Gotowe bibliografie tematyczne / Fetishism

Gotowa bibliografia na temat „Fetishism”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 30 lipca 2024

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Artykuły w czasopismach na temat "Fetishism"

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Delcea, Cristian, i Dorina EUSEI. "Fetishist disorder". International Journal of Advanced Studies in Sexology 1, nr 2 (1.12.2019): 73–77. http://dx.doi.org/10.46388/ijass.2019.12.11.123.

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Fetishism, as a technical descriptor of atypical sexual behaviour, was noted in the writings of the well-known nineteenth century French psychologist Alfred Binet (1857–1911) (Binet, 1887) as well as prominent European sexologists Richard von Krafft-Ebing (1840–1902) (Krafft-Ebing, 1886), Havelock Ellis (1859–1939) (Ellis, 1906), and Magnus Hirschfeld (1868– 1935) (Hirschfeld, 1956). In their seminal writings, all of the afore mentioned sexologists used the terms “fetish” and “fetishism” to specifically describe an intense eroticization of either non-living objects and/or specific body parts that were symbolically associated with a person. Fetishes could be non clinical manifestations of a normal spectrum of eroticization or clinical disorders causing significant interpersonal difficulties. Ellis (1906) observed that body secretions or body products could also become fetishist expressions of “erotic symbolism”. Freud (1928) considered both body parts (e.g., the foot) or objects associated with the body (e.g., shoes) as fetish objects. For the purposes of this review, a “broader” historically based core definition for Fetishism will include intense and recurrent sexual arousal to: non-living objects, an exclusive focus on body parts or body products. Keywords: fetishism, Paraphilia, Partialism, DSM-V.
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Kunjukrishnan, R., A. Pawlak i Lily R. Varan. "The Clinical and Forensic Psychiatric Issues of Retifism". Canadian Journal of Psychiatry 33, nr 9 (grudzień 1988): 819–25. http://dx.doi.org/10.1177/070674378803300907.

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The literature on the etiological theories, clinical manifestations and treatment of retifism (foot fetishism) and fetishisms in general are briefly reviewed. The case of a 27 year old married male foot-fetishist is presented with emphasis on the psychosexual development leading to the specific sexual deviation. The specific behavioural treatment consisted of covert aversive conditioning using self-reports of sexual urges and psychophysiological monitoring as objective measures of therapeutic change. The theoretical basis for the therapeutic response is discussed.
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Sheehan, Rebecca. "Biker Boys, Muscle Cars, Hollywood Men". Film Studies 21, nr 1 (listopad 2019): 65–82. http://dx.doi.org/10.7227/fs.21.0006.

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This article examines how the ironic construction of queer masculinity from biker culture, a realm of consumer fetishism and hetero-masculinity, in Kenneth Anger’s Scorpio Rising (1964), influences Nicolas Winding Refn’s 2011 film Drive. As Anger’s film appropriates pop-culture images and icons of biker culture, fetishes of post-Second World War American masculinity, Refn uses overt references to Anger’s film to wage a similar reappropriation of muscle car culture, in the process challenging contemporary images of heterosexual masculinity in Drive. Like Anger, Refn relies upon the dynamics of fetishism and postmodernism’s illumination of the distance between sign and object to subvert muscle cars’ associations with masculine violence and rivalry, mobilising them instead to exploit the inherent multivocality of the fetishised object, seizing the car (and its mobility) as a getaway vehicle to escape prescriptions of identity and limiting definitions of gender and sexuality.
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Cluley, Robert. "Sexual fetishism in organizations: The case of journal list fetishism". Organization 21, nr 3 (28.04.2014): 314–28. http://dx.doi.org/10.1177/1350508413519763.

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Organizations can encourage their members to over-value means above ends. A case in point is the tendency among academics to over-value standardized ranking lists for academic journals at the expense of high quality research. To make sense of such seemingly perverse object choices, organizational researchers have turned to the concept of fetishism. However, organizational researchers have yet to consider how these fetishes are organized as sexual object choices—a strange omission given the expansive empirical and theoretical literature exploring fetishism as a sexual practice. Drawing a distinction between the fetishism of organizations and fetishism in organizations, the article seeks to redress this oversight.
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Sumarsono, Irwan. "Fetishism Reflected in Sam Mendes’s American Beauty". World Journal of English Language 12, nr 5 (12.05.2022): 102. http://dx.doi.org/10.5430/wjel.v12n5p102.

