. A handful of articles have argued for the justification of stories about real (living) people as a legitimate and morally sound art form, but only a very few studies have begun to consider RPF as a genre with its own aesthetics and conventions. This article argues that, to understand fannish RPF, we need to incorporate tools developed by scholars of digital fiction. Almost all fanfic is now produced for and on digital platforms, and moreover, the natural fit between RPF specifically and the study of metalepsis, or self-conscious movement between ‘levels’ of reality and fiction, makes this tool and others imported from the study of digital fiction an illuminating set of lenses through which read it. Along the way, I will incorporate further narrative theory to suggest that we understand appeals to the putative subject of RPF as directed to a ‘fictiona lized addressee’, that is, an addressee who is neither purely fictional nor purely nonfictional, but a construct of mediated activity that demonstrates fandom’s participation in the construction of the subcultural celebrity.
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Kartika, Tyas Willy, i Maria Elfrieda C.S.T. "FEMSLASH FANFICTION AND LESBIANISM: EFFORTS TO EMPOWER AND EXPRESS ASIAN AMERICAN WOMAN SEXUALITY". Rubikon : Journal of Transnational American Studies 8, nr 2 (11.10.2021): 106. http://dx.doi.org/10.22146/rubikon.v8i2.69689.

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The existence of fan fiction nowadays shows more progressive development especially in this digital era when people does not only use internet for communicating and socializing across time and space but they also show their creativity, one of them is by writing a fan fiction. By writing fan fiction in online platforms, people get the opportunity to express their interests and their identities. This opportunity is also obtained by minority groups such as LGBTQ+ where they can express their identity through fan fiction. LGBTQ+ community utilizes online platform as the tool that brings benefit for them. In this case, writing fan fiction in online platforms allows people to create the preferable representation of minority groups and empower them as the part of LGBTQ+ community. This phenomenon can be seen through a website named Asianfanfics.com which shows an increasing number of fan fictions especially the ones with lesbian related tags such as girl x girl, lesbian, and femslash. Particularly, through the femslash subgenre, people use fan fiction to question the heteronormativity. Regarding to this phenomenon, an interview was conducted by choosing three Asian American fan fiction writers from Asianfanfics.com as the interviewees. Furthermore, by using gender theory and intersectionality, this article focuses on how fan fiction becomes a safe space to express their sexual identities and how lesbian relationship is viewed by Asian families.
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Mosselaer, Nele Van de. "How Can We Be Moved to Shoot Zombies? A Paradox of Fictional Emotions and Actions in Interactive Fiction". Journal of Literary Theory 12, nr 2 (3.09.2018): 279–99. http://dx.doi.org/10.1515/jlt-2018-0016.

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Abstract How can we be moved by the fate of Anna Karenina? By asking this question, Colin Radford introduced the paradox of fiction, or the problem that we are often emotionally moved by characters and events which we know don’t really exist (1975). A puzzling element of these emotions that always resurfaced within discussions on the paradox is the fact that, although these emotions feel real to the people who have them, their difference from ›real‹ emotions is that they cannot motivate us to perform any actions. The idea that actions towards fictional particulars are impossible still underlies recent work within the philosophy of fiction (cf. Matravers 2014, 26 sqq.; Friend 2017, 220; Stock 2017, 168). In the past decennia, however, the medium of interactive fiction has challenged this crystallized idea. Videogames, especially augmented and virtual reality games, offer us agency in their fictional worlds: players of computer games can interact with fictional objects, save characters that are invented, and kill monsters that are clearly non-existent within worlds that are mere representations on a screen. In a parallel to Radford’s original question, we might ask: how can we be moved to shoot zombies, when we know they aren’t real? The purpose of this article is to examine the new paradox of interactive fiction, which questions how we can be moved to act on objects we know to be fictional, its possible solutions, and its connection to the traditional paradox of fictional emotions. Videogames differ from traditional fictional media in that they let their appreciators enter their fictional worlds in the guise of a fictional proxy, and grant their players agency within this world. As interactive fictions, videogames reveal new elements of the relationship between fiction, emotions, and actions that have been previously neglected because of the focus on non-interactive fiction such as literature, theatre, and film. They show us that fictional objects can not only cause actions, but can also be the intentional object of these actions. Moreover, they show us that emotions towards fictions can motivate us to act, and that conversely, the possibility of undertaking actions within the fictional world makes a wider array of emotions towards fictional objects possible. Since the player is involved in the fictional world and responsible for his actions therein, self-reflexive emotions such as guilt and shame are common reactions to the interactive fiction experience. As such, videogames point out a very close connection between emotions and actions towards fictions and introduce the paradox of interactive fiction: a paradox of fictional actions. This paradox of fictional actions that is connected to our experiences of interactive fiction consists of three premises that cannot be true at the same time, as this would result in a contradiction: 1. Players act on videogame objects. 2. Videogame objects are fictional. 3. It is impossible to act on fictional objects. The first premise seems to be obviously true: gamers manipulate game objects when playing. The second one is true for at least some videogame objects we act upon, such as zombies. The third premise is a consequence of the ontological gap between the real world and fictional worlds. So which one needs to be rejected? Although the paradox of interactive fiction is never discussed as such within videogame philosophy, there seem to be two strategies at hand to solve this paradox, both of which are examined in this article. The first strategy is to deny that the game objects we can act on are fictional at all. Espen Aarseth, for example, argues that they are virtual objects (cf. 2007), while other philosophers argue that players interact with real, computer-generated graphical representations (cf. Juul 2005; Sageng 2012). However, Aarseth’s concept of the virtual seems to be ad hoc and unhelpful, and describing videogame objects and characters as real, computer-generated graphical representations does not account for the emotional way in which we often relate to them. The second solution is based on Kendall Walton’s make-believe theory, and, similar to Walton’s solution to the original paradox of fictional emotions, says that the actions we perform towards fictional game objects are not real actions, but fictional actions. A Waltonian description of fictional actions can explain our paradoxical actions on fictional objects in videogames, although it does raise questions about the validity of Walton’s concept of quasi-emotions. Indeed, the way players’ emotions can motivate them to act in a certain manner seems to be a strong argument against the concept of quasi-emotions, which Walton introduced to explain the alleged non-motivationality of emotions towards fiction (cf. 1990, 201 sq.). Although both strategies to solve the paradox of interactive fiction might ultimately not be entirely satisfactory, the presentation of these strategies in this paper not only introduces a starting point for discussing this paradox, but also usefully supplements and clarifies existing discussions on the paradoxical emotions we feel towards fictions. I argue that if we wish to solve the paradox of actions towards (interactive) fiction, we should treat it in close conjunction with the traditional paradox of emotional responses to fiction.
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Gao, Jiali, i Yan Hua. "On the English Translation Strategy of Science Fiction from Humboldt's Linguistic Worldview —Taking the English Translation of Three-Body Problem as an Example". Theory and Practice in Language Studies 11, nr 2 (1.02.2021): 186. http://dx.doi.org/10.17507/tpls.1102.11.

