Artykuły w czasopismach na temat „Feminist psychoanalysis”
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1
Elliot, Patricia. "Politics, Identity, and Social Change: Contested Grounds in Psychoanalytic Feminism". Hypatia 10, nr 2 (1995): 41–55. http://dx.doi.org/10.1111/j.1527-2001.1995.tb01368.x.
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This essay engages in a debate with Nancy Fraser and Dorothy Leland concerning the contribution of Lacanian-inspired psychoanalytic feminism to feminist theory and practice. Teresa Brennan's analysis of the impasse in psychoanalysis and feminism and Judith Butler's proposal for a radically democratic feminism are employed in examining the issues at stake. I argue, with Brennan, that the impasse confronting psychoanalysis and feminism is the result of different conceptions of the relationship between the psychical and the social. I suggest Lacanian-inspired feminist conceptions are useful and deserve our consideration.
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Sayan Cengiz, Feyda. "Feminist Responses to Freud Through the “Equality vs. Difference” Debate". Kadın/Woman 2000, Journal for Women's Studies 21, nr 1 (4.07.2020): 39–52. http://dx.doi.org/10.33831/jws.v21i1.96.
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Freudian psychoanalysis has long been a matter of debate among feminists, and usually criticized for biological determinism. While discussing the Freudian framework, feminists have also been discussing how to define a female subject and the age old “equality vs. difference” discussion. This study discusses critical feminist responses to Freud which demonstrate the intricacies of the “equality vs. difference” debate amongst different strands of feminist theory. This article analyses three diverse lines of argumentation regarding psychoanalysis and the equality vs. difference debate by focusing on the works of Luce Irigaray, Simone de Beauvoir and Juliet Mitchell. Beauvoir and Irigaray both criticize the Freudian approach for taking “the male” as the real, essential subject. However, whereas Beauvoir sides with an egalitarian feminism, Irigaray defends underlining the difference of female sexuality. Juliet Mitchell, on the other hand, defends Freudian psychoanalysis through the argument that psychoanalysis actually offers a way to understand how the unconscious carries the heritage of historical and social reality. Accordingly, what Freudian psychoanalysis does is to analyze, rather than to legitimize, the basis of the patriarchal order in the unconscious.
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Lerman, Hannah. "From Freud to Feminist Personality Theory: Getting Here from There". Psychology of Women Quarterly 10, nr 1 (marzec 1986): 1–18. http://dx.doi.org/10.1111/j.1471-6402.1986.tb00733.x.
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After a discussion of the impact of psychoanalysis on psychological thinking about personality theory and the changes that have been taking place within psychoanalytic theory about women, eight criteria arising out of feminist therapy theory are stated. These criteria represent suggested minimum conditions that a woman-based theory of female development and personality needs to fulfill. Freudian theory, current psychoanalytic theory, and several feminist theories are then evaluated in light of the stated criteria. The author concludes that feminists have arrived at some degree of general agreement about personality theory, although they have often arrived at their specific approaches via diverse theoretical routes.
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Marecek, Jeanne, i Rachel T. Hare-Mustin. "A Short History of the Future: Feminism and Clinical Psychology". Psychology of Women Quarterly 15, nr 4 (grudzień 1991): 521–36. http://dx.doi.org/10.1111/j.1471-6402.1991.tb00427.x.
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Since the 19th century, feminists have criticized the mental health establishment and its treatment of women. Issues include the sexist use of psychoanalytic concepts and psychiatric diagnoses, the misuse of medication, and sexual misconduct in therapy. Feminists have also called attention to psychological problems arising from gender inequality in everyday life. Physical and sexual abuse of women is of special concern. Feminist innovations in therapy include consciousness-raising, sex-role resocialization, and new approaches to psychoanalysis and family therapy. We urge feminists to develop a fuller understanding of gender and power, and to use this knowledge to challenge the established theory and practice of clinical psychology.
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Schmacks, Yanara. "‘Only mothers can be true revolutionaries’: The Politicization of Motherhood in 1980s West German Psychoanalysis". Psychoanalysis and History 23, nr 1 (kwiecień 2021): 49–73. http://dx.doi.org/10.3366/pah.2021.0368.
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Analyzing conceptualizations of motherhood in 1980s West German psychoanalytic debates, this article argues that, in the wake of what can be termed as a ‘turn to motherhood,’ German psychoanalysis saw an unprecedented politicization of motherhood that followed from a conjunction of three distinct historical contexts: the integration of feminist theories of subjectivity into the psychoanalytic canon; the belated reception of the British object relations school; and the renewed attempt at grappling with the Nazi past. On the one hand, West German (female) psychoanalysts posited motherhood as a utopian space that allowed for uncorrupted forms of intersubjectivity in the form of an intimate and sexualized mother–child/mother–daughter relationship. On the other hand, and mirroring this ideal, motherhood, if not practiced correctly, could, according to psychoanalytically inspired thinkers in the late 1980s, also be a source of fascism.
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Alexander, Sally. "Feminist History and Psychoanalysis". History Workshop Journal 32, nr 1 (1991): 128–33. http://dx.doi.org/10.1093/hwj/32.1.128.
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Stojanovic, Dragana. "The interrelations of feminist, postfeminist, psychoanalytic and theoretical psychoanalytic positions: Dialogues and tensions". Zbornik Matice srpske za drustvene nauke, nr 154 (2016): 91–101. http://dx.doi.org/10.2298/zmsdn1654091s.
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The fields of feminism/postfeminism and psychoanalysis/theoretical psychoanalysis share common focal points oriented toward the questions around the gendered subjectivity and the mechanisms which subject the subject and his/her body to the socially accepted/prefered gender standards. Speaking about that, feminism and psychoanalysis, as theoretical strategies, enter into mutual interrelation of both dialogue and tension. Working with some of the basic hypotheses of those disciplines, this paper aims to show the potential of analytical-comparative approach to feminist and psycho?analytic theoretical strategies, accentuating at the same time the importance of their dialogue as the means of better understanding of the femaleness and gender in general in the actual context of living.
