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Santos, Zamara Araujo dos 1966. "A geofilosofia de Deleuze e Guattari". [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280012.
Pełny tekst źródłaTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: A Geofilosofia é um conceito tardio na obra de Deleuze e Guattari e, embora se aplique ao último livro em parceria, Qu'est-ce que la Philosophie ?, trata-se de uma noção que envolve suas principais criações conceituais, circunscrevendo o período de Capitalisme et schizophrénie, mas dialogando com noções e momentos distintos da obra dos autores. Sob a rubrica da noção, a filosofia consagra a conexão de um plano de imanência absoluto derivado de um meio imanente e social que constitui a conjunção de relações variáveis entre o território e a terra. Assim, o ato de pensar não gravita sob a órbita das categorias sujeito e objeto, mas concerne a um meio intensivo e contingente, que, compondo uma ambiência de circunstâncias externas, demarca um campo de conexões e fronteiras de relações múltiplas e devires que contornam o molar e o molecular, estabelecendo um regime de troca, captura e sobrecodificação dos códigos. Nesse traçado, o pensamento e os conceitos invocam um "fora", um devir molecular, devires animais e imperceptíveis que povoam o território e os agenciamentos, perfilham conexões, ramificações heterogêneas e rizomáticas que seguem por linhas intensivas, conjurando forças e movimentos da terra que operam por movimentos diagramáticos, geodésia e desterritorialização. Configura-se, com efeito, uma cartografia dos deslocamentos, direções e trajetos que circunscreve o mapa de uma geografia agitada por linhas de fuga, longitudes e latitudes, sendo essas, portanto, as condições do plano de imanência absoluto do pensamento, de sua desterritorialização e reterritorialização
Abstract: Geophilosophy is a lag concept in Deleuze and Guattari's work, and besides it can be applied at the last book in partnership Qu'est-ce que la Philosophie?, it is a notion that involves their main conceptual creations, circumscribing the period of Capitalisme et schizophrénie, but in dialogue with distincts notions and moments of both autors work. Under the heading of the notion, philosophy consecrates the conexion of an absolut immanence plan derivative of a social and immanent environment that constitutes the conjunction of variable relations between the territory and the earth. This way, the act of thinking doesn't gravitate in the orbit of the categories of subject and object, but concerns to a intensive and contingent environment, that, setting an ambience of external circunstances, delimits a field of conexions and borders, of multiple relations and becomings that skirts the molar and the molecular, establishing a system of change, capture and overcoding of the codes. In this route, the thought and the concepts invocate an "outside", a molecular becoming, animal and inconspicuous becomings that settle the territory and the assemblages, profiling conexions, heterogeneous and rhizomatic ramifications that follow by intensive lines, conjuring forces and movements of earth that operates by diagrammatic movements, geodey and deterritorialization. Setting up, in effect, a cartography of displacements, directions and pathways that circumscribes the map of a geography agitated by creepage, longitudes and latitudes, being these, by the way, the conditions of the absolut immanence plan of thinking, of its deterritorialization and reterritorialization
Doutorado
Filosofia
Doutor em Filosofia
Weil, Abraham. "TRANS*VERSAL ANIMACIES AND THE MATTERING OF BLACK TRANS* POLITICAL LIFE". SPRINGER, 2017. http://hdl.handle.net/10150/626034.
Pełny tekst źródłaGiedraitis, Edvardas. "Critique and reconceptualization of the concept of family using Gilles Deleuze and Felix Guattari's "Anti-Oedipus"". Master's thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2013~D_20130605_160901-57373.
Pełny tekst źródłaŠiuolaikinė dominuojanti Vakarų šeimos samprata yra grindžiama darant prieštaringas prielaidas. Iš vienos pusės, 'branduolinė šeima' turėtų būti paremta meile grįstais santykiais tarp žmonos ir vyro ir tarp vaikų ir tėvų - iš kurių yra tikimasi kad ji (meilė) turi tęstis iki 'kol mirtis išskirs'. Iš kitos pusės, ko yra reikalaujama ilgalaikio tęstinumo - tarp apribotų santykių su išskirtiniais (leistinais) meilės objektais – yra afekto, kuris pasižymi nenuspėjamumu, praeinamumu ir nepasidavimu racionaliai kontrolei. Ji (meilė) - kaip liaudies išmintis patvirtintų - kaip greitai ir nenuspėjamai 'ateina' taip pat greitai ir nenuspėjamai 'išeina'. Be to, populiarus meilės supratimas yra palaikomas papildoma reakcine geismo forma - pasisavinti, 'privatizuoti' meilės objektą, – atrandanti atgarsį ir palaikimą, šiuolaikinių kapitalistinių santykių, grindžiamų privačia nuosavybę, etose. Šie šeimos koncepto prieštaravimai turi bent kelias svarbias pasekmes. Visų pirmą, meilė yra sukompromituojama nurodant konkrečius ir simboliškai griežtai apribotus šeimos subjektus kuriuos yra leistina 'mylėti' ir tapatintis. Nepatenkinant šio meilės reikalavimo, 'meilės' pora yra skatinama 'dirbti' su savo santykiais , tikintis jog meilė gali būti produkuota, o ne kylanti iš spontaniško afekto. Galiausiai, meilės sąvoka tampa 'pažadu', kuris yra pasmerktas būti pastoviai neįgyvendinamas, bet kuris, tuo pačiu sukuria nišą visam spektrui kapitalistinių industrijų kurti pridėtinę vertę... [toliau žr. visą tekstą]
Souza, Marco Aurélio de. "A HISTÓRIA DESFIGURADA: DESTERRITORIALIZAÇÃO E EXPERIÊNCIA DO FORA EM AMAR-TE A TI NEM SEI SE COM CARÍCIAS, DE WILSON BUENO". UNIVERSIDADE ESTADUAL DE PONTA GROSSA, 2015. http://tede2.uepg.br/jspui/handle/prefix/402.
Pełny tekst źródłaThis research proposes, based on Deleuze and Guattari’s philosophy, a rhizomatic reading of the historical novel Amar-te a ti nem sei se com carícias (2004), by the Paranaense writer Wilson Bueno. By reviewing the most relevant theoretical tendencies related to the fictional genre (HUTCHEON, 1991; MENTON, 1993;ESTEVES, 2010), I criticize the didacticism found in these theories. By the mapping of the incipient criticism works of Bueno’s novel, I present a deviation related to these preview works, aiming at a concept of literature closer to the cathartic and deterritorialization function of the esthetic text. To do that, I try to define the historical novel specificity, describing it as a private manifestation of the historical social imagination (BANN, 1994) that puts into practice images from the past (ANKERSMIT, 2001). In this perspective, however, the literary writing is characterized by the way a writer disconnects these images from the past and puts his reader in touch with a non-place, making it possible, through the use of language, a hollowing out experience. To promote this reading, I make use of rhizomatic perception of the literary phenomenon, such as Deleuze and Guattari present it in Mil Platôs (2011), identifying, in the novel, lines of hard, molecular and abstract segmentarity. So, I understand the images from the past to be mobilized in the fiction as components of the novel’s hard segmentarity line, placing, as a next step, the literary resources that work with what Deleuze and Guattary named quantums of deterritorialization. But if the fiction historical meaning is affected by the molecular segmentarity line, it is in the abstract segmentarity line that, with greater intensity, it disappears and leaves room for a dive in the other of all worlds (BLANCHOT, 1997; LEVY, 2011). Thus I identify the moment of the novel’s abstract segmentarity line when everything takes place in terms of a savage and implacable present. The abstract segmentarity line makes the historical novel an experiment about the limits of a historically determined society, showing the possible fissures on the subjectivity wall from a past time, deforming History, promoting the contact with its hollowing out.