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In recent years, many science fictions have been published, such as The Three-body Problem, The Wandering Earth, and so on. The number of people who are interested in science fiction is increasing. Meanwhile, the translation of science fiction has become more important. The Linguistic Worldview proposed by Humboldt is of great importance to the translation of science fiction. This thesis is based on Linguistic Worldview. It analyzes The Three-body Problem (English version) and the importance of such theory to the translation of science fiction. It proposes three translation strategies: free translation, literal translation, and transcreation.
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Van De Mosselaer, Nele. "Imaginative Desires and Interactive Fiction: On Wanting to Shoot Fictional Zombies". British Journal of Aesthetics 60, nr 3 (9.12.2019): 241–51. http://dx.doi.org/10.1093/aesthj/ayz049.

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Abstract What do players of videogames mean when they say they want to shoot zombies? Surely they know that the zombies are not real, and that they cannot really shoot them, but only control a fictional character who does so. Some philosophers of fiction argue that we need the concept of imaginative desires (or ‘i-desires’) to explain situations in which people feel desires towards fictional characters or desires that motivate pretend actions. Others claim that we can explain these situations without complicating human psychology with a novel mental state. Within their debates, however, these scholars exclusively focus on non-interactive fictions and children’s games of make-believe. In this paper, I argue that our experience of immersive, interactive fictions like videogames gives us cause to reappraise the concept of imaginative desires. Moreover, I describe how i-desires are a useful conceptual tool within videogame development and can shed new light on apparently immoral in-game actions.
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Sparkes, Andrew C. "Fictional Representations: On Difference, Choice, and Risk". Sociology of Sport Journal 19, nr 1 (marzec 2002): 1–24. http://dx.doi.org/10.1123/ssj.19.1.1.

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This article is intended to stimulate debate regarding recent calls for fictional representations to be used within the sociology of sport. Based on the notion of “being there,” it differentiates between ethnographic fiction and creative fiction. Examples of the former are provided, and their grounding in the tradition of creative nonfiction is established. Moves toward the use of creative fiction are then considered in relation to the willingness of authors to invent people, places, and events in the service of producing an illuminative and evocative story. The issue of purpose is highlighted and various reasons why researchers might opt to craft an ethnographic fiction or creative fiction are discussed. Next, some risks associated with choosing fictional forms of representation are considered. Finally, the issue of passing judgment on new writing practices is briefly discussed.
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Prasad, Amar Nath. "The Non-fictions of V.S. Naipaul: A Critical Exploration". Creative Saplings 1, nr 8 (2022): 1–11. http://dx.doi.org/10.56062/gtrs.2022.1.8.168.

