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Hamáčková, Soňa. "Kultúrny turizmus a folklórne festivaly". Master's thesis, Vysoká škola ekonomická v Praze, 2015. http://www.nusl.cz/ntk/nusl-202100.
Pełny tekst źródłaRichards, Evan E. "The 33rd Alaska Folk Festival : a short documentary /". Fogler Library, University of Maine, 2008. http://www.library.umaine.edu/theses/pdf/RichardsEE2008.pdf.
Pełny tekst źródłaSørbo, Ingelin. "Festival + sted = ? : Vinjerock - en festivals påvirkning på stedsidentitet og stedsutvikling". Thesis, Norges teknisk-naturvitenskapelige universitet, Geografisk institutt, 2011. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-17027.
Pełny tekst źródłaFestivals are increasingly becoming an integral part of the experience economy and the places that they degenerate to. This thesis is based on a case study about the music festival Vinjerock, in the municipality Vang in Norway. The empirical basis originates from seven qualitative interviews with persons involved in Vinjerock in various ways. The main goal of this thesis is to study the impacts music festivals have on place, place identity and local development. The analysis is divided in to two parts: the first part focuses on the concept of festival, place and place identity, whilst the second part of the analysis focuses mainly on local development and entrepreneurship. The main findings from the study show how the festival has had an impact on both Eidsbugardens and Vangs place identity by using local history and traditions in new and innovative ways. The findings also show how local support and being a part of the local community affects the entrepreneurial task of succeeding with this kind of project. Finally the findings show how important local enthusiasm has been Vinjerock, and that one projects success can work as an incubator for other projects in the region.
Petitinga, Carolina Santos. "Festival de verão de Salvador: significado para o turismo, a música independente, a economia e o marketing da cidade". Programa de Pós-Graduação em Cultura e Sociedade da UFBA, 2008. http://www.repositorio.ufba.br/ri/handle/ri/10605.
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Os festivais de música têm dado visibilidade às cidades e movimentado a economia local, através da geração de emprego e renda. Eles atraem investidores, empresas, visitantes e profissionais qualificados. Funcionam também como alternativas para a distribuição da música e servem de vitrine para novos talentos musicais. Muitas cidades tornam-se conhecidas e são incluídas no roteiro de férias de muitos turistas por conta dos festivais que realizam, alguns deles mundialmente famosos. Esta dissertação examina o significado desses festivais para o turismo, geração de emprego e renda, produção de música independente e marketing da cidade, através do estudo de caso do Festival de Verão Salvador. A partir da revisão da literatura especializada, de entrevistas qualificadas e de uma pesquisa amostral aleatória e estratificada realizada in loco, aplicou-se a metodologia padrão de estudos de impacto econômico de eventos.
Salvador
Simmons-Carroll, Kathryn B. "French Quarter Festivals, Inc.: A Year of Festivals (Internship Report)". ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/aa_rpts/169.
Pełny tekst źródłaOsterholt, Emily. "French Quarter Festivals, Inc.: An Analysis of Festival Operations (Internship Academic Report)". ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/aa_rpts/195.
Pełny tekst źródłaKahuno, Maryanne Njeri. "Constructing identity through festivals: The case of Lamu Cultural Festival in Kenya". Diss., University of Pretoria, 2017. http://hdl.handle.net/2263/62642.
Pełny tekst źródłaDissertation (MHCS)--University of Pretoria, 2017.
Historical and Heritage Studies
MHCS
Unrestricted
Ludvigsson, Josefine. "Festivalernas Intåg : Korröfestivalen – en bordunstämmas resa genom festivaliseringen". Thesis, Växjö University, School of Education, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-2382.
Pełny tekst źródłaTitle: Festivalernas Intåg – Korröfestivalen- en bordunstämmas resa genom festivaliseringen
The Korrö festival- The establishment of a Swedish Folk Music Festival.
