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Artykuły w czasopismach na temat "Festival"
Levickaitė, Rasa. "CITY FESTIVAL - A TRADITIONAL CULTURAL EXPRESSION OF THE CREATIVE INDUSTRIES (THE CASE OF INTERNATIONAL CONTEMPORARY DANCE FESTIVAL “NEW BALTIC DANCE”) / MIESTO FESTIVALIAI – TRADICINĖ KULTŪRINĖ KŪRYBINIŲ INDUSTRIJŲ RAIŠKA (TARPTAUTINIO ŠIUOLAIKINIO ŠOKIO FESTIVALIO ”NAUJASIS BALTIJOS ŠOKIS“ ATVEJIS)". CREATIVITY STUDIES 4, nr 1 (28.06.2011): 36–53. http://dx.doi.org/10.3846/20290187.2011.577178.
Pełny tekst źródłaMuylaert Mager, Juliana, i Ana Maria Mauad. "EM CARTAZ: festivais de cinema de arquivo – preservação e público". Revista Observatório 3, nr 2 (1.04.2017): 283. http://dx.doi.org/10.20873/uft.2447-4266.2017v3n2p283.
Pełny tekst źródłaUkpokolo, Francesca C., Obiageli C. Okoye i Oluatunde B. Lawuyi. "Cultural Reconstruction of Iwa Ji Festival in Igbo-Ukwu, and Fractured Igbo Identity". Synthesis philosophica 33, nr 1 (6.11.2018): 149–64. http://dx.doi.org/10.21464/sp33109.
Pełny tekst źródłaSzymkiewicz, Aleksy. "Identity, place and values. On construction and internalization of festival normalities on the examples of music festivals in Poland". Journal of Urban Ethnology 19 (20.12.2021): 153–70. http://dx.doi.org/10.23858/jue19.2021.010.
Pełny tekst źródłaDEMİRCİ, Barış, O. Can YILMAZDOĞAN i Ebru DÜŞMEZKALENDER. "FESTİVAL ALGISI, FESTİVAL MEMNUNİYETİ, FESTİVAL DEĞERİ VE AİDİYET İLİŞKİSİ: ESKİŞEHİR SOKAK LEZZETLERİ FESTİVALİ ÖRNEĞİ". Business & Management Studies: An International Journal 8, nr 1 (25.03.2020): 1096–112. http://dx.doi.org/10.15295/bmij.v8i1.1425.
Pełny tekst źródłaKim, Dong-Han, Jun-Jae Lee i Hyo-Yeun Park. "Assessing Economic Value of Local Festivals for Sustainable Development: A Case of Yeongju Korean Seonbi Culture Festival". Sustainability 13, nr 23 (1.12.2021): 13297. http://dx.doi.org/10.3390/su132313297.
Pełny tekst źródłaS, Selvakumaran. "In Diaspora Countries - Tamil Culture and Arts". Indian Journal of Multilingual Research and Development 1, nr 1 (17.12.2020): 7–15. http://dx.doi.org/10.34256/ijmrd2012.
Pełny tekst źródłaYamagishi, Kafferine, i Lanndon Ocampo. "Evaluating the greening agenda of festivals: The case of Sinulog". Turyzm/Tourism 32, nr 1 (31.05.2022): 115–40. http://dx.doi.org/10.18778/0867-5856.32.1.06.
Pełny tekst źródłaTeeuwen, Mark. "Kyoto’s Gion Festival in Late Classical and Medieval Times: Actors, Legends, and Meanings". Religions 13, nr 6 (14.06.2022): 545. http://dx.doi.org/10.3390/rel13060545.
Pełny tekst źródłaKrstić, Marija. "All Roads Lead to Guča: Modes of Representing Serbia and Serbs during the Guča Trumpet Festival". Issues in Ethnology and Anthropology 7, nr 2 (28.02.2016): 447–70. http://dx.doi.org/10.21301/eap.v7i2.7.
Pełny tekst źródłaRozprawy doktorskie na temat "Festival"
Björk, Jonathan, i Lindqvist Moreau Victor Victor. "Alive Festival 09 : Genomförande av festival". Thesis, University of Skövde, School of Humanities and Informatics, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-3151.
