Gotowa bibliografia na temat „Feminism and music”
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Artykuły w czasopismach na temat "Feminism and music"
Rahmawati, Gema Ariani, i Ichwan Suyudi. "Feminism in God is A Woman MV: A Multimodal Critical Discourse Analysis". Journal of English Teaching, Applied Linguistics and Literatures (JETALL) 6, nr 1 (12.05.2023): 57. http://dx.doi.org/10.20527/jetall.v6i1.15279.
Pełny tekst źródłaDiana, Aprilia Nur, i Murni Fidiyanti. "Liberal Feminism’s Representative of Visual Signs in Katy Perry’s Music Video “Dark Horse”". Journey: Journal of English Language and Pedagogy 6, nr 3 (22.11.2023): 605–17. http://dx.doi.org/10.33503/journey.v6i3.3647.
Pełny tekst źródłaLamb, Roberta. "The Possibilities of/for Feminist Music Criticism in Music Education". British Journal of Music Education 10, nr 3 (listopad 1993): 169–80. http://dx.doi.org/10.1017/s0265051700001728.
Pełny tekst źródłaMurphy, Brooklyn. "She Creates, She Controls, She Commands Respect:". Crossings: An Undergraduate Arts Journal 4, nr 1 (7.07.2024): 17–21. http://dx.doi.org/10.29173/crossings281.
Pełny tekst źródłaSabo, Adriana. "“I’m a feminist, do you hate me?”: Constructions of Feminism by Sajsi MC". IASPM Journal 12, nr 1 (16.12.2022): 99–112. http://dx.doi.org/10.5429/2079-3871(2022)v12i1.7en.
Pełny tekst źródłaOrr, Catherine M. "Charting the Currents of the Third Wave". Hypatia 12, nr 3 (1997): 29–45. http://dx.doi.org/10.1111/j.1527-2001.1997.tb00004.x.
Pełny tekst źródłaRahayu, Sukesi, Katrhryn Emerson i Phakkharawat Sittiprapaporn. "Feminism in song of jineman kenya ndesa laras slendro pathet sanga". Gelar : Jurnal Seni Budaya 19, nr 2 (1.12.2021): 154–58. http://dx.doi.org/10.33153/glr.v19i2.3558.
Pełny tekst źródłaJosephine, Josephine, i Gregorius Genep Sukendro. "Representasi Feminisme dalam Film Seri Marvel (Analisis Semiotika John Fiske pada Film Serial She-Hulk: Attorney at Law)". Koneksi 7, nr 2 (5.10.2023): 481–90. http://dx.doi.org/10.24912/kn.v7i2.21612.
Pełny tekst źródłaLjubijankic, Miriam Lisa. "Plot Twist: Unexpected twists in the sexist narrative of reggaetón". Ensayos: Historia y Teoría del Arte 26, nr 42 (10.05.2024): 97–119. http://dx.doi.org/10.15446/ensayos.v26n42.114129.
Pełny tekst źródłaBradby, Barbara. "Sampling sexuality: gender, technology and the body in dance music". Popular Music 12, nr 2 (maj 1993): 155–76. http://dx.doi.org/10.1017/s0261143000005535.
Pełny tekst źródłaRozprawy doktorskie na temat "Feminism and music"
Wilson, Angela 1979. "After the riot : taking new feminist youth subcultures seriously". Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=81521.
Pełny tekst źródłaThe first case study explores Riot Grrrl's roots in the DIY activism of DC hardcore punk, its links to the female-oriented indie music scene of Olympia, Washington, and the subculture's use of alternative media. The second study examines efforts to integrate queer politics into third wave feminism through lesbian punk rock music subculture. The final study of electronic feminist punk rock examines how young feminists use alternative media such as zines, internet message boards, web sites, music making, and performance to educate young women about sexual abuse and homophobia.
Analysis of the Riot Grrrl, lesbian punk rock, and electronic feminist punk rock subcultures demonstrates how young women claim spaces for their own feminist politics, even if they have gone relatively undetected by the mainstream culture.