This thesis describes how folk music festivals have been escalating during the past few and how they have influenced Swedish folk music. To reach my results I have been studying one festival in particular which is the Korrö Folk Music Festival. This event started in the mid-eighties as a small happening that attracted almost exclusively musicians that were a part of the bordooon movement. The bordoon movement gathered a couple of days in the summer at what they called the “Korrö bordunstämma” to build instruments and play folk music. Later on the event started to attract other people through public live concerts. These concerts became more and more popular and they soon took over the original purpose of the event. This became a turning point for “Korrö bordunstämma” who now decided to change name to the Korrö Folk Music Festival. I have been studying the history of this event to see if I could find any particular circumstances that may have contributed to the popularity this event have reached over the years. I will illustrate how certain factors such as organisation, economy and alteration of visitors have affected the festival. This text will give the reader a presentation of a festival in constant change. I believe that The Korrö Folk Music Festival has been an important part of the development of modern Swedish folk music and still is.
Marchini, Ben. "Festivals and sustainability : reducing energy related greenhouse gas emissions at music festivals". Thesis, De Montfort University, 2013. http://hdl.handle.net/2086/8840.
Pełny tekst źródłaManasa, Kallyarath Madhooj, i Sunil Anagha. "Cultural festivals of India". Thesis, Sumy State University, 2019. https://essuir.sumdu.edu.ua/handle/123456789/77250.
Pełny tekst źródłaMericle, Andrea. "Festivals, Function and Context: An Ethnographic Study of Three Festivals at Holden Village". TopSCHOLAR®, 1998. http://digitalcommons.wku.edu/theses/270.
Pełny tekst źródłaBergström, Lisa, i Emily Grafström. "Vägen till framgång : En studie om festivaler i Stockholm". Thesis, Södertörns högskola, Institutionen för ekonomi och företagande, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-17088.
Pełny tekst źródłaDreyer, Adriana. "Tourist perceptions of the Klein Karoo National Arts Festival's corporate brand / A. Dreyer". Thesis, North-West University, 2010. http://hdl.handle.net/10394/4352.
Pełny tekst źródłaGibout, Christophe. "Villes et festivals : approche comparée des festivals urbains en Grande-Bretagne et en France". Tours, 1997. http://www.theses.fr/1997TOUR2013.
Pełny tekst źródłaWest-european countries are caracterise, since 1970's, by an incredible revitalization of public celebrations. Among them arts festivals are some of the most representative. Also, we decide to analyse these festivals into a comparison betwenn Great-Britain and France. Beside a great bibliographical research in both countries, we base our presentation on 270 arts festivals in 110 cities. The work can be divide in 7 parts. After a large introduction (definitions, history, technics, problems. . . ), the first chapter is concern by the "festivals times" and the way they take part to a new social temporality. The second chapter looks for the programmation and differences between the two countries. The third chapter describe the social fonctions of such events and prove the evolution from traditionnal festival to leisure. The fourth chapter show the relationships with local authorities, and specially the improvment of a instrumental vision. The fifth chapter describe the relationships with the audiences, the indigenes and the artists and put in evidence their heterogeneity and their instability. Finally, the conclusion propose the emergence of a new festive phenomenon, which is symbol of both the globalization and the social resistance to this globalization. Furthermore arts festivals are caracteristical of the re-definition of modern urban life in western Europe, taking part to the definition of the future for cities and western society
Beaubien, Brad M. "Community festivals and social capital". Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1217382.
Pełny tekst źródłaDepartment of Urban Planning
Dhvani, Patel, Людмила Анатоліївна Кулішенко, Людмила Анатольевна Кулишенко i Liudmyla Anatoliivna Kulishenko. "Festivals of India аnd Ukraine". Thesis, Sumy State University, 2021. https://essuir.sumdu.edu.ua/handle/123456789/84809.
Pełny tekst źródłaLee, Hong Real. "Film festivals as public spaces : the transformation of the Busan and Berlin international film festivals". Thesis, Goldsmiths College (University of London), 2014. http://research.gold.ac.uk/10720/.
Pełny tekst źródłaLe, Grange Rene. "Effective planning and organisation of a student theatre festival". Diss., Pretoria : [s.n.], 2003. http://upetd.up.ac.za/thesis/available/etd-08112004-100939.
Pełny tekst źródłaBinimelis, Adell Mar. "La geopolítica de las coproducciones hispanoamericanas. Un análisis a través de su presencia en los festivales de clase A (1997-2007)". Doctoral thesis, Universitat Rovira i Virgili, 2011. http://hdl.handle.net/10803/51762.