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V. S. Naipaul is an eminent literary figure in the field of modern fiction, non-fiction, and travelogue writing in English literature. He earned a number of literary awards and accolades, including the covetous Nobel Prize and Booker Prize. His non-fiction e.g., An Area of Darkness, India: A Wounded Civilization, The Loss of El Dorado, India: A Million Mutinies Now and Beyond Belief are a realistic portrayal of the various types of religion, culture, customs, and people of India. As an author, the main purpose of V. S. Naipaul is to deliver the truth; because poets are the unacknowledged legislators of mankind. The fact that V. S. Naipaul has presented in his non-fiction is more authentic and realistic than that of his fiction. Nonetheless, it is fictional work that is elaborately explored, discussed, and analyzed in abundance. On the other hand, his non-fiction, by and far, remains aloof. In the last few decades, non-fictions are also taking the ground strongly. Now non-fiction writings are being analyzed, elucidated, and explored based on various theoretical principles of literary criticism. V. S. Naipaul carried the new genre to new heights and achievements. He is of Indian descent and known for his pessimistic works set in developing countries. He visited India several times, like Pearl S. Buck and E. M. Forster. So, his presentation of Indian religion, society, culture, and politics are very realistic. His vision and ideas are very close to the modern thoughts and visions of both the east and the west.
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Rusli, Devi, i Ali Arben. "PENGARUH BUKU FIKSI TERHADAP THEORY-OF-MIND ANAK PRASEKOLAH". Jurnal RAP (Riset Aktual Psikologi Universitas Negeri Padang) 14, nr 2 (19.12.2023): 144. http://dx.doi.org/10.24036/rapun.v14i2.124769.

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Fiction books are learning media that can be used to introduce various experiences about other people's views and emotions to preschoolers through story characters. At preschool age, children already have a need to interact with other people, especially with their peers. Children's understanding of the desires and feelings of other people known as theory of mind (ToM) helps them to be more accepted and adjust when playing with their friends. The effect of fiction books on the ToM development of preschoolers was tested through experimental research on 44 (forty four) preschoolers (23 boys and 21 girls). Two experimental groups read fiction and non-fiction books and one control group (coloring). Based on the results of data analysis, it is known that there is an average difference between the 3 groups. It is known that the fictional experimental group has a better ToM score than the non-fiction experimental group and the control group with a significant p value <0.05 (Ⅹ² = 7.07 , p = 0.029 ). In conclusion, fiction books have an influence on the ToM development of preschoolers.
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Jacobs, Arthur M., i Roel M. Willems. "The Fictive Brain: Neurocognitive Correlates of Engagement in Literature". Review of General Psychology 22, nr 2 (czerwiec 2018): 147–60. http://dx.doi.org/10.1037/gpr0000106.

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Fiction is vital to our being. Many people enjoy engaging with fiction every day. Here we focus on literary reading as 1 instance of fiction consumption from a cognitive neuroscience perspective. The brain processes which play a role in the mental construction of fiction worlds and the related engagement with fictional characters, remain largely unknown. The authors discuss the neurocognitive poetics model ( Jacobs, 2015a ) of literary reading specifying the likely neuronal correlates of several key processes in literary reading, namely inference and situation model building, immersion, mental simulation and imagery, figurative language and style, and the issue of distinguishing fact from fiction. An overview of recent work on these key processes is followed by a discussion of methodological challenges in studying the brain bases of fiction processing.
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Rozprawy doktorskie na temat "Fiction - people"

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Keller, Abigail Hope. "Quiet People". The University of Montana, 2009. http://etd.lib.umt.edu/theses/available/etd-06162009-104727/.

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Humphrey, Joy Marie. "Weird People". VCU Scholars Compass, 1992. http://scholarscompass.vcu.edu/etd/5075.

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Griffin, Jeremy. "A Last Resort For Desperate People". Thesis, Virginia Tech, 2009. http://hdl.handle.net/10919/42170.

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The stories in this collection are largely centered around individuals who have or on the brink of mistakes (or what they perceive as mistakes). These characters navigate their respective worlds with a combination of cynicism and vulnerability that often forces them to reexamine their relationships with family members, friends, and lovers. I am interested in how humor can potentially steer a narrative in unforeseeable directions while exposing to the reader truths about the characters that they themselves might not realize.
Master of Fine Arts
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Tripp, Sarah. "Making people up". Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/22044.

