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Artykuły w czasopismach na temat "Felix Guattari"
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Haesbaert e Glauco Bruce, Rogério. "A Desterritorialização na Obra de Deleuze e Guattari". GEOgraphia 4, nr 7 (21.09.2009): 7. http://dx.doi.org/10.22409/geographia2002.47.a13419.
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RESUMO Desterritorialização é uma noção central na obra de Gilles Deleuze e Felix Guattari. Este texto objetiva esclarecer o seu sentido, como uma forma de promover o estimulante diálogo que estes autores propõem para com a Geografia. Palavras-chave: Desterritorialização, Território, Gilles Deleuze, Felix Guattari.ABSTRACT Deterritorialization is a central notion at Gilles Deleuze and Felix Guattari’s work This text aims to clarify its sense as a way to promote the stimulating dialogue with Geography. Keywords: Deterritorialization, Territory, Gilles Deleuze, Felix Guattari.
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Haesbaert e Glauco Bruce, Rogério. "A Desterritorialização na Obra de Deleuze e Guattari". GEOgraphia 4, nr 7 (21.09.2009): 7. http://dx.doi.org/10.22409/geographia2002.v4i7.a13419.
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RESUMO Desterritorialização é uma noção central na obra de Gilles Deleuze e Felix Guattari. Este texto objetiva esclarecer o seu sentido, como uma forma de promover o estimulante diálogo que estes autores propõem para com a Geografia. Palavras-chave: Desterritorialização, Território, Gilles Deleuze, Felix Guattari.ABSTRACT Deterritorialization is a central notion at Gilles Deleuze and Felix Guattari’s work This text aims to clarify its sense as a way to promote the stimulating dialogue with Geography. Keywords: Deterritorialization, Territory, Gilles Deleuze, Felix Guattari.
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Fernández, Josep‐Anton. "Felix guattari: Toward a queer chaosmosis". Angelaki 1, nr 1 (styczeń 1996): 99–112. http://dx.doi.org/10.1080/09697259608571874.
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Moore, G. "Gilles Deleuze et Felix Guattari: Biographie croisee". French Studies 62, nr 4 (1.10.2008): 502–3. http://dx.doi.org/10.1093/fs/knn103.
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Barlott, Tim. "Becoming-sick". Journal of Autoethnography 2, nr 2 (2021): 215–16. http://dx.doi.org/10.1525/joae.2021.2.2.215.
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Becoming, a concept from the work of Gilles Deleuze and Felix Guattari,1 is an asignifying process of transformation that unsettles the taken-for-granted. Engaging with micropolitical movements of power and resistance, becomings generate fissures and lines of escape that are difficult to classify or categorize. In this Deleuzio-Guattarian intoxicated poem, the author explores his imperceptible becoming following the surgical removal of an oral cancer.
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Žukauskaitė, Audronė. "GILLES’IO DELEUZE’O IR FELIXO GUATTARI MIKROPOLITIKA ŠIUOLAIKINĖS FILOSOFIJOS KONTEKSTE". Problemos 75 (1.01.2009): 34–43. http://dx.doi.org/10.15388/problemos.2009.0.1978.
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Straipsnyje analizuojama Gilles’io Deleuze’o ir Felixo Guattari kuriama mikropolitikos samprata, kuri priešpriešinama makropolitikai, veikiančiai pripažintų politinių teorijų ir apibrėžtų tapatybių lygmenyje. Mikropolitikos projektas siejamas su tapsmo mažuma, mažosios literatūros, mažosios politikos sampratomis, kurios nukreiptos ne į tapatybės kūrimą, bet į tapsmo procesą, inovaciją, eksperimentą. Deleuze’as ir Guattari teigia, jog tapsmas mažuma yra universalus procesas, kurio tikslas – kiekvieno individo autonomija. Deleuze‘o ir Guattari universalaus tapsmo koncepcija priešpriešinama Alaino Badiou kuriamai karingojo universalizmo sampratai. Badiou postuluojamas universalizmas iš pirmo žvilgsnio yra panašus į Deleuze’o ir Guattari siūlomos tapsmo teorijos universalumą, tačiau abiejų teorijų turinys radikaliai skiriasi. Deleuze’ui ir Guattari pats tapsmas mažuma yra universalus procesas; Badiou, priešingai, mažumas ir skirtumus pasitelkia tam, kad juos redukuotų į lygybę ir vienodumą. Badiou siekia panaikinti skirtumus dėl universalizmo, kuris pasiekiamas per tiesos įvykį, bendrą visiems ir kiekvienam.Pagrindiniai žodžiai: mikropolitika, mažoji literatūra, tapsmas mažuma, paskirybė, universalizmas.Gilles Deleuze and Felix Guattari’s Micropolitics in the Context of Contemporary PhilosophyAudronė Žukauskaitė SummaryThe article discusses Deleuze and Guattari’s concept of micropolitics in relation with the notions of minor literature and becoming-minoritarian. The concept of minor literature appears in Deleuze and Guattari’s Kafka: Toward a Minor Literature and is defined by three characteristics: 1) the deterritorialization of language; 2) the connection of the individual to a political immediacy; 3) the collective assemblage of enunciation. The notion of minor literature is closely related with the notion of becoming-minoritarian developed in A Thousand Plateaus. Deleuze and Guattari claim that becoming-minoritarian is the universal figure of consciousness. In this sense, any kind of becoming is a revolutionary act, because it changes the political constellation of power and enables the repressed to reach an autonomous condition. The concept of becoming-minoritarian is introduced to the contemporary political context through the notion of minor politics, discussed by Nicholas Thoburn. Minor politics is seen not as a fetishization of marginal identity but rather as a possibility to legitimize the existence of those who lack any social identity. In this sense, the notions of becoming-minoritarian and minor politics are contrasted with Alain Badiou’s claim to universality: the question is raised as to whether becoming-minoritarian should necessarily end in autonomy, as Deleuze and Guattari argue, or, by contrast, whether it should seek to universalize the minor and in this way raise the claim for universal justice.Keywords: micropolitics, minor literature, becoming-minoritiarian, the particular, universalism.