Pełny tekst źródłaLa recerca analitza la presencia de les coproduccions cinematogràfiques hispanoamericanes als festivals internacionals de ‘Clase A’ entre els anys 1997 i 2007. El recurs a la coproducció s’ha convertit en una fórmula essencial per al cinema espanyol, així com per als diversos països llatinoamericans que recorren a Espanya com a soci prioritari per aquest tipus de pel·lícules. L’estudi de les coproduccions hispanoamericanes als grans festivals permet analitzar quines característiques tenen aquests filmes quan es destinen a la circulació global i a públics internacionals. La qüestió s’aborda tant des d’un punt de vista quantitatiu com qualitatiu. A través de les condicions de producció d’aquestes pel·lícules i del context en el que es desenvolupen es qüestionen les relacions existents a nivell cinematogràfic entre Espanya i els diferents països llatinoamericans i com aquestes es reconfiguren a l’escenari Internacional
The research analyzes the presence of hispanoamerican film co-productions in international festivals 'Class A' between 1997 and 2007. The use of coproduction has become an essential formula for Spanish cinema, as well as for the Latin American countries that have in the spanish producers the main partner for this type of films. The study of hispanoamerican co-productions at festivals is suitable to analyze the characteristics of these films when they are for international audiences and global circulation. The issue is analyzed quantitatively and qualitatively. The power relations between Spain and the Latin American countries and how they are reconfigured in the international arena are questioned through the analysis of the conditions of production of these films and its context.
Gross, Justin A. Alderman Derek H. "The festival gap : comparing organizers' perceptions of visitors to a survey of visitors at the Carolina Renaissance Festival, 2005 /". Access via ScholarShip, 2006. http://hdl.handle.net/10342/1111.
Pełny tekst źródłaPresented to the faculty of the Department of Geography. Advisor: Derek Alderman. Includes bibliographical references (leaves 114-119). Also available via the World Wide Web. Adobe reader required.
Nogueira, Julia C. "Film and video festivals in South America a contemporary analysis of flourishing cultural phenomena /". Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1230612139.
Pełny tekst źródłaKemang, Leluma. "The role of Morija Arts and Cultural Festival as a mechanism for promoting tourism among local communities". Thesis, University of Zululand, 2012. http://hdl.handle.net/10530/1263.
Pełny tekst źródłaThis research study was conducted with the view of investigating the Morija Arts and Cultural Festival as tourist attraction. Morija community has staged the event for more than ten (10) years. It was first held in 1999, but it seems that the event has not shown the great potential to the Morija communities. The broad intention of the study was to reveal the barriers and come up with a strategy, which would mobilise the potential of the cultural festival towards benefiting the local communities, tourists and other stakeholders. It is further the intention of this study to close the gaps which are existing in the management of the Morija Arts and Cultural Festival as tourist attraction in Lesotho.
Thomas, Peter. "Geographies of the music festival : production, consumption and performance at outdoor music festivals in the UK". Thesis, University of Newcastle Upon Tyne, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.446235.
Pełny tekst źródłaSmith, Miranda. "The entrepreneurs' role at arts festivals : the case study of Aardklop National Arts Festival / Miranda Smith". Thesis, North-West University, 2009. http://hdl.handle.net/10394/5042.
Pełny tekst źródłaThesis (M.Com. (Tourism))--North-West University, Potchefstroom Campus, 2010.
Johansson, Frida, i Sofia Eliason. "Festival- ett jämställt rum? : En turismvetenskaplig studie som undersöker två festivalers arbete mot en jämställd festival". Thesis, Karlstads universitet, Handelshögskolan, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-44424.