Este trabalho propõe, a partir da filosofia de Deleuze e Guattari, uma leitura rizomática do romance histórico Amar-te a ti nem sei se com carícias (2004), do escritor paranaense Wilson Bueno. Revisitando as principais tendências teóricas ligadas à modalidade ficcional (HUTCHEON, 1991; MENTON, 1993; ESTEVES, 2010), realizo uma crítica ao didatismo presente nestas teorias. Mapeando a incipiente fortuna crítica do romance de Bueno, apresento um desvio em relação a este conjunto de trabalhos, visando uma conceituação de literatura que acena para a função catártica e desterritorializante do texto estético. Para tanto, procuro definir a especificidade do romance histórico, apresentando-o como uma manifestação particular da imaginação histórica (BANN, 1994) social que erige ou coloca em funcionamento imagens do passado (ANKERSMIT, 2001). Na perspectiva que proponho, contudo, a obra literária se caracteriza pelo modo como um escritor desarticula tais imagens do passado e coloca o seu leitor em contato com um nãolugar, possibilitando, através da linguagem, uma experiência do Fora. No intuito de operacionalizar tal leitura, recorro à percepção rizomática do fenômeno literário, tal como Deleuze e Guattari a apresentam em Mil Platôs (2011), identificando, no romance, linhas de segmentaridade dura, linhas de segmentaridade maleável e linhas de fuga. Deste modo, entendo as imagens do passado mobilizadas na ficção como constituintes da linha dura do romance, localizando, num segundo momento, os recursos literários que funcionam como aquilo que Deleuze-Guattari denominam quantas de desterritorialização. Mas se o significado histórico presente na ficção se abala com a linha maleável, é na linha de fuga que, com maior intensidade, ele se desfaz e dá lugar a um mergulho no outro de todos os mundos (BLANCHOT, 1997;LEVY, 2011). Identifico, deste modo, o momento da fuga no romance, quando tudo se coloca em termos de um presente selvagem e indomável. A linha de fuga faz do romance histórico um experimento acerca dos limites de uma sociedade historicamente determinada, mostrando as rachaduras possíveis no muro da subjetividade de um tempo passado, desfigurando a História, promovendo um contato com o seu Fora.
Pastre, Jose Luiz 1963. "Educação e estética da existência : práticas da liberdade e criação de novas possibilidades de vida". [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/253947.
Pełny tekst źródłaTese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação
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Resumo: O objetivo de minha pesquisa é pensar a educação a partir da ideia uma estética da existência. Trata-se de uma abordagem estética e micropolítica da educação. Para o desenvolvimento dessa abordagem, além da própria noção de estética da existência, utilizo alguns conceitos presentes nas obras de Gilles Deleuze e Félix Guattari como meus principais intercessores da pesquisa. Para esses autores uma análise micropolítica sempre se situa no cruzamento entre diferentes modos de apreensão de uma problemática. Nesse sentido, o campo da pesquisa situa-se no cruzamento entre várias fontes, onde utilizo materiais de diferentes ordens, tais como: documentos oficiais, experiências históricas de práticas educacionais, análises estéticas (teoria da arte), experiências próprias e de outros educadores, pesquisas de abordagens diversas no campo educacional, trechos de filmes, etc. Ao utilizar esse material, meu intuito é estabelecer alguns traços, ou constituir algumas notas, que permitam pensar a educação como uma estética da existência.
Abstract: The object of my research is to think about education from the idea of an aesthetic of existence. This is an aesthetic approach and micropolitics of education. For the development of this approach, besides the very notion of aesthetics of existence, I use some concepts in the works of Gilles Deleuze and Félix Guattari as my main search intercessors. For these authors a micropolitical analysis always lies at the crossroads between different modes of apprehension of a problem. In this sense , the field of research is situated at the crossroads of several sources, which use various orders of materials , such as official documents , historical experiences of educational practices, aesthetic analyzes (art theory), own experiences and other educators, various research approaches in education, film clips, etc. By using this material, my aim is to establish some traits, or pose some notes, which we may think about education from the idea of an aesthetics of existence.
Doutorado
Ensino e Práticas Culturais
Doutor em Educação
Dixon, Peter. "Ecocriticism, Geophilosophy, and the [Truth] of Ecology". Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/19901.
Pełny tekst źródłaCope, Benjamin. "An investigation of the novels of Nathalie Sarraute through the optic of Gilles Deleuze and Felix Guattari". Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.396158.
Pełny tekst źródłaDinis, Nilson Fernandes 1972. "A arte da fuga em Clarice Lispector : aproximações entre a escrita clariceana e a filosofia de Deleuze e Guattari". [s.n.], 1998. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278829.
Pełny tekst źródłaDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: O objeto deste estudo são as afinidades, as aproximações entre a produção literária de Clarice Lispector e o projeto filosófico de Gilles Deleuze e Félix Guattari. Nosso objetivo não será de estabelecer pontos de influência mas de buscar as linhas de variação, de desvio, de fuga, que percorrem a construção da obra clariceana e que no projeto filosófico de Deleuze e Guattari são as principais armas do escritor para construir o que eles chamam de literatura menor, ou seja, uma literatura inovadora que se contrapõe a uma literatura considerado como maior ou padrão, a literatura dos cânones. Buscamos entender como essas linhas de variação se processam no tratamento dado à escritura, aos corpos, ao tempo e ao pensamento na obra de Clarice Lispector, compondo o que chamamos de uma arte da fuga. Ao se aproximar da música a escritura clariceana inova se distanciando cada vez mais da construção de uma arte figurativa ou representativa ao mesmo tempo em que faz do processo da escrita um dos seus principais temas
Abstract: The object of this study are the close similarities between the literary production of Clarice Lispector and the philosophical project of Gilles Deleuze and Félix Guattari. Our aim will not be to establish points of influence but to look for the variation lines, of deviation, of fugue that permeate the construction of claricean work and that in the philosophical project of Deleuze and Guattari, are the weapons of the writer to construct what they call minor literature, or an innovative literature that contrasts with a literature considered major or standard, the canonical literature. We try to understand how those variation lines occurr in the treatment of the writing, of the bodies, of the time and of the thought in the work of Clarice Lispector composing what we call art of fugue. By getting elo ser to the music, elaricean writings inovate taking distance of the construction of a figurative or a representative art as it tums the process of writing in one of its main themes
Mestrado
Mestre em Filosofia
Raby, John. "Gilles Deleuze : musique, philosophie et devenir". Thesis, Rennes 2, 2015. http://www.theses.fr/2015REN20011/document.