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Settle, Zachary Thomas. "Review of "Gilles Deleuze and Felix Guattari: Intersecting Lives"". Essays in Philosophy 14, nr 2 (2013): 361–65. http://dx.doi.org/10.7710/1526-0569.1484.
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Simic, Marina. "Gilles Deleuze, Felix Guattari and anthropology: The forgotten case of Gregory Bateson". Bulletin de l'Institut etnographique 69, nr 2 (2021): 413–31. http://dx.doi.org/10.2298/gei2102413s.
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This paper discusses the relationship between anthropology and philosophy of Gilles Deleuze and Phelix Guattari. It aims to show the ways in which anthropology influenced work of these authors with special emphasis on theories and concepts Deleuze and Guattari adopted from Gregory Bateson. These concepts include those of double bind, rhizome and plateau of intensity.
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Žukauskaitė, Audronė. "SOCIALINIŲ INSTITUCIJŲ KRITIKA GILL ES’IO DELEUZE’O IR FELIXO GUATTARI FILOSOFIJOJE". Problemos 76 (1.01.2009): 39–51. http://dx.doi.org/10.15388/problemos.2009.0.1944.
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Straipsnyje analizuojama socialinių institucijų kritika, išplėtota Deleuze’o ir Guattari knygose Anti-Oidipas ir Tūkstantis plokštikalnių bei trumpame, bet reikšmingame Deleuze’o tekste „Prierašas apie kontrolės visuomenę“. Deleuze’as ir Guattari kuria mašininę visuomenės sampratą: jų teigimu, skirtingas socialines ir ekonomines formacijas įmanoma įsivaizduoti kaip virtualias mašinas, kurios gali aktualizuotis bet kuriuo istoriniu momentu. Analizuodami valstybės aparatą, Deleuze’as ir Guattari vengia nuorodų į konkrečias valstybes; veikiau jie kalba apie universalią valstybę-formą, kuri veikia kaip užgrobimo aparatas. Valstybė-forma suvokiama kaip suvienodinantis ir standartizuojantis principas, o karo mašina, priešingai, siekia sulaužyti sustingusias formas ir kurti inovacijas. Šie du agregatai – valstybės aparatas ir karo mašina – apibūdina ne tik valstybę ir jai besipriešinančias jėgas, bet persmelkia visas žmogaus veiklos sferas: mokslą, filosofiją, meną. Deleuze’o ir Guattari formuluojama valstybės aparato kritika artima Michelio Foucault disciplinos visuomenės teorijai. Foucault galios samprata taip pat yra mechanicistinė: galia persmelkia sociumą įsikūnydama disciplininiuose aparatuose. Deleuze’as disciplinos visuomenės teorijai priešpriešina savąją kontrolės visuomenės sampratą: priešingai nei disciplininė galia, kuri buvo ilgalaikė, visa apimanti, tačiau netolydi, kontrolė sukuria tolydų ir nuolat kintantį galios tinklą, kuris apraizgo visas žmogaus veiklos sferas.Pagrindiniai žodžiai: socialinės mašinos, valstybės aparatas, karo mašina, disciplinos visuomenė, kontrolės visuomenė.Critique of Social Institutions in Gilles Deleuze’s and Felix Guattari’s PhilosophyAudronė Žukauskaitė SummaryThe article discusses Deleuze’s and Guattari’s notions of society and state. In Anti-Oedipus, Deleuze and Guattari analyze the territorial, despotic and capitalist machines which are seen not as different stages of historical evolution but as different types of an abstract machine. In A Thousand Plateaus Deleuze and Guattari develop the mechanistic notion of the state: the state – form is an abstract machine or a diagram which can be actualized in different historical state forms. The state – form is juxtaposed to another type of assemblage called the nomadic war machine. If the state-form functions as a principle of unification and standardization, the war machine is seen as a principle of metamorphic transformations and innovations. Deleuze and Guattari’s theories of society and state are compared with Michel Foucault’s mechanistic notion of society. Deleuze contrasts his notion of control society to the notion of discipline society by Foucault. If the mechanisms of discipline are discontinuous and function in precise space areas, the mechanisms of control produce continuous and all-encompassing networks which totally merge with our corporeal existence.Keywords: social machines, state apparatus, war machine, discipline society, control society.
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STUHR, JOHN J. "Book Reviews: Gilles Deleuze and Felix Guattari, What Is Philosophy?" Journal of Aesthetics and Art Criticism 54, nr 2 (1.03.1996): 181–82. http://dx.doi.org/10.1111/1540_6245.jaac54.2.0181.
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Santos, Zamara Araujo dos 1966. "A geofilosofia de Deleuze e Guattari". [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280012.