Pełny tekst źródłaFor the past years there have been lots of discussions in social media relevant to the question about equality in festivals. Several famous artists have pointed out the gender distribution that exist in festivals bookings of performers. In perspective to these discussions there is little research to find about how festivals actually are working with the subject. Therefore, this study aims to investigate how two music festivals relate and work around the subject about equality. The festivals that this study are investigating is Way Out West and Umeå Open, one festival that is a bit bigger than the other. Furthermore, this study’s research can be related to tourism studies since festivals is an event related to culture that also can be recognized as a contributing factor for Swedens tourism industry. In addition, festivals also can be used as a tool to distribute political or social messages to a wider range of people which also points out the relevance of this study’s research. Further the aim of the study is answered to by three questions which are developed in three topics. These topics are: equality inside of the organisation, equality bookings and equality in perspective of the visitors. Notably we believe that these topics are central to research hence they are relevant to how equality can be applied in a festival. Additionally, are these topics connected to the study’s result that will indicate on the festivals strategies that they are using to develop an equal festival. The result presents our contribution to further research by introducing two specific strategies that are relevant and useful in working with equality in festivals. The study’s theoretical framework is founded on previous research and includes subjects as feministic geographies, equality, music and festivals. Further the primary data has been collected through two interviews and two imageand text analysis. Each interview with a respective represent from each festival.
Diestro-Dópido, Mar. "Film festivals : cinema and cultural exchange". Thesis, Queen Mary, University of London, 2014. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8900.
Pełny tekst źródłaPerez, Julian. "Music Festivals: A Secondary Market Analysis". Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/cmc_theses/1338.
Pełny tekst źródłaBrown, Kwesi Ewusi. "SOCIAL CONFLICTS IN CONTEMPORARY EFFUTU FESTIVALS". Bowling Green State University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1124803078.
Pełny tekst źródłaStewart, Cori Anne. "The culture of contemporary writers' festivals". Thesis, Queensland University of Technology, 2009. https://eprints.qut.edu.au/31241/1/Cori_Stewart_Thesis.pdf.
Pełny tekst źródłaZabrovskaya, Yulia, i Monika Pavilonyte. "Revenue determinants of music festivals : A case of pop/rock, jazz and classical music festivals in Scandinavia". Thesis, Högskolan i Jönköping, Internationella Handelshögskolan, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-13771.
Pełny tekst źródłaFerreira, Thaís Arruda 1985. "Reflexões sobre cinema ambiental = uma abordagem multidisciplinar = Environmental film: a multidisciplinary approach". [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/267759.
Pełny tekst źródłaDissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Tecnologia
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Resumo: Com a expansão do debate da crise ambiental na sociedade, surgem na década de 1980, como novos espaços de veiculação das questões ambientais, os festivais de cinema ambiental. O debate, aparentemente homogêneo, é divergente, múltiplo e conflituoso, sendo necessário problematizar as representações relacionadas à temática ambiental e explicitar os conflitos socioambientais, com o intuito de identificar onde estão às brechas, os germes para a emancipação e para o equilíbrio socioambiental. Nessa perspectiva, essa pesquisa apresenta uma discussão teórica reflexiva multidisciplinar sobre o cinema ambiental, inter-relacionando-o com a crise socioambiental, com concepções de meio ambiente, com festivais de cinema ambiental, com Educação Ambiental e com potencial educador do filme. Para isso, foi realizado um breve ensaio com algumas discussões que dão embasamento teórico à pesquisa, uma investigação do uso do termo "cinema ambiental", uma investigação e reflexão sobre as concepções de Cinema Ambiental e um levantamento histórico e de dados numéricos sobre o FICA (Festival Internacional de Cinema Ambiental), festival escolhido para examinarmos alguns filmes. As conclusões apontam que o termo "cinema ambiental" é utilizado em diversos contextos, suscitando interesses atinentes a grupos diversos, e que as concepções de Cinema Ambiental dependem das concepções ambientais dos sujeitos que a denominam, sendo que, nos festivais, outros critérios também estão presentes. Além dessas contribuições, essa pesquisa também contribui com algumas reflexões em relação ao FICA e com apontamentos sobre o potencial educador dos filmes ambientais, na perspectiva de uma Educação Ambiental Crítica
Abstract: With the expansion of the environmental crisis debate in society, emerge in the 1980s, as new spaces for placement of environmental issues, the environmental film festivals. The debate apparently homogeneous, is divergent, multiple and conflicting, being necessary to question the representations related to environmental issues and clarify the environmental conflicts, in order to identify where the gaps are, germs for emancipation and the environmental balance. In this perspective, this research presents a theoretical discussion about the film reflexive multidisciplinary environment, inter-relating it with the environmental crisis, with conceptions of environment, with environmental film festivals, with Environmental Education and educator with potential movie. For this, we conducted a brief test with some discussions that give theoretical research, an investigation of the use of the term "environmental theater", a research and reflection on the concepts of Environmental Film and a historical survey and numerical data on FICA (Environmental International Film Festival), chosen to examine some festival films the findings suggest that the term "environmental theater" is used in several contexts, raising concerns relating to different groups, and that the conceptions of environmental Cinema depend on environmental subjects' conceptions the call, and, at festivals, other criteria are also present. In addition to these contributions, this research also contributes some thoughts regarding the FICA and notes about the potential environmental educator of the films from the perspective of a Critical Environmental Education
Mestrado
Tecnologia e Inovação
Mestre em Tecnologia
Kriel, Jaun Antonie. "Communication efficacy of South African arts festivals : the case of Klein Karoo National Arts Festival / J.A. Kriel". Thesis, North-West University, 2010. http://hdl.handle.net/10394/4451.
