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Artykuły w czasopismach na temat "Feminist art history"
Zenovich, Jennifer A., i Shane T. Moreman. "Third Wave Feminist Analysis of a Second Wave Feminist's Art". Departures in Critical Qualitative Research 4, nr 1 (2015): 57–80. http://dx.doi.org/10.1525/dcqr.2015.4.1.57.
Pełny tekst źródłaJill Fields. "Frontiers in Feminist Art History". Frontiers: A Journal of Women Studies 33, nr 2 (2012): 1. http://dx.doi.org/10.5250/fronjwomestud.33.2.0001.
Pełny tekst źródłaJones, Amelia. "Power and Feminist Art (History)". Art History 18, nr 3 (wrzesień 1995): 435–43. http://dx.doi.org/10.1111/j.1467-8365.1995.tb00633.x.
Pełny tekst źródłaXie, Wenqian. "On Chinese feminist art from the perspective of globalization". BCP Education & Psychology 6 (25.08.2022): 152–63. http://dx.doi.org/10.54691/bcpep.v6i.1784.
Pełny tekst źródłaSheingorn, Pamela. "The Medieval Feminist Art History Project". Medieval Feminist Newsletter 12 (wrzesień 1991): 5–10. http://dx.doi.org/10.17077/1054-1004.1591.
Pełny tekst źródłaGouma-Peterson, Thalia, i Patricia Mathews. "The Feminist Critique of Art History". Art Bulletin 69, nr 3 (wrzesień 1987): 326. http://dx.doi.org/10.2307/3051059.
Pełny tekst źródłaGouma-Peterson, Thalia, i Patricia Mathews. "The Feminist Critique of Art History". Art Bulletin 69, nr 3 (wrzesień 1987): 326–57. http://dx.doi.org/10.1080/00043079.1987.10788437.
Pełny tekst źródłaCoughlin, Maura, Fiona Carson, Claire Pajaczkowska, Linda Nochlin i Aruna D'Souza. "The Legacy of Feminist Art History". Art Journal 61, nr 1 (2002): 101. http://dx.doi.org/10.2307/778174.
Pełny tekst źródłaKwak, Su-Joung, i Eun-Mi Choi. "A Study on Nail Art Design, Reflecting Symbolic Feminine Elements Expressed in the Film ‘Agassi (The Handmaiden)’". Korean Society of Beauty and Art 23, nr 2 (20.06.2022): 239–50. http://dx.doi.org/10.18693/jksba.2022.23.2.239.
Pełny tekst źródłaZelenović, Ana. "Theorizing feminist art in socialist Yugoslavia". Genero, nr 24 (2020): 71–111. http://dx.doi.org/10.5937/genero2024071z.
Pełny tekst źródłaRozprawy doktorskie na temat "Feminist art history"
Horne, Victoria. "History of feminist art history : remaking a discipline and its institutions". Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/16194.
Pełny tekst źródłaKidder, Alana D. "Women Artists in Pop: Connections to Feminism in Non-Feminist Art". Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1388760449.
Pełny tekst źródłaCouser, Kristie. "Exhibiting Berthe Morisot after the Advent of Feminist Art History". VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/484.
Pełny tekst źródłaBarriga, Maria Fernanda. "Deconstructing Feminist Art and The Evolution of New Media". Thesis, Prescott College, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10255533.
Pełny tekst źródłaFeminist artists during the second wave movement wanted to gain the same rights as men in a historically male-dominated art world, a world that was being influenced more and more by modernist ideals. It was during this precise moment that postmodernists helped transform art, in addition to the fields of literature, music, architecture, law, and philosophy. The synthesis between postmodernism and feminism helped art evolve in non-traditional ways. In this thesis, I seek to answer the question: “How did postmodernism influence feminist artists from 1970-1982 to create the adaptation of new media?” Evidence of this influence is seen in the evolution of new media such as performance, decorative arts, video, photography, femmage, and collage. As I examine the synthesis between postmodernism and feminist art, I will also show evidence of how second wave feminist movement influenced the evolution of postmodernism, and how the mixture of postmodern and feminist ideals influenced these women artists.