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Orientadores: Luiz Benedicto Lacerda Orlandi, Anne SauvagnarguesTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: A Geofilosofia é um conceito tardio na obra de Deleuze e Guattari e, embora se aplique ao último livro em parceria, Qu'est-ce que la Philosophie ?, trata-se de uma noção que envolve suas principais criações conceituais, circunscrevendo o período de Capitalisme et schizophrénie, mas dialogando com noções e momentos distintos da obra dos autores. Sob a rubrica da noção, a filosofia consagra a conexão de um plano de imanência absoluto derivado de um meio imanente e social que constitui a conjunção de relações variáveis entre o território e a terra. Assim, o ato de pensar não gravita sob a órbita das categorias sujeito e objeto, mas concerne a um meio intensivo e contingente, que, compondo uma ambiência de circunstâncias externas, demarca um campo de conexões e fronteiras de relações múltiplas e devires que contornam o molar e o molecular, estabelecendo um regime de troca, captura e sobrecodificação dos códigos. Nesse traçado, o pensamento e os conceitos invocam um "fora", um devir molecular, devires animais e imperceptíveis que povoam o território e os agenciamentos, perfilham conexões, ramificações heterogêneas e rizomáticas que seguem por linhas intensivas, conjurando forças e movimentos da terra que operam por movimentos diagramáticos, geodésia e desterritorialização. Configura-se, com efeito, uma cartografia dos deslocamentos, direções e trajetos que circunscreve o mapa de uma geografia agitada por linhas de fuga, longitudes e latitudes, sendo essas, portanto, as condições do plano de imanência absoluto do pensamento, de sua desterritorialização e reterritorialização
Abstract: Geophilosophy is a lag concept in Deleuze and Guattari's work, and besides it can be applied at the last book in partnership Qu'est-ce que la Philosophie?, it is a notion that involves their main conceptual creations, circumscribing the period of Capitalisme et schizophrénie, but in dialogue with distincts notions and moments of both autors work. Under the heading of the notion, philosophy consecrates the conexion of an absolut immanence plan derivative of a social and immanent environment that constitutes the conjunction of variable relations between the territory and the earth. This way, the act of thinking doesn't gravitate in the orbit of the categories of subject and object, but concerns to a intensive and contingent environment, that, setting an ambience of external circunstances, delimits a field of conexions and borders, of multiple relations and becomings that skirts the molar and the molecular, establishing a system of change, capture and overcoding of the codes. In this route, the thought and the concepts invocate an "outside", a molecular becoming, animal and inconspicuous becomings that settle the territory and the assemblages, profiling conexions, heterogeneous and rhizomatic ramifications that follow by intensive lines, conjuring forces and movements of earth that operates by diagrammatic movements, geodey and deterritorialization. Setting up, in effect, a cartography of displacements, directions and pathways that circumscribes the map of a geography agitated by creepage, longitudes and latitudes, being these, by the way, the conditions of the absolut immanence plan of thinking, of its deterritorialization and reterritorialization
Doutorado
Filosofia
Doutor em Filosofia
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Weil, Abraham. "TRANS*VERSAL ANIMACIES AND THE MATTERING OF BLACK TRANS* POLITICAL LIFE". SPRINGER, 2017. http://hdl.handle.net/10150/626034.
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This article explores trans*versal connections between transness, blackness, and the animal. Drawn from the conceptual vocabulary of cultural theorist Felix Guattari, this article argues that the central purpose of transversality is to create linkages between previously unexplored singularities in a field, and then to create connections in other conceptual topographies at different levels of discursivity. The article advances an extension of Guattari's transversal into a more capacious concept of the trans*versal, to analyze the #blacklivesmatter and #blacktranslivematter movements that draw on critical animal studies to reveal ways that species hierarchies are always present in processes of racialization that allow some lives to matter more, or less, than others.
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Giedraitis, Edvardas. "Critique and reconceptualization of the concept of family using Gilles Deleuze and Felix Guattari's "Anti-Oedipus"". Master's thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2013~D_20130605_160901-57373.
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The Western contemporary notion of the secular family seems to be supported by the following contradictory premises: on the one hand, the nuclear family is supposed to be based on love (between husband and wife; between parents and children) that is expected to last ‘till death do us part'. On the other hand, what ought to last – in the relation between a restricted set of love objects – is also known to be an elusive and uncontrollable affect(ion), that seems to arise 'out of nowhere', and to disappear as quickly. Further, the popular understanding of a loving relation goes hand in hand with a supporting injunction to possess an object of love, which finds its ideological support in the contemporary ethos of Capital's relations of production/reproduction, particularly in the notion of private property.
Several consequences ensue from these contradictions. Firstly, love gets compromised by fixing it on an extremely restricted set of chosen members and becomes something one needs to 'work at' (in case it 'fails') instead of a spontaneously arising force. It eventually becomes a 'promise' that is meant always to fail; however, it generates a whole spectrum of industries that successfully cash in on the idea of love, by selling love in what looks to be an unlimited variety of commodity forms (products, service, affective services, etc.).