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G. E. Kelly, Mark. "Foucault On Psychoanalysis: Missed Encounter or Gordian Knot?" Foucault Studies 1, nr 28 (27.09.2020): 96–119. http://dx.doi.org/10.22439/fs.v1i28.6075.
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Foucault’s remarks concerning psychoanalysis are ambivalent and even prima facie contra-dictory, at times lauding Freud and Lacan as anti-humanists, at others being severely criti-cal of their imbrication within psychiatric power. This has allowed a profusion of interpretations of his position, between so-called ‘Freudo-Foucauldians’ at one extreme and Foucauldians who condemn psychoanalysis as such at the other. In this article, I begin by surveying Foucault’s biographical and theoretical relationship to psychoanalysis and the sec-ondary scholarship on this relationship to date. I pay particular attention to the discussion of the relationship in feminist scholarship and queer theory, and that by psychoanalytic thinkers, as well as attending to the particular focus in the secondary literature on Fou-cault’s late work and his relationship to the figure of Jacques Lacan. I conclude that Fou-cault’s attitude to psychoanalysis varies with context, and that some of his criticisms of psychoanalysis in part reflect an ignorance of the variety of psychoanalytic thought, partic-ularly in its Lacanian form. I thus argue that Foucault sometimes tended to overestimate the extent of the incompatibility of his approach with psychoanalytic ones and that there is ultimately no serious incompatibility there. Rather, psychoanalysis represents a substantively different mode of inquiry to Foucault’s work, which is neither straightforwardly ex-clusive nor inclusive of psychoanalytic insights.
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Al-Mahfedi, Mohammed. "The Laugh of the Medusa and the Ticks of Postmodern Feminism: Helen Cixous and the Poetics of Desire". International Journal of Language and Literary Studies 1, nr 1 (30.06.2019): 54–63. http://dx.doi.org/10.36892/ijlls.v1i1.20.
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This paper aims to explore Helen Cixous’ postmodernist trends in her formulations of a new form of writing known as ecriture feminine. The paper attempts to validate the view that Cixous’ “The Laugh of the Medusa” is regarded as the manifesto of postmodern feminism. This is done by attempting a critical discourse analysis of Cixous' narrative of ecriture feminine. Deploying a multifaceted-framework, ranging from postmodernism to psychoanalysis through poststructuralist theory and semiotics, the study reveals Cixous' metamorphosing and diversified trend of feminist writing that transposes the subversion of patriarchy into a rather bio-textual feminism, known as bisexuality. The paper highlights the significance of Cixous’ essay as a benchmark of postmodern feminism.
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Ferguson, Ann. "A Feminist Aspect Theory of the Self". Canadian Journal of Philosophy Supplementary Volume 13 (1987): 339–56. http://dx.doi.org/10.1080/00455091.1987.10715941.
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The contemporary Women’s Movement has generated major new theories of the social construction of gender and male power. The feminist attack on the masculinist assumptions of cognitive psychology, psychoanalysis and most of the other academic disciplines has raised questions about some basic assumptions of those fields. For example, feminist economists have questioned the public/private split of much of mainstream economics, that ignores the social necessity of women’s unpaid housework and childcare. Feminist psychologists have challenged cognitive and psychoanalytic categories of human moral and gender development arguing that they are biased toward the development of male children rather than female children. Feminist anthropologists have argued that sex/gender systems, based on the male exchange of women in marriage, have socially produced gender differences in sexuality and parenting skills which have perpetuated different historical and cultural forms of male dominance. Feminist philosophers and theorists have suggested that we must reject the idea of a gender-free epistemological standpoint from which to understand the world. Finally radical feminists have argued that the liberal state permits a pornography industry that sexually objectifies women, thus legitimizing male violence against women.
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Ferrell, Robyn. "The Passion of the Signifier and the Body in Theory". Hypatia 6, nr 3 (1991): 172–84. http://dx.doi.org/10.1111/j.1527-2001.1991.tb00262.x.
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The paper argues that psychoanalysis and deconstruction offer more to feminist theory than contestation. The common feminist criticisms of the work of Lacan and Derrida are not as compelling as may be thought. Among the possibilities for feminist theory using psychoanalysis and deconstruction is the scrutiny of theory as theory—and this will inevitably include scrutinizing feminist theory itself.
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Bainbridge, Caroline. "Television as psychical object: Mad Men and the value of psychoanalysis for television scholarship". Critical Studies in Television: The International Journal of Television Studies 14, nr 3 (12.08.2019): 289–306. http://dx.doi.org/10.1177/1749602019851714.
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Claims that Mad Men (2007–2015) is an obedient post-feminist text overlook the drama’s images of both women and the history of feminism and its potential to impact on contemporary understandings of gender politics. Mad Men can be seen as a psychological object, helping viewers to explore links between their own experience and that of characters on screen as the narrative unfolds. Making links between the social re-emergence of feminist awareness, the drama’s representations of second-wave feminism and a psychoanalytic understanding of mourning, I suggest that a return to psychoanalytic methodologies has the potential to enrich television scholarship.
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Stern, Michael. "The Face as Fingerprint : Mediation, Silence, and the Question of Identity in Ingmar Bergman’s « Persona »". Konturen 3, nr 1 (28.12.2010): 202. http://dx.doi.org/10.5399/uo/konturen.3.1.1421.
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This volume is dedicated to readings of the borderline informed by Psychoanalysis. My essay is an exception to that rule. In it, I analyze Ingmar Bergman’s Persona (1966) with an eye to the dangers of a one-way conversation. Interestingly, Persona dramatizes an inversion of a typical psychoanalytic session, for here the patient says nothing and her nurse confesses. The aftermath of this inversion and its consequences are explored with the help of the Italian feminist, Adrianna Cavarero, the Danish Philosopher, Søren Kierkegaard, and the Serbian performance artist, Marina Abramović. Enjoining a debate within psychoanalysis from the border regions of existential and feminist philosophy, I argue that the silence of an interlocutor creates a mask screening the speaker from the mutual recognition needed for a healthy sense of identity. This essay argues the case for conversation.