Pełny tekst źródłaI detta examensarbete tar vi upp hur vi gått till väga i genomförandet av Alive Festival -09. Vi har jobbat genom den ideella föreningen KF LIVE (Se definition) som fungerar som arrangörsgrupp i Skövde. Vi tar upp frågor som rör ekonomi, marknadsföring samt det egentliga arbete som krävs under festivaldagen. Under arbetets gång har vi hunnit införskaffa information, reflekterat över den och till sist använt oss av den när vi faktiskt genomfört festivalen. Festivalen som hölls under nio timmar innefattar tre scener med femton lokala som internationella band. I denna rapport kommer läsaren kunna ta del av de beslut vi i gruppen fattat samt få en överblick för det arbete som krävs under festivaldagen.
Sørbo, Ingelin. "Festival + sted = ? : Vinjerock - en festivals påvirkning på stedsidentitet og stedsutvikling". Thesis, Norges teknisk-naturvitenskapelige universitet, Geografisk institutt, 2011. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-17027.
Pełny tekst źródłaFestivals are increasingly becoming an integral part of the experience economy and the places that they degenerate to. This thesis is based on a case study about the music festival Vinjerock, in the municipality Vang in Norway. The empirical basis originates from seven qualitative interviews with persons involved in Vinjerock in various ways. The main goal of this thesis is to study the impacts music festivals have on place, place identity and local development. The analysis is divided in to two parts: the first part focuses on the concept of festival, place and place identity, whilst the second part of the analysis focuses mainly on local development and entrepreneurship. The main findings from the study show how the festival has had an impact on both Eidsbugardens and Vangs place identity by using local history and traditions in new and innovative ways. The findings also show how local support and being a part of the local community affects the entrepreneurial task of succeeding with this kind of project. Finally the findings show how important local enthusiasm has been Vinjerock, and that one projects success can work as an incubator for other projects in the region.
Bergström, Lisa, i Emily Grafström. "Vägen till framgång : En studie om festivaler i Stockholm". Thesis, Södertörns högskola, Institutionen för ekonomi och företagande, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-17088.
Pełny tekst źródłaABDALA, Lorena Pompei. "Estéticas da existência: a moda nos Festivais de Rock (Goiânia Noise Festival e Lollapalooza Music Festival-2008/2009)". Universidade Federal de Goiás, 2010. http://repositorio.bc.ufg.br/tede/handle/tde/2830.
Pełny tekst źródłaThis dissertation deals about the care of the self as a mediator of the construction of identities, which legitimize the existence of the socio-cultural subjects. Through the visual narratives produced in the scenario of rock festivals, were traced the relationship of fashion as a tool for the construction of identity. The fashion, understood as a social and cultural practice operates as an existential support in the setting of the visual symbolic representation of a given culture at a given time and space history. The figures of speech created by the practices of fashion generate social archetypes that become signs of a life style. The dress becomes a whole system of meaning. The analysis is based on photographs taken of goers of the two festivals (Festival Goiânia Noise and Lollapalooza Music Festival), noting that were considered the subjects photographed and not the photograph itself, as supported by observation. The study was structured considering the symbolic systems as creators of communities of existence and fashion as a form of social practice. Thus, the work is grounded in the discourse of fashion in the form of how identities are determined by simulations made by the groups / tribes and how to establish mediated existence poetics of everyday wear.
Esta dissertação versa sobre as práticas de si como mediadora do processo de construção das identidades, as quais legitimam as existências sócio-culturais dos sujeitos. Através das narrativas visuais produzidas no cenário dos festivais de rock, foram traçadas as relações da moda como instrumento para a construção das identificações. A moda, entendida como uma prática social e cultural opera como um suporte existencial na fixação das visualidades da representação simbólica de uma dada cultura, num dado tempo e espaço histórico. As figuras de estilo criadas pelas práticas da moda geram arquétipos sociais que se tornam signos de um modo de vida. A vestimenta torna-se um sistema inteiro de significação. A análise baseia-se em fotografias tiradas de freqüentadores dos dois festivais (Festival Goiânia Noise e Lollapalooza Music Festival), lembrando que foram considerados os sujeitos fotografados e não a fotografia em si, como suporte de observação. O estudo foi estruturado pensando os sistemas simbólicos como criadores de comunidades de existências e a moda como uma forma de prática social. Deste modo, o trabalho se fundamenta, nos discursos da moda, na forma de como as identidades são fixadas pelos simulacros criados pelos grupos/tribos e de como se estabelecem as existências mediadas pela poética cotidiana do vestir.
