Gotowe bibliografie tematyczne / Federal aid to the arts – Australia

Gotowa bibliografia na temat „Federal aid to the arts – Australia”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 29 stycznia 2023

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Artykuły w czasopismach na temat "Federal aid to the arts – Australia"

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Blaylock, Malcolm. "Subsidy, Community, and ‘Excellence’ in Australian Theatre". New Theatre Quarterly 2, nr 5 (luty 1986): 75–79. http://dx.doi.org/10.1017/s0266464x00001937.

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The Australian Labour government elected in 1972 (and sacked in highly controversial circumstances by the Governor-General in 1975) instituted under the premiership of Gough Whitlam a policy of greatly increased subsidy for the arts. But this was succeeded by a period of neglect, culminating in a drastic policy of cutbacks in 1981; and the election of a new Labour government in 1983 thus coincided with a major debate over both the nature and the distribution of arts subsidy, which has resulted in a wider spread of funding for culturally diverse forms of theatre. Malcolm Blaylock works both as director of one of the new community-based companies. Junction Theatre, and as a member of the federal funding body, the Theatre Board of the Australia Council: he talked to Graham Ley about both aspects of his work, and the background to the present funding policy.
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Monnox, Chris. "“Men, money, and motors”: The motor car as an emerging technology in Australian Federal Election Campaigns, 1903–31". Journal of Transport History 40, nr 2 (27.02.2019): 232–50. http://dx.doi.org/10.1177/0022526619831396.

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The appearance of the car in early twentieth-century Australia significantly re-shaped election campaigns. Political parties used cars to bring voters to polling places, and some voters took advantage of elections by making their voting contingent on these free rides. Politicians and other campaigners took exception to the cost of supplying cars and to the attitudes evident in demands for rides. Some saw compulsory voting as a way of forcing voters to provide for their own transportation. Introduced mostly in the 1920s, compulsory voting’s impact was initially muted. But over time it did change how cars were used in Australian politics. One hundred years on compulsory voting remains in force in Australia, and cars are still seldom used on election day. This serves as an enduring example of how new technologies could have a disruptive impact on campaigning prior to the advent of radio and television.
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Tabrett, Leigh. "The development of cultural indicators for Australia – policy-making in a federal system of government". Cultural Trends 23, nr 2 (3.04.2014): 82–92. http://dx.doi.org/10.1080/09548963.2014.897449.

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Lecours, André, i Daniel Béland. "The Institutional Politics of Territorial Redistribution: Federalism and Equalization Policy in Australia and Canada". Canadian Journal of Political Science 46, nr 1 (marzec 2013): 93–113. http://dx.doi.org/10.1017/s000842391300019x.

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Abstract.A key challenge for comparative politics is to explain the varying degrees of political conflict triggered by the territorial redistribution of financial resources. Federal systems pose this question particularly acutely since they typically operate equalization programs that generate different levels and patterns of intergovernmental conflict. For instance, in Canada equalization has generated serious conflict between federal and provincial governments whereas in Australia it has only led to low-level grumblings on the part of some states which have taken shots at others. This article sheds light on the causes for conflict around the territorial redistribution of financial resources by explaining why equalization has produced more severe intergovernmental conflict in Canada than in Australia. It argues that institutional factors linked to the governance structures of equalization and the nature of federalism are at the heart of the cross-national difference. More specifically, the presence of an arms-length agency administrating equalization in Australia compared to executive discretion over the program in Canada and the weaker status and lesser power of states in comparison to Canadian provinces means that equalization policy is more subject to political challenges in Australia than in Canada.Résumé.Une question majeure pour la politique comparée contemporaine, et plus particulièrement le fédéralisme comparé, est celle des conflits politiques et intergouvernementaux générés par la distribution territoriale des ressources fiscales. Au Canada, au cours de la dernière décennie, le programme de péréquation a suscité des conflits importants entre le gouvernement fédéral et les provinces, tandis qu'en Australie la péréquation ne provoque qu'un mécontentement épisodique entre les états fédérés. Cet article cherche à expliquer cette différence. Il suggère que des facteurs institutionnels liés à la gouvernance de la péréquation et à la nature des systèmes fédéraux sont au centre de l'explication. Plus précisément, l'article suggère que la présence d'une agence quasi-indépendante pour administrer la péréquation en Australie et son absence au Canada ainsi que la faiblesse relative des états australiens par rapport aux provinces canadiennes font que la péréquation au Canada est plus sujette aux attaques politiques qu'en Australie.
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Tombesi, Paolo. "Back to the future: the pragmatic classicism of Australia's Parliament House". Architectural Research Quarterly 7, nr 2 (czerwiec 2003): 140–54. http://dx.doi.org/10.1017/s1359135503002100.