Pełny tekst źródłaThesis (M.Com. (Tourism))--North-West University, Potchefstroom Campus, 2011.
Crook, Nathan C. "Foods That Matter: Constructing Place and Community at Food Festivals in Northwest Ohio". Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1246453172.
Pełny tekst źródłaLim, Haewen. "The contribution of festivals to city branding". Thesis, University of Westminster, 2016. https://westminsterresearch.westminster.ac.uk/item/q367v/the-contribution-of-festivals-to-city-branding.
Pełny tekst źródłaTodd, Kevin M. "Local festivals and their community building capacity". Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1266024.
Pełny tekst źródłaDepartment of Urban Planning
Pontiff, Brenda Renee'. "The American renaissance festival". Thesis, Kansas State University, 1986. http://hdl.handle.net/2097/9947.
Pełny tekst źródłaNadavulakere, Shivasharan S. "International film festivals as field-configuring events". Thesis, City University London, 2008. http://openaccess.city.ac.uk/8591/.
Pełny tekst źródłaKang, Shin-Young. "Authenticity in heritage festivals in South Korea". Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/11462.
Pełny tekst źródłaAger, Laura C. "Universities and festivals : cultural production in context". Thesis, University of Salford, 2016. http://usir.salford.ac.uk/41034/.
Pełny tekst źródłaBoiko, M. "The Best Music Festivals in Europe 2017". Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/8367.
Pełny tekst źródłaEarl, Cameron Phillip. "Public health management at outdoor music festivals". Thesis, Queensland University of Technology, 2006. https://eprints.qut.edu.au/16235/1/Cameron_Earl_Thesis.pdf.
Pełny tekst źródłaEarl, Cameron Phillip. "Public health management at outdoor music festivals". Queensland University of Technology, 2006. http://eprints.qut.edu.au/16235/.
Pełny tekst źródłaLam, Wai-ping. "Festival impacts on the tourist economy in Hong Kong". Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31572741.
Pełny tekst źródłaKwon, Hyun Jin. "The impact of cultural events on the cinema and tourism in a community, Busan Busan's alternative industry to the cinema and tourism industry after the Pusan International Film Festival (PIFF) /". Online version, 2002. http://www.uwstout.edu/lib/thesis/2002/2002kwonh.pdf.
Pełny tekst źródłaMartins, Maria João Santos. "Planeamento de marketing de eventos : plano de marketing para o festival NOS Alive 2020". Master's thesis, Instituto Superior de Economia e Gestão, 2018. http://hdl.handle.net/10400.5/17300.
Pełny tekst źródłaO presente trabalho de projeto tem como principal objetivo a delineação de estratégias de marketing e plano de ação para o Festival de Música NOS Alive. Este objetivo será cumprido através da elaboração de um Plano de Marketing. Este projeto irá ser aplicado ao festival de música NOS Alive, o evento realiza-se desde 2007 no Passeio Marítimo de Algés, em Lisboa. É organizado pela produtora de eventos Everything Is New (EiN) e patrocinado pela NOS. O setor dos eventos e festivais de música é extremamente competitivo, sendo que, só em Portugal, realizaram-se 272 festivais de música, o que representou um aumento de 9,2% em relação ao ano anterior (APORFEST, 2017). Na metodologia, a estratégia utilizada foi baseada nos primeiros passos da action research, em que foram utilizadas tanto fontes primárias como secundárias, na recolha dos dados. Assim, múltiplos métodos de recolha de dados foram utilizados: (1) entrevista semiestruturada ao Diretor da EiN; (2) um questionário online aos participantes de festivais de música; e (3) dados secundários. Desta forma, com os procedimentos referidos anteriormente, foi possível a identificação dos principais pontos fortes e fracos do festival, bem como as oportunidades e ameaças do mercado. Assim, o Plano de Marketing desenvolvido apresenta diversas estratégias e ações, cujo foco é o crescimento contínuo e reforço da imagem do NOS Alive, bem como uma melhoria a nível de resultados alcançados.