Richards, Evan E. "The 33rd Alaska Folk Festival : a short documentary /". Fogler Library, University of Maine, 2008. http://www.library.umaine.edu/theses/pdf/RichardsEE2008.pdf.
Pełny tekst źródłaLe, Grange Rene. "Effective planning and organisation of a student theatre festival". Diss., Pretoria : [s.n.], 2003. http://upetd.up.ac.za/thesis/available/etd-08112004-100939.
Pełny tekst źródłaGross, Justin A. Alderman Derek H. "The festival gap : comparing organizers' perceptions of visitors to a survey of visitors at the Carolina Renaissance Festival, 2005 /". Access via ScholarShip, 2006. http://hdl.handle.net/10342/1111.
Pełny tekst źródłaPresented to the faculty of the Department of Geography. Advisor: Derek Alderman. Includes bibliographical references (leaves 114-119). Also available via the World Wide Web. Adobe reader required.
Batchelder, Xela Ann Pollock. "The world's largest arts festival, The Edinburgh Festival Fringe mechanics, myth and management /". Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1149104422.
Pełny tekst źródłaKaiser, Anne Maria, i Mandy Sickert. "Moritzburg Festival 2017: 5. - 20. August 2017: 25. Festival". Moritzburg Festival, 2017. https://slub.qucosa.de/id/qucosa%3A32102.
Pełny tekst źródłaJohansson, Frida, i Sofia Eliason. "Festival- ett jämställt rum? : En turismvetenskaplig studie som undersöker två festivalers arbete mot en jämställd festival". Thesis, Karlstads universitet, Handelshögskolan, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-44424.
Pełny tekst źródłaFor the past years there have been lots of discussions in social media relevant to the question about equality in festivals. Several famous artists have pointed out the gender distribution that exist in festivals bookings of performers. In perspective to these discussions there is little research to find about how festivals actually are working with the subject. Therefore, this study aims to investigate how two music festivals relate and work around the subject about equality. The festivals that this study are investigating is Way Out West and Umeå Open, one festival that is a bit bigger than the other. Furthermore, this study’s research can be related to tourism studies since festivals is an event related to culture that also can be recognized as a contributing factor for Swedens tourism industry. In addition, festivals also can be used as a tool to distribute political or social messages to a wider range of people which also points out the relevance of this study’s research. Further the aim of the study is answered to by three questions which are developed in three topics. These topics are: equality inside of the organisation, equality bookings and equality in perspective of the visitors. Notably we believe that these topics are central to research hence they are relevant to how equality can be applied in a festival. Additionally, are these topics connected to the study’s result that will indicate on the festivals strategies that they are using to develop an equal festival. The result presents our contribution to further research by introducing two specific strategies that are relevant and useful in working with equality in festivals. The study’s theoretical framework is founded on previous research and includes subjects as feministic geographies, equality, music and festivals. Further the primary data has been collected through two interviews and two imageand text analysis. Each interview with a respective represent from each festival.
Książki na temat "Festival"
Valkonen, Kaija. Festival fever: Finland festivals. Helsinki: Otava Pub. Co., 1994.
Znajdź pełny tekst źródłaBiri︠u︡kova, Dasha. Festivalʹ Videofocus: Videofocus Festival. Moskva: Gosudarstvennyĭ t︠s︡entr sovremennogo iskusstva, 2013.
Znajdź pełny tekst źródła1946-, Aubrey Crispin, red. Glastonbury festival tales. London: Ebury Press, 2004.
Znajdź pełny tekst źródłaFestival. London: New End Publishers, 2007.
Znajdź pełny tekst źródłaBarrett, Victoria. Festival. New York: Pinnacle Books, 1997.
Znajdź pełny tekst źródłaRayner, Claire. Festival. Bath: Chivers, 1993.
