Rozprawy doktorskie na temat „Feature film”
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Frykholm, Joel. "Framing the Feature Film : Multi-Reel Feature Film and American Film Culture in the 1910s". Doctoral thesis, Stockholm : Acta Universitatis Stockholmiensis : eddy.se [distributör], 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-29742.
Pełny tekst źródłaMiami, Silas. "Tero Buro: Feature film script". Master's thesis, Faculty of Humanities, 2020. http://hdl.handle.net/11427/32801.
Pełny tekst źródłaMcMillan, Matthew Christopher. "Editing the independent, digital feature film, mosaic". Thesis, Queensland University of Technology, 2007. https://eprints.qut.edu.au/16558/1/Matt_McMillan_Thesis.pdf.
Pełny tekst źródłaMcMillan, Matthew Christopher. "Editing the independent, digital feature film, mosaic". Queensland University of Technology, 2007. http://eprints.qut.edu.au/16558/.
Pełny tekst źródłaFowler, Richard. "Towards a Blueprint for a Music Centred Feature Film". Thesis, University of Sydney, 2020. https://hdl.handle.net/2123/23112.
Pełny tekst źródłaPaitaki, Gregory. "Cast-off: Original script for a feature film". Master's thesis, University of Cape Town, 2011. http://hdl.handle.net/11427/12651.
Pełny tekst źródłaPatterson, John Andre. "Implementing autonomous crowds in a computer generated feature film". Texas A&M University, 2005. http://hdl.handle.net/1969.1/3107.
Pełny tekst źródłaChristy, June Beverley. "Prospects for a feature film industry in British Columbia". Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/31230.
Pełny tekst źródłaApplied Science, Faculty of
Community and Regional Planning (SCARP), School of
Graduate
Johnston, Jacob H. "The Sherwood Method creating an independent Christian feature film /". Lynchburg, Va. : Liberty University, 2009. http://digitalcommons.liberty.edu.
Pełny tekst źródłaHaynes, Thomas. "Modernization and the Wilhelmine feature film : vision, multitude, motion". Thesis, University College London (University of London), 2017. http://discovery.ucl.ac.uk/10024667/.
Pełny tekst źródłaSedgwick, John. "The British film industry and the market for feature films in Britain 1932-37". Thesis, London Metropolitan University, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260284.
Pełny tekst źródłaKitzinger, Leslie. "HOPE FOR A THORN: THE MAKING OF A MICROBUDGET DIGITAL FEATURE FILM". Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2175.
Pełny tekst źródłaM.F.A.
School of Film and Digital Media
Arts and Humanities
Film and Digital Media MFA
Gallina, Dino. "RED TIDE: A FEATURE LENGTH MOTION PICTURE". Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2198.
Pełny tekst źródłaM.F.A.
School of Film and Digital Media
Arts and Humanities
Film and Digital Media MFA
Hughes, Alan Edmund. "The North of England in British fiction feature film, 1927-2000". Thesis, University of Central Lancashire, 2018. http://clok.uclan.ac.uk/24013/.
Pełny tekst źródłaHoucken, Robin. "The international feature film industry : national advantage and international strategies for European fim companies /". [S.l.] : [s.n.], 1999. http://aleph.unisg.ch/hsgscan/hm00111812.pdf.
Pełny tekst źródłaDaneau, Daniel. "THE ATTIC DOOR: A FEATURE LENGTH MOTION PICTURE". Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2224.
Pełny tekst źródłaM.F.A.
School of Film and Digital Media
Arts and Humanities
Film and Digital Media MFA
Stott, Rosemary. "The Western feature film import in the GDR 1971-1989 :". Thesis, University of Reading, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.435708.
Pełny tekst źródłaHarper-Ditmar, Susan. "The representation of history in British feature film 1933-50". Thesis, University of Westminster, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302968.
Pełny tekst źródłaFerrari, Matthew P. "Mysterious Objects of Knowledge: An Interpretation of Three Feature Films by Apichatpong Weerasethakul in Terms of the Ethnographic Paradigm". Ohio : Ohio University, 2006. http://www.ohiolink.edu/etd/view.cgi?ohiou1150466591.