Pełny tekst źródłaAccording to Gilles Deleuze, writing about music would be a summit of thought, the idea of superiority of the music is even asserted. Deleuze doesn’t think the relationship between music and philosophy as a comment but as a becoming. Music is not just a subject of analysis since in turn influences the style of conceptualization of the philosopher. The musical question thus revolves around two perspectives : a becoming-music of philosophy, a becoming-conceptual of music. For example,the concept of refrain refers to both a "little song" and the eternal return of Nietzsche.Becoming-music of philosophy is an artistic dimension of thought, so the writing style became a major issue. Deleuze shares with writers the creation of a foreign language in everyday language - which tends to create a « musicalisation » of words. As the writer invents a word music with a continuously variable setting of the language, the music of philosophy implies a continuous variation of the concept, including the use of metaphor. The philosophical text then refuses any interpretative approach to concentrate the affective part of the text. Such becoming is not without producing a form of ambiguity since it ultimately makes indistinguishable poetry and philosophy. How to take music fot the deleuzian concept in the field of philosophy?The same continuous variation is seen under high aesthetic ideal within the becomingconceptual of music. This second perspective corresponds to a more traditional aspect of Deleuze's thought since music is subjected to the ontological apparatus of the philosopher. Inspired by Wagner, Proust, Bergson and Boulez, Deleuze develops a metaphysic ofmusic based on two notions : the pure past and reminiscence. Because of such an idealistic conception of music aspect, Deleuze opposes Nietzsche's aesthetics to revive the romantism
Silva, Dayse Paulo da [UNESP]. "O inconsciente entendido à luz de Gilles Deleuze e Félix Guattari: intersecções entre a psicanálise de Melanie Klein e a esquizoanálise". Universidade Estadual Paulista (UNESP), 2006. http://hdl.handle.net/11449/97633.
Pełny tekst źródłaCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Gilles Deleuze e Félix Guattari, autores do século XX, criaram a Esquizoanálise e estudaram várias áreas de conhecimento, dentre as quais, a Psicologia. A fim de propor um conceito de inconsciente, discussão que ocupa boa parte de sua obra, os teóricos discutiram alguns tópicos da Psicanálise, procurando definir seu funcionamento maquínico. A importância de nosso trabalho reside na reconstituição do inconsciente psicanalítico, aproveitando esses aspectos e apontando perspectivas de análise. Na presente dissertação, focamos-nos nos seus escritos acerca da psicanálise de Melanie Klein, a qual possui como um de seus elementos-chave para a compreensão do inconsciente a noção de objeto parcial. Fez-se necessário, então, investigar essa concepção, pois ela é vital e revolucionária e nos ajuda a compreender o inconsciente, embora Deleuze/Guattari tenham se utilizado dos objetos parciais de forma diferente da autora, procurando ressaltar seus aspectos produtivos. Assim, essa dissertação, que possui um caráter teórico-explorativo, busca entender e sistematizar o pensamento de Deleuze/Guattari no que se refere à construção do inconsciente esquizoanalítico. Para alcançar nosso objetivo, realizamos uma leitura da psicanálise kleiniana a partir da perspectiva esquizoanalítica, procurando intersecções entre esses dois campos epistemológicos. Além disso, quando necessário, complementamos a visão de Deleuze/Guattari. Sendo assim, adotamos como primeiro eixo de análise a dinâmica dos objetos parciais nas posições esquizo-paranóide e depressiva, em relação a sua função integradora ou desintegradora do ego e, como segundo eixo, a participação dos objetos parciais na expressão do corpo...
Gilles Deleuze and Félix Guattari were twentieth century authors who not only studied several knowledge areas, such as Psychology, but also founded Schizoanalysis. In order to elaborate an unconscious concept, these theoreticians discussed some topics from Psychoanalysis. This discussion concerns a great part of their works and searching for a definition of machinic unconscious. The importance of this work lies in the reconstitution of a psychoanalytic unconscious, taking advantage of those productive aspects and showing new perspectives of analysis. In this dissertation, we focused on their writings about Melanie Klein s Psychoanalysis, which possesses as one of its fundamental element the notion of part-objects. Therefore, it was necessary to investigate this statement because it is revolutionary and help us to understand the unconscious. On the other hand, Deleuze/Guattari used these objects in a different way, trying to emphasize the part-object productive aspects. In that way, this study, which has a theoretical-exploratory characteristic, had as purposes to understand and to systematize Deleuze/Guattari s thoughts in reference to the construction of Schizoanalysis unconscious. To reach this goal, we examined Klein s theory through the Schizoanalytic perspective, searching for intersections between these two epistemological fields. Moreover, we complemented Deleuze/Guattari reflections whenever it was necessary. So, as our first point of analysis we adopted the part-object dynamic in paranoid-schizoid and depressive positions in their relation to the ego integrated and desintegrated functions. As our second point, we study how the part-objects participate in the body expression... (Complete abstract, click electronic address below)
Cooper, Melinda. "Nouvelle alliance, nouvelle naissance : la question de la genèse dans la philosophie de G. Deleuze et F. Guattari". Paris 8, 2000. http://www.theses.fr/2000PA081775.
Pełny tekst źródłaGoulimari, Pelagia. "For a minoritarian ethics of inclusion : a reading of the philosophy of Gilles Deleuze and Felix Guattari and its application to contemporary criticism". Thesis, University of Southampton, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361659.
Pełny tekst źródłaJacques, Carmen. "Bionomadologia". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2007. http://hdl.handle.net/10183/12186.
Pełny tekst źródłaThis dissertation explores the possibilities of a bionomadology: a science located between the hard sciences, or State sciences, and the nomadic sciences, concepts which are understood in the way they are developed by Gilles Deleuze and Félix Guattari in the book A Thousand Plateaus. The threads of a bionomadology are, thus, spread out. The threads of a science that tries to undo the organizations and to unsettle the organisms. The threads of a science of metamorphoses and becomings. These threads work to interweave science with philosophy. It is there, in the point in which a nomadic science meets a philosophy of difference, that a bionomadology is developed. It is a science of life. A science of a life. The threads of this science are unfolded in a plane of immanence. A bionomadology tends to drag new things with it. It prefers to mingle what, apparently, is determined, to get mixed in a tangle of intensities. A truly living experience.
Bufalo, Erik del. "La non-philosophie de Gilles Deleuze et Felix Guattari : dualyse unilatérale de la schizo-analyse suivant la théorie et la discipline de Françoise Laruelle". Paris 10, 2000. http://www.theses.fr/2000PA100195.
Pełny tekst źródłaKareem, Najlaa K. "Difference and Repetition in Redevelopment Projects for the Al Kadhimiya Historical Site, Baghdad, Iraq:Towards a Deleuzian Approach in Urban Design". University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin154383950723304.
Pełny tekst źródłaUnga, Johanna. "Det är en spricka i allt, det är så ljuset kommer in… : Matematik och förskolebarns experimenterande och potentialitet". Licentiate thesis, Stockholms universitet, Barn- och ungdomsvetenskapliga institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-88821.