Secondly, the notion of love that is meant to correspond to a possession of its object is a product as well as producer. This notion of... [to full text]Šiuolaikinė dominuojanti Vakarų šeimos samprata yra grindžiama darant prieštaringas prielaidas. Iš vienos pusės, 'branduolinė šeima' turėtų būti paremta meile grįstais santykiais tarp žmonos ir vyro ir tarp vaikų ir tėvų - iš kurių yra tikimasi kad ji (meilė) turi tęstis iki 'kol mirtis išskirs'. Iš kitos pusės, ko yra reikalaujama ilgalaikio tęstinumo - tarp apribotų santykių su išskirtiniais (leistinais) meilės objektais – yra afekto, kuris pasižymi nenuspėjamumu, praeinamumu ir nepasidavimu racionaliai kontrolei. Ji (meilė) - kaip liaudies išmintis patvirtintų - kaip greitai ir nenuspėjamai 'ateina' taip pat greitai ir nenuspėjamai 'išeina'. Be to, populiarus meilės supratimas yra palaikomas papildoma reakcine geismo forma - pasisavinti, 'privatizuoti' meilės objektą, – atrandanti atgarsį ir palaikimą, šiuolaikinių kapitalistinių santykių, grindžiamų privačia nuosavybę, etose. Šie šeimos koncepto prieštaravimai turi bent kelias svarbias pasekmes. Visų pirmą, meilė yra sukompromituojama nurodant konkrečius ir simboliškai griežtai apribotus šeimos subjektus kuriuos yra leistina 'mylėti' ir tapatintis. Nepatenkinant šio meilės reikalavimo, 'meilės' pora yra skatinama 'dirbti' su savo santykiais , tikintis jog meilė gali būti produkuota, o ne kylanti iš spontaniško afekto. Galiausiai, meilės sąvoka tampa 'pažadu', kuris yra pasmerktas būti pastoviai neįgyvendinamas, bet kuris, tuo pačiu sukuria nišą visam spektrui kapitalistinių industrijų kurti pridėtinę vertę... [toliau žr. visą tekstą]
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Souza, Marco Aurélio de. "A HISTÓRIA DESFIGURADA: DESTERRITORIALIZAÇÃO E EXPERIÊNCIA DO FORA EM AMAR-TE A TI NEM SEI SE COM CARÍCIAS, DE WILSON BUENO". UNIVERSIDADE ESTADUAL DE PONTA GROSSA, 2015. http://tede2.uepg.br/jspui/handle/prefix/402.
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Previous issue date: 2015-03-31This research proposes, based on Deleuze and Guattari’s philosophy, a rhizomatic reading of the historical novel Amar-te a ti nem sei se com carícias (2004), by the Paranaense writer Wilson Bueno. By reviewing the most relevant theoretical tendencies related to the fictional genre (HUTCHEON, 1991; MENTON, 1993;ESTEVES, 2010), I criticize the didacticism found in these theories. By the mapping of the incipient criticism works of Bueno’s novel, I present a deviation related to these preview works, aiming at a concept of literature closer to the cathartic and deterritorialization function of the esthetic text. To do that, I try to define the historical novel specificity, describing it as a private manifestation of the historical social imagination (BANN, 1994) that puts into practice images from the past (ANKERSMIT, 2001). In this perspective, however, the literary writing is characterized by the way a writer disconnects these images from the past and puts his reader in touch with a non-place, making it possible, through the use of language, a hollowing out experience. To promote this reading, I make use of rhizomatic perception of the literary phenomenon, such as Deleuze and Guattari present it in Mil Platôs (2011), identifying, in the novel, lines of hard, molecular and abstract segmentarity. So, I understand the images from the past to be mobilized in the fiction as components of the novel’s hard segmentarity line, placing, as a next step, the literary resources that work with what Deleuze and Guattary named quantums of deterritorialization. But if the fiction historical meaning is affected by the molecular segmentarity line, it is in the abstract segmentarity line that, with greater intensity, it disappears and leaves room for a dive in the other of all worlds (BLANCHOT, 1997; LEVY, 2011). Thus I identify the moment of the novel’s abstract segmentarity line when everything takes place in terms of a savage and implacable present. The abstract segmentarity line makes the historical novel an experiment about the limits of a historically determined society, showing the possible fissures on the subjectivity wall from a past time, deforming History, promoting the contact with its hollowing out.
Este trabalho propõe, a partir da filosofia de Deleuze e Guattari, uma leitura rizomática do romance histórico Amar-te a ti nem sei se com carícias (2004), do escritor paranaense Wilson Bueno. Revisitando as principais tendências teóricas ligadas à modalidade ficcional (HUTCHEON, 1991; MENTON, 1993; ESTEVES, 2010), realizo uma crítica ao didatismo presente nestas teorias. Mapeando a incipiente fortuna crítica do romance de Bueno, apresento um desvio em relação a este conjunto de trabalhos, visando uma conceituação de literatura que acena para a função catártica e desterritorializante do texto estético. Para tanto, procuro definir a especificidade do romance histórico, apresentando-o como uma manifestação particular da imaginação histórica (BANN, 1994) social que erige ou coloca em funcionamento imagens do passado (ANKERSMIT, 2001). Na perspectiva que proponho, contudo, a obra literária se caracteriza pelo modo como um escritor desarticula tais imagens do passado e coloca o seu leitor em contato com um nãolugar, possibilitando, através da linguagem, uma experiência do Fora. No intuito de operacionalizar tal leitura, recorro à percepção rizomática do fenômeno literário, tal como Deleuze e Guattari a apresentam em Mil Platôs (2011), identificando, no romance, linhas de segmentaridade dura, linhas de segmentaridade maleável e linhas de fuga. Deste modo, entendo as imagens do passado mobilizadas na ficção como constituintes da linha dura do romance, localizando, num segundo momento, os recursos literários que funcionam como aquilo que Deleuze-Guattari denominam quantas de desterritorialização. Mas se o significado histórico presente na ficção se abala com a linha maleável, é na linha de fuga que, com maior intensidade, ele se desfaz e dá lugar a um mergulho no outro de todos os mundos (BLANCHOT, 1997;LEVY, 2011). Identifico, deste modo, o momento da fuga no romance, quando tudo se coloca em termos de um presente selvagem e indomável. A linha de fuga faz do romance histórico um experimento acerca dos limites de uma sociedade historicamente determinada, mostrando as rachaduras possíveis no muro da subjetividade de um tempo passado, desfigurando a História, promovendo um contato com o seu Fora.