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This thesis is a process of writing characters using a cyclical methodology to turn the writer into a reader of their own work, then back into a writer again. The components of this thesis both practice and propose writing as research and develop a concept of character that is ‘relational’. Taking Donald Barthelme’s assertion, ‘Writing is a process of dealing with not-knowing, a forcing of what and how,’ this thesis is attentive to the uncertainty of process: a process that has accreted knowledge in the form of characters and methods. Making People Up is chronologically structured in order to make visible how its form was discovered through practice. The first component is a book of character studies You are of vital importance written in the first year of the PhD. This is followed by a reflective manuscript of essays which use a method of redescription to render a generative moment between the completion of one book and the beginning of the next. The third component is a second book Social Script which is a character study and a conclusion to the thesis. Building on Adam Phillips’ assertion, ‘Being misrepresented is simply being presented with a version of ourselves – an invention – that we cannot agree with. But we are daunted by other people making us up, by the number of people we seem to be,’ this thesis starts from the premise that in the everyday we make each other up and then goes on to use the form of the character study to explore unresolvable tensions around this process. Building four parallel propositions: that character is fiction; that a relational concept of character is a critique of the extent to which we can know each other; that constituting the writer as a reader of their own characters renders a generative moment and critical reflection; that oscillating the proximity to and distance from a character provokes you, the reader, to imagine character as a relationally contingent concept. The thesis will draw on key concepts by Christopher Bollas and Adam Phillips, literary discourse on character, reader-response criticism and a selection of literary and artistic works that have informed this process of writing characters. Research Questions: 1. Does a relational concept of character critique claims to ‘know’ each other? 2. Does replacing interpretation with redescription make a reflective methodology critical and generative? 3. What kind of narrative structure will constitute a ‘relational’ character study?
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Winn, Sharon A. "Friends of the people chartists in Victorian social protest fiction /". Access abstract and link to full text, 1989. http://0-wwwlib.umi.com.library.utulsa.edu/dissertations/fullcit/8913882.

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Screech, Ben. "Reading otherness in British fiction for young people, 2001-2012". Thesis, University of the West of England, Bristol, 2018. http://eprints.uwe.ac.uk/33604/.

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This thesis argues that novels depicting characters who exist outside of the social order have become integral to a twenty-first century corpus of British fiction for children and adolescents. This, in part, is as a result of a changing socio-political landscape in Britain post-2000 in which discussions of who does and does not ‘belong’ are becoming increasingly amplified. It will be shown that, against such a backdrop, fiction for young people written between 2001 and 2012 works to counter and challenge mainstream discourses prevalent in, for example; the media. With this in mind, this study’s primary texts are categorised as social-realism, often providing a commentary on the nature of this historical moment. Different strands of Otherness in relation to young people are examined in each chapter of this thesis. Chapter one explores Otherness with reference to language, its function in wider society, and its ability to act as a signifier of normativity. It introduces a trio of novels focusing on young people with communication impairments. Chapter two examines how authors depict communities as complicit in Othering practices affecting young people. Chapter three introduces texts in which the protagonists’ Otherness stems from their exclusion from important sites of identity formation, such as family, school and nation. Chapter four examines representations of the ‘foreign Other’; and considers the impact of ‘outsider perspectives’ on narrative. The fifth chapter revisits one text from each of the preceding chapters, and documents their exploration in a school setting. This is included because I believe consultation with the texts’ intended audience is necessary in a study focusing on literature for young people. This is due to their status as a demographic that I, as adult researcher, exist outside of. This study’s originality then, stems not only from the contemporary nature of its primary texts, but also from its amalgamation of literary analysis with qualitative research - a rare approach in English studies.
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Sarland, C. "Young people reading : A study of the cultural, ideological and experimental factors in the interaction between young people and fictional texts". Thesis, University of East Anglia, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.380977.

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Madden, Ruth. "River People". TopSCHOLAR®, 1989. https://digitalcommons.wku.edu/theses/2567.

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In the introduction to The World of the Short Story, Kay Boyle challenges the short story writer "to invest a brief sequence of events with reverberating human significance by means of style, selection and ordering of detail, and -- most important -- to present the whole action in such a way that it is at once a parable and a slice of life, at once symbolic and real, both a valid picture of some phase of experience, and a sudden illumination of one of the perennial moral and psychological paradoxes which lie at the heart of la condition humaine." River People is my attempt to meet that challenge. It is a creation of short stories about people I know or might know, small-town, seemingly ordinary people whose characters and activities are universal expressions of truth and humanity. The short story genre allows me to inculcate variety in form, style and character. This collection includes several points of view, limited and omniscient, objective and unreliable. It offers brief revelations and more thorough studies. It deals with the past as well as the present. Lastly, it touches the lives of the young and the aged, men and women, the respected and the scandalous, the romantic, the tragic, the realistic.
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Zeilig, Hannah. "Older people and their families in 1920s popular fiction : fictions of age and their importance for social gerontology". Thesis, King's College London (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313516.

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Steiner, Christina. "Translated people, translated texts : language and migration in some contemporary African fiction". Doctoral thesis, University of Cape Town, 2007. http://hdl.handle.net/11427/8100.

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Includes bibliographical references (leaves 209-215)
This thesis examines contemporary migration narratives by four African writers living in the diaspora and writing in English: Leila Aboulela and Jamal Mahjoub from the Sudan, now living in Scotland and Spain respectively and Abdulrazak Gurnah and Moyez G. Vassanji from Tanzania now residing in the UK and Canada. Focusing on how language operates in relation to both culture and identity, this study foregrounds the complexities of migration as cultural translation. Cultural translation is a concept which locates itself in postcolonial literary theory as well as translation studies. The manipulation of English in such a way as to signify translated experience is crucial in this regard. The thesis focuses on a particular angle on cultural translation for each writer under discussion: translation of Islam and the strategic use of nostalgia in Leila Aboulela's texts; translation and the production of scholarly knowledge in Jamal Mahjoub's novels; translation and storytelling in Abdulrazak Gurnah's fiction; and finally translation between the individual and old and new communities in Vassanji's work. The conclusion of the thesis brings all four writer's texts into conversation across these angles. What emerges from this discussion across the chapter boundaries is that cultural translation rests on ongoing complex processes of transformation determined by idiosyncratic factors like individual personality as well as social categories like nationality, race, class and gender. The thesis thus contributes to the understanding of migration as a common condition of the postcolonial world as well as offering a detailed look at particular travellers and their unique journeys.
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Książki na temat "Fiction - people"

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Blexbolex. People. New York: Enchanted Lion Books, 2011.