Pełny tekst źródłaI förskolan är det vanligt att matematiken främst handlar om det som sker i barnens vardag eller fokuserar på barnens förståelse av matematiska begrepp. Synen på matematik i förskolan håller dock på att vidgas och inbegripa barns egna teckenskapande och kroppsliga erfarenheter. Licentiatuppsatsens övergripande syfte är att experimentera och utforska hur barns engagemang och kreativitet kan tas tillvara, samtidigt med att barnen kan utveckla sina kunskaper kring matematikens värld med dess procedurer och regler. Utifrån de franska filosoferna Gilles Deleuze’s och Félix Guattaris immanenta perspektiv och transcendentala empirism och Reggio Emilias pedagogiska filosofi, har jag experimenterat kring matematik och de yngsta förskolebarnens experimenterande och potentialitet. Forskningsmaterialet består främst av videoobservationer och pedagogisk dokumentation från ett projekt med ett matematiskt ämnesinnehåll genom ett kollektivt arbete med mig, pedagoger och barn i åldern 1–3 år. Metodologiskt utgår arbetet från ett exempel från projektarbetet där några barn utforskar och experimenterar kring geometriska objekt. I relation till exemplet sätts några begrepp från Reggio Emilias pedagogiska tänkande och Deleuze´s och Guattaris immanenta ontologi i arbete med särskilt fokus på vilka förbindelser som frambringas. Det som studien synliggör är att barn utforskar och experimenterar kring matematik i det som i studien kallats ”det relationella potentialitetsfältet”. Förskoledidaktiskt synliggör studien vikten av att pedagoger uppmärksammar och ”lyssnar” till barns experimenterande och teckenskapande, för att inte stoppa barns potentialitet och det som är i tillblivelse. Detta förutsätter en miljö som inbegriper de hundra språken och som gör ett kollektivt experimenterande möjligt där tankar och idéer kan delas i en ”tillsammansskap”.
Rodrigues, Carla Gonçalves. "Por uma pop'escrita acadêmica educacional". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2006. http://hdl.handle.net/10183/6581.
Pełny tekst źródłaHylberg, Maria. "Barn som framtidens planetära förvaltare? : Ett kartograferande av förskolebarns delaktighet i arbetet med hållbar utveckling". Thesis, Stockholms universitet, Barn- och ungdomsvetenskapliga institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-138771.
Pełny tekst źródłaGustafsson, Lovisa. "Experimenterande dans med förskolans yngsta barn : En studie i och med dans kropp och rörelse i förskolan". Licentiate thesis, Stockholms universitet, Barn- och ungdomsvetenskapliga institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-191933.
Pełny tekst źródłaThis essay examines experimental dance practices with one- and two-year-olds in preschool, both practically and theoretically, a topic which has up until now only been examined in a few studies and never before in an empirical and praxis-oriented project with the youngest children of preschool. The purpose of the study is to investigate how dance practices can be made possibleand what comes to expression in experimental dance practices with the youngest children in a preschool environment when they are made to be active participants in the content and execution of experimental dance in a preschool environment. During the three months long practice-based empirical study, the researcher experiments in participation with a group of 1-2,5-year-olds at their preschool department. This work is documented with still image and film camera by the researcher and the children. Methodologically, the study has been conducted through support and inspiration from a/r/t-ography, a practicebased and arts-based research method wherein the researcher uses her own body as an instrument of research. The analysis of the data material, which consists of films, photographs and process notes, is carried out using the concepts of immanence-philosophy, mainly through texts by Gille Deleuze and Felix Guattari and of Erin Manning, and the concept as method, as a method of analysis. The results show that when the youngest children are given the opportunity to experiment in dance together with an initiated and participating researcher, the dance practice becomes varied and dynamic during its course of events. The dance practice also shows novel expressions of form and movement, group constellations, and choices of material and duration than what is commonly described of dance when discussed in literature and research. Furthermore, this essay contributes additional knowledge to the field by showinghow the access to the philosophy of Gille Deleuze and Felix Guattari can produce new ways of doing and thinking about dance practice and the dancing body and alternative ways to arrange dance with the youngest children of the preschool. The study also offers didactical knowledge of how teachers in a preschool environment can arrange creative dance practices for the youngest children in everyday activities.
Kroef, Ada Beatriz Gallicchio. "Currículo-nômade : sobrevôos de bruxas e travessias de piratas". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2003. http://hdl.handle.net/10183/4994.
Pełny tekst źródłaMaldonado, Vanessa. "Plissê capital: por uma micropolítica dos possíveis". Pontifícia Universidade Católica de São Paulo, 2008. https://tede2.pucsp.br/handle/handle/15705.
Pełny tekst źródłaThis research intends to delineate a study interested in analyse and evaluate the way as relations politics and subjective involve us as informing of the capitalism contemporary. For in such a way, we will look for to understand as the workmanships of Gilles Deleuze and Félix Guattari, either of the critical interior of a philosophical one, either of the critical interior of the psychological one, they circumscribe the complex relation enters the way of capitalist production and certain lines of efetuação that cross psychological clinics. The choice of these authors was not given for exclusion of innumerable others, but mainly because certain reflections and determined concepts gifts in its writings still reveal decisive in the characterization problematic contemporary of an deserving one of the attention in the psychological clinic. Thus, this study the inquiry of the politician-subjective constitution of the gift is dedicated to it. Looking for to locate the micron become entangled that in involves them in socius and that in they bind them process to a complex of economic mundialização, cultural and subjective that if translates politics capable to instrumentalizar the life. We understand that this instrumentalização of the life directly implies on dynamic to the functioning of the desire and that, probably, this implication corresponds the producing politics of subjetivação of symptoms not only tied with the nosológico register of the psicopatologia, as also to the sintomatologia of a civilization. Perhaps of this form, this study in it helps them to inside configure conditions of possible interferences that if it can call generically capitalism, observing, in the same measure, the capitalist machine in its extensive and intensive domain of relations of forces, understanding its captures and the extension of its reverberações in the bodies
Esta dissertação pretende delinear o eixo condutor de um estudo interessado em problematizar o modo como relações políticas e subjetivas nos envolvem como partícipes do capitalismo contemporâneo. Para tanto, procuraremos compreender como as obras de Gilles Deleuze e Félix Guattari, seja do interior da crítica filosófica, seja do interior da crítica psicológica, circunscrevem a complexa relação entre o modo de produção capitalista e certas linhas de efetuação que atravessam clínicas psicológicas. A escolha desses autores não se deu por exclusão de inúmeros outros, mas principalmente porque certas reflexões e determinados conceitos presentes em seus escritos mostram-se ainda decisivos na caracterização contemporânea de uma problemática merecedora da atenção na clínica psicológica. Para tanto, este estudo dedica-se à investigação da constituição político-subjetiva do presente. Procurando localizar micro emaranhados que nos envolvem no socius e que nos ligam a um complexo processo de mundialização econômica, cultural e subjetiva que se traduz em políticas capazes de instrumentalizar a vida. Entendemos que essa instrumentalização da vida implica dinâmicas diretamente ligadas ao funcionamento do desejo e que, provavelmente, essa implicação corresponda a políticas de subjetivação produtoras de sintomas não apenas vinculados ao registro nosológico da psicopatologia, como também à sintomatologia de uma civilização. Desta forma, este estudo talvez nos ajude a configurar condições de interferências possíveis dentro do que se pode chamar genericamente de capitalismo, observando, na mesma medida, a máquina capitalista em seu domínio extensivo e intensivo de relações de forças, compreendendo suas capturas e a extensão de suas reverberações nos corpos
Marques, Davina. "Experimentações : deleu-guatta-roseando a educação". [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/252035.