Winter, Regina Beth 1945. "An integrative model for a discipline based feminist history of art". Thesis, The University of Arizona, 1988. http://hdl.handle.net/10150/276708.
Pełny tekst źródłaZdanovec, Aubree. "Seduction| A feminist reading of Berthe Morisot's paintings". Thesis, The University of Arizona, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10129125.
Pełny tekst źródłaBerthe Morisot was one of the founders of the French Impressionist movement in the nineteenth century. However, she is not researched with the same level of respect as her male Impressionist counterparts. Scholars often rely on her biography to analyze her artwork, compare her to other women artists, or briefly mention her ac-complishments in a generalized history of the French Impressionist movement. I ana-lyzed nine of Morisot’s paintings and applied feminist theory, including third-wave feminism (post-1960’s). My research was angled to approach and understand Morisot’s artwork as a contemporary woman would at an exhibition.
Long, Catherine. "A feminist dialogue with the camera : strategies of visibility in video art practices". Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/12060/.
Pełny tekst źródłaNiles, Krista Joy. "An Arranged Deconstruction: The Feminist Art Practice of Louise Lawler". Thesis, The University of Arizona, 2015. http://hdl.handle.net/10150/565894.
Pełny tekst źródłaZdanovec, Aubree, i Aubree Zdanovec. "Seduction: A Feminist Reading of Berthe Morisot's Paintings". Thesis, The University of Arizona, 2016. http://hdl.handle.net/10150/620716.
Pełny tekst źródłaBatorowicz, Beata Agnieszka, i n/a. "Undoing Big Daddy Art: Subverting the Fathers of Western Art Through a Metaphorical and Mythological Father/Daughter Relationship". Griffith University. Queensland College of Art, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040319.090547.
Pełny tekst źródłaKsiążki na temat "Feminist art history"
Frueh, Joanna, Cassandra L. Langer i Arlene Raven. Feminist art criticism: An anthology. Ann Arbor, Mich: UMI Research Press, 1988.
Znajdź pełny tekst źródłaNorma, Broude, i Garrard Mary D, red. Reclaiming female agency: Feminist art history after postmodernism. Berkeley: University of California Press, 2005.
Znajdź pełny tekst źródłaLanger, Cassandra L. Feminist art criticism: An annotated bibliography. New York, NY: G.K. Hall, 1993.
Znajdź pełny tekst źródłaInglot, Joanna. WARM: A feminist art collective in Minnesota. Minneapolis, MN: Weisman Art Museum, 2007.
Znajdź pełny tekst źródłaInglot, Joanna. WARM: A feminist art collective in Minnesota. Minneapolis: University of Minnesota Press, 2007.
Znajdź pełny tekst źródłaNorma, Broude, Garrard Mary D i Brodsky Judith K, red. The power of feminist art: The American movement of the 1970s, history and impact. New York: H.N. Abrams, 1994.
Znajdź pełny tekst źródłaWARM: A feminist art collective in Minnesota. Minneapolis, MN: Weisman Art Museum, 2007.
Znajdź pełny tekst źródłaSight lines: Women's art and feminist perspectives in Australia. Tortola, BVI: Craftsman House in association with Gordon and Breach, 1992.
Znajdź pełny tekst źródłaCulture della differenza: Femminismo, visualità e studi postcoloniali. Torino: UTET università, 2008.
Znajdź pełny tekst źródłaKaren, Cordero, i Sáenz Inda, red. Crítica feminista en la teoría e historia del arte. México, D. F: Universidad Iberoamericana, 2007.
Znajdź pełny tekst źródłaCzęści książek na temat "Feminist art history"
Brown, Kathryn, i Elspeth Mitchell. "Feminist Digital Art History". W The Routledge Companion to Digital Humanities and Art History, 43–57. New York : Routledge, 2020. | Series: [Routledge art history and visual studies companions]: Routledge, 2020. http://dx.doi.org/10.4324/9780429505188-6.