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Wheeler, Lisa. People don't bite people. New York, New York: Atheneum, 2018.

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Bhutan Centre for Media and Democracy. People, places, events: Creative non-fiction writing. Thimphu, Bhutan: Bhutan Centre for Media and Democracy, 2010.

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Dostoyevsky, Fyodor Mikhaylovich. Poor people. London: 100 Pages, 2002.

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Laan, Nancy Van. People, people everywhere. New York: Knopf, 1992.

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Alison, Lurie. Real people. New York: Henry Holt, 1998.

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Alison, Lurie. Real people. London: Abacus, 1987.

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Ìbítókun, Benedict M. Sopaisan: Westing oodua : fiction. Ibadan, Oyo State, Nigeria: Kraftgriots, 2002.

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Godwin, Gail. Glass people. New York, NY: Penguin Books, 1986.

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Hilderbrand, Elin. Summer people. Thorndike, Maine: Center Point Large Print, 2014.

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Części książek na temat "Fiction - people"

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Hutchings, William. "Describing People". W Living Fiction, 4–36. London: Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-1-137-29835-5_2.

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Bosch Badia, Maria Teresa, Joan Montllor-Serrats i Maria-Antonia Tarrazon-Rodon. "Financial Education, Literary Fiction, and Corporate Social Responsibility". W Responsible People, 135–53. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-10740-6_7.

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Durante, Erica. "Cloud People: Identities and Paradoxes". W Air Travel Fiction and Film, 129–59. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52651-1_5.

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Coban, Osman. "The residue of fiction in the memory of adolescence". W Young People Reading, 39–54. Abingdon, Oxon ; New York, NY : Routledge is an imprint of the Taylor & Francis Group, an Informa Business, [2018]: Routledge, 2018. http://dx.doi.org/10.4324/9781315265216-4.

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Hallsworth, Djuna. "Conclusion: Manifesting “Good People” Through Fiction". W Palgrave Studies in (Re)Presenting Gender, 163–73. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-88579-3_7.

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Parry, Catherine. "Animal’s People: Animal, Animality, Animalisation". W Other Animals in Twenty-First Century Fiction, 15–61. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55932-2_2.

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Petroski, Karen. "Real people, fictional characters, legal phantoms". W Fiction and the Languages of Law, 58–90. New York, NY: Routledge, 2018. | Series: Law, language and communication: Routledge, 2018. http://dx.doi.org/10.4324/9781351163842-3.

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Bodenheimer, Rosemarie. "The Interregnum of Ownership in July’s People". W The Later Fiction of Nadine Gordimer, 108–20. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22682-5_8.

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Tredell, Nicolas. "Descent into Hell: Other People: A Mystery Story (1981)". W The Fiction of Martin Amis, 44–54. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-137-19344-5_5.

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Morrison, Jago, i Nicolas Tredell. "A Man of the People (1966) and Girls at War (1972)". W The Fiction of Chinua Achebe, 113–36. London: Macmillan Education UK, 2007. http://dx.doi.org/10.1007/978-1-137-12204-9_6.

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Streszczenia konferencji na temat "Fiction - people"

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Shirley, Donna, Leslie Howle i Bunny Lester. "A New Science Fiction Museum - Exciting Young People About Science and Engineering". W Space 2004 Conference and Exhibit. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2004. http://dx.doi.org/10.2514/6.2004-5963.

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Nicoglo, Diana. "Reflection of the events of the “Balkan” period in the Gagauz fiction". W Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.32.

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The most detailed description of the “Balkan” period is found in the novel by D. Tanasoglo “Uzun Kervan”. In other genres (poetry), the poeticized image of the Balkans as the historical homeland of the Gagauz is presented to a greater extent. The main events of the “Balkan” period in the history of the Gagauzians, reflected in fiction, are: the adoption of Christianity by the Oghuz / Uzes – the ancestors of the Gagauzians, relations with the local population of the Balkans, the struggle against the Ottoman Turks, and the creation of a fictional Gagauz state called Uzi Eyalet. The authors also draw attention to the way in which changes occur in the traditional everyday culture of ancestors of the Gagauz as a result of changing economic-cultural type, and religion. In the Gagauz environment of creative people, there is a unity in the perception of the historical past associated with the presence of the ancestors of the Gagauz people in the Balkans. As a rule (with a few exceptions), the past broadcast by Gagauz writers is largely mythologized: and the writers themselves play a significant role in the process of constructing ethnicity.
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Merz, Nina, Maximilian Huber, Freimut Bodendorf i Jörg Franke. "Science-Fiction Movies as an Indicator for User Acceptance of Robots in a Non-Industrial Environment". W SIGMIS-CPR '20: 2020 Computers and People Research Conference. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3378539.3393847.