Gamboa, Vera Caisip. "Revolution girl style now, popular music, feminism, and revolution". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ61431.pdf.
Pełny tekst źródłaEpstein, Heidi. "Melting the Venusberg : a feminist theology of music". Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36766.
Pełny tekst źródłaHistorically, theologians and church authorities vilified music's preeminent worth as an erotic medium, promoting instead its exemplary embodiment of ontic harmony and order. To do so, they clothed their polemic against "illicit" musical practices with the rhetoric of effeminacy, thus veiling male ambivalence toward women and the body in a politics of transcendence. After a critique of these masculinist models, and an exposition of music as a gendered, en-gendering discourse, I will redefine music theologically as abject, fleshly imitatio. To construct a feminist musico-theological model, I shall synthesise a lost trope from the tradition with insights which I have gained from the musical activities of four women musician-composers: Hildegard of Bingen, Bolognese nun Lucrezia Vizzani (and her consoeurs), Sister Rosetta Tharpe, and Diamanda Galas. Through this recuperative synthesis, music's theological significance will shift from its incarnation of harmony and order---divine, cosmic, or human to its ineradicable promiscuity, its dis-integrative powers.
My original contribution to the field is fourfold: (1) I document the rhetoric of effeminacy and virility which has influenced and shaped traditional theologies of music, and thereby undermine the latter's privileged status as musico-theological resources; (2) I portray the music of the above women composers as musical imitations of Christ; (3) I enrich revisionist accounts of women in the Christian tradition by giving greater prominence to women's musical activity, the latter previously neglected in, for example, theological studies of mediaeval women, this despite music's centrality to their daily lives; (4) I initiate mutually enriching dialogue between feminist musicology and theology. To date, a feminist theology of music has not been written.
Levine, Lauren E. "Act Like a Punk, Sing Like a Feminist: A Longitudinal Content Analysis of Feminist Themes in Punk Rock Song Lyrics, 1970-2009". Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc801944/.
Pełny tekst źródłaGOOD, AMBER DIANA. "LADY, WHAT DO YOU DO ALL DAY? PEGGY SEEGER'S ANTHEMS OF ANGLO-AMERICAN FEMINISM". University of Cincinnati / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1021638964.
Pełny tekst źródłaEwing, Melissa. "Examining the Under-Representation of Female Euphonium Players in the USA". Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1703396/.
Pełny tekst źródłaRowe, Carolyn Joyce. "Michigan Womyn's Music Festival : place making and the queer persistence of feminism". Thesis, University of British Columbia, 2014. http://hdl.handle.net/2429/48485.
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Graduate
Donnelly, Ryann. "Radical bodies in music video : feminism, queerness, and subversive performance of gender". Thesis, Goldsmiths College (University of London), 2017. http://research.gold.ac.uk/22391/.
Pełny tekst źródłaTroka, Donna Jean. "Homegirls, Riot Grrrls and Spice Girls: Representations and Misrepresentations of Feminism in Music". The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392043522.
Pełny tekst źródłaGRANT, MARGARET JEAN. "A FEMINIST ANALYSIS OF FRANCIS POULENC'S SONATA FOR OBOE AND PIANO". University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148187368.
Pełny tekst źródłaKsiążki na temat "Feminism and music"
James, Robin. Resilience & melancholy: Pop music, feminism, neoliberalism. Winchester, UK: Zero Books, 2015.
Znajdź pełny tekst źródłaC, Cook Susan, i Tsou Judy S, red. Cecilia reclaimed: Feminist perspectives on gender and music. Urbana: University of Illinois Press, 1994.
Znajdź pełny tekst źródłaKitagawa, Junko. Narihibiku sei: Nihon no popyurā ongaku to jendā. Wyd. 8. Tōkyō: Keisō Shobō, 1999.
Znajdź pełny tekst źródłaEricson, Margaret D. Women and music: A selective annotated bibliography on women and gender issues in music, 1987-1992. New York: G.K. Hall, 1995.