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Pastre, Jose Luiz 1963. "Educação e estética da existência : práticas da liberdade e criação de novas possibilidades de vida". [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/253947.
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Orientador: Áurea Maria GuimarãesTese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação
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Resumo: O objetivo de minha pesquisa é pensar a educação a partir da ideia uma estética da existência. Trata-se de uma abordagem estética e micropolítica da educação. Para o desenvolvimento dessa abordagem, além da própria noção de estética da existência, utilizo alguns conceitos presentes nas obras de Gilles Deleuze e Félix Guattari como meus principais intercessores da pesquisa. Para esses autores uma análise micropolítica sempre se situa no cruzamento entre diferentes modos de apreensão de uma problemática. Nesse sentido, o campo da pesquisa situa-se no cruzamento entre várias fontes, onde utilizo materiais de diferentes ordens, tais como: documentos oficiais, experiências históricas de práticas educacionais, análises estéticas (teoria da arte), experiências próprias e de outros educadores, pesquisas de abordagens diversas no campo educacional, trechos de filmes, etc. Ao utilizar esse material, meu intuito é estabelecer alguns traços, ou constituir algumas notas, que permitam pensar a educação como uma estética da existência.
Abstract: The object of my research is to think about education from the idea of an aesthetic of existence. This is an aesthetic approach and micropolitics of education. For the development of this approach, besides the very notion of aesthetics of existence, I use some concepts in the works of Gilles Deleuze and Félix Guattari as my main search intercessors. For these authors a micropolitical analysis always lies at the crossroads between different modes of apprehension of a problem. In this sense , the field of research is situated at the crossroads of several sources, which use various orders of materials , such as official documents , historical experiences of educational practices, aesthetic analyzes (art theory), own experiences and other educators, various research approaches in education, film clips, etc. By using this material, my aim is to establish some traits, or pose some notes, which we may think about education from the idea of an aesthetics of existence.
Doutorado
Ensino e Práticas Culturais
Doutor em Educação
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Dixon, Peter. "Ecocriticism, Geophilosophy, and the [Truth] of Ecology". Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/19901.
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This thesis addresses the question posed to ecocriticism by Dana Phillips in his iconoclastic The Truth of Ecology: Nature, Culture, and Literature in America: “What is the truth of ecology, insofar as this truth is addressed by literature and art?” by examining how ecocriticism has, or has failed to, contextualize ecocritical discourse within an ecological framework. After reviewing the current state of ecocriticism and its relationship with environmentalism, the thesis suggests that both rely on the same outmoded, inaccurate and essentially inutile ecological concepts and language, and argues for a new approach to ecocriticism that borrows its concepts and language from the geophilosophy of Gilles Deleuze and Felix Guattari. The thesis concludes with a reassessment of the work of Barry Lopez, showing how his fiction, when viewed through the lens of geophilosophy, does not support essentialist notions of nature, but rather works to articulate a world of multiplicities, and new modes of becoming.
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Cope, Benjamin. "An investigation of the novels of Nathalie Sarraute through the optic of Gilles Deleuze and Felix Guattari". Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.396158.
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Dinis, Nilson Fernandes 1972. "A arte da fuga em Clarice Lispector : aproximações entre a escrita clariceana e a filosofia de Deleuze e Guattari". [s.n.], 1998. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278829.
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Orientador: Luiz Benedicto Lacerda OrlandiDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: O objeto deste estudo são as afinidades, as aproximações entre a produção literária de Clarice Lispector e o projeto filosófico de Gilles Deleuze e Félix Guattari. Nosso objetivo não será de estabelecer pontos de influência mas de buscar as linhas de variação, de desvio, de fuga, que percorrem a construção da obra clariceana e que no projeto filosófico de Deleuze e Guattari são as principais armas do escritor para construir o que eles chamam de literatura menor, ou seja, uma literatura inovadora que se contrapõe a uma literatura considerado como maior ou padrão, a literatura dos cânones. Buscamos entender como essas linhas de variação se processam no tratamento dado à escritura, aos corpos, ao tempo e ao pensamento na obra de Clarice Lispector, compondo o que chamamos de uma arte da fuga. Ao se aproximar da música a escritura clariceana inova se distanciando cada vez mais da construção de uma arte figurativa ou representativa ao mesmo tempo em que faz do processo da escrita um dos seus principais temas
Abstract: The object of this study are the close similarities between the literary production of Clarice Lispector and the philosophical project of Gilles Deleuze and Félix Guattari. Our aim will not be to establish points of influence but to look for the variation lines, of deviation, of fugue that permeate the construction of claricean work and that in the philosophical project of Deleuze and Guattari, are the weapons of the writer to construct what they call minor literature, or an innovative literature that contrasts with a literature considered major or standard, the canonical literature. We try to understand how those variation lines occurr in the treatment of the writing, of the bodies, of the time and of the thought in the work of Clarice Lispector composing what we call art of fugue. By getting elo ser to the music, elaricean writings inovate taking distance of the construction of a figurative or a representative art as it tums the process of writing in one of its main themes
Mestrado
Mestre em Filosofia
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Raby, John. "Gilles Deleuze : musique, philosophie et devenir". Thesis, Rennes 2, 2015. http://www.theses.fr/2015REN20011/document.