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This study described the fetishism of the main character in Sam Mendes’ American Beauty by using psychoanalytical analysis. The analysis was focused on the fetishism conducted by the main character, Lester. The main data was taken from the work entitled American Beauty, while the supporting ones were derived from some related books, English journals, and other sources on the internet. Data were collected, categorized, and analyzed before they were presented in a discussion. The writer used descriptive-analytic techniques to analyze the collected data, and the analysis was focused on the factors that make Lester become a fetishist and the effects of his fetishism on his life and family. It was found that Lester’s id has the biggest role in causing his fetishism. Lester’s fetishism is controlled mostly by his needs to fulfill his physical and psychological needs. Lester wants to fulfill the sexual pleasure that he cannot get from his wife, Carolyn.
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Dant, Tim. "Fetishism and the Social Value of Objects". Sociological Review 44, nr 3 (sierpień 1996): 495–516. http://dx.doi.org/10.1111/j.1467-954x.1996.tb00434.x.

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The idea of the fetish has a particular presence in the writings of both Marx and Freud. It implies for these two theorists of the social, a particular form of relation between human beings and objects. In the work of both, the idea of the fetish involves attributing properties to objects that they do not ‘really’ have and that should correctly be recognised as human. While Marx's account of fetishism addresses the exchange-value of commodities at the level of the economic relations of production, it fails to deal in any detail with the use-value or consumption of commodities. In contrast Freud's concept of the fetish as a desired substitute for a suitable sex object explores how objects are desired and consumed. Drawing on both Marx and Freud, Baudrillard breaks with their analyses of fetishism as demonstrating a human relation with unreal objects. He explores the creation of value in objects through the social exchange of sign values, showing how objects are fetishised in ostentation. This paper argues that while Baudrillard breaks with the realism characteristic of Marx's and Freud's analyses of fetishism, he does not go far enough in describing the social and discursive practices in which objects are used and sometimes transformed into fetishes. It is proposed that the fetishisation of objects involves an overdetermination of their social value through a discursive negotiation of the capacities of objects that stimulates fantasy and desire for them.
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Levesque, Lisa. "Material Entanglement and Technology Fetishism in Academic Libraries". Canadian Journal of Academic Librarianship 6 (18.12.2020): 1–24. http://dx.doi.org/10.33137/cjal-rcbu.v6.34345.

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This article explores technology fetishism in academic libraries as an irrational form of worship. Academic libraries participate in networks of prestige through their investments in technology and its fetishistic rhetoric. To counter the myth of technology as a neutral good, this article draws on contemporary fetishism theory and specifically the work of Bruno Latour to trace how technology is entangled with social relations and upholds hegemonic power. All technology is laden with human thought, feeling, and intent. However, Modern fetishes are dispersed into culture and obscure these entanglements, hiding materiality and obscuring the visibility of labour. This article considers library technology through the lens of fetishism, specifically considering the ways in which discovery layers shape research. Confronting fetishism enables academic library workers to reimagine more human-centered approaches to technology and to bring to light embedded whiteness and sexism in library practices. There is an urgent need to reconfigure our relationships with technology given its entanglement with research and the unexamined power that fetishism holds.
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Wyngaard, Amy S. "The Fetish in/as Text: Rétif de la Bretonne and the Development of Modern Sexual Science and French Literary Studies, 1887–1934". PMLA/Publications of the Modern Language Association of America 121, nr 3 (maj 2006): 662–86. http://dx.doi.org/10.1632/003081206x142814.

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This essay examines the role of Rétif's writings in the development of the concept of erotic fetishism and in the formation of the French literary canon in the late nineteenth and early twentieth centuries. Rétif explored foot and shoe fetishisms more than a century before the phenomena were medically recognized, anticipating the modern psychosexual use of the term fetishism and making important contributions to the invention of the theoretical concept. Rétif's works were accorded a privileged place in early pathologies of fetishism, which provoked a series of polemics among German and French medical doctors and literary scholars centered on notions of national supremacy and literary value. Marked as bad literature, in both senses of the term, Rétif's writing was subsequently excluded from the French literary canon on moral grounds and became a kind of fetish object in the French literary corpus. (ASW)
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Ellen, Roy. "Fetishism". Man 23, nr 2 (czerwiec 1988): 213. http://dx.doi.org/10.2307/2802803.