Pełny tekst źródłaZhang, Yu. "Developing a Cinematic Language for Virtual Reality Filmmaking". Thesis, Griffith University, 2020. http://hdl.handle.net/10072/399975.
Pełny tekst źródłaThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Griffith Film School
Arts, Education and Law
Full Text
Murray, Mikey. "Building city : the impact of theory, creativity, and market in feature film development and practice-led film research". Thesis, Bangor University, 2015. https://research.bangor.ac.uk/portal/en/theses/building-city-the-impact-of-theory-creativity-and-market-in-feature-film-development-and-practiceled-film-research(561a4703-4acf-43ce-b6b6-02c4056f7567).html.
Pełny tekst źródłaEnglesson, Dan. "Improving the visual quality of computer generated crowds for feature film production". Thesis, Linköpings universitet, Medie- och Informationsteknik, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-91333.
Pełny tekst źródłaDavis, Amy Michele. "Disney's women : changes in depictions of femininity in Walt Disney's animated feature films, 1937-1999". Thesis, University College London (University of London), 2001. http://discovery.ucl.ac.uk/1382007/.
Pełny tekst źródłaChircop, Dean. "Branded Content and Australian Hybrid Film Financing". Thesis, Griffith University, 2017. http://hdl.handle.net/10072/366859.
Pełny tekst źródłaThesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
Arts, Education and Law
Full Text
Allison, Deborah. "Promises in the dark : opening title sequences in American feature films of the sound period". Thesis, University of East Anglia, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.247223.
Pełny tekst źródłaCowan, Judith Marjorie. "Creating the British feature film industry : W.G. Barker and G.B. Samuelson, 1909-1916". Thesis, Birkbeck (University of London), 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.500057.
Pełny tekst źródłaCorradini, Ryan Arthur. "A Hybrid System for Glossary Generation of Feature Film Content for Language Learning". BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2238.
Pełny tekst źródłaVanaria, Francis Joseph III. "Postmodern mysticism: a study of the feature films of Guillermo del Toro". Thesis, Boston University, 2014. https://hdl.handle.net/2144/21268.
Pełny tekst źródłaThis thesis explores the work of the director Guillermo del Toro. In a career that spans 20 years working in feature films, del Toro has directed the Spanish-language art Cronos (1993) in Mexico, and The Devil’s Backbone (2001) and Pan’s Labyrinth (2006) in Spain. Del Toro has also worked extensively in Hollywood, wherein he directed Mimic (1997), Blade II (2002), Hellboy (2004), Hellboy II: The Golden Army (2008), and, most recently, Pacific Rim (2013). Amongst these, del Toro regularly blends generic elements, and in doing so questions the boundaries dividing genres of: horror, sci-fi, fantasy, anime, melodrama, and the superhero. Making use of auteur theory, this study discusses the entirety of del Toro’s feature films in order to position the director as an auteur. As such, the motifs del Toro repeats in and across these 8 films are of central concern, as well as any biographical information to contextualize del Toro’s personal and aesthetic concerns. In particular, this thesis looks at del Toro’s stylistic and diegetic invocations of certain features of fairytales—the relation between reality and fantasy (Pan’s Labyrinth and Hellboy II), the fairytale trope of the curse (as in Cronos, Mimic, and The Devil’s Backbone), and the hunter archetype (which is emphasized in Blade II, Hellboy, and Pacific Rim). In addition, this study finds that the sacred and the profane constitute a central dialogue woven throughout del Toro’s films. Ultimately, this thesis concludes that del Toro can be considered an auteur in that he appropriates genre, fairytale motifs, and the sacred and the profane in order to explore bodies—human and nonhuman (that is, bodies of monsters, machines, and the divine)— as works of art that challenge the possibility of defining the body in singular terms (that is, as human, male, adult, white, etc.).
2031-01-01
Skopeteas, Ioannis. "Photographic practice and aesthetics in the film image : the case of the Greek feature films in the mid 1990s". Thesis, University of Westminster, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.434289.