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Hicks, Stewart. "From Diagrams to Fictions: Populated Plans and Their Buildings". W 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.27.

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This essay builds on and reacts to concepts initiated by Dora Epstein Jones in her essay, “Populated Plans.” Published in Log 45, as well as presented at a previous ACSA conference, Jones’ essay identified the emergence of a ubiquitous (in schools of architecture at least) “new” form of drawing that looks like an architectural plan but isn’t due to the inclusion of human figures. This type of drawing is distinct from a traditional plan, according to Jones, because it isn’t strictly “architectural notation—data received from the object,” nor a universalized geometric abstraction best suited for describing a building’s organization. The introduction of busy little people disrupts the universal and particularizes it by depicting scenes of fictional activity, lending the drawing to narrativity and the projection of alternative worlds. This freshly observed and codified instrument is well-suited to representing stories, fiction, and narrative as motive forces in the design of buildings. What kind of architecture do populated plan drawings produce? How do the rules governing their construction and the viewpoint of their projection influence outcomes? The essay draws parallels between fiction architecture and diagram architecture in an unconventional analogy to arrive at a possible answer. Despite the apparent conflict between their foundational underpinnings, fiction and data, respectively, the more comprehensively theorized diagrammatic practice offers useful concepts and frameworks of understanding for the emerging practice. Most importantly, the idea that a building could be the equivalent of a constructed abstraction, as Toyo Ito argues in his “Diagram Buildings” essay, leads to the possibility of a “populated plan building.” Ito outlines the role between data and the material reality of the building in “Diagram Building,” so what is the equivalent relationship between fiction, populated plans, and the buildings they produce?
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Olarescu, Dumitru. "Ethnological motifs in the non-fiction film". W Ethnology Symposium "Ethnic traditions and processes", Edition II. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975333788.07.

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The possibilities of the documentary film to fix ethnological and ethnographic phenomena in all their audiovisual integrity contributed to the realization of this category of films right from the beginnings of non-fiction cinema. At the «Moldova-film» studio, despite the very vigilant ideological conditions of the totalitarian regime, especially when it came to the cultural heritage of the native people, our filmmakers released a series of films, dedicated to customs, rituals and traditions – important components of our national identity. This category of films has been talked about and written in some specialized studies. The cinematographic works “Trânta/Wrestling” (director Anatol Codru) and “Jocurile copilăriei noastre/The Games of our Childhood” (directors Vlad Druc, Mircea Chistrugă) serve as research topic for us. They are dedicated to popular sports games, which, besides being captivating manifestations that have survived through centuries until the present, are imposed in the context of national identity, but, through this prism, the respective works have not been researched yet.
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Schulte, Britta F. "Using design fiction to reflect on autonomy in smart technology for people living with dementia". W UbiComp '16: The 2016 ACM International Joint Conference on Pervasive and Ubiquitous Computing. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2968219.2972717.

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Lundmark, Sofia, Martin Jonsson, Marica Myhre, Alethe Hjuberger i Romina Rodela. "Listening to the Future: Using Participatory Sound Fiction to Engage Young People in Urban Design". W Mindtrek '23: 26th International Academic Mindtrek Conference. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3616961.3616981.

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Sjölinder, Marie, i Jonas Söderberg. "Designing a Future City – Applying Design Fiction with High School Students". W 8th International Conference on Human Interaction and Emerging Technologies. AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002723.

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This work was conducted in the framework of Viable Cites, which is a national strategic innovation program in Sweden with a focus on the change towards climate-neutral and sustainable cities. Viable Cities is catalyst for new ways of collaboration between cities, industry, academia, research institutes and the civil society. The overall goal is to provide support to the cities to convert to a way in line with national and international climate goals. The work described in this paper was one project within this framework. The project consisted of the City of Enköping, RISE Research Institute of Sweden and Europan with is an Pan-European architect organization witch organise a biennial competition for young architects. As a part of this project, a collaboration was conducted together with Westerlundska gymnasiet, a high school in Enköping. The overall goal was to engage young people, and to get their ideas about how to achieve a sustainable environment and to develop sustainable products and services. It is this group that both will be forced to handle the decisions that are made today, and they are also the generation that knows best how the want to live their lives in the future. The aim with this work was both to get ideas and suggestions from high school students about how they wanted their future city to be designed, and to explore how high school students could apply and use the method “Design Fiction” when conducting work with designing future cities.According to Bleeker (2009), Design Fiction is a mix of science fact, design and science fiction. It combines the traditions of writing and story telling with the material crafting of objects. It is a creative process that encourages human imagination and give support in telling stories that provoke and raise questions (Bleeker, 2009). Design Fiction is a method to explore future possible scenarios or contexts. A concept could be described in several ways by using narratives and prototypes. The story can be told and the concept can be visualized in many different ways (Wakkary et al, 2013).In the project there were about 20 students from the school’s technology program. They had all chosen architecture as their special focus during their last year. The students both participated in a Design Fiction workshop and organsied Design Fiction workshops themselves with first-year students as participants. Results from the workshops and insights related to the design process are presented in this paper.ReferencesBleecker, J. (2009). Design Fiction: A short essay on design, science fact and fiction. Near Future LaboratoryWakkary, R., Desjardins, A., Hauser, S., & Maestri, L. (2013). A Sustainable Design Fiction: Green Practices . ACM Transactions on Computer-Human Interaction, Vol. 20, No. 4, Article 23, Publication date: September 2013.
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Рогацкина, Марина Леонидовна. "HISTORICAL POEMS BY N. I. RYLENKOV. POEM “GREAT FLUFF ” (1940): TRUTH AND FICTION". W Международная конференция «Феномен пограничного и трансграничного в истории и культуре». Crossref, 2023. http://dx.doi.org/10.54016/svitok.2023.67.85.036.