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Until the launch of Federation Square in Melbourne, in 1997, Australia's contribution to the history of international architectural competitions consisted essentially of two buildings: the Sydney Opera House, won by Jørn Utzon in 1957, and the Federal Parliament House in Canberra, won by Mitchell/Giurgola and Thorp (MGT) in 1980. While Utzon's building is widely acknowledged as a daring piece of innovative design and one of the architectural icons of this century, MGT's winning scheme for Parliament House drew heavy criticism from the moment the proposal was unveiled: neo-Classicist lines, a Beaux-Arts parti, and the building's occupation of Capital Hill – at the top of the Griffins' 1912 scheme for Canberra – were seen by many as displaying a lack of sensibility towards Australian landscape, culture, and ingenuity, and as the result of a conservative approach to contemporary urban design.
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Richardson, Nick. "The 1931 Australian Federal Election—Radio Makes History". Historical Journal of Film, Radio and Television 30, nr 3 (wrzesień 2010): 377–89. http://dx.doi.org/10.1080/01439685.2010.505037.

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Woodhams, Libby. "The Arts in Health: Implications for Artistic and Health Practice, Policy Development, Education and Training". Australian Journal of Primary Health 1, nr 1 (1995): 66. http://dx.doi.org/10.1071/py95010.

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Although there have been art programs in some Australian health care settings for a number of years they are neither an integral part of health policy or practice, nor of arts policy and practice. A fuller appreciation of what it means to be a person might illustrate why art practices in health settings provide so many, often uncomfortable, challenges to long held assumptions that patients should be passive and accepting, whereas art practices expect them to be active, moral, self defining agents. What is required is collaboration and co-operation at federal, state and local levels between departments and organisations in the arts, health and education, so that the arts might regain their vital role in the care of the sick and in the health of our communities.
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Lippi, Kehla, Fiona H. McKay i Hayley J. McKenzie. "Representations of refugees and asylum seekers during the 2013 federal election". Journalism 21, nr 11 (5.10.2017): 1611–29. http://dx.doi.org/10.1177/1464884917734079.

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Immigration policy, arrival modes, human rights, and international obligations have all been part of the debate that has ensued over the Australian Government’s policy response towards refugees and asylum seekers. This debate was a central campaign focus in the lead up to the 2013 Australian federal election and was accompanied by extensive media coverage. This media coverage is a significant contributor to the representation of refugees and asylum seekers to the Australian public. This study explores how refugees and asylum seekers were represented in Australian print news media in the period immediately before and after the 2013 federal election. Using news framing and critical discourse analysis, this study examined 162 articles, published between 7 August and 8 October 2013, in Australian newspapers. The analysis revealed two opposing themes in the representation of asylum seekers: refugees and asylum seekers were represented as either a threat requiring a military intervention or as victims requiring management. The findings of this study demonstrate the ways in which the print media contribute to a polarised representation of refugees and asylum seekers and the potential deleterious effect of this dichotomous construction to an informed public opinion.
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Akram, Sidra, Mian Muhammad Azhar, Abdul Basit, Muhmmad Ikram Ul Haq i Muhammad Waris. "PANDEMIC COVID-19: COMPARATIVE STUDY OF SOCIAL AND SCIENTIFIC DEVELOPMENTS BY PUNJAB AND SINDH GOVERNMENTS IN PAKISTAN". Humanities & Social Sciences Reviews 9, nr 2 (27.04.2021): 429–39. http://dx.doi.org/10.18510/hssr.2021.9242.