The main objective of this project is the definition of a marketing strategy and an action plan for the NOS Alive Music Festival. This goal will be achieved through the elaboration of a Marketing Plan. This project is focused on the NOS Alive Music Festival, which is held in the Passeio Marítimo de Algés, in Lisbon, since 2007. The event is organized and produced by Everything Is New (EiN) and sponsored by NOS. The music festival industry is extremely competitive and, in Portugal alone 272 music festivals took place in 2017, representing an increase of 9.2% over the previous year (APORFEST, 2017). The methodologic strategy applied in this research project is based on the first steps of the action research methods, in which both primary and secondary sources were used in the data collection. Multiple methods of data collection were used: (1) a semi-structured interview with EiN's Director; (2) an online questionnaire targeted music festivals participants; and (3) secondary data. This way, considering the above-mentioned procedures, it was possible to identify the main strengths and weaknesses of the festival, as well as the opportunities and threats of this particular market. Therefore, the Marketing Plan developed presents several strategies and their implementation, focused in the continuous growth and reinforcement of the image of the NOS Alive festival, as well as in the improvement of the results achieved.
info:eu-repo/semantics/publishedVersion
Motale, Matebello Dieketseng Bethsheba. "The social impact of arts festivals : a case of the ABSA Klein Karoo National Arts Festival / M.D.B. Motale". Thesis, North-West University, 2008. http://hdl.handle.net/10394/1774.
Pełny tekst źródłaCummings, Joanne. "Sold out ! an ethnographic study of Australian indie music festivals /". View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/35961.
Pełny tekst źródłaA thesis submitted in total fulfillment of the requirements for the degree of Doctor of Philosophy to the College of Arts, School of Social Sciences, University of Western Sydney. Includes bibliographical references.
Rouxel-Reynier, Sylvie. "Homo-festivus, pélerin culturel, approche sociologique du festival de théâtre et de ses acteurs sociaux". Paris 10, 2002. http://www.theses.fr/2002PA100004.
Pełny tekst źródłaRocha, Ricardo Gil Pedreiro. "Os públicos do Festival Paredes de Coura 2011: expectativas, motivações e práticas". Master's thesis, 2011. http://hdl.handle.net/10071/4590.
Pełny tekst źródłaSummer festival of music are, from decades ago part of juvenile western culture. However, in Portugal, just on the 90’s, it become assiduous on the national cultural panorama. Not being isolated phenomenon, almost every single is annual, it’s interesting to verify that there are not so many academic studies about these cultural productions, some on them in large scale. In one year that once again, there were many single days and full festivals were sold out, summer festivals became even more news headliners, as cultural business that reverses the current economic tendencies. As part of this scene, Paredes de Coura Festival, assumes as one of the most consistent events of the national circuit. It’s one of the oldest festivals occurring without breaks in Portuguese soil, with a lineup that owns a clear and well defined vision e a geographic localization with natural and enviable characteristics. Although, the focus of this study goes to the festival’s Public and all the collected data about them, from basic information, to the motivations and expectation, passing through the relationship between the Public and the festival itself. To achieve that, it was applied an exploratory/descriptive type of methodology, created through a questionnaire, randomly delivered on the field to 115 individuals. The study’s results strive to bring to light new and wider data about the Public of the mentioned festival and these kinds of event, trying to dissolve dogmas and pre-concepts that exist still exist in part of the social spectrum and national media, about these types of event and people that take part on them.
Wermeille, Anaïs. "Le "Festivable" ou conceptualisation de l'expérience des festivals de cinéma : exemple du Festival du Nouveau Cinéma de Montréal". Thèse, 2008. http://hdl.handle.net/1866/7149.
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