Pełny tekst źródłaDissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação
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Resumo : Reafirmando as potências que existem na filosofia e na literatura, através de encontros entre textos de Gilles Deleuze-Félix Guattari e de contos de João Guimarães Rosa, este trabalho discute a educação como plano de imanência, como promotora de agenciamentos, como experimentação. Destacam-se também, neste texto, além de imanência e agenciamento, o conceitos de rizoma; territorialização/desterritorialização/reterritorialização; e rostidade. A discussão teórica é atravessada por textos literários que vibram os conceitos. A literatura pulsa criação, é ritmo que convida a. A arte, tão presente nos escritos de Deleuze-Guattari, atualiza também aqui os conceitos filosóficos, repetindo-os. Nessa repetição, em uma escrita-experimentação, repleta de movimentos, atravessada, que pulsa, que segue caminhos tresloucados, que faz fugir e agir, que evita um único rosto, reafirma-se a potência da educação. Cumprindo seu papel de dissertação de mestrado em Filosofia da Educação, o texto busca movimentar o nosso pensamento em uma área aberta, povoada por filósofos e artistas, que a atravessam com seus saberes. Por sugestão dos membros da banca examinadora, anexei à dissertação o filme-apresentação em DVD que fiz para a exposição deste trabalho no dia da defesa. Uma experimentação também, outra linguagem para falar desta e pensar a educação
Abstract : Reassuring the potentiality of philosophy and literature, through encounters of texts by Gilles Deleuze-Félix Guattari and short stories by João Guimarães Rosa, we have considered education as a plane of immanence, as a possibility of assemblage, as experimentation. Other philosophical concepts will be observed in education: rhizome, territorialization/deterritorialization/reterritorialization, and faciality. The theoretical argument will be related to literary texts which are connected to the concepts. Literature pulses creation, it is an inviting rhythm. Art, so present in Deleuze-Guattari¿s writings, actualizes the philosophical concepts, and it repeats them. In repetition, in na experimentation-writing, full of movements, crossings, pulsations, that follows surprising paths, that causes flight and acting, that avoids an only face, we can assure the potentiality of education. It is a master¿s dissertation in Philosophy of Education that aims to make our thoughts of education more open, by interconnecting philosophy and art, and the ways their specific knowledge is intertwined. A film-experimentation used to present this dissertation is attached to the written material, as suggested by the examining board
Mestrado
Filosofia da Educação
Mestre em Educação
Breen, Sally. "Future Frontier: Ante Up". Thesis, Griffith University, 2005. http://hdl.handle.net/10072/365850.
Pełny tekst źródłaThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Arts
Full Text
Burns, Maureen, i n/a. "ABC Online: Becoming the ABC". Griffith University. School of Arts, Media and Culture, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040520.111544.
Pełny tekst źródłaChieffi, Paula. "Políticas outras". Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/15852.
Pełny tekst źródłaCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
Based on concepts and thought of Gilles Deleuze and Félix Guattari, the present research aims at outlining contemporary politics action. In this direction were interviewed six different people - different experiences, different social practices. This dissertation dialogues with art and political anthropology to compose desiring forces able to enlarge the potency to say yes to other forms of existence. The intensive experience and its expression, multiplicity and the direct act characterize politics as nomadic, disruptive and intense
Esta dissertação busca cartografar ações políticas contemporâneas. Para isso entrevista seis diferentes pessoas - que configuram práticas sociais e experiências distintas - e dialoga com a arte e a antropologia política para rastrear e pensar composições de força do desejo que favorecem a afirmação de novas possibilidades de vida. Tem como principal ferramenta o pensamento de Gilles Deleuze e Félix Guattari. O encontro intensivo e a expressão de seus efeitos, a multiplicidade, a ação direta, o pensamento em cruzamento com a cidade e o foco na experiência sensível são alguns elementos que caracterizam políticas nômades, transversais e intempestivas. Políticas outras
Wengström, Sara. "“On My Volcano Grows the Grass” : Towards a Phenomenology of Desire in Autobiography of Red". Thesis, Södertörns högskola, Estetik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-37397.
Pełny tekst źródłaBurns, Maureen. "ABC Online: Becoming the ABC". Thesis, Griffith University, 2004. http://hdl.handle.net/10072/365752.
Pełny tekst źródłaThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Arts, Media and Culture
Full Text
Nicolas-Le, Strat Pascal. "Critique de l'implication (l'implication de l'usager, l'exemple des politiques d'insertion)". Paris 8, 1996. http://www.theses.fr/1995PA081088.
Pełny tekst źródłaThis thesis discusses the users' involvement into the organization of public services (especially within the framework of social and rehabilitation policies). The first part deals with a theory of involvement - forms of commitment and participation. The second and third parts offer an analysis of rehabilitation policies (revenu minimum d'insertion, "the minimum rehabilitation income") and intend to show the importance of users' involvement in the enforcement of these policies. These reflexions on involvement are closely associated to the questionning of the new realities of power. How do the public policies manage to obtain users' involvement? this involvement theory intends to realize a convergence of michel foucault's theory of power and gilles deleuze and felix guattari's own theory of subjectivity
Adaime, Rafael Domingues. "Clínica experimental: programas para máquinas desejantes". Pontifícia Universidade Católica de São Paulo, 2008. https://tede2.pucsp.br/handle/handle/15681.
Pełny tekst źródłaThis dissertation is a study of experimental procedures in psychotherapy, in which I intend to give visibil ity through some cases and theoretical elements, to the way I have worked at the clinic through experimentation, by the influence of the work of Gilles Deleuze and Felix Guattari, the schizoanalysis
Esta dissertação é um estudo sobre procedimentos experimentais em psicoterapia, em que procuro dar visibil idade, através de alguns casos e elementos teóricos, para o modo como tenho trabalhado na clínica pela via da experimentação, por influência da obra de Gilles Deleuze e Félix Guattari, a esquizoanálise
Lam, Pui-wah June. "The thought without image of Deleuze and Guattari". Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B36923539.
Pełny tekst źródłaCarstens, Johannes Petrus (Delphi). "Uncovering the apocalypse : narratives of collapse and transformation in the 21st century Fin de Siècle". Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/85700.