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Burack, Cynthia. "IV. Re-Kleining Feminist Psychoanalysis". Feminism & Psychology 12, nr 1 (luty 2002): 33–38. http://dx.doi.org/10.1177/0959353502012001006.
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Sáenz, Ma Carmen López. "Contribuciones De Merleau-Ponty A La Filosofía Feminista". Phainomenon 18-19, nr 1 (1.10.2009): 95–124. http://dx.doi.org/10.2478/phainomenon-2009-0006.
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Abstract It is my contention that there is a significant relationship between “Phenomenology of Perception” (Merleau-Ponty) and “The Second Sex” (de Beauvoir). The two authors give great importancc to the lived body (Leib), either from a neutral perspective, either from a perspective feminine. This key concept of the phenomenology allows us to understand the lived experience of women and their possible relationship with feminism. From this corporeal sense we analyze the Merleau-Pontinian redefinition of subjectivity and reason. We emphasize his criticism of reductionism, both epistemological as ontological. We refute certain feminists accusations against Merleau-Ponty. To do this, we study all his work in search of traces of women, we place them in context, while we study his own hermeneutics of psychoanalysis in order to highlight the contribution of it to the deconstruction of stereotypes about femininity. We conclude by showing the main keys of this phenomenology for· the current feminist Philosophy.
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Sekulic, Nada. "Identity, sex and 'women's writing' in French poststructural feminism". Sociologija 52, nr 3 (2010): 237–52. http://dx.doi.org/10.2298/soc1003237s.
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The paper discusses political implications of the feminist revision of psychoanalysis in the works of major representatives of 1970s French poststructuralism, and their current significance. The influence and modifications of Lacan's interpretation of imaginary structure of the Ego and linguistic structure of the unconscious on explanations of the relations between gender and identity developed by Julia Kristeva, Luce Irigaray and H?l?ne Cixous are examined. French poststructuralist feminism, developing in the 1970s, was the second major current in French feminism of the times, different from and in a way opposed to Simone de Beauvoir's approach. While de Beauvoir explores 'women's condition' determined by social and historical circumstances, French feminists of poststructuralist persuasion engage with problems of unconscious psychological structuring of feminine identity, women's psychosexuality, theoretical implications of gendered visions of reality, especially in philosophy, semiology and psychology, as well as opening up new discursive possibilities of women's and feminine self-expression through 'women's writing'. Political implications of their approach have remained controversial to this day. These authors have been criticized for dislocating women's activism into the sphere of language and theory, as well as for reasserting the concept of women's nature. Debates over whether we need the concept of women's nature - and if yes, what kind - and over the relation between theory and political activism, have resulted in the split between the so-called 'essentialist' and 'anti-essentialist' approaches in feminist theory, and the subsequent division into American (non-essentialist) and French (partly labeled as essentialist) strands. The division is an oversimplification and overlooks concrete historical circumstances that produced the divergence between 'materialist' and 'linguistic' currents in France.
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Jacobs, Amber. "The Potential of Theory: Melanie Klein, Luce Irigaray, and the Mother-Daughter Relationship". Hypatia 22, nr 3 (2007): 175–93. http://dx.doi.org/10.1111/j.1527-2001.2007.tb01096.x.
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Through a close reading of Klein and Irigaray's work on the mother-daughter relation’ ship via the Electra myth, Jacobs diagnoses what she considers a fundamental problem in psychoanalytic and feminist psychoanalytic theory. She shows that neither thinker is able to theorize the mother-daughter relationship on a structural level but is only able to describe its symptoms. Jacobs makes a crucial distinction between description and theory and argues that the need to go beyond description and phenomenology toward the creation of a structural theory is the only way that feminist philosophy and psychoanalysis can avoid reproducing the terms of the male imaginary. The essay concludes by arguing that theorization of the mother-daughter relationship can only be achieved if we analyze manifestations of the mother-daughter relationship in clinical, cultural, and mythical material through the framework of a foreclosed or absent underlying maternal law.
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Eva Farhah, Yeni Puspitasari,. "KEKERASAN TERHADAP PEREMPUAN DALAM TEKS NOVEL BANATU‘R-RIYADH KARYA RAJA‘ ASH-SHANI‘I:KAJIAN FEMINIS PSIKOANALISIS". Jurnal CMES 9, nr 1 (14.06.2017): 4. http://dx.doi.org/10.20961/cmes.9.1.11720.
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This research discuss about the forms of violence against woman in Banatu‘r-Riyadh novel by Raja Ash-Shani‘i based on Feminist Literary Criticism of Psychoanalysis theory by Helen Cixous. Therefore, the purpose of this research are to describe forms of violence against woman based on Feminist Literary Criticism of Psychoanalysis theory by Helen Cixous. The research findings are 1) The Domestic violence: the physical violence and the emotional violence, 2) the public violence with the emotional violence. <br /><br />
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Priyadharshini, P., S. Mohan, J. Sangeetha i R. Kannan. "Feminism: An Exploration of Pragmatics of Women Lives in Namita Gokhale’s Works". Theory and Practice in Language Studies 12, nr 2 (1.02.2022): 395–99. http://dx.doi.org/10.17507/tpls.1202.24.