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Purpose: The study analyzes the growing situation of Covid-19 in Pakistan and highlights the recent scientific and social developments made during this pandemic. The paper highlights the exertions of the government of Pakistan in general and especially the preventing measures taken by the Punjab and Sindh government to fight this pandemic. The paper discusses the emergency preparedness and response to the Covid-19 in Pakistan. Method: This research uses publicly available data to inspect the current situation of epidemic Covid-19 and its preventive measures in Pakistan, especially in Punjab and Sindh province. Besides, documents on the website of the daily situation report of NIH (National Institute of Health), WHO covid-19 dashboard (services and coordination) Ministry of National Health Regulation, different scholarly articles, and already existing world reports have been reviewed and analyzed Main Findings: The outbreak of Covid-19 was experienced first time in December 2019 at Wuhan city of China which spread promptly in China and then all-inclusive in 213 other countries including Australia, Asia, Europe, America, and Pakistan as well. Experts believed that in a developing country like Pakistan, its effects would be devastating. It has caused approximately 2, 862, 664 deaths and affected more than 131, 837, 512 people worldwide, while its statistics are growing fast. However, several steps have been adopted to overcome Covid-19 worldwide. Even, drastic measures were taken with limited resources in Pakistan to curb the growing situation of Covid-19 such as lockdown, awareness campaign, quarantine facilities, special hospitals, and laboratories for testing the virus. Application of the Study: The results of this research help the Pakistani government to make their policies more target-ordinated and systematic to cure this pandemic to restore its vigilance with available resources against Covid-19 and trained human capacities, laboratory networks, policy formulation, and national emergency preparedness. The originality of the Study: This research contributes that confusion and uncertainty between the policies of the federal government and provinces on lockdown measures could lead the thousands of untimely deaths. Experts believed that in a developing country like Pakistan, its effects would be devastating. Despite its limited resources, Pakistan took a stand against an epidemic coronavirus and made it a single-point agenda by all the provinces of Pakistan.
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MCCORMACK, JOHN. "Commonwealth of Australia, Federal Treasurer, Intergenerational Report 2002–03, Budget Paper 5, Commonwealth of Australia Printing Office, Canberra, 2002, 94 pp., ISBN 0642 74142 5. Available online at www.treasury.gov.au Victoria State Government, Department of Treasury and Finance, Shaping a Prosperous Future, Discussion Paper, Victorian State Government, Melbourne, 2003, 88 pp., ISBN 0 7311 1459 0. Available online at www.dtf.vic.gov.au Myer Foundation, 2020 A Vision for Aged Care in Australia, The Myer Foundation, Melbourne, 2002, 41 pp. Available online at www.myerfoundation.org.au". Ageing and Society 24, nr 3 (26.04.2004): 484–87. http://dx.doi.org/10.1017/s0144686x04251984.

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Rozprawy doktorskie na temat "Federal aid to the arts – Australia"

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Ross, Jane Elizabeth. "Regional Victorian arts festivals : from community arts to an industry based model /". Connect to thesis, 1999. http://eprints.unimelb.edu.au/archive/00000957.

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Pribil, Stephanie. "Biting the hand that feeds you : the connections between art, state and marketplace in Australia, 1973-1993 /". Title page and introduction only, 1993. http://web4.library.adelaide.edu.au/theses/09AR/09arp9448.pdf.

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Gibson, Lisanne, i L. Gibson@mailbox gu edu au. "Art and Citizenship- Governmental Intersections". Griffith University. School of Film, Media and Cultural Studies, 1999. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20030226.085219.

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The thesis argues that the relations between culture and government are best viewed through an analysis of the programmatic and institutional contexts for the use of culture as an interface in the relations between citizenship and government. Discussion takes place through an analysis of the history of art programmes which, in seeking to target a 'general' population, have attempted to equip this population with various particular capacities. We aim to provide a history of rationalities of art administration. This will provide us with an approach through which we might understand some of the seemingly irreconcilable policy discourses which characterise contemporary discussion of government arts funding. Research for this thesis aims to make a contribution to historical research on arts institutions in Australia and provide a base from which to think about the role of government in culture in contemporary Australia. In order to reflect on the relations between government and culture the thesis discusses the key rationales for the conjunction of art, citizenship and government in post-World War Two (WWII) Australia to the present day. Thus, the thesis aims to contribute an overview of the discursive origins of the main contemporary rationales framing arts subvention in post-WWII Australia. The relations involved in the government of culture in late eighteenth-century France, nineteenth-century Britain, America in the 1930s and Britain during WWII are examined by way of arguing that the discursive influences on government cultural policy in Australia have been diverse. It is suggested in relation to present day Australian cultural policy that more effective terms of engagement with policy imperatives might be found in a history of the funding of culture which emphasises the plurality of relations between governmental programmes and the self-shaping activities of citizens. During this century there has been a shift in the political rationality which organises government in modern Western liberal democracies. The historical case studies which form section two of the thesis enable us to argue that, since WWII, cultural programmes have been increasingly deployed on the basis of a governmental rationality that can be described as advanced or neo-liberal. This is both in relation to the forms these programmes have taken and in relation to the character of the forms of conduct such programmes have sought to shape in the populations they act upon. Mechanisms characteristic of such neo-liberal forms of government are those associated with the welfare state and include cultural programmes. Analysis of governmental programmes using such conceptual tools allows us to interpret problems of modern social democratic government less in terms of oppositions between structure and agency and more in terms of the strategies and techniques of government which shape the activities of citizens. Thus, the thesis will approach the field of cultural management not as a field of monolithic decision making but as a domain in which there are a multiplicity of power effects, knowledges, and tactics, which react to, or are based upon, the management of the population through culture. The thesis consists of two sections. Section one serves primarily to establish a set of historical and theoretical co-ordinates on which the more detailed historical work of the thesis in section two will be based. We conclude by emphasising the necessity for the continuation of a mix of policy frameworks in the construction of the relations between art, government and citizenship which will encompass a focus on diverse and sometimes competing policy goals.
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Bentley-Smith, Elizabeth A. "Public support for the arts : the suburban counties profiles project /". Philadelphia, Pa. : Drexel University, 2002. http://dspace.library.drexel.edu/handle/1860/390.

