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Artykuły w czasopismach na temat "Feminism and the arts"
Fournier, Lauren. "Fermenting Feminism as Methodology and Metaphor". Environmental Humanities 12, nr 1 (1.05.2020): 88–112. http://dx.doi.org/10.1215/22011919-8142220.
Pełny tekst źródłaChambers-Letson, Joshua. "Reparative Feminisms, Repairing Feminism—Reparation, Postcolonial Violence, and Feminism". Women & Performance: a journal of feminist theory 16, nr 2 (lipiec 2006): 169–89. http://dx.doi.org/10.1080/07407700600744287.
Pełny tekst źródłaJackson, Sue. "Young feminists, feminism and digital media". Feminism & Psychology 28, nr 1 (luty 2018): 32–49. http://dx.doi.org/10.1177/0959353517716952.
Pełny tekst źródłaMartínez-Jiménez, Laura. "Neoliberal postfeminism—or some other sexier thing: gender and populism in the Spanish context". European Journal of Cultural Studies 23, nr 6 (3.11.2020): 998–1004. http://dx.doi.org/10.1177/1367549420902804.
Pełny tekst źródłaEvans, Elizabeth, i Prudence Bussey-Chamberlain. "The problems with feminist nostalgia: Intersectionality and white popular feminism". European Journal of Women's Studies 28, nr 3 (sierpień 2021): 353–68. http://dx.doi.org/10.1177/13505068211032058.
Pełny tekst źródłaKim, Heisook. "Confucianism and Feminism in Korean Context". Diogenes 62, nr 2 (maj 2015): 41–47. http://dx.doi.org/10.1177/0392192117703048.
Pełny tekst źródłaFeral, Anne-Lise. "Gender in audiovisual translation: Naturalizing feminine voices in the French Sex and the City". European Journal of Women's Studies 18, nr 4 (listopad 2011): 391–407. http://dx.doi.org/10.1177/1350506811415199.
Pełny tekst źródłaRahman, Yusuf. "Feminist Kyai, K.H. Husein Muhammad: The Feminist Interpretation on Gendered Verses and the Qur’ān-Based Activism". Al-Jami'ah: Journal of Islamic Studies 55, nr 2 (15.12.2017): 293–326. http://dx.doi.org/10.14421/ajis.2017.552.293-326.
Pełny tekst źródłaMiriam, Kathy. "Liberating Practice : A Critique of the Expressivist Turn in Lesbian-Feminist and Queer Practice". NWSA Journal 19, nr 2 (czerwiec 2007): 32–54. http://dx.doi.org/10.1353/ff.2007.a219841.
Pełny tekst źródłaKrumholz, Linda, i Estella Lauter. "Annotated Bibliography on Feminist Aesthetics in the Visual Arts". Hypatia 5, nr 2 (1990): 158–72. http://dx.doi.org/10.1111/j.1527-2001.1990.tb00424.x.
Pełny tekst źródłaRozprawy doktorskie na temat "Feminism and the arts"
Reading, Christina. "Representing melancholy : figurative art and feminism". Thesis, University of Brighton, 2015. https://research.brighton.ac.uk/en/studentTheses/ae432ef0-fe07-4314-b972-11b50495534a.
Pełny tekst źródłaLima, Caminha Melissa. "Payasas: Historias, Cuerpos y Formas de Representar la Comicidad desde una Perspectiva de Género". Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/400011.
Pełny tekst źródłaIn my PhD research, I do a genealogical study of the female clown figure, from an interdisciplinary approach that engages in a dialogue between clownery and others artistic and theoretical disciplines, like the Visual Arts, Performance Studies, Arts Education, Critical Theory, Feminisms, Queer and Crip Theories. The genealogical study is based on a field research in which I conducted interviews with women clowns, participated in women’s clown festivals, documental research, gender criticism and analyses. The research ends up inquiring about the diversity of bodies and forms in the fields of laughter and comicality, displacing the initial woman and gender question to a more central, yet very related one: the human question. From a feminist-queer-crip-clown approach, I suggest new theoretical figurations that can serve as critical and analytical tools to comprehend our subjectivity as a becoming project. A becoming project that we can stablish not just with the different external Others, but also with the potential and possible others that exist in each one of us. I also try to stablish artistic and political “clown_tacts” and “clown_laborations” between diverse subjects and knowledge fields engaged in the artistic creation of new possible worlds. Clowntacts and clownlaborations that are able to develop creative pedagogies and politics that serve a democratic project based on the new approaches on posthuman ethics. The research process directly influence the construction of my subjectivity and identity as artvist, educador and researcher, marked by several affinities and affects, embodied in the following projects: Cunt Clown Show, TransClowning and Belly.Breast_Mama.Monster.Clown.