Pełny tekst źródłaWard, Karla. "A depiction of the ghetto in feature film : a cinematic platform for confronting contemporary representations of ghetto occupancy". Master's thesis, University of Cape Town, 2008. http://hdl.handle.net/11427/8130.
Pełny tekst źródłaIncludes bibliographical references (leaves 30-31).
The thesis film project, Mile in My Shoes, is a narrative depiction of a particular South African experience that consists of broader implications. It utilizes the ghetto/township setting to illustrate diverse, counter hegemonic depictions of black and especially black African characters, lifestyles, images, love, gender, and their position/focus in film.
Strömberg, Daniel. "Film om film : En analys av dokumentärfilmer om fiktionsfilmer". Thesis, Linköping University, Department of Thematic Studies, 2003. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-2044.
Pełny tekst źródłaThis thesis is a study of documentaries about fictional feature films. The development of the DVD format has contributed strongly to their massive increase in quantity. The capacity of the format enables film companies to include more material than the feature film itself. As some people regard this type of documentary as self-righteous and presumtious, others think of it as a great educational aid giving the audience a greater understanding of the intentions of the director and others involved, thus adding more levels to the experience of watching movies. By using established theory on documentary I’m trying to find distinctive features of ‘documentary on fiction’.
I uppsatsen studeras dokumentärfilmer som behandlar spelfilmer. Det är en företeelse som växt starkt i och med lanseringen av det nya videoformatet DVD. Formatets kapacitet har möjliggjort att man kunnat inkludera mer material än bara själva filmen. Idag är det nästan självklart att man på något sätt dokumenterar arbetet med en film, men man gör det på många olika sätt och med olika syften. Det finns många åsikter om denna typ av dokumentär. Vissa röster hävdar att de endast kan vara självförhärligande och partiska, medan andra anser att de ger fiktionsfilmer ett större djup och tittaren en ökad respekt och förståelse för verket.
Jag vill med min undersökning hitta kännetecken för dokumentärfilmer om fiktionsfilmer och detta gör jag med hjälp av etablerad dokumentärfilmsteori. Genom analysen diskuterar jag bland annat filmernas funktion, problematik och relation till fiktionsfilmen.
Smith-Eivemark, Jane Elizabeth Ann. "Pamela Bay, a screenplay, and, Developing a methodology for theological connoisseurship of feature film". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0018/NQ48901.pdf.
Pełny tekst źródłaLudwin, Linda Grace. "The one-shot deal : temporary organizations, UK feature film units, and learning organization theory". Thesis, Open University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402257.
Pełny tekst źródłaPiecowye, James David Dean. "The contradictions of culture and commerce in Telefilm Canada's feature film fund 1981-1998". [Montréal] : Université de Montréal, 2003. http://wwwlib.umi.com/cr/umontreal/fullcit?pNQ82750.
Pełny tekst źródła"NQ-82750." "Thèse présentée à la faculté des études supérieures en vue de l'obtention du grade de doctorat en sciences de la communication." Version électronique également disponible sur Internet.
McKenzie, Susan M., i n/a. "Canadian and Australian Feature Film Policy in Perspective: A Comparative Study from 1968 to 1998". Griffith University. School of Arts, Media and Culture, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040804.142852.
Pełny tekst źródłaMcKenzie, Susan M. "Canadian and Australian Feature Film Policy in Perspective: A Comparative Study from 1968 to 1998". Thesis, Griffith University, 2004. http://hdl.handle.net/10072/366616.
Pełny tekst źródłaThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Arts, Media and Culture
Full Text
Davis, Isabelle. "Clean Sweep". Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/971.
Pełny tekst źródłaMorris, Anthony Kevin. "It's all a plot : an examination of the usefulness of the popularly accepted structural paradigm in the practice of writing of a feature film script". Thesis, Queensland University of Technology, 2008. https://eprints.qut.edu.au/16632/1/Anthony_Morris_Thesis.pdf.
Pełny tekst źródłaMorris, Anthony Kevin. "It's all a plot : an examination of the usefulness of the popularly accepted structural paradigm in the practice of writing of a feature film script". Queensland University of Technology, 2008. http://eprints.qut.edu.au/16632/.