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Статья посвящена анализу поэмы Н. И. Рыленкова «Великая замятня», написанной в 1940 г. В ней повествуется о восстании «черных людей» Смоленска против представителей власти Великого князя Литовского в XV в. Автор статьи рассматривает данное произведение» с точки зрения соотношения правды и художественного вымысла. Законы исторического документа требуют, как известно, однозначного соответствия факту, документу. Художественное произведение строится по другим законам - писатель имеет право трансформировать исторические события в соответствии со своим видением, идеей, включать художественный вымысел. Н. И. Рыленков, обратившись к далекой истории Смоленска, сохраняя ключевые исторические факты, дополняет событие своими мыслями и интерпретацией, идеями, оживляя художественностью, персонифицирует образ «черных людей» и вводит современную для 1940-х годов тему. The article is devoted to the analysis of the poem N. I. Rylenkova “Great Flinking”, written in 1940. It narrates about the uprising of the “black people” of Smolensk against representatives of the Grand Duke of Lithuania in the 15th century. The author of the article considers this work “ from the point of view of the ratio of truth and artistic fiction. The laws of a historical document require, as you know, unambiguous compliance with the fact, document. A work of art is built on other laws - the writer has the right to transform historical events in accordance with his vision, idea, and include artistic fiction. N. I. Rylenkov, turning to the distant history of Smolensk, preserving the key historical facts, complements the event with his thoughts and interpretation, ideas, reviving artistry, personifies the image of “black people” and introduces a modern theme for the 1940s.
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Neagu, Simona nicoleta, i Aniellamihaela Vieriu. "THE IMPACT OF TECHNOLOGICAL PROGRESS ON YOUNG PEOPLE". W eLSE 2019. Carol I National Defence University Publishing House, 2019. http://dx.doi.org/10.12753/2066-026x-19-119.

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As stated in the specialized studies, the greatest technological discoveries in the history of mankind will be recorded in the next three decades. Progress in Artificial Intelligence (AI), combined with radical discoveries in hard and software, will inaugurate a new era, which today seems to be science fiction. The existence of artificial intelligence, robots, autonomous vehicles, nanotechnology, biotechnology, and materials science are no longer considered "miracles." A recent study by Dell Technologies says that 85% of jobs in 2030 have not yet been invented, and over the next decade, over 10% of current jobs will be automated. In the world's largest industrial air-conditioning plant in China, 800 robots replaced 24,000 workers at Midea. Intelligent military robots are already present on battlefields - the United States, China and Israel, being world leaders in their field use. There are jobs that will disappear and others will be invented, our skills and competences are constantly changing, the labor market is constantly changing, employers will have other specifications in the job description. In this new world, our relationship with technology will change forever. How will we keep up with these changes? How will we deal with them? In this context, we aim to investigate within focus groups what is the impact of accelerated technological progress on youth at the psychological, social and employability level and which would be the solutions that they propose. The target group will be represented by students of the faculty of Electronics, Telecommunications and Information Technology at the Polytechnic University of Bucharest.
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Raporty organizacyjne na temat "Fiction - people"

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Demchenko, Dmytro. DEMASSIFICATION OF SOCIAL PROCESSES IN THE CONTEXT OF DIGITAL COMMUNICATION (TO THE PROBLEM OF THE DICHOTOMY OF “ELITE-MASS” AS A POLITICAL COMMUNICATION PARADOX). Ivan Franko National University of Lviv, marzec 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12171.