Melin, Louisa. "Feminism i läroböcker – En visuell analys av feminism i läroböcker för Samhällskunskap 1b". Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21810.
Pełny tekst źródłaLumm, Logan Ann. "Post-feminism and the modern day bombshell". Thesis, Boston University, 2014. https://hdl.handle.net/2144/21210.
Pełny tekst źródłaNote: The author, Logan Ann (Lumm) Taylor, can be reached at logananntaylor@gmail.com.
The bombshell figure is nothing new— she has been a historical site of feminist discourse, both applauded and vilified for her position and influence within celebrity culture. In the post-feminist era in which we may now live, the bombshell has been reimagined in reaction to the ideologies of the post-feminist movement. She emphasizes the problematic aspects of this movement, but also finds agency and power within its confines. This study provides two examples of the modern day bombshell figure, Sofia Vergara and Angelina Jolie, and explores the facets of these women’s brand identity that further women’s advancement toward true equality as well as those facets that inhibit women’s ability to rise above objectification and limited perspectives of equality and feminist success. This study explores the complicated relationship between celebrities, their fans, and the societal constructs in which they operate, ultimately revealing two women who have updated previous models of femininity with an agency and empowered sensibility that could well be the future of feminist action and choice.
Preece, Georgia. "Women, painting and critical practice in Britain 1984-1992". Thesis, University of East Anglia, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368175.
Pełny tekst źródłaRups-Eyland, Annette Maie, University of Western Sydney, of Arts Education and Social Sciences College i School of Social Ecology and Lifelong Learning. "Centre of the storm : in search of an Australian feminist spirituality through performance-ritual". THESIS_CAESS_SELL_Rups-Eyland_A.xml, 2002. http://handle.uws.edu.au:8081/1959.7/771.
Pełny tekst źródłaDoctor of Philosophy (PhD)
Wolk, Magdalena. "Fourth Wave Feminism Through Lana Del Rey". Thesis, Malmö universitet, Malmö universitetsbibliotek, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-46016.
Pełny tekst źródłaTupper, Denise. "My Family of Women: Celebrating Blackness and Exploring Themes of Black Feminism". Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/182.
Pełny tekst źródłaLaurentiis, Gabriela Barzaghi De 1987. "Louise Bourgeois e os modos feministas de criar". [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279680.
Pełny tekst źródłaDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
Made available in DSpace on 2018-08-27T13:44:06Z (GMT). No. of bitstreams: 1 Laurentiis_GabrielaBarzaghiDe_M.pdf: 188718690 bytes, checksum: efdce2b517714ad07709da63f618f70c (MD5) Previous issue date: 2015
Resumo: Esta dissertação aborda a produção artística de Louise Bourgeois, focando as formas corporais trazidas em suas obras. Trata-se de perceber como sua arte possibilita elaborar críticas ao modelo falogocêntrico do feminino e, simultaneamente, abre possibilidades para a criação de formas múltiplas das subjetividades das mulheres. A produção de sentidos para as obras é realizada a partir de uma orientação teórica e metodológica feminista e pós estruturalista, apresentada, principalmente, nos escritos de Gilles Deleuze, Félix Guattari, Michel Foucault, Suely Rolnik, Rosi Braidotti, Norma Telles, Tania Swain, Margareth Rago e Michelle Perrot
Abstract: This research addresses the artistic production of Louise Bourgeois, focusing on the corporal forms expressed in in her pieces. It pertains the perception of how her art enables the possibility to criticize the phallogocentric model of feminine and, simultaneously, allows the creation of multiple forms on the women subjectivity. The production of meanings for her works is accomplished trough a theoretical and methodological feminist and post structuralist orientation, presented, mainly, in the writings of Gilles Deleuze, Félix Guattari, Michel Foucault, Suely Rolnik, Rosi Braidotti, Norma Telles, Tania Swain, Margareth Rago and Michelle Perrot
Mestrado
Historia Cultural
Mestra em História
Ford, Ashley. "Willing Participant: The Emergent Sexuality of Post-Feminist Women". Honors in the Major Thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1154.