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Sargent, Thomas O. "Fetishism". Journal of Social Work & Human Sexuality 7, nr 1 (10.01.1989): 25–42. http://dx.doi.org/10.1300/j291v07n01_03.

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Rozprawy doktorskie na temat "Fetishism"

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Pettey, Homer Boyd. "Faulkner and fetishism". Diss., The University of Arizona, 1989. http://hdl.handle.net/10150/184671.

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This study compares fetishistic desires exhibited within Faulkner's fiction to the narrative strategies governing those texts. It surveys Faulkner's thematic and narrative experiments with fetishism from his first poems and sketches through his major novels. His early works, especially "Nympholepsy" and The Marble Faun, capture fetishistic moments of longing and lack of fulfillment, attraction and repulsion. Faulkner's novels, though, re-enact the dynamics of fetishism by means of their narrative strategies; thus, Faulkner achieves a correspondence between the fictional form and the fetish depicted. Because his texts engage us within their shifting temporality and symbolic repetitions, as readers we invariably fall prey to the fetishistic desires his narratives initiate and imitate. Interpretive problems necessarily arise concerning the reader's relationship to the text and desire for meaning. In As I Lay Dying, multiple points-of-view call our attention to the validity of interpretive perception; in Sanctuary, rape operates as Faulkner's master trope for both the characters' and reader's struggles for dominance; in Absalom, Absalom!, writing and reading history are obsessions shared by the narrators and the reader. My readings are informed by several interdisciplinary approaches to fetishism, such as: icon-worship and totemism from anthropology; object and linguistic substitutions from psychoanalysis; commodity exchange and reification from Marxist theories; and sign production and displacement from post-structuralism. Instead of imposing a general taxonomy for fetishism, I have allowed each text's narrative and thematic structures to guide my readings and, therefore, consciously matched my readings to the particular fetishes his narratives engender.
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Wong, Yu-bon Nicholas. "The pomobody body parts, desire and fetishism /". Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B39707507.

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Wong, Yu-bon Nicholas, i 黃裕邦. "The pomobody: body parts, desire and fetishism". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B39707507.

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Kocela, Christopher. "Fetishism as historical practice in postmodern American fiction". Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38213.

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This study contends that postmodern American fiction dramatizes an important shift of philosophical perspective on the fetish in keeping with recent theories of fetishism as a cultural practice. This shift is defined by the refusal to accept the traditional Western condemnation of the fetishist as primitive or perverse, and by the effort to affirm more productive uses for fetishism as a theoretical concept spanning the disciplines of psychoanalysis, Marxian social theory, and anthropology. Analyzing the depiction of fetishistic practices in selected contemporary American novels, the dissertation utilizes fetish theory in order to clarify the unique textual and historiographic features of postmodernist fiction. It also emphasizes the way in which conventional ideas about history and teleology are necessarily challenged by an affirmative orientation toward the fetish. Part One of the dissertation, comprising the first two chapters, traces the lineage of Western thinking about fetishism from Hegel, Marx, and Freud to Derrida, Baudrillard, and Jameson, among others. Recognizing that traditional theories attribute the symbolic power of the fetish to its mystification of historical origins, Part One posits that poststructuralist and postmodernist contributions to the subject enable, but do not develop, an alternative concept of fetishism as a practice with constructive historical potential. Part Two of the study seeks to develop this historical potential with reference to prominent descriptive models of postmodernist fiction, and through close readings of five contemporary American authors: Thomas Pynchon, Kathy Acker, Robert Coover, John Hawkes, and Don DeLillo. The four chapters of Part Two each examine the fictional representation of fetishism within a different theoretical framework, focusing on, respectively: temporality and objectivity in postmodern fiction theory; the interrelation between psychoanalytic theory and female fetishism in novels by Pynchon and Acker
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Wellby, Poppy Loesje Kaitlin. "Fairies, frying-pans and fetishism : fables of femininity". Thesis, University of Sussex, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.431437.

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Benson, Tracey. "The museum of the personal : souvenirs and nostalgia". Thesis, Queensland University of Technology, 2001. https://eprints.qut.edu.au/16204/1/Tracey_Benson_Thesis.pdf.

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This research paper examines the role of the souvenir in terms of social relations and notions of self-identity and/or autobiography. Many types of souvenir objects (commercial and non-commercial) are explored as being agents that participate in the construction of identity. Commodity fetishism, nostalgia and fetishism are examined as key elements that define the social relations surrounding the souvenir. The notion of home and family is also explored as a fundamental aspect of how identity is constructed.
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Benson, Tracey. "The museum of the personal : souvenirs and nostalgia". Queensland University of Technology, 2001. http://eprints.qut.edu.au/16204/.