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Feminism is a women’s movement fighting for equal rights and status. The purpose of this study concentrates on the reflection of feminism in Namita Gokhale’s selected works The Book of Shadows (1999), Priya: In Incredible Indyaa (2011), and Things to Leave Behind (2016). The features of feminism strive for equal rights for both men and women, particularly the emancipation of women, fight for their rights, freedom, equal rights, and gender issues. Namita Gokhale is a famous writer, and her notable works are The Book of Shadows, Priya: In Incredible Indyaa, and Things to Leave Behind. These selected works address the issues of feminism. The major protagonists of these selected works of Namita Gokhale are Rachita, Tilottama and Priya. Each character’s life reflects the issues of feminism theory. Some famous feminists are Rachel Speght, Olympe de Gouge, Mary Wollstonecraft, Judith Sargent Murray, Fredrika Bremer, Elizabeth Cady Stanton and so on. The methodology of this study focuses on the feminist theory which is compared with Namita Gokhale’s selected works. In discussion, the researchers compare the survey with the other studies for deeper understanding. Future study recommendations are alienation, self-identity, psychoanalysis, self-disorder, and parental care.
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Tate, Claudia, i Barbara Johnson. "The Feminist Difference: Literature, Psychoanalysis, Race, and Gender". African American Review 34, nr 1 (2000): 159. http://dx.doi.org/10.2307/2901194.
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Faye, Esther. "Psychoanalysis and the barred subject of feminist history". Australian Feminist Studies 10, nr 22 (grudzień 1995): 77–97. http://dx.doi.org/10.1080/08164649.1995.9994789.
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Dutta, Minakshi. "A Reading of Bhabendra Nath Saikia's Films from Feminist Lens". CINEJ Cinema Journal 8, nr 2 (3.12.2020): 247–74. http://dx.doi.org/10.5195/cinej.2020.261.
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Feminist movement deconstructs the constructed images of women on the screen as well. The gap between real and reel woman is a vibrant topic of discussion for the feminist scholars. As a regional genre of Indian film industry Assamese film flourished during the third decades of twentieth century. Like the films of other parts of the world, Assamese films also constructing the image of woman, particularly Assamese women, in its own way of projection. Hence, this article is an attempt to explore the questions related to women’s representation by taking the films of Assamese director Dr. Bhabendra Nath Saikia as reference. Moreover, as per the demand of the article it will cover a historical overview of the representation of women in Indian cinema and Assamese cinema. Different theories from psychoanalysis and feminism will be applied to analyze the select movies.
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Nagel, Doris B. "Feminism and its discontents: A century of struggle with psychoanalysis; Freudian analysts/feminist issues". Journal of the History of the Behavioral Sciences 36, nr 2 (2000): 187–89. http://dx.doi.org/10.1002/(sici)1520-6696(200021)36:2<187::aid-jhbs15>3.0.co;2-3.
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Orr, Mary, i Katherine Kearns. "Psychoanalysis, Historiography, Feminist Theory: The Search for Critical Method". Modern Language Review 96, nr 2 (kwiecień 2001): 604. http://dx.doi.org/10.2307/3737485.
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Grayson, Saisha. "Persistent recall: War, feminist psychoanalysis and Tracey Moffatt’s Doomed". Moving Image Review & Art Journal (MIRAJ) 4, nr 1 (1.12.2015): 78–89. http://dx.doi.org/10.1386/miraj.4.1-2.78_1.
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Lafrance, M. "Embodying the subject: Feminist theory and contemporary clinical psychoanalysis". Feminist Theory 8, nr 3 (1.12.2007): 263–78. http://dx.doi.org/10.1177/1464700107082365.
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Košinaga, Jelena. "Pleasure vs. Desire: Towards the Feminist Road of Catherine Malabou". Acta Philologica, nr 58 (2022) (19.08.2022): 69–79. http://dx.doi.org/10.7311/acta.58.2022.7.
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This paper considers the male-dominated philosophical traditions that have failed to adequately explicate the philosophical concept of desire. From psychoanalysis to Deleuze and Guattari, these traditions conceptualized desire as lack, loss, or a formless force. However, the feminist viewpoint proves these theories were inconsistent with and unaware of feminist interests. Therefore, the paper will posit that Catherine Malabou’s philosophy of pleasure has the capacity to dismantle the phallic economy and propose novel, plastic ways of perceiving femininity.
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Leland, Dorothy. "Lacanian Psychoanalysis and French Feminism: Toward an Adequate Political Psychology∗". Hypatia 3, nr 3 (1988): 81–103. http://dx.doi.org/10.1111/j.1527-2001.1988.tb00190.x.
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This paper examines some French feminist uses of Lacanian psychoanalysis. I focus on two Lacanian influenced accounts of psychological oppression, the first by Luce Irigaray and the second by Julia Kristeva, and I argue that these accounts fail to meet criteria for an adequate political psychology.
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Sypniewski, Fernanda. "DE QUEM É ESSE CORPO? A REAPROPRIAÇÃO DO CORPO HISTERICIZADO A PARTIR DO DISCURSO FEMINISTA E PSICANALÍTICO FREUDIANO". Entropia 7, nr 13 (2023): 97–112. http://dx.doi.org/10.52765/entropia.v7i13.458.
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This article aims to present some criticisms of Foucault and post-structuralist feminists to the psychoanalytic device, mainly about the hysterization of the woman’s body and the ‘hysterical woman’, constructed in the 18Th century trough scientific discourses. And also, bringing feminism closer to Freudian psychoanalysis, through the reappropiation of woman’s body by feminists and through the psychoanalytic discourse of the subject being the author of their own speech.
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Frosh, Stephen. "Psychosocial studies with psychoanalysis". Journal of Psychosocial Studies 12, nr 1 (1.07.2019): 101–14. http://dx.doi.org/10.1332/147867319x15608718110952.