Pełny tekst źródłaJakubowska, Agata. "Toward Alter-Globalist History of Feminist Art". W Horizontal Art History and Beyond, 99–108. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003186519-11.
Pełny tekst źródłaJones, Amelia. "Strategic Oblivion: 1970s Feminist Art in 1980s Art History". W Memory & Oblivion, 1043–48. Dordrecht: Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-011-4006-5_124.
Pełny tekst źródłaHamilton, Elizabeth Carmel. "Narratives of Fugitivity: Black Feminist Futures in Art History". W Charting the Afrofuturist Imaginary in African American Art, 51–75. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003139577-3.
Pełny tekst źródłaKalita, Pooja. "‘Art’ of Ethnography: Feminist Ethnography and Women Artists in South Asia". W Intersections of Contemporary Art, Anthropology and Art History in South Asia, 93–114. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-05852-4_4.
Pełny tekst źródłaWallin Wictorin, Margareta, i Anna Nordenstam. "Feminist Art History as an Approach to Research on Comics: Meta Reflections on Studies of Swedish Feminist Comics". W Palgrave Studies in Comics and Graphic Novels, 163–83. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-93507-8_9.
Pełny tekst źródłaOlsza, Małgorzata. "Towards Feminist Comics Studies: Feminist Art History and the Study of Women’s Comix in the 1970s in the United States". W Palgrave Studies in Comics and Graphic Novels, 185–206. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-93507-8_10.
Pełny tekst źródłaArnell, Malin. "In the Beginning There Is an End". W Cultural Inquiry, 151–59. Berlin: ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-21_16.
Pełny tekst źródłaMéndez Baiges, Maite. "Introduction. An Archaeology of Modernism". W Les Demoiselles d'Avignon and Modernism, 11–22. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-656-8.02.
Pełny tekst źródłaArden, Heather M. "Christine de Pizan’s Ditié de Jehanne d’Arc: History, Feminism, and God’s Grace". W Joan of Arc and Spirituality, 195–208. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-06954-2_11.
Pełny tekst źródłaStreszczenia konferencji na temat "Feminist art history"
Ramírez Rivera, Jessica Beatriz. "Prácticas Feministas en Museos y sus Redes Sociales en México: una respuesta ante la pandemia. Feminist Practices in Museums and their Social Networks in Mexico: a response to the pandemic." W Congreso CIMED - I Congreso Internacional de Museos y Estrategias Digitales. Valencia: Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/cimed21.2021.12631.
Pełny tekst źródłaFlores, José Antonio. "En Femenino". W Jornadas sobre Innovación Docente en Arquitectura (JIDA). Universitat Politècnica de Catalunya. Iniciativa Digital Politècnica, 2022. http://dx.doi.org/10.5821/jida.2022.11630.
Pełny tekst źródłaYOSHIMURA, Noriko. "The identity and design of the modern British home under the influence of the ‘feminine territory’ and Japanese Art". W Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-033.
Pełny tekst źródłaBurns, Karen, i Harriet Edquist. "Women, Media, Design, and Material Culture in Australia, 1870-1920". W The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4017pbe75.
Pełny tekst źródłaNowak, Jessica Kristin. "Gender Inequality in Education". W 79th International Scientific Conference of University of Latvia. University of Latvia, 2021. http://dx.doi.org/10.22364/htqe.2021.31.
Pełny tekst źródłaLee, Yuk Yee Karen, i Kin Yin Li. "THE LANDSCAPE OF ONE BREAST: EMPOWERING BREAST CANCER SURVIVORS THROUGH DEVELOPING A TRANSDISCIPLINARY INTERVENTION FRAMEWORK IN A JIANGMEN BREAST CANCER HOSPITAL IN CHINA". W International Psychological Applications Conference and Trends. inScience Press, 2021. http://dx.doi.org/10.36315/2021inpact003.
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