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This research paper examines the role of the souvenir in terms of social relations and notions of self-identity and/or autobiography. Many types of souvenir objects (commercial and non-commercial) are explored as being agents that participate in the construction of identity. Commodity fetishism, nostalgia and fetishism are examined as key elements that define the social relations surrounding the souvenir. The notion of home and family is also explored as a fundamental aspect of how identity is constructed.
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Annetts, Alex. "Masculinity and gear fetishism in audio technology community discourse". Thesis, Anglia Ruskin University, 2015. http://arro.anglia.ac.uk/702044/.

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This thesis is a study of audio technology community discourse and its historical features. I contend that the audio technology domain is fundamentally exclusive and hierarchically stratified, based on discursively inscribed prerequisites to participation and enunciation, notably a hegemonic masculine performance, gear fetishism and the articulation of technical knowledge. I show that communities organised around audio technology, socially construct and perpetuate these features as components of their respective discourses. I expose all three elements to be rooted in culturally embedded gender stereotypes, dating back to a nineteenth century dichotomy of public and private space. I present a deconstruction of the complex discursive performances of masculinity and offer opportunities for privileged masculine recordists to critically reflect upon their dominance and homogeneity within the domain as an original contribution to knowledge. In this endeavour, I investigate the emergence and development of exclusive tropes as components of audio technology culture, and demonstrate how they continue to be perpetuated in the face of both social and technological developments that offer possibilities to destratify the community hierarchy and enunciative function. My methodology is based on a comparative discourse analysis of industry and academic texts, as well as the communities that surround and influence the construction of modern audio technology discourse. Case studies are conducted of two leading industry publications: Tape Op and Sound On Sound, and supplemented by an exploration of Women's Audio Mission. I combine these sources with interview material gathered from relevant industry professionals. In doing so, I observe how the audio technology community has maintained barriers to participation, often in the face of technological progress that offers supposed opportunities for democratisation. My work presents an argument against this notion, exposing the supposed democratisation as an illusion of accessibility and thus as mere massification.
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Annetts, Alex. "Masculinity and gear fetishism in audio technology community discourse". Thesis, Anglia Ruskin University, 2015. https://arro.anglia.ac.uk/id/eprint/702044/6/Annetts_2015.pdf.

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This thesis is a study of audio technology community discourse and its historical features. I contend that the audio technology domain is fundamentally exclusive and hierarchically stratified, based on discursively inscribed prerequisites to participation and enunciation, notably a hegemonic masculine performance, gear fetishism and the articulation of technical knowledge. I show that communities organised around audio technology, socially construct and perpetuate these features as components of their respective discourses. I expose all three elements to be rooted in culturally embedded gender stereotypes, dating back to a nineteenth century dichotomy of public and private space. I present a deconstruction of the complex discursive performances of masculinity and offer opportunities for privileged masculine recordists to critically reflect upon their dominance and homogeneity within the domain as an original contribution to knowledge. In this endeavour, I investigate the emergence and development of exclusive tropes as components of audio technology culture, and demonstrate how they continue to be perpetuated in the face of both social and technological developments that offer possibilities to destratify the community hierarchy and enunciative function. My methodology is based on a comparative discourse analysis of industry and academic texts, as well as the communities that surround and influence the construction of modern audio technology discourse. Case studies are conducted of two leading industry publications: Tape Op and Sound On Sound, and supplemented by an exploration of Women's Audio Mission. I combine these sources with interview material gathered from relevant industry professionals. In doing so, I observe how the audio technology community has maintained barriers to participation, often in the face of technological progress that offers supposed opportunities for democratisation. My work presents an argument against this notion, exposing the supposed democratisation as an illusion of accessibility and thus as mere massification.
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Weng, Cho-jui. "Pile Up, And Swing Back : Abstract Expressions of Travel Fetishism". Thesis, Konstfack, Grafisk Design & Illustration, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-3664.

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Książki na temat "Fetishism"

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Kirk, Ruth. Zuni fetishism. Albuquerque, N.M: Avanyu Pub., 1988.

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Merja, Makinen, red. Female fetishism. Washington Square, N.Y: New York University Press, 1995.