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Psychosocial studies is methodologically and theoretically diverse, drawing on a wide range of intellectual resources. However, psychoanalysis has often taken a privileged position within this diversity, because of its well-developed conceptual vocabulary that can be put to use to theorise the psychosocial subject. Its practices have become a model for some aspects of psychosocial work, especially in relation to its focus on intense study of individuals, its explicit engagement with ethical relations, and its traversing of disciplinary boundaries across the arts, humanities and social sciences.This article begins with a brief description of some principles of psychosocial thinking, including its transdisciplinarity and criticality and its interest in ethics and in reflexivity. It then explores the place of psychoanalysis in this genealogy, presenting the case for psychoanalysis’ continuing contribution to the development of psychosocial studies. It is argued that this case is a strong one, but that the critique of psychoanalysis from the discursive, postcolonial, feminist and queer perspectives that are also found in psychosocial studies is important. The claim will be made that the engagement between psychoanalysis and its psychosocial critics is fundamentally productive. Even though it generates real tensions, these tensions are necessary and significant, reflecting genuine struggles over how best to understand the socially constructed human subject.
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Dr Vijay Nagnath Mhamane. "A Critique of Twentieth Century Feminist Criticism". Creative Launcher 6, nr 4 (30.10.2021): 112–17. http://dx.doi.org/10.53032/tcl.2021.6.4.18.
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Feminist criticism arose in response to developments in the field of the feminist movement. Many thinkers such as John Stuart Mill, Mary Wollstonecraft raised their voice against the injustice done to women in every sphere of life. As this gained momentum throughout the world, feminist also awakened to the depiction and representation of women in literature which is one of the influential medium of socialization and culture. They argued that woman and womanhood are not biological facts but are given social constructs. One is not born a woman, but becomes one through culture and socialization. At first, feminist criticism was reactionary in the nature in the sense that they exposed stereotypical images of women in the literature. These images of women were promulgated by the male writers. These images of women were what men think of women. Gradually, feminist criticism moved from this phase to more constructive work. They unearthed many women writers that were either suppressed or neglected by the male literary tradition. In this way, they created a separate literary tradition of women writers. Feminist critics divided this tradition in such phases as feminine phase, feminist phase and female phase. They also studied the problems faced by female creative writers. They used theories from post-structuralism, Marxism, psychoanalysis to study the nature of female creativity. They also realized that there is an innate difference between male and female modes of writing. Feminist critics also exposed the sexiest nature of man-made language. They also exposed phallic centrism of much of the western literary theory and criticism. They also started to study the language used by the women writers. Simon De Beauvoir, Virginia Woolf, Elaine Showalter and Juliet Mitchell are some of the feminist critics discussed in this paper.
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Chatterjee, Ronjaunee. "Bearing the Intolerable: Analytic Love". differences 33, nr 2-3 (1.12.2022): 262–79. http://dx.doi.org/10.1215/10407391-10124802.
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This essay considers psychoanalytic theories of love in the work of Sigmund Freud, Melanie Klein, and Jacques Lacan. Though there is no coherent theory of love in psychoanalysis, paying attention to love in the analytic situation—that is, to transference—allows us to read analytic love as a transformative practice through which subjects affiliate with one another as subjects rather than as objects. In considering the importance of love to solidarity, the work of Alain Badiou, Jean-Luc Nancy, and Black feminist theory is mobilized to offer two short readings of Toni Morrison’s novel Beloved and the autobiography of Dorothy Day. Across these theoretical and narrative works, the author formulates an account of analytic love as a site of negative plenitude that rearranges conventional accounts of identity and difference.
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Kotze, H. "Desire, gender, power, language: a psychoanalytic reading of Mary Shelley’s Frankenstein". Literator 21, nr 1 (26.04.2000): 53–68. http://dx.doi.org/10.4102/lit.v21i1.440.
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Psychoanalytic literary criticism has always had a particular fascination with texts dealing with the supernatural, the mysterious and the monstrous. Unfortunately such criticism, valuable and provocative though the insights it has provided have been, has all too often treated the text as a “symptom” by which to explain or analyse an essentially extratextual factor, such as the author's psychological disposition. Many interpretations of Mary Shelley’s novel Frankenstein provide typical examples of this approach. Much psychoanalytic (and also feminist) criticism and interpretation of the novel have focused on the female psyche “behind” the text, showing how the psychoanalytic dynamics structuring Shelley’s own life have found precipitation in her novel. This article offers an alternative to this type of psychoanalytic reading by interpreting the novel in terms of a framework derived from Lacanian psychoanalysis, focusing on the text itself. This interpretation focuses primarily on the interrelated aspects of language, gender, desire and power as manifested in the novel, with the aim of highlighting some hitherto largely unexplored aspects of the text which may be useful in situating the text within the larger current discourse concerning issues of language and power.
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Calvo, Luz. "Art Comes for the Archbishop". Meridians 19, S1 (1.12.2020): 169–95. http://dx.doi.org/10.1215/15366936-8565946.
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Abstract Inspired by the Chicana feminist artist Alma López’s Our Lady (1999), this essay explores Chicana cultural and psychic investments in representations of the Virgin of Guadalupe. As an image of the suffering mother, the Virgin of Guadalupe is omnipresent in Mexican-American visual culture. Her image has been refigured by several generations of Chicana feminist artists, including Alma López. Chicana feminist reclaiming of the Virgin, however, has been fraught with controversy. Chicana feminist cultural work—such as the art of Alma López, performances by Selena Quintanilla, and writings by Sandra Cisneros and John Rechy—expand the queer and Chicana identifications and desires, and contest narrow, patriarchal nationalisms. By deploying critical race psychoanalysis and semiotics, we can unpack the libidinal investments in the brown female body, as seen in both in popular investments in protecting the Catholic version of the Virgin of Guadalupe and Chicana feminist reinterpretations.
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Diana Monisha, R. "Feminist Phenomenology and Empathy in Elif Shafak’s “The Forty Rules of Love”". Shanlax International Journal of English 10, S1-Jan (1.01.2022): 15–18. http://dx.doi.org/10.34293/english.v10is1-jan2022.4719.