Pełny tekst źródłaENGLISH ABSTRACT: This dissertation examines the idea of apocalypse through the lens of science fiction (sf) written during the current fin de siècle period. I have dated this epoch, known as the information era, as starting in 1980 with the advent of personal computing and ending in approximately 2020 when the functional limits of silicon-based digital manufacturing and production are expected to be reached. By surveying the field of contemporary sf, I identify certain trends and subgenres that relate to particular aspects of apocalyptic thought, namely, conceptions of the ‘terror of history,’ the sublimity of accelerated techno-scientific advance, the ‘affective turn’ in media-culture and posthuman philosophy. My principal method of inquiry into how the apocalypse is imagined or ‘figured’ in sf is the concept of hyperstition – a neologism (combining the words ‘hyper’ and ‘superstition’) coined by the Cybernetic Culture Research Unit (CCRU). Hyperstition describes an aesthetic response whereby cultural fictions – principally, ideas relating to apocalypse – are imagined as transmuting into material realities. I begin by scrutinizing two posthumanist works of theory-fiction (theory written in the mode of sf) by the CCRU and 0rphan Drift which anticipate immanent human extinction and imagine the inception of a new evolutionary cycle of machine-augmented evolution This sensibility is premised on the sociallydestabilising cycles of exponential growth that characterise information-era technological developments, particularly in the digital industries, as well as the accelerated human impact on the natural environment. Central to my argument is the romantic materialist philosophy of Deleuze and Guattari and their concepts of accelerationism, schizoanalysis and Bodies without Organs (BwO’s). Their ontology is constructed around the idea that exponential rates of development necessitate a new aesthetic paradigm that ventures beyond philosophies of human access. The narrative of apocalypse, approached from this perspective, can be interpreted in catastrophic or anastrophic terms; either as a permanent ending or as the beginning of something radically new. Using hyperstition, I also investigate the sf of Russell Hoban, Michael Swanwick, Brian Stableford, Charles Stross, Dan Simmons, M. John Harrison and Paul McAuley to see not only how these authors interpret the concept of cultural acceleration, but also to identify common threads. Countering the catastrophic ‘death of affect’ postulated by theorists such as Jean Baudrillard and Paul Virilio with the anastrophic rejoinder of cyberdelic information-era countercultures, I conclude by investigating the new ‘affective turn’ in contemporary media theory. The works of theoretical fiction and sf that I investigate are informed, as I demonstrate, by the Situationist techniques of psychogeography, dérive and detournement, as well as by the literary tropes of 18th and 19th century fin de siècle Gothic and dark Romantic fiction.
AFRIKAANSE OPSOMMING: Hierdie proefskrif ondersoek die idee van apokalips deur die oogpunt van wetenskap fiksie (wf) soos geskryf gedurende die huidige ‘fin de siècle’ tydperk. Ek dateer hierdie epog, bekend as die inligtings-era, as die tydperk wat in 1980 begin met die koms van persoonlike rekenaars en nagenoeg eindig in 2020, wanneer die funksionele limiete van silikon gebaseerde digitale vervaardiging en produksie na verwagting bereik sal word. Deur die veld van kontemporêre wf in oënskou te neem, identifiseer ek sekere neigings en sub-genres wat vergelyk met sekere kenmerke van apokaliptiese denke, naamlik: begrippe soos die ‘verskrikking van geskiedenis’, die verhewendheid van versnelde tegno-wetenskaplike vooruitgang, die ‘emosionele omkeer’ in media-kultuur en post-humanistiese filosofie. My primêre metode van ondersoek van hoe die apokalips voorgestel of ‘beskryf’ kan word in wf, is die begrip van hiper-bygelowigheid - ‘n neologisme (samevoeging van die woorde ‘hiper’ en ‘bygeloof’) soos geskep deur die Kubernetiese Kultuur Navorsings-Eenheid (KKNE) en Nick Land, medestigter van die KKNE. Hiper-bygelowigheid beskryf die proses waarvolgens kulturele versinsels - hoofsaaklik opvattings met betrekking tot apokalips – in materiële realiteite omgeskakel kan word. Ek ondersoek ek twee post-humanistiese werke van teorie-fiksie (teorie geskryf volgens die wf metode) deur KKNE en 0rphan Drift, wat inherente menslike uitwissing verwag en die ontstaan van ‘n nuwe evolusionêre siklus van masjien-toename voorstel. Hierdie proses is gebaseer op die sosiaal-destabiliserende siklus van eksponensiële groei wat kenmerkend is van die inligtings-era se tegnologiese ontwikkelinge, veral in die digitale industrie, sowel as versnelde menslike impak op die natuurlike omgewing. Die kern van my beredenering is die goties-materialisties-teoriese standpunt soos deur Land ingeneem, sowel as die romanties-materialistiese filosofie van Deleuze en Guattari. Hierdie gevalle van neo-materialistiese (of objek-georiënteerde) filosofië word toegelig deur ‘n apokalipties-teoretiese basis bekend as akseleerasionisme. Hierdie uitgangspunt is ontwikkel rondom die idee dat die eksponensiële tempo van ontwikkeling ‘n klimaks sal bereik in ‘n evolusionêre ‘wipplank punt’ en dat ‘n nuwe estetiese paradigma nodig is wat dit bokant die filosofie van menslike vermoë kan waag sodat daar oor hierdie waarskynlikheid geteoretiseer kan word. Die beskrywing van apokalips, soos vanuit hierdie oogpunt beskou, kan vertolk word in beide katastrofiese of anastrofiese terme of as ‘n permanente einde of as die begin van iets wat radikaal nuut sal wees. Deur gebruik te maak van die hiperbygelowigheidsteorie, wat ‘n onderafdeling is van akseleerasionisme, ondersoek ek WF van Russell Hoban, Michael Swanwick, Brian Stableford, Charles Stross, Dan Simmons, M. John Harrison and Paul McAuley ten einde vas te stel hoe hierdie skrywers die konsep van kulturele akseleerasie interpreteer, maar ook om gemeenskaplike leidrade te identifiseer. Met teenargumentering ten opsigte van die katastrofiese ‘dood van affek’ gepostuleer deur teoretici soos Jean Baudrillard en Paul Virillio met die anastrofiese samevoeging van kuberdeliese inligtings-era-kontra-kulture, ondersoek ek die nuwe ‘gemoedsomkeer’ in kontemporêre mediateorie. Die werke van teoretiese fiksie, sowel as baie van die ander gevalle van wf wat ek ondersoek en soos deur my gedemonstreer, word toegelig deur Situasienistiese tegnieke van psigo-geografie, dérive en detournement, sowel as deur die literêre menigtes van die 19de eeu ‘fin de siècle’ donker Romantiese en Gotiese fiksie.
Santos, Nair Iracema Silveira dos. "Escola pública e comunidade : relações em d'obras". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2002. http://hdl.handle.net/10183/2076.