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Russell, James C. "The administration of public support for the arts in Pennsylvania and the response of third sector music organizations to changes in funding from the Pennsylvania Council on the Arts". Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1993. http://www.kutztown.edu/library/services/remote_access.asp.

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Redd, Tina. "The struggle for administrative and artistic control of the Federal Theatre Negro units /". Thesis, Connect to this title online; UW restricted, 1996. http://hdl.handle.net/1773/10222.

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Roche, Vivienne Carol. "Razor gang to Dawkins : a history of Victoria College, an Australian College of Advanced Education". Connect to digital thesis, 2003. http://eprints.unimelb.edu.au/archive/00000468.

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Heath, Karen Patricia. "Conservatives and the politics of art, 1950-88". Thesis, University of Oxford, 2014. https://ora.ox.ac.uk/objects/uuid:d62a078b-4009-40a8-8765-1a4f5e0fbcbc.

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This thesis offers a new policy history of the National Endowment for the Arts, the federal agency responsible for providing grants to artists and arts organisations in the United States. It focuses in particular on the development of conservative perspectives on federal arts funding from the 1950s to the 1980s, and hence, illuminates the broader evolution of conservative political power, especially its limits. The most familiar narrative holds that the Endowment found itself caught up in the Culture Wars of the late 1980s when Christian right groups objected to certain federal grants, particularly to Andres Serrano's Piss Christ and Robert Mapplethorpe's Self-Portrait with Whip. This thesis, however, uncovers the older origins of conservative opposition to state support for the arts, analyses conservative conceptions of art, and illuminates the limited federal role the right sought to secure in the arts in the post-war period. Numerous studies have analysed the meanings and origins of the Culture Wars, but until now, scholars had not examined conservative approaches to federal arts politics in a historical sense. Historians have generally been too interested in explaining change to the detriment of examining continuity, but this approach under-emphasises the long-term tensions that underlie seemingly sudden political eruptions. This work also offers a deep account of the conservative movement and the arts world, an area that has so far been almost completely ignored by scholars, even though a focus on marginalised players is essential to understanding the limits of conservatism. In a general sense then, this thesis evaluates the range and diversity of the conservative movement and illuminates the overall odyssey of the right in modern America. In so doing, it provides a new insight into the ways we periodise political history and also invites a broader view of how we understand politics itself.
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Klages, Gregory. ""Will the establishment finance the revolution?" : Canadian arts advocacy groups, the federal government, and development of arts policies, 1963-1972 /". 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:NR46000.

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Thesis (Ph.D.)--York University, 2008. Graduate Programme in Communication and Culture.
Typescript. Includes bibliographical references (leaves 430-443). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:NR46000
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Watson, Louis E. "Intentions, opportunities and outcomes : the impact of Commonwealth involvement in Australian schooling". Phd thesis, 1998. http://hdl.handle.net/1885/144753.

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Książki na temat "Federal aid to the arts – Australia"

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Gardiner-Garden, John. Arts policy in Australia: A history of Commonwealth involvement in the arts. Canberra: Dept. of the Parliamentary Library, 1994.

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Brokensha, Peter. Culture and community: Expectations and economics of the arts in South Australia. Wentworth Falls, N.S.W., Australia: Social Science Press, 1986.

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1958-, Fraser Margaret, red. Arts management: A practical guide. St. Leonards, N.S.W: Allen & Unwin, 1996.

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The uses of art. St Lucia, Queensland: University of Queensland Press, 2001.

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National Centre for Culture and Recreation Statistics. Cultural funding in Australia: Three tiers of government, 1999-2000. [Australia]: Cultural Ministers Council Statistics Working Group, 2002.

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Fortier, André. Development and growth of federal arts policies in the arts, 1944-1985. Ottawa: Dept. of Communications, 1985.

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National Endowment for the Arts., red. Expansion arts now. [Washington, D.C.]: National Endowment for the Arts, 1994.

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Divadelní ústav (Prague, Czech Republic). Institut umění. Studie současného stavu podpory umění. Praha: Institut umění, 2009.