Znajdź pełny tekst źródłaNaqvi, Maniza. Festival. Karachi: Scheherzade, 2012.
Znajdź pełny tekst źródłaFestival. Buenos Aires: Mansalva, 2011.
Znajdź pełny tekst źródłaDePree, Gladis. Festival. Grand Rapids, Mich: Zondervan Pub. House, 1986.
Znajdź pełny tekst źródłaillustrator, Cardella Aaron, red. Festival. Cleveland, Ohio: Cleveland State University Poetry Center, 2015.
Znajdź pełny tekst źródłaCzęści książek na temat "Festival"
de Valck, Marijke, i Ger Zielinski. "Greening Film Festivals". W Rethinking Film Festivals in the Pandemic Era and After, 307–28. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14171-3_16.
Pełny tekst źródłaKarlekar, Tilottama. "Precarity, Innovation, and Survival in the Indian Film Festival Sector". W Rethinking Film Festivals in the Pandemic Era and After, 231–54. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14171-3_12.
Pełny tekst źródłaBurgess, Diane, i Kirsten Stevens. "Locating Buzz and Liveness: The Role of Geoblocking and Co-presence in Virtual Film Festivals". W Rethinking Film Festivals in the Pandemic Era and After, 59–80. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14171-3_4.
Pełny tekst źródłaDamiens, Antoine. "Festivals, Covid-19, and the Crisis of Archiving". W Rethinking Film Festivals in the Pandemic Era and After, 291–305. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14171-3_15.
Pełny tekst źródłaLee, Hyunseon. "From Festival Films to Film Festivals". W Korean Film and Festivals, 15–40. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429327841-3.
Pełny tekst źródłaTsai, Beth. "Film Festivals in Taiwan: Lurking on the Periphery". W Rethinking Film Festivals in the Pandemic Era and After, 211–30. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14171-3_11.
Pełny tekst źródłaDovey, Lindiwe, i Estrella Sendra. "Toward Decolonized Film Festival Worlds". W Rethinking Film Festivals in the Pandemic Era and After, 269–89. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14171-3_14.
Pełny tekst źródłaJackson, Mark Laurence, i Mark Hanlen. "Cruel Festival". W Securing Urbanism, 431–83. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-9964-4_9.
Pełny tekst źródłaChitwood, Ken. "Hosay Festival". W Encyclopedia of Latin American Religions, 1–2. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-08956-0_259-1.
Pełny tekst źródłaSwartjes, Britt, i Femke Vandenberg. "Festival atmospheres". W Remaking Culture and Music Spaces, 21–33. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003254805-3.
Pełny tekst źródłaStreszczenia konferencji na temat "Festival"
Mitrović, Srđan, Suzana Marković i Josipa Mijoč. "Segmenting Wine Festival Visitors Based on Their Visit Experience". W 6th International Scientific Conference – EMAN 2022 – Economics and Management: How to Cope With Disrupted Times. Association of Economists and Managers of the Balkans, Belgrade, Serbia, 2022. http://dx.doi.org/10.31410/eman.s.p.2022.145.
Pełny tekst źródłaThongrom, Pimpika. "The effect of Music Festivals on Perceived Destination Images". W INNODOCT 2019. Valencia: Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/inn2019.2019.10179.
Pełny tekst źródłaCOMAN, Ecaterina, Vlad BATRANU-PINTEA, Radu TUDORICA, Ovidiu TODERICI i Alexandra GIRBEA. "PROMOTING CITIES THROUGH FESTIVALS". W 10th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscss.2023/s09.41.
Pełny tekst źródłaShea, Brendan Sullivan, i Neal Lucas Hitch. "School’s Out: Exploring Learning By Doing Methods In On-Site Design Build Architecture Workshops". W 2022 AIA/ACSA Intersections Research Conference. ACSA Press, 2022. http://dx.doi.org/10.35483/acsa.aia.inter.22.18.
Pełny tekst źródłaWan Hafiz, Wan Zainal Shukri, Gan Mei Yen, Abdul Wahab Mohamad Rahijan i Wenjie Cai. "CHINESE FOOD CULTURE AND FESTIVAL: ROLE AND SYMBOLIC MEANING AMONG HOKKIEN MILLENNIALS". W GLOBAL TOURISM CONFERENCE 2021. PENERBIT UMT, 2021. http://dx.doi.org/10.46754/gtc.2021.11.023.