Pełny tekst źródłaBachelors
Arts and Humanities
Art
Książki na temat "Feminism and the arts"
John, Mananzan Mary, Azcuna Asuncion i Mangahas Fe, red. Sarilaya: Women in arts & media. Manila: Institute of Women's Studies, St. Scholastica's College, 1989.
Znajdź pełny tekst źródłaCatriona, Moore, red. Dissonance: Feminism and the arts 1970-1990. St. Leonards, NSW, Australia: Allen & Unwin, 1994.
Znajdź pełny tekst źródłaAndrin, Muriel. Femmes et critique(s): Lettres, arts, cinéma. Namur: Presses universitaires de Namur, 2009.
Znajdź pełny tekst źródłaFeminine sentences: Essays on women and culture. Berkeley: University of California Press, 1990.
Znajdź pełny tekst źródłaZeglin, Brand Peggy, i Korsmeyer Carolyn, red. Feminism and tradition in aesthetics. University Park, Pa: Pennsylvania State University Press, 1995.
Znajdź pełny tekst źródłaHilary, Robinson, red. Visibly female: Feminism and art : an anthology. London, England: Camden, 1987.
Znajdź pełny tekst źródła1959-, Shohat Ella, red. Talking visions: Multicultural feminism in transnational age. New York, N.Y: New Museum of Contemporary Art, 1998.
Znajdź pełny tekst źródłaAston, Elaine. An Introduction to Feminism and Theatre. London: Taylor & Francis Inc, 2004.
Znajdź pełny tekst źródła1932-, Hein Hilde S., i Korsmeyer Carolyn, red. Aesthetics in feminist perspective. Bloomington: Indiana University Press, 1993.
Znajdź pełny tekst źródłaWeeks, Melanie Pauline. Feminism and lesbianism in the visual arts and dance. [S.l.]: West Sussex Institute of Higher Education, 1987.
Znajdź pełny tekst źródłaCzęści książek na temat "Feminism and the arts"
English, Leona M., i Catherine J. Irving. "Arts and Adult Education". W Feminism in Community, 43–55. Rotterdam: SensePublishers, 2015. http://dx.doi.org/10.1007/978-94-6300-202-8_4.
Pełny tekst źródłaMahmoud, Jasmine Jamillah. "The Arts". W The Routledge Global History of Feminism, 471–85. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003050049-38.
Pełny tekst źródłaTalwar, Savneet. "Feminism as practice". W Gender and Difference in the Arts Therapies, 13–23. Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781351105361-2.
Pełny tekst źródłaLiclair, Christian. "Feminist Pleasures/Pleasurable Feminism". W Sexually Explicit Art, Feminist Theory, and Gender in the 1970s, 80–111. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003225614-4.
Pełny tekst źródłaDastarlı, Elif, i F. Melis Cin. "Introduction: Feminism and Art in Political Space". W Sociology of the Arts, 1–22. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-17638-8_1.
Pełny tekst źródłaBoulding, J. Russell. "Women’s Movements for Social Change: Social Feminism and Equity Feminism (1994)". W Pioneers in Arts, Humanities, Science, Engineering, Practice, 41–67. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-30978-1_4.
Pełny tekst źródłaDickel, Simon. "Unpopular Feminism". W Ladies in Arms, 255–70. Bielefeld, Germany: transcript Verlag, 2024. http://dx.doi.org/10.14361/9783839469552-015.
Pełny tekst źródłaMcGrane, Caitlin. "Amplify Your Feminism". W The Routledge Companion to Mobile Media Art, 96–106. New York, NY: Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429242816-11.
Pełny tekst źródłaJohnson, Clare. "Feminist and Queer Arts Activism". W The Routledge Handbook of Gender and Communication, 223–38. New York : Routledge, 2020. | Series: Handbooks to gender and sexuality: Routledge, 2020. http://dx.doi.org/10.4324/9780429448317-16.
Pełny tekst źródłaFéron, Élise, i Tarja Väyrynen. "Peacebuilding and reconciliation through the arts". W Feminist Peace Research, 191–97. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003262480-32.
Pełny tekst źródłaStreszczenia konferencji na temat "Feminism and the arts"
Zhao, Hui Min. "Interpretation of feminism in Gone with the Wind". W 4th International Conference on Management Science, Education Technology, Arts, Social Science and Economics 2016. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/msetasse-16.2016.82.