Znajdź pełny tekst źródłaGrotjahn, Rebecca, Freia Hoffmann i Marion Gerards. Musik und Emanzipation: Festschrift für Freia Hoffmann zum 65. Geburtstag. Oldenburg: BIS-Verl. der Carl-von-Ossietzky-Univ. Oldenburg, 2010.
Znajdź pełny tekst źródłaLópez, Pilar Ramos. Feminismo y música: Introducción crítica. Madrid: Narcea, 2003.
Znajdź pełny tekst źródłaMarcia, Herndon, Ziegler Susanne i ICTM Study Group on Music and Gender., red. Music, gender, and culture. Wilhelmshaven: F. Noetzel, 1990.
Znajdź pełny tekst źródłaMarcus, Sara. Girls to the front: The true story of the Riot grrrl revolution. New York: HarperPerennial, 2010.
Znajdź pełny tekst źródłaSuárez, Laura Viñuela. La perspectiva de género y la música popular: Dos nuevos retos para la musicología. Oviedo: Ediciones KRK, 2003.
Znajdź pełny tekst źródłaMacarthur, Sally. Towards a twenty-first-century feminist politics of music. Farnham, Surrey, England: Ashgate, 2010.
Znajdź pełny tekst źródłaCzęści książek na temat "Feminism and music"
Rabaka, Reiland. "Black Musical Feminism". W Black Women's Liberation Movement Music, 39–69. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003427339-3.
Pełny tekst źródłaWithers, Polly. "Feminism Ruptured, or Feminism Repaired? Music, Feminisms, and Gender Politics in Palestinian Subcultures". W The Palgrave Handbook of Gender, Media and Communication in the Middle East and North Africa, 427–45. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-11980-4_24.
Pełny tekst źródłaPita, Laura. "Teresa Carreño's Repatriation and Revival: Nationalism, Feminism, and the Historical Imagination". W Music and Identity in Venezuela, 305–48. New York: Jenny Stanford Publishing, 2024. http://dx.doi.org/10.1201/9781032679921-10.
Pełny tekst źródłaShonk, Kenneth L., i Daniel Robert McClure. "Waveless: MTV and the “Quiet” Feminism of the 1980s". W Historical Theory and Methods through Popular Music, 1970–2000, 171–98. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-57072-7_7.
Pełny tekst źródłayamomo, meLê, i Theresa Beyer. "“Framing Europe”—meLê yamomo Interviewed by Theresa Beyer". W New Music and Institutional Critique, 195–205. Berlin, Heidelberg: Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-67131-3_16.
Pełny tekst źródłaSmith Owen, Morgan. "The Merry Widow: Freedom and Feminism in the Widowhood of Mrs. H.H.A. Beach". W Legacies of Power in American Music, 263–75. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003275695-15.
Pełny tekst źródłaRabaka, Reiland. "Black Feminist Funksters". W Black Women's Liberation Movement Music, 102–43. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003427339-5.
Pełny tekst źródłaGolding, Rosemary. "Anon., ‘The Feminine in Music’". W Music in Nineteenth-Century Britain, 275–80. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003003892-30.
Pełny tekst źródłaBarna, Emília. "Emotional and Relational Labour in Music from a Feminist Perspective". W Music as Labour, 112–27. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003150480-8.
Pełny tekst źródłaBarham, Jeremy. "Eternally Feminine". W The Routledge Companion to Global Film Music in the Early Sound Era, 97–121. New York: Routledge, 2023. http://dx.doi.org/10.4324/9780429504471-7.
Pełny tekst źródłaStreszczenia konferencji na temat "Feminism and music"
Blackburn, Manuella, i Paul Harkins. "Finding the Female Users: A Feminist Historiography of the Fairlight CMI". W Rethinking the History of Technology-based Music. University of Huddersfield, 2022. http://dx.doi.org/10.5920/feministhistoriography.
Pełny tekst źródłaBarber-Kersovan, Alenka. "Songs for the Goddess. Das popmusikalische Neo-Matriarchat zwischen Ethno-Beat, erfundenen Traditionen und kommerzieller Vermarktung". W Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.47.
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