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The gender bias in Turkey is contemporary, yet an unsettled struggle, despite the fact that discrimination based on gender is banned by the Turkish constitution, because of the prevailing conditions, women happen to face domestic violence, femicide, honor killing, molestation and domination. Elif Shafak, being a Turkish-British novelist, throws light on the women of Turkey. Shafak uses experiences of women as the key through which the plight of women can be explored in various dimensions based on culture, gender, religion, race and class. As literature holds an integral part in discussions on feminist studies, the idea is subjected to analysis in various fields. Feminism as a theory came into existence by the real taunting experiences faced by women due to patriarchal domination. As experiences are the starting point, phenomenology is brought into consideration in literature. Although, phenomenology comes under philosophical studies, literature makes the best use of the motive, by the connections it has with Psychoanalysis and Feminism in literature. Feminism and phenomenology are two radically differing areas with different superficial underpinnings.
But phenomenology and feminism meet at the same point called experiences of an individual or a group. This paper strives to deal with feminism and phenomenology through the perspective of Elif Shafak in her novel, The Forty Rules of Love.
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Macksey, Richard. "Psychoanalysis, Historiography, and Feminist Theory: The Search for Critical Method". MLN 112, nr 5 (1997): 1006. http://dx.doi.org/10.1353/mln.1997.0063.
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Stone (book author), James W., i Winfried Schleiner (review author). "Crossing Gender in Shakespeare: Feminist Psychoanalysis and the Difference Within". Renaissance and Reformation 33, nr 4 (12.12.2011): 149–51. http://dx.doi.org/10.33137/rr.v33i4.15987.
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Vachhani, Sheena J. "The Subordination of the Feminine? Developing a Critical Feminist Approach to the Psychoanalysis of Organizations". Organization Studies 33, nr 9 (wrzesień 2012): 1237–55. http://dx.doi.org/10.1177/0170840612448159.
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McKee, C. C. "Staging Mirrors". liquid blackness 6, nr 1 (1.04.2022): 50–83. http://dx.doi.org/10.1215/26923874-9546562.
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Abstract This essay deploys Lacanian psychoanalysis and Black feminist theory to assert that the prominent use of mirrors in the paintings and sculptures of Deborah Anzinger, a contemporary Kingston-based Jamaican artist, are crucial to understanding subjectivity as inextricable from tropical ecology in her practice. Within what Anzinger terms an “aesthetic syntax,” the mirror is a catalyst around which her abstract compositions—which include paint, clay, synthetic hair, and Aloe barbadensis plants—conceptualize a racialized and gendered self that emerges from the reflective interaction between queer Black femininity and Caribbean ecologies. The fluid interdependence of bodies and landscapes in these works theorizes what this essay names a black ontological dehiscence that is capable of holding the afterlives of slavery together with other, ecologically porous forms of personhood. The artworks investigate the relational property of racialized and gendered alterity and open onto a psychoanalytic field of inquiry informed by Black feminist thought to unravel the colonizing borders of intersubjectivity and blur the distinction between desire and jouissance. Placing Lacan's theorization of the mirror stage in relation to the black aesthetic of Anzinger's works situates the psychoanalytic subject within an expanded field. Attending to the environments reflected in Anzinger's mirrors reveals the ecological inflections suggested by Lacanian subjectivity but never recognized within it. Moreover, the subject's fragmented coherence before the mirror elucidates Anzinger's approach as one that embraces ontological dehiscence as an ecologically relational position materially and psychically entangled with the world.
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Fenglin, Liu. "Female Objects and Feminist Consciousness for the Purpose to Awake Readers’ Awareness: A Comparative Analysis between Angela Carter’s The Bloody Chamber and Anne Sexton’s Transformations". Emerging Science Journal 4, nr 1 (1.02.2020): 25–36. http://dx.doi.org/10.28991/esj-2020-01207.
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The female object, as a symbolic image created by male authors to reduce the threat brought by females towards patriarchy, has become a method to express male sexual and domestic fantasies. However, in the fairy tale adaptation by two mid-twentieth century female authors-Angela Carter and Anne Sexton, the female object is used to evoke feminist consciousness. Although former studies have covered some feminism issues, for instance, the feminist awareness through the mirror image in Angela Carter’s The Bloody Chamber, and the direct metaphors such as “doll” and “soap pop” which lead to female objectification in Anne Sexton’s Transformations, little research has compared the distinctive psychological impacts that the narrative forms between the two mentioned texts have on readers. In the first section of this paper, how both authors deconstruct the female stereotypes and how they reinterpret modes of female agency in the original Grimm’s fairy tales have been examined. Based on the writers’ perspective, the first section would also explore the expression of female objects in their works. As for the second section, I would mainly focus on the psychoanalysis of Lacan’s mirror stages, and yet cover the awakening processes presented in the mirror images and symbols composed in the two adaptations. In the third section, the different narrative strategies utilized by Carter and Sexton in order to stimulate readers’ responses towards feminist consciousness would be illustrated.
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W, Eka Harisma. "GANGGUAN JIWA SEBAGAI BENTUK PERLAWANAN PEREMPUAN DALAM “THE YELLOW WALLPAPER” KARYA CHARLOTTE PERKINS GILMAN, SEBUAH PENDEKATAN FEMINIS PSIKOANALISIS *)". Alayasastra 17, nr 1 (31.05.2021): 73–87. http://dx.doi.org/10.36567/aly.v17i1.786.