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The article aims to analyze a complicated process of the society’s main components – elite, mass communication, and masses – in their interaction and interdependence from the historical perspective. Due to industrialization and modernization of the life quality, the social life changes radically, and the essence of every component of the society changes as well. The elite loses its dynastic character. The media stop to play the role of a mediator taking on the obligations of a collective agitator and propagandist, and the mass stops to be cloth for wiping shoes. It starts to form a mass audience and, by that, obtains new forms that must be taken into account by social institutions. Together with that the collective views are substituted by the views which are stronger than the ones of a separate individual. One of the main conclusions of the investigation is as follows. The formation of the “consumer society” and the strengthening of the mass communication role resulted in the appearance of “mediocracy” which factually introduced an absolute elite dependence on it and conferred the right of media to set the social agenda. The mass turned out to be a silent majority, a unity of conformity-oriented people. These people become simultaneously a product of mass communication impact because they dictate what one must read, listen to, and watch from the media menu. They force MMC to satisfy their unassuming needs making the content trivial and commodificated. In other words, the mutual process of the interaction of the media, “impossible independence” and the conscious “communicative consensus” of individuals who are willingly united with the mass audience takes place. The creation of the internet due to “digital anonymity” and the autonomy of the consumer formed the conditions for the self-determined citizens and gave the elite a modest place in the “cyber democracy”. However, the increase in individual self-isolation leads to his gradual loss of “social capital,” and that threatens to replace the direct experience with a virtual environment that will make it very difficult to differentiate reality from fiction. Keywords: elite, mass, media, mass communication, information space, globalization.
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Pollock, Wilson. Pivot the Future Makers: Building our People and Places. Redaktorzy Musheer O. Kamau, Sasha Baxter i Golda Kezia Lee Bruce. Inter-American Development Bank, kwiecień 2021. http://dx.doi.org/10.18235/0003188.

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Pivot is a movement of radical ideas for the Caribbean of the future. In 2020, the IDB and its partners (Caribbean Climate Smart-Accelerator (CCSA), Destination Experience (DE), and Singularity University) launched The Pivot Movement and asked the people of the Caribbean to think of big ideas to transform the region. A small group came together at The Pivot Event to design 9 moonshots for electric vehicles, digital transformation and tourism. Pivot: The Future Makers is a comic book produced by the Pivot partners and illustrated by Caribbean artists. In it, the 9 moonshots have been developed into fictional stories as a simple and powerful means of conveying possible, probable futures, to help us visualize the Caribbean in 2040.
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Martínez, Déborah, Cristina Parilli, Carlos Scartascini i Alberto Simpser. Let's (Not) Get Together!: The Role of Social Norms in Social Distancing during COVID-19. Inter-American Development Bank, luty 2021. http://dx.doi.org/10.18235/0003044.

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While effective preventive measures against COVID-19 are now widely known, many individuals fail to adopt them. This paper provides experimental evidence about one potentially important driver of compliance with social distancing: social norms. We asked each of 23,000 survey respondents in Mexico to predict how a fictional person would behave when faced with the choice about whether or not to attend a friend's birthday gathering. Every respondent was randomly assigned to one of four social norms conditions. Expecting that other people would attend the gathering and/or believing that other people approved of attending the gathering both increased the predicted probability that the fictional character would attend the gathering by 25% in comparison with a scenario where other people were not expected to attend nor to approve of attending. Our results speak to the potential effects of communication campaigns and media coverage of, compliance with, and normative views about COVID-19 preventive measures. They also suggest that policies aimed at modifying social norms or making existing ones salient could impact compliance.
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Tabinska, Iryna, i Yaroslav Tabinskyi. Феномен «смислу поміж фактами» у друкованому виданні Reporters: взаємодія тексту та фотоілюстрації. Ivan Franko National University of Lviv, marzec 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11728.

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The article states that with the development of new journalism, the author’s ability to characterize a phenomenon and identify a trend acquires special value. Representatives of Ukrainian new journalism, which is a relatively new genre, are already gradually implementing these tasks. They compose entire books from their reports, offering the reader a condensed version of versatile observations about a certain country, situation, or phenomenon. In contrast to ordinary reportage, fiction is a synthetic genre, in which it is not reported, but told. The authors of the article research Reporters which is the first magazine of new journalism in Ukraine. Their main task is to explain the phenomenon of “meaning between facts”. According to the authors, this phenomenon is simple and unique at the same time, because through people’s stories you can find depths that relate to historical, cultural and geopolitical life. The article analyzes the interaction of text and images, shows how to find meaningful messages in actual data using specific examples. The study singled out accents that relate to the interaction of text and images. Quite often, photography reproduces reality and helps the reader to paint reality in his imagination. Textual forms delve into the plot through human history and detail. In four printed issues of the magazine, the authors of the study analyzed the stories that are particularly relevant today. First of all, this concerns Russian aggression and the insubordination of Ukrainians. Key words: new journalism, non-fiction, text, images, dialog, photojournalism.
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Mental Health in Schools, and the Global CYP Mental Health Crisis. ACAMH, październik 2021. http://dx.doi.org/10.13056/acamh.17482.

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In this podcast, we talk to Lauren Cross about her research interests around mental health and wellbeing in schools and inequalities during childhood and adolescence, as well as her co-authored CAMH debate paper ‘Is There a True Global Children and Young People's Mental Health Crisis Fact or Fiction’.
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