Pełny tekst źródłaSchutte, Barend-Christiaan. "Images of a new German identity : the portrayal of the unification process in documentary and feature films since 1990". Thesis, Southampton Solent University, 2005. http://ssudl.solent.ac.uk/593/.
Pełny tekst źródłaGasher, Mike. "The Grey Fox meets Jumanji : the emergence of the feature-film industry in British Columbia". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape7/PQDD_0005/NQ39017.pdf.
Pełny tekst źródłaSutphin, Elizabeth Anne Hopkins. "The Last Two Years of David Brachman: Designing a Feature Film on a Micro Budget". Master's thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5523.
Pełny tekst źródłaID: 031001283; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Includes shooting script: The Last Two Years of David Brachman.; Title from PDF title page (viewed February 26, 2013).; Thesis (M.F.A.)--University of Central Florida, 2012.; Includes bibliographical references (p. 275-277).
M.F.A.
Masters
Theatre
Arts and Humanities
Theatre; Design
Коломієць, Д., Наталія Володимирівна Руденко, Наталия Владимировна Руденко i Nataliia Volodymyrivna Rudenko. "Підходи до перекладу заголовків англійських фільмів". Thesis, Сумський державний університет, 2016. http://essuir.sumdu.edu.ua/handle/123456789/46631.
Pełny tekst źródłaGabor, Elena. "The stereotype caravan: Assessment of stereotypes and ideology levels used to portray Gypsies in two European feature films". Thesis, Virginia Tech, 2003. http://hdl.handle.net/10919/34160.
Pełny tekst źródłaMaster of Arts
Makan, Amit J. "Making a feature length documentary film linked to the programme for improving mental health care (PRIME) : process and ethical challenges". Master's thesis, University of Cape Town, 2015. http://hdl.handle.net/11427/20093.
Pełny tekst źródłaDevlin, William Connor. "Exquisite Corpse". Digital Commons at Loyola Marymount University and Loyola Law School, 2020. https://digitalcommons.lmu.edu/etd/918.
Pełny tekst źródłaKamwendo, Mosco. "The role of the black screenwriter-director in the development of feature film-making in Zimbabwe". Thesis, University of the West of England, Bristol, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.620103.
Pełny tekst źródłaBranca, Danilo. "Generazione di attributi facciali mediante Feature-wise Linear Modulation". Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2020. http://amslaurea.unibo.it/20361/.
Pełny tekst źródłaMagnoli, Mirella Martinelli. "A representação da subjetividade no longa-metragem Joana". Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/27/27153/tde-14122011-220637/.
Pełny tekst źródłaTreatment for a fictional long-feature film is the central theme of the present dissertation. Research was conducted based on two axes: the first on film theme (the relation between middle-aged males and females living in urban areas of Brazil nowadays); the second on film language (representations of subjectivity in film). The 20th Century saw huge changes with women taking a new place in social life. As a result, contemporary men saw their historic place unsettled and have not yet repositioned themselves. The mismatch between the new male and female social positions brought great difficulties to relationships, which nowadays are regulated by very few social standards. This theme comes up in Joana through the main characters subjective point of view. In film language, subjectivity, conceived as a specific level of narration shares with the viewer the characters eyes and ears, and/or allows the viewer to get right inside the characters mind. Something beyond the merely formal is required for a film to express high levels of character subjectivity. This research examines some contemporary fiction films, analyzing how subjectivity is represented: the optical point-of-view, characters behavior, expressions of characters inner world, characters speech. A literature review compares inner monologue to how characters thoughts are depicted in film. It also discriminates between other mental activities that can be better expressed in film by different representations other than words. The specific expression needs of this story, based on the focal character, bring on the discussion of script and film treatment writing formats. Sergei Eisensteins writings dealing with screenwriting strategies to privilege emotion are examined. A specific format for the film treatment of this story is searched. A range of representation of subjectivity for this film treatment is defined. The seventh draft of the film treatment is presented.
Norris, James C. III. "Of Fire". Digital Commons at Loyola Marymount University and Loyola Law School, 2019. https://digitalcommons.lmu.edu/etd/786.
Pełny tekst źródła