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Katz, Jonathan. Building coalitions for a creative America: A practical guide to federal resources for cultural activities. Washington, DC: National Assembly of State Arts Agencies, 1994.

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Assembly, American. The arts & government: Questions for the ninties : November 8-11, 1990, Arden House, Harriman, New York. [New York]: American Assembly, Columbia University, 1990.

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Części książek na temat "Federal aid to the arts – Australia"

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Nascimento, Paulo Meyer, i Manoela Vilela Araújo Resende. "A Comparative Study of the Federal Higher Education Student Financial Aid Systems in Brazil, Australia, and the United States". W Intercultural Studies in Higher Education, 285–313. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15758-6_11.

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Luckman, Susan, i Jane Andrew. "Educating for Enterprise". W Creative Working Lives, 65–100. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-44979-7_3.

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AbstractThis chapter will provide a necessarily brief historical overview of the models of training available to support skills development for the applied arts in Australia, from colonial cottage industries to the educational experiences of the contemporary craftspeople and designer makers who participated in this study. In doing so, it will highlight significant contemporary Australian federal and state government political and economic policy agendas that have directly and indirectly influenced changes to the nature, form and institutional investment in education supporting the development of contemporary Australian makers. The second half of this chapter reports on the research participants’ educational experiences and sense of how well prepared they were upon graduating to establish and sustain a viable creative enterprise.
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Raporty organizacyjne na temat "Federal aid to the arts – Australia"

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Cunningham, Stuart, Marion McCutcheon, Greg Hearn, Mark Ryan i Christy Collis. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Sunshine Coast. Queensland University of Technology, grudzień 2020. http://dx.doi.org/10.5204/rep.eprints.136822.

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The Sunshine Coast (unless otherwise specified, Sunshine Coast refers to the region which includes both Sunshine Coast and Noosa council areas) is a classic regional hotspot. In many respects, the Sunshine Coast has assets that make it the “Goldilocks” of Queensland hotspots: “the agility of the region and our collaborative nature is facilitated by the fact that we're not too big, not too small - 330,000 people” (Paddenburg, 2019); “We are in that perfect little bubble of just right of about everything” (Erbacher 2019). The Sunshine Coast has one of the fastest-growing economies in Australia. Its population is booming and its local governments are working together to establish world-class communications, transport and health infrastructure, while maintaining the integrity of the region’s much-lauded environment and lifestyle. As a result, the Sunshine Coast Council is regarded as a pioneer on smart city initiatives, while Noosa Shire Council has built a reputation for prioritising sustainable development. The region’s creative economy is growing at a faster rate that of the rest of the economy—in terms of job growth, earnings, incomes and business registrations. These gains, however, are not spread uniformly. Creative Services (that is, the advertising and marketing, architecture and design, and software and digital content sectors) are flourishing, while Cultural Production (music and performing arts, publishing and visual arts) is variable, with visual and performing arts growing while film, television and radio and publishing have low or no growth. The spirit of entrepreneurialism amongst many creatives in the Sunshine Coast was similar to what we witnessed in other hotspots: a spirit of not necessarily relying on institutions, seeking out alternative income sources, and leveraging networks. How public agencies can better harness that energy and entrepreneurialism could be a focus for ongoing strategy. There does seem to be a lower level of arts and culture funding going into the Sunshine Coast from governments than its population base and cultural and creative energy might suggest. Federal and state arts funding programs are under-delivering to the Sunshine Coast.
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McIntyre, Phillip, Susan Kerrigan i Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Albury-Wodonga. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206966.

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Albury-Wodonga, situated in Wiradjuri country, sits astride the Murray River and has benefitted in many ways from its almost equidistance from Sydney and Melbourne. It has found strength in the earlier push for decentralisation begun in early 1970s. A number of State and Federal agencies have ensured middle class professionals now call this region home. Light industry is a feature of Wodonga while Albury maintains the traditions and culture of its former life as part of the agricultural squattocracy. Both Local Councils are keen to work cooperatively to ensure the region is an attractive place to live signing an historical partnership agreement. The region’s road, rail, increasing air links and now digital infrastructure, keep it closely connected to events elsewhere. At the same time its distance from the metropolitan centres has meant it has had to ensure that its creative and cultural life has been taken into its own hands. The establishment of the sophisticated Murray Art Museum Albury (MAMA) as well as the presence of the LibraryMuseum, Hothouse Theatre, Fruit Fly Circus, The Cube, Arts Space and the development of Gateway Island on the Murray River as a cultural hub, as well as the high profile activities of its energetic, entrepreneurial and internationally savvy locals running many small businesses, events and festivals, ensures Albury Wodonga has a creative heart to add to its rural and regional activities.
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