Pełny tekst źródłaThis research present a study on the manner of proceeding of the relations between public school and community, focusing on the agencement that works in the constitution of the different ways of relations in an educational institution of the metropolitan region of Porto Alegre. Based on Gilles Deleuze and Félix Guattari, we try to think of the relations as events, effects of meaning collectivelly agenced by heterogeneous instances that compose the real social. Our problem concerns the field of action of discourse and subjectivity , assuming the hypothesis that it is possible to conceive the relations in the institutions beyond the individual representation, the interpersonal relations and the postulation of the social reproduction. We intend to join the knowledge of the Discourse Analysis of the French trend to the discussion proposed by Deleuze and Guattary on a Philosophy of the Language and a Theory of Subjectivity. We use the cartographic resource proposed by these authors, working with the discourses produced by the interaction between school and community. To accomplish such proposal we attended school activities during a year , having interviews, observations, documents reading as well as participating in meetings and festive gatherings.In our study we found some foldings concerning the relations between school and community. These foldings show us the complexity of this relations which we have ignored when trying to understand it based on the individual mode of subjectivity which has become stronger since modern times. Our cartography recorded many foldings, some more intense like the bureaucratic folding which prevents other forces from being more powerful at school. We intend to develop a way of thinking of the realtions in the institutions, a thought of the foldings, to feed the field of the Institutional Analysis of Psychology and Education.
Marzec, Megan E. "Wastelands, Revolutions, Failures". Ohio University Honors Tutorial College / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429889399.
Pełny tekst źródłaJons, Lotta. "Till-tal och an-svar : en konstruktion av pedagogisk hållning /". Stockholm : Pedagogiska institutionen, Stockholms universitet, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-7534.
Pełny tekst źródłaJohnson, Ryan Jeffrey. "The throw an introduction to diagrammatics /". [Kent, Ohio] : Kent State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=kent1208796718.
Pełny tekst źródłaTitle from PDF t.p. (viewed May 29, 2008). Advisor: Gina Zavota. Keywords: diagrammatics, cartography, tracing, program, Deleuze, Foucault. Includes bibliographical references (p. 144-147).
Perinelli, Massimo. "Fluchtlinien des Neorealismus : der organlose Körper der italienischen Nachkriegszeit, 1943-1949 /". Bielefeld : Transcript, 2009. http://deposit.d-nb.de/cgi-bin/dokserv?id=3189202&prov=M&dok_var=1&dok_ext=htm.
Pełny tekst źródłaAnsolin, Anemar Michaell Wanes Moraes. "Uma cartografia da História da sexualidade: entre Foucault e Deleuze". Universidade Estadual do Oeste do Parana, 2014. http://tede.unioeste.br:8080/tede/handle/tede/2062.
Pełny tekst źródłaCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
Les inquiétudes concernant la sexualité nous ont poussés vers l élaboration de cette cartographie. Elle explicite une défense de la diversité articulée à des concepts des philosophies de Foucault et de Deleuze, avec le but de générer un mouvement positif quand on prétend penser en minorités . Tous les deux philosophes valorisent la question de la multiplicité, complément pour toute la construction théorique qu on a visée, articulée à d autres concepts qui ont élucidé encore plus le multiple et qui ont permis l élaboration de cette défense. Notre cartographie est faite en appliquant des concepts deleuzo-guattariens dans l Histoire de la Sexualité créée par Foucault; nous y discourons sur la thèse qui soutient que la sexualité compose un rhizome et que sa compréhension ne se fait pas à travers des connaissances statiques et transcendantes. Pour indiquer cela, nous montrons, à partir de la théorie des lignes de Deleuze et Guattari, le mouvement des vérités produites sur la sexualité abordées dans la riche étude foucaldienne. Tout en transitant parmi les concepts de Pouvoir (Foucault) et de Rhizome (Deleuze et Guattari) nous avons éclairci des proximités entre les théories de ces philosophes qui ont permis de penser un devenir de la sexualité. D autres concepts deleuziens et foucaldiens y sont aussi traités, comme le concept de différence et celui de multiplicité (Deleuze), de même que celui de gouvernementalité (Foucault). Avec eux, nous essayons d articuler une défense de la diversité comme étant une pièce fondamentale pour une vie e une pensée plus créative et moins perplexe avec la sexualité. Nous avons tenté, avec ça, de penser la constitution d un sujet qui mène sa vie de façon plus autonome et, dans ce mouvement, pense sa sexualité dans la sphère de la singularité. Pour que ça puisse être pensé, nous avons agencé à cet apparat conceptuel l idée de soin de soi-même. C est bien cette idée qui a permis de discuter la constitution d un sujet avec une sexualité autonome, en la pensant dans le jeu d une esthétique de l existence. Notre élaboration théorique va à la rencontre, d une certaine manière, avec quelques mesures politiques brésiliennes, celles qui essaient de fixer des vérités sur la sexualité dans un contexte hétéronormatif, qui ignorent un regard positif autour de la diversité, en essayant de modeler une société utopique constituée dans l hégémonie hétérosexuelle, en dévalorisant la diversité comme une possibilité de perception de la vie. Ce qui m a mené à la recherche de ce thème-là a été la non acceptation de discours qui prétendent modeler la sexualité sur des patrons de références, discours que nous appelons dans la dissertation d homogènes/hégémoniques. Homogènes car ils prétendent assurer la permanence d une forme spécifique de visualisation de la sexualité qui ont des prétentions d hégémonie, donc hégémoniques. Le contact avec les uvres de Foucault et de Deleuze nous a donné la chance, d un côté, d apercevoir comme les discours de vérités sur la sexualité peuvent être pensés hors de la logique homogène/hégémonique, et, de l autre, affirmer la positivité de la différence, tout en permettant la production d un discours favorable à la diversité.
As inquietações a respeito da sexualidade nos moveram para a elaboração desta cartografia. Ela explicita uma defesa da diversidade articulada a conceitos das filosofias de Foucault e de Deleuze, com o intuito de gerar um movimento positivo quando se pretende pensar em minorias . Ambos os filósofos valorizaram a questão da multiplicidade, complemento para toda a construção teórica que se pretendeu, articulada a outros conceitos que elucidaram ainda mais o múltiplo e permitiram a elaboração desta defesa. Nossa cartografia é feita aplicando conceitos deleuzeguattarianos na História da Sexualidade criada por Foucault; nela, discorremos sobre a tese de que a sexualidade compõe um rizoma e seu entendimento não se dá por conhecimentos estáticos e transcendentes. Para evidenciar isso, mostramos, a partir da teoria das linhas de Deleuze e de Guattari, o movimento das verdades produzidas sobre a sexualidade abordadas no rico estudo foucaultiano. Transitando entre os conceitos de Poder (Foucault) e de Rizoma (Deleuze e Guattari), elucidamos proximidades entre as teorias desses filósofos que possibilitaram pensar um devir da sexualidade. Outros conceitos deleuzianos e foucaultianos também são abordados, como o conceito de diferença e o de multiplicidade (Deleuze), assim como o de governamentalidade (Foucault). Com eles, tentamos articular uma defesa da diversidade como sendo peça fundamental para uma vida e um pensamento mais criativo e menos perplexo com a sexualidade. Tentamos, com isso, pensar a constituição de um sujeito que leva sua vida de forma mais autônoma e, nesse movimento, que pense sua sexualidade na esfera da singularidade. Para que isso possa ser pensado, agenciamos a esse aparato conceitual a ideia de cuidado de si. É essa ideia que possibilitou discutir a constituição de um sujeito com uma sexualidade autônoma, pensando-a no jogo da estética da existência. Nossa elaboração teórica vai de encontro, em certa medida, à política brasileira, àquela que tenta se concretizar por meio de um pensamento heteronormativo, que ignora um olhar positivo em torno da diversidade, tentando moldar uma sociedade utópica constituída de uma só identidade, desvalorizando a diversidade como possibilidade de produção de vida. O que levou a propor e a executar a pesquisa desse tema foi a não aceitação de discursos que pretendem moldar a sexualidade dentro de padrões de referências, discursos que, na dissertação, estão identificados como homogêneos/hegemônicos. Homogêneos porque pretendem assegurar a permanência de uma forma específica de visualização da sexualidade que têm pretensões de hegemonia, por isso hegemônicos. O contato com as obras de Foucault e de Deleuze oportunizou, de um lado, perceber como os discursos de verdades sobre a sexualidade podem ser pensados fora da lógica homogênea/hegemônica e de um padrão de referência; de outro, afirmar a positividade da diferença, possibilitando a produção de um discurso favorável para com a diversidade.