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D’après Deleuze, écrire sur la musique constituerait un « sommet » de la pensée, l’idée d’une « supériorité » du musical sur les autres formes d’art étant, par là même, affirmée. La relation entre musique et philosophie n’est pas, dans sa pensée, de l’ordre du commentaire mais du devenir. Autrement dit, la musique n’est pas un simple objet d’analyse puisqu’elle influence en retour le style de conceptualisation du philosophe. C’est pourquoi ce problème s’articule selon deux perspectives qui s’échangent sans se concilier tout à fait : un devenir-musical de la philosophie, un devenirconceptuelde la musique. On pense par exemple au concept décisif de ritournelle qui désigne à la fois une « petite musique » etl’éternel retour.Le devenir-musical de la philosophie correspond à une dimension « artiste » de la pensée, le style d’écriture devenant un enjeu majeur. Deleuze partage avec les romanciers la création d’une langue étrangère dans la langue courante – création qui tend vers une « musicalisation » du langage. Si l’écrivain invente une « petite musique » par une mise en variation continue de la langue, le devenir musical de la philosophie implique une variation continue du concept, notamment parl’usage de la métaphore. Le texte philosophique refuse alors toute approche interprétative pour intensifer la part affective du texte. Un tel devenir n’est pas sans produire une forme d’ambiguïté puisqu’il finit par rendre indiscernable poésie et philosophie. Comment assumer la part musicale de la pensée deleuzienne dans le champ de la philosophie ? Le devenir-conceptuel de la musique correspond à un aspect plus traditionnel de la pensée deleuzienne puisque la musique y est soumise à l’appareillage ontologique du philosophe. En toute logique, l’idéal esthétique vers lequel tend tout agencement musical s’avère être la variation continue. Reprenant à son compte les dualités bergsoniennes, Deleuze assimile lemusical au domaine de l’intensif et du différentiel contre ce qui touche à la représentation. Sur la question fondalementaledu temps musical, Deleuze s’inspire de Wagner Proust, Bergson et Boulez pour développer une métaphysique de la musique autour de deux notions : le passé pur comme Mémoire cosmique et la réminiscence comme moyen esthétique d’y accéder. Du fait de la nature idéaliste de cette conception, Deleuze s’oppose à l’esthétique nietzschéenne pour renouer avec le romantismeAccording to Gilles Deleuze, writing about music would be a summit of thought, the idea of superiority of the music is even asserted. Deleuze doesn’t think the relationship between music and philosophy as a comment but as a becoming. Music is not just a subject of analysis since in turn influences the style of conceptualization of the philosopher. The musical question thus revolves around two perspectives : a becoming-music of philosophy, a becoming-conceptual of music. For example,the concept of refrain refers to both a "little song" and the eternal return of Nietzsche.Becoming-music of philosophy is an artistic dimension of thought, so the writing style became a major issue. Deleuze shares with writers the creation of a foreign language in everyday language - which tends to create a « musicalisation » of words. As the writer invents a word music with a continuously variable setting of the language, the music of philosophy implies a continuous variation of the concept, including the use of metaphor. The philosophical text then refuses any interpretative approach to concentrate the affective part of the text. Such becoming is not without producing a form of ambiguity since it ultimately makes indistinguishable poetry and philosophy. How to take music fot the deleuzian concept in the field of philosophy?The same continuous variation is seen under high aesthetic ideal within the becomingconceptual of music. This second perspective corresponds to a more traditional aspect of Deleuze's thought since music is subjected to the ontological apparatus of the philosopher. Inspired by Wagner, Proust, Bergson and Boulez, Deleuze develops a metaphysic ofmusic based on two notions : the pure past and reminiscence. Because of such an idealistic conception of music aspect, Deleuze opposes Nietzsche's aesthetics to revive the romantism
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Silva, Dayse Paulo da [UNESP]. "O inconsciente entendido à luz de Gilles Deleuze e Félix Guattari: intersecções entre a psicanálise de Melanie Klein e a esquizoanálise". Universidade Estadual Paulista (UNESP), 2006. http://hdl.handle.net/11449/97633.
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Gilles Deleuze e Félix Guattari, autores do século XX, criaram a Esquizoanálise e estudaram várias áreas de conhecimento, dentre as quais, a Psicologia. A fim de propor um conceito de inconsciente, discussão que ocupa boa parte de sua obra, os teóricos discutiram alguns tópicos da Psicanálise, procurando definir seu funcionamento maquínico. A importância de nosso trabalho reside na reconstituição do inconsciente psicanalítico, aproveitando esses aspectos e apontando perspectivas de análise. Na presente dissertação, focamos-nos nos seus escritos acerca da psicanálise de Melanie Klein, a qual possui como um de seus elementos-chave para a compreensão do inconsciente a noção de objeto parcial. Fez-se necessário, então, investigar essa concepção, pois ela é vital e revolucionária e nos ajuda a compreender o inconsciente, embora Deleuze/Guattari tenham se utilizado dos objetos parciais de forma diferente da autora, procurando ressaltar seus aspectos produtivos. Assim, essa dissertação, que possui um caráter teórico-explorativo, busca entender e sistematizar o pensamento de Deleuze/Guattari no que se refere à construção do inconsciente esquizoanalítico. Para alcançar nosso objetivo, realizamos uma leitura da psicanálise kleiniana a partir da perspectiva esquizoanalítica, procurando intersecções entre esses dois campos epistemológicos. Além disso, quando necessário, complementamos a visão de Deleuze/Guattari. Sendo assim, adotamos como primeiro eixo de análise a dinâmica dos objetos parciais nas posições esquizo-paranóide e depressiva, em relação a sua função integradora ou desintegradora do ego e, como segundo eixo, a participação dos objetos parciais na expressão do corpo...