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ABSTRAK Tulisan ini mengkaji cerpen “The Yellow Wallpaper” karya Charlotte Perkins Gilman dengan menggunakan pendekatan feminis psikoanalisis Karen Horney. Pendekatan teori ini digunakan untuk menganalisis bahwa bentuk perlawanan perempuan yang tecermin dalam cerpen ini antara lain perlawanan mendekati orang lain, perlawanan melawan orang lain, dan perlawanan menjauhi orang lain. Bentuk perlawanan mendekati orang lain adalah dengan aktivitas memunculkan teman khayalan yang dianggap nyata; Perlawanan melawan orang lain ditunjukkan dengan kembalinya aktivitas menulis dan aktivas yang menunjukkan gangguan jiwa; Perlawanan menjauhi orang lain adalah dengan aktivitas mengunci pintu kamar dan tidak ingin bertemu dengan orang lain. Bentuk perlawanan yang paling kuat adalah ketika tokoh perempuan dianggap mengidap gangguan jiwa. Perlawanan-perlawanan perempuan tersebut disebabkan oleh dominasi atau belenggu patriarki dalam masyarakat. Belenggu-belenggu patriarki yang tecermin dalam cerpen ini antara lain subordinasi peran perempuan, alienasi/pengasingan perempuan dari masyarakat, dan perempuan dianggap sebagai liyan.Kata kunci: feminis psikoanalisis, perlawanan, gangguan jiwa ABSTRACTThis paper examines the short story "The Yellow Wallpaper" by Charlotte Perkins Gilman using the feminist approach of Karen Horney's psychoanalysis. This theoretical approach is used to analyze that the forms of women's resistance reflected in this short story include resistance to approaching others, resistance against other people, and resistance to staying away from others. The form of resistance to approaching others is through the activity of bringing up imaginary friends who are considered real; Resistance against others is shown by the return to writing and activities that indicate mental disorders; The resistance to staying away from others is by locking the bedroom door and not wanting to meet other people. The strongest form of resistance is when the female character is considered to have mental disorders. The women's resistance was caused by the dominance or the shackles of patriarchy in society. The patriarchal shackles that are reflected in this short story include the subordination of the role of women, alienation / alienation of women from society, and women being considered as others. Keywords: feminist psychoanalysis, resistance, neurotic insanity
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COŞKUN ADIGÜZEL, Saliha Seniz. "CARMEN AMORAGA’NIN ALGO TAN PARECIDO AL AMOR ADLI ROMANINDA KADIN STEREOTİPLERİ". SOCIAL SCIENCE DEVELOPMENT JOURNAL 7, nr 33 (15.09.2022): 118–26. http://dx.doi.org/10.31567/ssd.724.
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This study aims to analyze the stereotypes of woman in the novel Algo tan parecido al amor written by Carmen Amoraga, which belongs to the third decade after the transition to democracy in Spain. The analysis is carried out in the light of poststructuralist feminist literary criticism, especially Lacanian psychoanalysis. Representative of its time, the novel can be considered as an important reference in order to see the representation of woman in the contemporary Spanish society, which continues politicising sexual identity of woman and presenting restrictions established for her in the social order. The objective of this study is to find out thematically and formally how woman is constructed, especially focusing on the stereotypes of married woman and adulterous woman based on the stories of the three protagonists and those of their parents. It comes to the conclusion that the woman cannot construct herself as a female subject since the masculine, valued in masculine/feminine dichotomy on which the Western thought is based, is dominant in language as well and that she is obliged to construct herself as the man’s other. Keywords: Contemporary Spanish novel, Lacanian psychoanalysis, stereotypes of woman, contemporary Spanish literature
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Curk, Polona. "A Short Reflection on Intimacy and Autonomy". History & Philosophy of Psychology 10, nr 2 (2008): 64–70. http://dx.doi.org/10.53841/bpshpp.2008.10.2.64.
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This paper proposes thatautonomyandintimacyare understood as processes linked and co-created through one another. Stressing the socio-historical embeddedness of both notions, recent perspectives from feminist philosophy and psychoanalysis insist that autonomy is thought of within the concept of the self as relational; that is, entrenched in close relationships with others, lest a seemingly irreconcilable split is created between autonomy and intimacy as related to desire.Paying attention to the conditions of intimate relations and desire for the other, this paper looks at how autonomy is in actuality always entangled with intimacy, which influences a person’s identificatory and subjective states. Intimacy is discussed as a process of encounters with the other that begins with initial fantasy, and moves towards a continuous mutual negotiation of shared reality with the intimate partner. The importance of the feeling of ‘entitlement’ for both subjects in intimate relationship is highlighted.The suggested model is informed by relational psychoanalysis and Judith Butler’s theory of subjectivity and uses psychoanalytic case studies and film storylines, adopting assumptions of a fantasising subject created and continuously formed through a medley of discourses as well as in excess of them. Intimacy is shown as a complex play of fantasy and reality, where the other is at the same time a support and fracture of one’s fantasy. Some ways of how this could be used to think about autonomy are proposed.
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Delgado Ramos, Enrique. "Contributions (possible) of Lacanian psychoanalysis to the non-essentialist feminist theorization". Athenea Digital. Revista de pensamiento e investigación social 21, nr 2 (10.06.2021): 2884. http://dx.doi.org/10.5565/rev/athenea.2884.
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Tay, Sharon. "Constructing a Feminist Cinematic Genealogy: The Gothic Woman's Film beyond Psychoanalysis". Women: A Cultural Review 14, nr 3 (styczeń 2003): 263–80. http://dx.doi.org/10.1080/0957404032000140380.
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Troxell, Jenelle. "“Light Filtering through Those Shutters”: Joyless Streets, Mnemic Symbols, and the Beginnings of Feminist Film Criticism". Camera Obscura: Feminism, Culture, and Media Studies 34, nr 3 (1.12.2019): 63–95. http://dx.doi.org/10.1215/02705346-7772387.
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This article examines the origin myth of the feminist film journal Close Up, namely, an excursion by its founders Bryher and H.D. to see G. W. Pabst’s Die freudlose Gasse (The Joyless Street, 1925) in a small cinema in Montreux, Switzerland. Throughout the essay, I use Joyless Street as a case study to analyze the ways in which theories of trauma can be effectively brought to bear on melodramas of the post–World War I era and, in the process, demonstrate the appeal Pabst’s works held for the Close Up editors, who shared his interest in trauma, psychoanalysis, and healing. By analyzing Joyless Street through the lens of Close Up, I demonstrate how Bryher and H.D. anticipate the development of trauma theory, which emerged in the early 1990s. Unlike traditional, often totalizing, applications of psychoanalysis (which emphasize notions of spectator desire and lack), the Close Up writers’ engagement of psychoanalysis focuses on issues of history, memory, and the response of spectators to historically specific situations. Their theory further suggests that in addition to surrogate fantasy fulfillment, film—in its recurring representation of trauma—might aid in mastering shared cultural symptoms, which women often experienced in isolation. Through their sustained analysis of film melodrama, the Close Up writers demonstrate that the war, beyond its devastating effects on combatants, also impacted the (female) civilian population—resulting in Close Up’s call for a critical film culture that speaks to that experience.