Pełny tekst źródłaASRI, Yasnur. "Women's Rejection toward Patriarchy Culture: A Feminism Study in Selected Indonesian Novels". W Sixth International Conference on Languages and Arts (ICLA 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icla-17.2018.35.
Pełny tekst źródłaSetianto, Angelica L., i Maria V. Win. "The Application of Girl Power Through Third-Wave Feminism in Birds of Prey". W International Joint Conference on Arts and Humanities (IJCAH 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201201.100.
Pełny tekst źródłaFan, Ji. "The Embodiment and Development of Feminism in English and American Literature". W 2017 2nd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icesame-17.2017.371.
Pełny tekst źródłaBußwolder, Peter. "Gender differences in language about Feminism: Results from Sentiment Analysis and Use of Emojis on Twitter". W The European Conference on Arts & Humanities 2021. The International Academic Forum(IAFOR), 2021. http://dx.doi.org/10.22492/issn.2188-1111.2021.9.
Pełny tekst źródłaWang, Lijie. "Reestablishment of Ethical Morality in African American Society Criticism and Construction of Eco-feminism". W 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icadce-18.2018.54.
Pełny tekst źródłaSurjanti, Jun, Tony S. Adji, Sanaji i Setya C. Wibawa. "HIJAB SMEs: Women’s Cooperative Embryo as Media to Grow Eco-Feminism of Hijab Craftsmen in Gresik". W International Joint Conference on Arts and Humanities (IJCAH 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201201.204.
Pełny tekst źródłaSetyanto, Daniar, Santosa Soewarlan i Sumbo Tinarbuko. "Reading the Message of Feminism in Wonder Woman Film". W Proceedings of the 1st Seminar and Workshop on Research Design, for Education, Social Science, Arts, and Humanities, SEWORD FRESSH 2019, April 27 2019, Surakarta, Central Java, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.27-4-2019.2286824.
Pełny tekst źródłaXin, Li. "Feminism in Susie Chao’s Sai Jinhua". W Proceedings of the 5th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icelaic-18.2018.151.
Pełny tekst źródłaSun, Xin. "Feminism Interpretation of Joseph Conrad’s Works –Taking Heart of Darkness as an Example". W Proceedings of the 2018 5th International Conference on Education, Management, Arts, Economics and Social Science (ICEMAESS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icemaess-18.2018.206.
Pełny tekst źródłaRaporty organizacyjne na temat "Feminism and the arts"
Hernández Benítez, Andrea, i Belén Ruiz Garrido. Creación feminista y experiencias de trabajo en el ámbito de las altas capacidades. Hacia un modelo de superación de categorías. Fundación Avanza, maj 2024. http://dx.doi.org/10.60096/fundacionavanza/3432024.
Pełny tekst źródłaMacArthur, Lori. John Rawls, Feminism, and the Gendered Self. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.6906.
Pełny tekst źródłaMotin, Dylan. South Koreans blame feminism for demographic collapse. East Asia Forum, luty 2024. http://dx.doi.org/10.59425/eabc.1708077600.
Pełny tekst źródłaJones, Katie Baker, i Laura E. McAndrews. Lea(r) in: Feminism in the Fashion Classroom. Ames: Iowa State University, Digital Repository, listopad 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1482.
Pełny tekst źródłaMcElvain, Jean, Monica Sklar i Madeline Harpham. Dior to disco: Second wave feminism and fashion. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-329.
Pełny tekst źródłaCrist, Rachel. What's New Pussyhat? Men, Feminism, and Social Identity. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.6361.
Pełny tekst źródłaPetrie, Christopher, i Katija Aladin. Spotlight: Visual Arts. HundrED, grudzień 2020. http://dx.doi.org/10.58261/azgu5536.
Pełny tekst źródłaDavies, Christina, i Melanie Pescud. Arts and health promotion. The Sax Institute, marzec 2020. http://dx.doi.org/10.57022/rdac1868.
Pełny tekst źródłaEarnest, Tyshaia Z. J., i Catherine Amoroso Leslie. The Pussy Hat: An intersection between needlework, feminism, and identity. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1816.
Pełny tekst źródłaCai, Junyi. How Women’s Federations balance feminism and Party discourse in China. East Asia Forum, sierpień 2023. http://dx.doi.org/10.59425/eabc.1691791228.
Pełny tekst źródła