Gilles Deleuze and Félix Guattari were twentieth century authors who not only studied several knowledge areas, such as Psychology, but also founded Schizoanalysis. In order to elaborate an unconscious concept, these theoreticians discussed some topics from Psychoanalysis. This discussion concerns a great part of their works and searching for a definition of machinic unconscious. The importance of this work lies in the reconstitution of a psychoanalytic unconscious, taking advantage of those productive aspects and showing new perspectives of analysis. In this dissertation, we focused on their writings about Melanie Klein s Psychoanalysis, which possesses as one of its fundamental element the notion of part-objects. Therefore, it was necessary to investigate this statement because it is revolutionary and help us to understand the unconscious. On the other hand, Deleuze/Guattari used these objects in a different way, trying to emphasize the part-object productive aspects. In that way, this study, which has a theoretical-exploratory characteristic, had as purposes to understand and to systematize Deleuze/Guattari s thoughts in reference to the construction of Schizoanalysis unconscious. To reach this goal, we examined Klein s theory through the Schizoanalytic perspective, searching for intersections between these two epistemological fields. Moreover, we complemented Deleuze/Guattari reflections whenever it was necessary. So, as our first point of analysis we adopted the part-object dynamic in paranoid-schizoid and depressive positions in their relation to the ego integrated and desintegrated functions. As our second point, we study how the part-objects participate in the body expression... (Complete abstract, click electronic address below)
Książki na temat "Felix Guattari"
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Felix Guattari and Gilles Deleuze: A bibliography. Santa Cruz, CA: Reference and Research Services, 1992.
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1962-, Mecchia Giuseppina, i Stivale Charles J, red. Felix Guattari: Thought, friendship, and visionary cartography. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2008.
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Berardi, Franco. Felix: Narrazione dell'incontro con il pensiero di Guattari, cartografia visionaria del tempo che viene. Roma: L. Sossella, 2001.
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Thakkar-Scholz, Arnim. Die Schizoanalyse von Félix Guattari und Gilles Deleuze. Essen: Verlag Die Blaue Eule, 2004.
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Hesper, Stefan. Schreiben ohne Text: Die prozessuale Ästhetik von Gilles Deleuze und Félix Guattari. Opladen: Westdeutscher Verlag, 1994.
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Deleuze, Gilles. Deleuze and Guattari's Anti-Oedipus: Introduction to schizoanalysis. London: Routledge, 1999.
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Bifo, Franco Professor Berardi. Felix Guattari. Palgrave Macmillan, 2008.
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Guattari, Félix. Grand entretien : Felix guattari. 00h00.Com, 2003.
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Akay, Ali. Felix Guattari: Öznellik Alanlari. Otonom Yayincilik, 2018.
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Dosse, François. Gilles Deleuze and Felix Guattari. Columbia University Press, 2010.
Znajdź pełny tekst źródłaCzęści książek na temat "Felix Guattari"
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Fortier, Mark. "Guattari, (Pierre) Felix". W Encyclopedia of Contemporary Literary Theory, redaktor Irena Makaryk, 351–52. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-111.
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Bailey, Julius. "Catastrophe of Success: Marshall McLuhan, Gilles Deleuze, and Felix Guattari". W Philosophy and Hip-Hop, 137–49. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137429940_9.
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Arienzo, Alessandro. "Time Out of Joint: Gilles Deleuze and Felix Guattari on Time and Capitalism". W Studies in Applied Philosophy, Epistemology and Rational Ethics, 95–102. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-24895-0_10.
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Berressem, Hanjo. "Introduction: Guattari and Ecology". W Felix Guattari's Schizoanalytic Ecology, 1–22. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474450751.003.0001.
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The chapter argues that of the many Guattaris – the psychoanalyst, the philosopher, the scholar of the arts, the cultural critic, and the activist – the most lasting one will be the ecologist, and it places Guattari’s Schizoanalytic Cartographies at the conceptual centre of a schizoecological tryptich that consists of Schizoanalytic Cartographies, The Three Ecologies and Chaosmosis. It then traces some conceptual origins of and inspirations for what Guattari, borrowing a term from deep ecologist Arne Naess, calls his ecosophy. Other such borrowings come from the works of James E. Lovelock, Ilja Prigogine and Isabel Stengers, Humberto Maturana and Francisco Varela, Lucretius, Michel Serres and Gregory Bateson. By way of Guattari’s notion of the machinic, it then positions Guattari’s work in relation to various forms of constructivism. After delineating his own version of a schizoecologic and machinic constructivism, it shows how this schizoecology informs the schizoanalytic practices at La Borde clinic.
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"INTRODUCTION: GUATTARI AND ECOLOGY". W Felix Guattari's Schizoanalytic Ecology, 1–22. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474450782-004.
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Berressem, Hanjo. "Ecosophic Times and Spaces". W Felix Guattari's Schizoanalytic Ecology, 125–82. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474450751.003.0004.