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Kaplan, Louise J. Cultures of Fetishism. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780230601208.

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Alan, Bass. Fetishism, Psychoanalysis, And Philosophy. Abingdon, Oxon; NewYork, NY: Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315150062.

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S, Apter Emily, i Pietz William, red. Fetishism as cultural discourse. Ithaca, N.Y: Cornell University Press, 1993.

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Genge, Gabriele, i Angela Stercken, red. Art History and Fetishism Abroad. Bielefeld, Germany: transcript Verlag, 2014. http://dx.doi.org/10.14361/9783839424117.

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By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial expansion until today. They show that in becoming vehicles and agents of transculturality, so called »fetishes« take shape in the 17th to 19th century aesthetics, psychology and ethnography - and furthermore inspire a recent discourse on magical practice and its secular meanings requiring altered art historical approaches and methods.
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Anthony, Shelton, Royal Pavilion, Art Gallery, and Museums., Nottingham Castle Museum i Sainsbury Centre for Visual Arts., red. Fetishism: Visualising power and desire. London: South Bank Centre, 1995.

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Gamman, Lorraine. Female fetishism: A new look. London: Lawrence & Wishart, 1994.

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Fombonne, Jean-Marc. Aux pieds des femmes: Érotique du pied et de la chaussure. Paris: Payot, 2008.

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Fombonne, Jean-Marc. Aux pieds des femmes: Érotique du pied et de la chaussure. Paris: Payot, 2008.

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Części książek na temat "Fetishism"

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Mountian, Ilana. "Fetishism". W Encyclopedia of Critical Psychology, 723–27. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4614-5583-7_625.

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Borowicz, Jan. "Fetishism". W Perverse Memory and the Holocaust, 60–92. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003330035-3.

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Hall, Gordon C. Nagayama. "Fetishism." W Encyclopedia of Psychology, Vol. 3., 364–65. Washington: American Psychological Association, 2000. http://dx.doi.org/10.1037/10518-156.

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Pietz, William. "Fetishism". W Encyclopedia of African Religions and Philosophy, 266–67. Dordrecht: Springer Netherlands, 2021. http://dx.doi.org/10.1007/978-94-024-2068-5_154.

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Jappe, Anselm. "Fetishism". W The SAGE Handbook of Marxism, 559–75. 1 Oliver's Yard, 55 City Road London EC1Y 1SP: SAGE Publications Ltd, 2022. http://dx.doi.org/10.4135/9781529714371.n31.

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Kaplan, Louise J. "Fetishism and the Fetishism Strategy". W Cultures of Fetishism, 1–14. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780230601208_1.

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Curthoys, Ann, i Ann McGrath. "Footnote fetishism". W How to Write History that People Want to Read, 198–211. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1007/978-0-230-30496-3_11.

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Bonfiglio, Thomas Paul. "Marketed Fetishism". W The Psychopathology of American Capitalism, 91–114. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55592-8_6.

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Roy, Kaustuv. "Concept Fetishism". W Limits of the Secular, 35–67. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-48698-7_2.

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Sau, Andrea. "Commodity fetishism". W A Marxist Theory of Ideology, 125–56. Abingdon, Oxon ; New York, NY : Routledge, 2020. |Series: Routledge studies in social and political thought |Includes bibliographical references and index.: Routledge, 2020. http://dx.doi.org/10.4324/9780367810146-3.

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Streszczenia konferencji na temat "Fetishism"

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Storni, Cristiano. "Design for future uses: Pluralism, fetishism and ignorance". W Nordes 2013: Experiments in Design Research. Nordes, 2013. http://dx.doi.org/10.21606/nordes.2013.005.

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Kurniawan, Ivan. "The Sensuality And Tendency Of Fetishism On Model Photography". W Proceedings of the International Conference on Business, Economic, Social Science and Humanities (ICOBEST 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icobest-18.2018.75.

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Belicova, Renata. "INTERNAL ECOLOGY AND PEDAGOGY OF MUSIC. MUSICAL FETISHISM AND �PREFABRICATION� OF YOUNG MUSICIANS". W 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb61/s16.58.

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Egan, John P. "ACTIVITY, LEARNING OR DATA FETISHISM: ON LEARNER ANALYTICS, HIGHER EDUCATION AND REGIMES OF THOUGHT". W International Technology, Education and Development Conference. IATED, 2017. http://dx.doi.org/10.21125/inted.2017.0892.

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