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Dortseva, E. V. "Intellectual manifestos of modern feminist sociologists". Moscow State University Bulletin. Series 18. Sociology and Political Science 28, nr 1 (19.05.2022): 88–109. http://dx.doi.org/10.24290/1029-3736-2022-28-1-88-109.
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The article is devoted to the analysis of the sociological work of famous researchers — Ann Oakley, Donna Haraway, Shulamit Firestone and Judith Butler, who worked within the framework of the feminist paradigm in sociology, which interprets social phenomena and processes from a femininocentric point of view. The work of these women sociologists has become a kind of intellectual manifesto — a written statement of the scientific principles of the feminist trend in sociology, based on the belief in the constant discrimination of women in all spheres of social life.Ie author analyzes the works of a bright representative of the liberal-reformist trend in feminism, Ann Oakley, whose scientific work is divided into four areas: “sex and gender”, “domestic work and family life”, “childbirth and medicine” and “sociology proper”. Exactly E. Oakley is considered the ancestor of the concept of “gender” in sociology. She divorced the concepts of “gender” (gender) as an unshakable biological attribute and as a cultural determinant that determines the conceptualization of “masculinity” and “femininity”.The article pays enough attention to one of the founders of cyberfeminism — a trend in modern feminist thought associated with the study of cyberspace, the Internet and information technology — Donna Jean Haraway, whose greatest fame was brought by the “cyborg theory”. A cyborg is a being whose borderline position at the intersection of the boundaries between nature and culture, body and mind, sex and gender, fact and fiction, serves as an argument for denying biological sex as a determinant of gender inequality in culture and society.A significant place in the article is occupied by the figure of Shulamit Firestone, one of the founders of radical feminism. Her works, based on the fusion of ideas borrowed from Marxism, feminism and psychoanalysis, carried out a subtle scientific analysis that allowed linking the structures of gender inequality and economic stratification, as well as environmental degradation and the policy of scientific knowledge. In a style that later became a hallmark of feminist works of the 1970s, Sh. Firestone showed clear and internal links between the generally accepted expression of heterosexuality, “forced femininity” and the institutionalization of gender inequality.At the end of the article, the author turns to the work of Judith Butler, a representative of poststructuralism, a specialist in the Jeld of phenomenology and theory of gender, who opposes the existentialist vision of the problems of personality and being, culture and general human physiology, the interdependence between gender and sexual relations.In general, the works of modern theorists of sociology and at the same time feminist sociologists have set new fields of sociological search, these feminist sociologists call for the construction of a new model of society, up to the establishment of a “new gender order” at the macro and micro levels of social life.
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Walsh, Lisa. "Her Mother Her Self: The Ethics of the Antigone Family Romance". Hypatia 14, nr 3 (1999): 96–125. http://dx.doi.org/10.1111/j.1527-2001.1999.tb01054.x.
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This essay discusses the implications of Irigaray's readings of the Antigone in the construction of a feminist ethics. By focusing on the gaps and intersections between Lacanian psychoanalysis and Hegelian phenomenology as formulative of Irigaray's eventual call for an ethics of sexual difference, 1 emphasize the inevitability of rethinking the functions of historicity, femininity, and maternity in the formation of new models of intersubjectivity.
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Khanna, Ranjana. "Touching, unbelonging, and the absence of affect". Feminist Theory 13, nr 2 (sierpień 2012): 213–32. http://dx.doi.org/10.1177/1464700112442649.
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This article argues that psychoanalytic notions of affect – including ideas of anxiety and melancholia, as well as deconstructive concepts of auto-affection – offer a feminist ethico-politics and a notion of affect as interface. Beyond the confines of the experiential and the positivist, both psychoanalysis and deconstruction provide insights into affect as a technology that understands the subject as porous. I consider works by Derek Jarman and Shirin Neshat to demonstrate the importance of the ethico-politics of affect as interface in contemporary cultural production. Both artists, in the process of considering the spectacular nature of notions of feminist and queer, use images of interface as a way of delimiting the spectacular nature of being and demonstrating the singularity of the event, the desire to fix through framing, and the parergonal nature of framing. The presence of the subject is questioned even as an auto-affection is suggestive of a spectral demand of the ethico-political. In the case of Jarman’s Blue, the denial of image as face in favour of the screen as interface is interrupted by sound and voice, which gesture toward representation as impossible but necessary. In the case of Neshat, the persistence of the photographic – the highly aesthetic self-portrait as mugshot – foregrounds face as interface, as one that questions presence through the insistence of a representational apparatus.
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Amouroux, Rémy. "Anne Berman (1889–1979), une «simple secrétaire» du mouvement psychanalytique français?" Gesnerus 73, nr 2 (6.11.2016): 360–75. http://dx.doi.org/10.1163/22977953-07302008.
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This article is focused on the figure of personal secretary in the history of science with the example of Anne Berman (1889–1979) who was, between 1933 and 1962, the secretary for the psychoanalyst Marie Bonaparte (1882–1962). Berman was not a psychoanalyst and psychoanalytic historiography considers her as a minor figure. However, her career as a personal secretary and her role in the French psychoanalytic movement should be considered in conjunction with her involvement with the feminist movement. This pharmacist by training has indeed played a prominent role within the Soroptimist, which was a movement that championed the professional interest of women and prides female excellence. In the case of Berman, the status of personal secretary did not enable her to gain lasting recognition by psychoanalysts, but only a weak and fragile legitimacy.