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The chapter deals with the conceptualization of time and space in Schizoanalytic Cartographies. It first shows how Guattari ecologizes the pair of chronic and aionic time by squaring it within the diagram. It then illustrates this squaring by way of Guattari’s notion of time in his reading of Proust, his idea of the speed of determinability, and the deeply ecological time of kairos as the opportune moment to intervene into and to administer a situation. To conclude this section, it explains Guattari notions of affective and synaptic time. In its second section, the chapter develops, referencing Mandelbrot’s notion of fractal space and Leibniz’ notion of integration, the topological, projective space that is adequate to the space of the world. From within this space, urgent ecological questions can be posed. How to live in this world? How to inhabit its spaces? How to construct spaces that are adequate to the world?
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Berressem, Hanjo. "Ecogenesis". W Felix Guattari's Schizoanalytic Ecology, 23–50. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474450751.003.0002.
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Drawing on Erwin Schrödingers concept of a-periodic crystals, the chapter considers crystals and crystallization as the ontological basis of Guattari’s schizoecology. After delineating Guattari’s ecologization of Saussurian semiotics, it traces Guattari and Deleuze’s discussion of Lucretius’ clinamen in A Thousand Plateaus. Drawing on Serres’ reading of the clinamen as the moment of the birth of the world, and on his reading of the clinamen in terms of semiotics, it shows how, by way of the joy of multiplicity and of an immanent physics, Lucretius’ muse Venus Anadyome becomes the conceptual figure of Guattari’s schizoecology. Drawing on the definition of consistency as an invariance within a process, the chapter then reads Thomas Nail notion of Lucretius’ fluid ontology in the light of Guattari’s differentiation between flow and aerosol; a differentiation that allows to conceptualize the birth of schizoecology in analogy to the birth of Venus from the spray of the ocean.
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Berressem, Hanjo. "Conclusion: Right Here, Right Now". W Felix Guattari's Schizoanalytic Ecology, 233–38. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474450751.003.0006.
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Drawing on Jan Smuts’ notion of a holism that is not whole, the conclusion argues that Guattari considers any given situation as always already ecological, and as simultaneously scientific, political, philosophical, biological, chemical, and so on. To consider a situation ecologically, therefore, means to consider it according to an overall ecological attitude, and to administer it with the aim of creating a space that allows to actualize viable modes of life. In the terms of Schizoanalytic Cartography, to act ecologically means to square situations in the light of the operation of an excessive, experimental, luminous world that everywhere favours change and newness over stasis. Accordingly, a schizoecologic ethics should be adequate to the world’s given multiplicity, as expresssed by Heinz von Foerster’s ethical imperative to act in such a way that the number of possibilities of choice increases. For better and worse, Guattari’s schizoecology is always ‘right here, right now.’
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Genosko, Gary. "Felix Guattari in the Age of Semiocapitalism". W Félix Guattari in the Age of Semiocapitalism, 149–69. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474468404-002.
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Rae, Gavin. "Disrupting Sovereignty: Deleuze and Guattari on the War Machine". W Critiquing Sovereign Violence, 93–118. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474445283.003.0005.
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This chapter engages with Gilles Deleuze and Felix Guattari’s analysis of the war machine, suggesting that it contradicts Arendt’s analysis and offers the most radical critique within the radical-juridical paradigm. Premised on the notion that we must rethink sovereignty from ontological difference rather than unity, Deleuze and Guattari radically undermine the indivisibility that defines the classic-juridical conception. Far from being located in one individual or point, sovereignty is always tied to the State, which is a multiplicity that expresses the constantly moving, fluid, and dynamic field of difference. By thinking the social world in terms of heterogeneity, Deleuze and Guattari undermine the hierarchical conception of sovereignty underpinning the classic-juridical model, but continue to implicitly insist that State sovereignty is tied to the maintenance of juridical order; an order that is always threatened by or in conflict with the war machine that disrupts it. As a consequence, they conclude that sovereign order is always far more unstable and disordered than it appears to be.
Streszczenia konferencji na temat "Felix Guattari"
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Vuk, Amir. "SARAJEVO ĆE BITI, SVE DRUGO ĆE PROĆI". W Političko-pravni i zakonski položaj Grada Sarajeva u sistemu lokalne samouprave u Bosni i Hercegovini: mogućnosti reforme nadležnosti i teritorijalne organizacije. Academy of Sciences and Arts of Bosnia and Herzegovina, 2022. http://dx.doi.org/10.5644/pi2022.204.12.
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This is theoretical work for better understanding what Sarajevo is today. Since the focus is on contemporary society, our work begins with the concept of the rhizome, which Gilles Deleuze and Felix Guattari used as a metaphor to explain the nature of knowledge, information, and social relation. This concept applied information age defined in works Manuel Castells. The rise of the networking society, they application in actual life in town. In this work after highlighted some od phenomena of the world today analyzing urban layers in memories of the Sarajevo, from period when Sarajevo establishing, when ottoman empire era rule in Bosnia, Austro-Hungarian period, and rule in the both Jugoslav era and finely, and finely reflex on post-Dayton position like capital town in independent state BIH, and what that happen in space. One part of our analyzing is to discover what kind of the rule was dominate in history of the town. Very important focus in this work is to clear fined definition, what is Sarajevo today, and why this city, lost your competition like town and disappear in concept the Canton Sarajevo. We are try to find reason of that position the town in organization today, and try to give some suggestion, how to find some solution for better thinking about the city region. Today is divided town, and we have to try to find solution for charismatic position in the future of the town. It will be imagination, like tools which help to find light in the end.