Barnett, Patricia Jan. "An investigation into painting's transformation and regeneration through post-photographic intervention in the digital archive". Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/61909/2/Trish_Barnett_Thesis.pdf.
Pełny tekst źródłaCurrier, Dianne 1963. "Technology and transformation : Deleuze, feminism and cyberspace". Monash University, Centre for Comparative Literature and Cultural Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/8916.
Pełny tekst źródłaCowan, Gregory John. "Nomadology in architecture : ephemerality, movement and collaboration". Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09ARCHM/09archmc8742.pdf.
Pełny tekst źródłaWiklander, Osvald. "Ett hål i känseln : Om språkupplevelsens fenomenologi i Ann Jäderlunds författarskap". Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-168853.
Pełny tekst źródłaEngström, Viktor. "”Jag kan inte tala” : Mellanrummet, det kollektiva och det inhumana i Willy Kyrklunds Solange". Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-197164.
Pełny tekst źródłaFoster, John-Henry Edward. "Hulle wil dit so hê : ontologiese anargie en die rewolusie van die verbeelding". Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/71800.
Pełny tekst źródłaENGLISH ABSTRACT: This study comprises a philosophical investigation into the development of a non-representational resistance against the State, with specific focus on the role of the imagination in both repression and the struggle for freedom. Using Deleuze & Guattari’s non-representasional ontology, the researcher argues that Deleuze and Guattari’s ontological system can be described as an ontological anarchy, which supplies us with tactics of resistance that strongly deviates from traditional Representational or Revolutionary models of resistance. Building on a discussion of Situationism and Hakim Bey’s T.A.Z, the argument is made that these non-representasional resistive tactics could ‘open’ the category of art up to a whole network of creative and life practices – a transformation that has the ability to free art as well as the everyday. In stead of refecting back on a supposed ‘background’ Reality, this resistance relies on the ontologically anarchic practice of reality production. The idea of the non-ordinary or peak experience, assosiated with sorcery, plays a crucial role in this production process, and the argument is made for the use the of these experiences to create a lasting peak experience, ultimately constituting a shared level of peak intensity between people that the researcher calls ‘the revolution of the imagination’. Key words: ontology, anarchy, anarchism, the State, resistance, revolution, imagination, complexity, ontology of art, poststructuralism, Representation, non-representationality, peak experience, sorcery, the everyday, Situationism, psychogeography, geophilosopy, phenomenology.
AFRIKAANSE OPSOMMING: Hierdie studie is ʼn filosofiese ondersoek na die ontwikkeling van ʼn nie-representasionele weerstand teen die Staat, met besondere klem op die rol van die verbeelding in die onderdrukking van, sowél as die stryd om vryheid. Deur middel van Deleuze & Guattari se nie-representasionele ontologie word daar tussen Representasie, wat met die Staat as komplekse en gesamentlik geproduseerde sosiale konfigurasie verband hou, en nie-representasionaliteit, wat met anargisme saamhang, onderskei. Die navorser voer aan dat Deleuze & Guattari se ontologiese sisteem as ʼn ontologiese anargie beskryf kan word wat ons van weerstandstaktieke voorsien wat sterk van tradisionele Representasionele of Rewolusionêre weerstandsmodelle afwyk. Na aanleiding van ʼn bespreking van Situasionisme en Hakim Bey se T.A.Z word daar betoog dat hierdie nie-representasionele weerstandstaktieke, die kategorie van kuns kan ‘oopmaak’ tot ʼn hele netwerk van ander kreatiewe en lewenspraktyke – ʼn transformasie wat terselfdertyd kuns én die alledaagse kan bevry. In plaas daarvan om terug te kaats op ʼn veronderstelde ‘agtergrond’- Werklikheid, gaan dié stryd om die ontologies anargiese praktyk van werklikheidsproduksie. Die idee van nie-gewone ervaring, of die spitservaring, wat met towery geassosieer word, speel ʼn sentrale rol in hierdie produksie, en daar word aangevoer dat dit gebruik kan word om van álle ervarings ʼn verlengde spitservaring te maak – ʼn gedeelde vlak van intensiteit onder mense wat die navorser ‘die rewolusie van die verbeelding’ noem. Trefwoorde: ontologie, anargie, anargisme, die Staat, weerstand, rewolusie, verbeelding, kompleksiteit, ontologie van kuns, poststrukturalisme, Representasie, nie-representasionaliteit, spitservaring, towery, die alledaagse, Situasionisme, psigogeografie, geofilosofie, fenomenologie.
MacCormack, Patricia (Patricia Anne) 1973. "Pleasure, perversion and death : three lines of flight for the viewing body". Monash University, Centre for Women's Studies and Gender Research, 2000. http://arrow.monash.edu.au/hdl/1959.1/7835.
Pełny tekst źródłaWhitehead, Johanna Jacoba (Hanje). "Challenging the hand : critical confrontations of female craft and animal artefact in post-apartheid visual art". Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/71770.
Pełny tekst źródłaFowler, Daren. "Step Into a Blue Funk: Transversal Color and Derek Jarman's Blue". 2014. http://scholarworks.gsu.edu/communication_theses/109.
Pełny tekst źródłaCowan, Gregory. "Nomadology in architecture: ephemerality, movement and collaboration". 2002. http://hdl.handle.net/2440/37830.
Pełny tekst źródłaThesis (M.Arch.)--School of Architecture, Landscape Architecture & Urban Design, 2002.
Cowan, Gregory. "Nomadology in architecture: ephemerality, movement and collaboration". Thesis, 2002. http://hdl.handle.net/2440/37830.
Pełny tekst źródłaThesis (M.Arch.)--School of Architecture, Landscape Architecture & Urban Design, 2002.
Jezewski, Meghan Maria Jadwiga. "The d/Deaf social worker body as multiplicity: a feminist poststructural autoethnography of deafness and hearing". Thesis, 2012. http://hdl.handle.net/1828/4065.
Pełny tekst źródłaGraduate
Rockel, AM. "Reframing : transformations of subjectivity through writing". Thesis, 2000. https://eprints.utas.edu.au/2279/2/ReFraming_-_Transformations_of_Subjectivity_Through_Writing.pdf.
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