Pełny tekst źródłaCheon, Yong-soo. "The Impact of Festival Quality on Festival Image". W 10th International Workshop Series Convergence Works. Global Vision School Publication, 2016. http://dx.doi.org/10.21742/asehl.2016.8.32.
Pełny tekst źródłaUrbans, Mihails, Jelena Malahova i Vladimirs Jemeļjanovs. "Compliance of fire safety measures for accommodation of people in Riga schools". W 21st International Scientific Conference "Economic Science for Rural Development 2020". Latvia University of Life Sciences and Technologies. Faculty of Economics and Social Development, 2020. http://dx.doi.org/10.22616/esrd.2020.53.027.
Pełny tekst źródłaKhalil-Butucioc, Dorina. "Stimulating dramaturgy in the Republic of Moldova: from art education to theater festivals". W Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.22.
Pełny tekst źródłaCosi, Piero, Fabio Tesser, Roberto Gretter, Cinzia Avesani i Mike Macon. "Festival speaks Italian!" W 7th European Conference on Speech Communication and Technology (Eurospeech 2001). ISCA: ISCA, 2001. http://dx.doi.org/10.21437/eurospeech.2001-137.
Pełny tekst źródłaNajafi, Hossein. "Festival ao vivo: Streaming on-line de projetos de imagens em movimento dos alunos, na era da COVID". W LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.154.g286.
Pełny tekst źródłaRaporty organizacyjne na temat "Festival"
Kerrigan, Susan, Phillip McIntyre i Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.
Pełny tekst źródłaEllis, Christopher D., Byoung-Suk Kweon, Sarah Alward i Robin Burke. Ravinia Festival South Parking Lot. Landscape Architecture Foundation, 2011. http://dx.doi.org/10.31353/cs0040.
Pełny tekst źródłaCandido, Marcia Rangel, Cleissa Regina Martins, João Feres Júnior i Luiz Augusto Campos. Infográfico – Festival do Rio 2016. Universidade do Estado do Rio de Janeiro, październik 2016. http://dx.doi.org/10.12957/gemaa.2016.0004.
Pełny tekst źródłaMaiorino, Alexandre, Júlio César de Melo Colabardini i Flavio Gabriel Parro da Silva. Festival Internacional de Música em Casa: Fimuca Áudio. Revista Acústica e Vibrações, grudzień 2021. http://dx.doi.org/10.55753/aev.v36e53.55.
Pełny tekst źródłaTurner, Tom, i Nancy Hodges. Exploring Outdoor Lifestyle Brands within the Americana Music Festival Marketplace. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-395.
Pełny tekst źródłaCortés-Selva, L., M. Jurado-Martín i L. Ostrovskaya. Camerimage, un festival único dedicado al arte de la fotografía cinematográfica. Revista Latina de Comunicación Social, marzec 2018. http://dx.doi.org/10.4185/rlcs-2018-1272.
Pełny tekst źródłaRogers, Amanda. The Seven Colours Festival: Young People and Civic Participation in the Arts. Swansea University, lipiec 2024. http://dx.doi.org/10.23889/sureport.66346.
Pełny tekst źródłaDivita, Lorynn. "I Just Thought It Looked Cool": Cultural Appropriation by Music Festival Attendees. Ames: Iowa State University, Digital Repository, listopad 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1481.
Pełny tekst źródłaNancy Hazard. 2005 Tour de Sol: The Sustainable Energy and Transportation Festival and Competition. Office of Scientific and Technical Information (OSTI), maj 2005. http://dx.doi.org/10.2172/875402.
Pełny tekst źródłaDerrick, G. E., S. Hettrick, J. Baker, E. Karoune, S. Kerridge, G. Fletcher, N. Chue Hong, L. Ballantyne, J. Fransmann i T. Roche. Shaping the future of research evaluation: Insights from The Festival of Hidden REF. Emerald Publishing Limited, kwiecień 2024. http://dx.doi.org/10.1108/egp-02-2024-0001.
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